Tag: 19th century

Review 2327: Chenneville

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John Chenneville, a Union officer, awakens in a field hospital in Virginia to find that the Civil War is over and he has been lying in a coma for months. He has a healing wound on his head where a chain hit him after an explosion. The war is over, but it takes him months to be well enough for the journey home to Bonnemaison in Missouri on the Mississippi.

Once home, he can tell something bad has happened, but he has to wait for his Uncle Basile to arrive from New Orleans to learn what it is. In the meantime, he occupies himself with trying to restore his ravaged estates. Finally, his uncle tells him that on another one of the family estates further south, his sister, her husband and baby have been murdered. His mother has gone to live with Uncle Basile and has not spoken since the event. After waiting longer to improve his strength and coordination, Chenneville sets off to avenge them.

He finds it is an open secret that they were murdered by a man named Dodd. Dodd was a deputy, and it’s clear that the sheriff is going to do nothing about it but has warned Dodd that someone is after him. After going on a wild goose chase, Chenneville learns that Dodd has fled southwest to Texas. He is killing people on the way, and Chenneville eventually finds himself a suspect for one of the murders.

Jiles seems to like writing about people on journeys, and she likes the setting of post-Civil War Texas. Chenneville finds in East Texas an area once more populous and prosperous, now wild and desolate. This novel is involving and eventful as you wonder how Chenneville can avenge his family without destroying his own life.

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Review 2310: Jane Austen at Home

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Although I read Claire Tomalin’s biography of Jane Austen years ago and thought it was very good, I feel that historian Lucy Worsley’s book provides a more personal look at Austen with more detail about her everyday life. Although some references are drawn from Worsley’s knowledge of Georgian society, she doesn’t hesitate to draw inferences from Austen’s novels and letters. Further, I think she has a better sense than some biographers of when in Austen’s letters she is joking

Worsley points out how important a settled home is in Austen’s fiction. Certainly, from the time of her father’s retirement from Steventon, that is something she and her sister and mother did not have that provoked much anxiety.

It was Tomalin’s suggestion that Austen was unable to write when she was unsettled, but Worsley suggests that Austen was working on novels all along but not doing much to market them. She also pointed out some subversive ideas in Austen’s fiction that I never noticed despite how many times I’ve read the novels. In any case, she does a good job of showing how revolutionary Austen’s fiction was for her time.

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Review 2298: Libertie

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Libertie is an African-American girl growing up in pre-Civil War Brooklyn. Her mother, Mrs. Sampson, practices as a homeopath and has been training Libertie in the use of plants. Her great desire is for Libertie to study medicine and become the first African-American woman doctor.

But Libertie seems to be a person who only knows what she doesn’t want. She doesn’t want to study medicine, but her mother arranges a course of study for her at a college in Ohio for African-American students, without consulting her. She is the only girl in the science department. There she decides to punish her mother for sending her away by neglecting her studies. She spends her time trying to figure out how to fit in with one group or another and finally settles on girls nicknamed the Graces, two women with beautiful singing voices.

The novel is mostly concerned with the relationship between the two women—the mother constantly pushing, disapproving, eaten up with ambition for her daughter but with no regard for what her daughter wants, the daughter seeking approval but rebelling at the same time, with no ambitions for her own life. This relationship becomes even more difficult when Libertie comes home after a year at college, lying about her results, and meets Emmanuel Chase, her mother’s protégé from Haiti.

I was uncomfortable with this book, I think, partly because of its first-person point of view. I don’t like historical fiction that makes its heroines modern, and there is nothing 19th century about Libertie’s narrative, especially when it comes to sex. But even more than that, it didn’t help that neither Libertie nor her mother is a particularly appealing character or that all of Libertie’s life decisions are poor ones. A 21st century young person might fritter away the opportunity that her mother is struggling to provide her, for example, but I can’t imagine a 19th century one, with her knowledge of what her people have been through, would. Libertie behaves more like a spoiled 21st century child than someone who in the 19th century would be considered a young woman.

Finally, Greenidge says this novel was inspired by the first African-American woman doctor in the States, but I kept wondering who it was meant to be. Mrs. Sampson herself is not a qualified doctor, and Libertie purposefully sabotages her opportunity in pre-med.

I read this novel for my James Tait Black project.

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Review 2297: Killingly

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Killingly is loosely based on the true story of a student’s disappearance from Mount Holyoke College in 1847.

Bertha Mallish has vanished, but the readers realize that her best friend Agnes Sullivan seems to know something about it. The river has been dragged, but no trace of Bertha can be found.

Bertha and Agnes are the campus misfits. They are hard workers who don’t socialize and are from poor families. However, the last few months they have become very close.

Dr. Hammond, who had been courting Bertha, has arrived at the college with Reverend Mallish, Bertha’s elderly grandfather, and Florence, her much older sister. Florence and Agnes don’t like Dr. Hammond, who quickly develops an obsession about the case, hires a private detective, and behaves as though he’s in charge of the investigation. He becomes suspicious of Agnes.

Beutner is very skillful in how she slowly unfolds the story and reveals what happened to Bertha. She draws you in to a story that is sometimes affecting, sometimes suspenseful. The novel is involving, and I look forward to reading more by Beutner.

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Review 2295: Frederica

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I didn’t set out to reread Frederica, but the Folio Society just brought out a couple of beautiful editions of some of Heyer’s books, so I had to buy them. My original review is here, but I thought I’d talk about some things that struck me this time around.

Heyer has a great sense of humor, and I was tickled by the situation that brings about the climax of the book. Frederica has spent a good deal of ill-afforded money and enlisted Lord Alverstoke’s help with the aim of making a good match for her beautiful but dim-witted sister, Charis. Unfortunately, Charis has fallen in love with Endymion Dauntry, Alverstoke’s handsome but stupid heir. Frederica is skeptical of Charis’s affections because she has fallen in love many times before. Endymion has convinced himself that Alverstoke would prevent the match by having him sent on a mission. Not only does Alverstoke have no power to do so, but he doesn’t really care who Endymion marries. He thinks Endymion isn’t serious because he hasn’t consulted him about getting married.

The incident with the dog in the park

Endymion is friends with Harry, Charis’s and Frederica’s brother, and the two have been confiding their star-crossed misfortunes to him. Frederica makes him angry for some trivial reason, and he suddenly realizes he is Charis’s guardian. So, the three of them stage a totally unnecessary runaway marriage.

Felix and Jessamy, Frederica’s young brothers, are especially delightful characters. Heyer is an amusing writer and a master of silly situations such as the one that Charis and Endymion create for themselves.

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Review 2288: Arabella

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Merry Christmas, everyone! Here’s a romp for Christmas Day.

The vicarage children are excited to learn whether their mother’s best friend will invite their sister Arabella for a season in London, in the hopes she can make an eligible match. The invitation arrives from Lady Bridlington, and then the worry is that the upright Reverend Tallant will not allow her to go.

Soon Arabella is on her way to London from Yorkshire. But the perch of her uncle’s old carriage breaks, and she sees nothing wrong with going to the nearest house for shelter. Unfortunately, it is the hunting box of Robert Beaumarais, a leading figure in society and a very wealthy man, who assumes she is one of many girls trying to make his acquaintance. When she hears him saying this to his friend Lord Fleetwood, she says she is the rich Arabella Tallant, who hoped to be unrecognized in London.

Beaumarais sees through this lie but maliciously lets the indiscreet Lord Fleetwood think he knows about her. He also decides to make her debut a sensation. Soon, Arabella is a success but doesn’t dare accept anyone’s proposal because she realizes that they all think she is rich, whereas she has no money at all.

Although she is in an awkward position, she is enjoying herself. But then her brother Bertram, who is supposed to be at Oxford, arrives and begins to get himself into financial difficulties. To make things worse, Arabella has begun to realize she cares for Beaumarais and is afraid to admit her deceit.

Arabella is an adorable heroine, and Beaumarais a likable hero, as he fondly watches her dig herself deeper into trouble, hoping she will confide in him. Heyer is at her best and funniest with these absurd plots.

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Review 2285: The Color of Lightning

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I have read several of Paulette Jiles’s books that are set in post-Civil War Texas and depict a countryside that’s dangerous and beautiful at the same time. Another characteristic of these books is that they feature brief appearances by the main characters of her other books. I believe that The Color of Lightning is the first of these books. Unlike the others, though, it is about a person who really existed.

Britt Johnson is a black freedman who travels with his wife and children along with his ex-master and a group of fellow Kentuckians to Texas to get away from the war in 1863. They all live in a small community called Elm Creek in Young County, Texas, at the edge of the area occupied by settlers. Although they are living in the traditional raiding lands of the Kiowa and the Comanche, the older residents of the settlement say they haven’t seen a native since they moved there.

Britt has been rounding up cattle, but his real ambition is to buy teams of horses and freight wagons so he can start a freight service for the area. While the men of the settlement are on a trip to Weatherford to get supplies, a force of 700 Kiowa and Comanche attack the white and black settlers of Young County. Britt’s oldest son Jim is killed and his wife Mary and children Cherry and Jube are captured. Elizabeth Fitzgerald’s daughter Susan is killed, and Elizabeth and her granddaughter Minnie are taken.

The United States government has removed its corrupt Indian agents from Indian Territory and for a few years makes an experiment of turning the various reservations over to the administration of religious organizations. Samuel Hammond is a Quaker who reluctantly agrees to take over the Kiowa-Comanche reservation. He hopes to manage the reservation without using force or violence, but he goes to work with no understanding of these native peoples, trying to contain them on the reservation when they have always been wanderers, stop the raiding (which he didn’t even know about when he took the job), and make the natives into farmers when they consider that women’s work.

In the meantime, Britt begins a long trip north to the winter territory of the Kiowa and Comanche to trade for his wife and children. He is given unexpected help from a young Comanche brave named Tissoyo whom he befriends on his trip. While he’s on his way, the story shifts to the lives of Mary, Cherry, and Jube in the Kiowa camp.

I think this novel did a really good job of representing the viewpoints of all of its characters—the settlers, the native people, the captives, and the Indian agency administrator. The novel is exciting at times and deeply interesting. Jiles is getting to be one of my favorite writers.

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Review 2278: The Romantic

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In the 19th century, Cashel Greville grows up in Ireland under the care of his aunt, who is governess to Sir Guy Stillwell’s family. But it’s clear to the reader, if not to Cashel, that all is not what it seems. Sure enough Cashel’s aunt moves them to Oxford, where they take up residence with Sir Guy under the name of Ross, and Cashel’s aunt Elspeth gives birth to twins, Hogan and Buckley. It is not until Cashel is 15 that Elspeth reveals she is his mother and Sir Guy his father.

Outraged, Cashel runs away from home and joins the army as a drummer boy. If you think I’m giving too much away, this all happens within the first 50 pages of this 450-page book, in which Cashel is on the field at Waterloo, hangs out with the Shelleys and Lord Byron, writes a best-selling novel but is cheated by his publisher and ends up in the Marshalsea, attempts to form a commune in Massachusetts, and so on. Oh yes, he also meets the love of his life in Ravenna, Italy, but she is married to a rich old man.

Cashel’s eventful and perhaps not altogether believable life (he claims to have discovered the source of the Nile before Speke and to have thwarted an antiquities smuggling scheme with the help of Sir Richard Burton) is supposedly documented by an autobiography and other papers that came into Boyd’s possession. With this claim, Boyd begins another of his “whole life” novels, maybe the most picaresque and least believable.

I usually like Boyd’s novels—in fact, some of them I have loved—but I had trouble connecting with this one. I’m not sure why, especially since it received uniformly positive reviews. It is fast moving despite its length. Maybe too fast. I didn’t feel like I got to know Cashel or really any of the characters. All of the women are ciphers, even Cashels’ great love. Boyd spends more pages on a sexual encounter with her than on Cashel’s marriage and its subsequent breakup.

Given Boyd’s plans for the adventures in this novel, maybe he needed to make it a lot longer.

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Review 2236: The Sun Walks Down

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In 1883 Australia, the Wallace girls are at a wedding and Mathew Wallace is out working. Only six-year-old Denny and his mother are home when she sends him out to gather fuel. A huge dust storm comes up, and instead of staying where he is, he goes in the direction he thinks is home. And he is lost.

The family doesn’t realize he is lost right away, but when they do, Mathew takes off in the direction Denny went, along with Billy, his Aboriginal farmhand. Soon, almost everyone in the area is searching for Denny.

This novel doesn’t have a strong plot. Instead, it follows a mixture of characters during the search. There is Cissy, Denny’s headstrong sister, who joins the search; Constable Robert Manning, newly married, and his wife Minna; Foster, Manning’s superior officer, who ignores his trackers’ advice and follows the wrong trail; Karl and Bess Rapp, two painters who are traveling in the Australian bush looking for subjects to paint; and so on.

This is a beautifully written novel that shows insight into human nature and powerfully describes the Australian landscape. I read it for my Walter Scott prize project.

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Review 2235: News of the Dead

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One of the things I like about my shortlist projects is that they bring me into contact with books and authors I probably wouldn’t encounter otherwise. Certainly, I would never have run into News of the Dead if not for my Walter Scott Historical Fiction Prize project.

News of the Dead tells the story of one remote, secluded place—fictional Glen Conach—over the ages, mostly through a set of documents. The oldest is a book written in the middle ages about a Christian hermit the locals call St. Conach even though he’s not recognized as such by any authority. The Book of Conach tells the stories of lessons and miracles performed by the man, who died around 770 AD.

Another narrative is set in 1809 from the diary of Charles Gibb. Gibb is an antiquarian who has wangled himself an invitation to Glen Conach House ostensibly to study and translate The Book of Conach. His real goal, however, is to sponge off the Milnes, the current owners of Glen Conach House, for the summer. He rather cynically observes Glen Conach and his lady and daughter as they do him, at first. But slowly the situation changes.

The third narrative begins slightly pre-Covid and mostly concerns an elderly woman named Maja and her eight-year-old neighbor, Lachie, who likes to visit her. When Covid sets in, she decides to write him a letter telling the story of a girl who came to the glen as a child after World War II.

I did not have much patience for the stories about St. Conach, although it was clever how Robertson used variations of the stories to show how they change. It also, frankly, doesn’t reveal much about daily life except for superstition and wildness.

The other two narratives were a lot more interesting. Gibbs’s began at a fairly cynical level yet what we learn after it stops is surprisingly touching. And Maja’s story had me on the edge of my seat.

There were times when I wondered where this novel was going, but ultimately I found it a lovely examination of refuge. I also want to point out that all three narratives sound like they were written by different people, which they should in good fiction, and which is too often not the case.

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