Tag: 19th century

Review 1773: A Civil Contract

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Remembering back quite a few years to the last time I read A Civil Contract, I didn’t classify it as a favorite Heyer. As I was younger then and more romantic, I was disappointed in its plain and prosaic heroine. Now that I am more mature, I look at it with completely different eyes.

Adam Deveril is a dashing captain who has been serving in the Peninsular wars when he is abruptly called home because his father unexpectedly died. This death makes Adam Lord Lynton and leaves him heir to a huge amount of debt. Although the family has never been wealthy, Adam has had no idea just how his father’s spending habits and mismanagement have put the estate into debt.

Adam thinks there is no solution but to put his townhouse and the family estate on the market. Being a proud man, he ignores his businessman’s recommendation to look for a wealthy bride.

Adam also feels obliged to inform Lord Oversly of the state of affairs, since Adam had been hoping to wed his beautiful daughter, Julia. Oversly acknowledges that Adam can no longer be considered eligible to marry Julia but remarks that he and Julia probably aren’t well suited anyway. However, both Adam and Julia are heart-broken.

Oversly says he thinks he can help Adam. Soon, Adam is surprised to receive a visit from Jonathan Chawleigh, a wealthy but vulgar businessman. Chawleigh suggests that Adam’s financial problems can be solved if only he would marry Chawleigh’s daughter Jenny.

Adam’s pride does not permit him to consider this offer, but he agrees to meet Jenny. He finds her plain, plump, and matter-of-fact as well as poorly dressed. He does not even realize he has met her before, for she is a schoolfriend of Julia’s. Almost against his will, he marries her.

Maybe I’m giving away too much, but this is the story of how a young man learns to throw away his romantic illusions and begin to appreciate his thoughtful, supportive, affectionate wife. Thus, its intent is a little more serious than most of Heyer’s novels, and it also has a great deal to say, off and on, about the state of Europe at the time.

I had to laugh, because this time through I found myself impatient with Adam and Julia’s romantic yearnings and appreciated Jenny’s good qualities and hidden heartache a good deal more. The book is also not lacking in Heyer’s usual amusing dialogue, although most of it is between other characters than the two main ones.

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Review 1772: The Fall of Light

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The Fall of Light is like all the Irish epics rolled into one, minus the gruesome murders. It’s the tale of Dierdre of the Sorrows applied to one family.

It’s the early 19th century, and Francis Foley is moving on again. Throughout his life, he has become angry at his fate and moved from one place to another. This time, he’s had a great argument with his wife, Emer, and she left the house. Now, he and his four sons are on the run, because he broke into the lord’s house, stole his telescope, and burned the house down.

They have been heading west, for Francis believes they will make their home on the Atlantic Ocean. But when they reach the River Shannon, Francis, always hasty, never to be denied, says they must cross it where they are without looking for a bridge or ford. They cannot even see the other side. And in that fateful crossing, Francis is swept away from his sons Tomas, the twins Finbar and Finan, and Teige, who is only 10.

One by one, the brothers lose each other, and the story becomes each one’s journey to find a family and a place in the world, through famine and terrific hardships. This is a lyrical, lush story that makes the journey of a family into a tale of mythic proportions.

Four Letters of Love

History of the Rain

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Review 1768: Venetia

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I didn’t remember Venetia as being one of my favorite Georgette Heyer books, but actually I liked it very much. It features a sparkling heroine.

Venetia Lanyon has lived almost secluded in the Yorkshire countryside. When her mother died, her father became a recluse and refused permission when the time came for Venetia to be brought out by her aunt. Now 25, since her father’s death she has been taking care of her brother’s estate until he returns from the wars, at which time she plans to take a house with her younger brother, Aubrey. Although she has two suitors, she cares for neither of them and believes she will need to be there for Aubrey, who has a bad hip and does not relish meeting people.

The Lanyons’ neighbor, Lord Damerel, is seldom home and has such a bad reputation that when they were children Venetia and her brothers called him the Wicked Baron. Venetia is out picking berries one day when she meets Damerel. He at first mistakes her for a village girl and kisses her. However, he soon finds his mistake and doesn’t know what to make of her reaction. Fairly quickly, they find themselves friends.

Of course, this will never do, think her friends and relations, and we’re off for another funny romp with Heyer.

Black Sheep

Regency Buck

Frederica

Review 1766: China Court

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Old Mrs. Quin dies, leaving her beloved house, China Court, dilapidated from lack of money and her even more beloved garden tended only in a few places. Her descendants gather, assuming the house and contents will have to be sold to pay for the taxes and the leftover money divided. Among them is Tracy, her only grandchild, who loved the house as a child but was taken away by her mother to lead a wandering existence. Mrs. Quin’s children are indignant about the presence of Peter St. Omer, who abandoned an aimless life four years ago to work the estate farm at Mrs. Quin’s encouragement.

When the will is read, there is a surprise for all, as Mrs. Quin has left the house to Tracy and the farm to Peter with an unusual proviso. But can they find the money to save the properties?

China Court was the novel I chose to read for Rumer Godden Week, hosted by Brona at This Reading Life. With a great deal of fluidity, it tells the story of the lives of several generations of Quins in their home of China Court. It moves back and forth among generations, the shifts triggered by an object or a smell, as it tells what happened to the family—the smart girl denied an education because of her sex, the wife madly in love whose husband was unfaithful at the first opportunity, the girl in love with one brother who married another.

Godden does this skillfully, inserting the seeds of the stories into the first chapter so that readers want to find out about them. She structures the novel by dividing it up like a book of hours, beginning each chapter with a description of the page of that hour from a specific book. I was perplexed about the reason for this device, but all is eventually made clear.

Godden uses a similar technique in A Fugue in Time (written in 1945) but less successfully there, I think. In this novel I became very involved in the stories of some of the characters and the fate of the house. Godden has perfected this approach to fiction by the time she published this book in 1961.

A Fugue in Time

The Lady and the Unicorn

A Harp in Lowndes Square

Review 1749: The Life of Sir Walter Scott

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I happened to read a comment that Sir Walter Scott had led a sad life, which made me realize that I knew nothing about him. So, I looked for a biography, but I might have done better to look for a used book. I was concentrating on not getting a print on demand book but ended up with one anyway. Boy, I hate those things.

I wouldn’t necessarily call Scott’s life sad. He overcame childhood disease that sounds like polio and resulted in a withered, weakened leg. However, because of strenuous exercise, he became remarkably fit until the strains of later life.

He was also crossed in love but overcame that as well, and two years later formed a lifelong attachment to his wife, Charlotte. He remained warm friends with the man who married his first love, Wilhelmina Stuart.

In actuality, Scott was successful at everything he did until the stresses of later years resulted in several strokes. Even then, he was amazingly productive. However, a collapse of a series of businesses, for which he was in no way responsible but took responsibility for, resulted in the ruination of him and his partner in a printing company, and he was doggedly repaying his debts the last few years of his life.

The book is interesting enough for about half the time, but the problem with it is that the author is obsessed with the biography written by Scott’s son-in-law, Lockhart. Although Wright frequently criticizes Lockhart’s wordy, “journalistic” writing style, this book would have been half as long if Wright wasn’t concerned to refute practically everything Lockhart said about Scott, even to the point of repeatedly calling Lockhart a liar. The problem with this for readers who have not read the Lockhart book is that they therefore don’t care.

As for my edition by Borgo Press, it was full of typographical errors and oddities, probably as a result of an old text being machine-read with no subsequent human editing.

Charles Dickens: A Life

Jane Austen: A Life

Thomas Hardy

Review 1744: Regency Buck

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On her way to London with her brother Peregrine, Judith Taverner mistakenly stops in a town hosting a prize fight and has an unfortunate encounter with a man in a curricle. When the siblings reach town and call on their guardian, Lord Worth, they find that he is the man in the curricle. Their father mistakenly designated their guardian as the fifth Earl instead of his friend, the fourth, who has died.

Judith is headstrong and determined to make a splash in London society. Although Lord Worth gives them assistance with suggestions and introductions, he and Judith continue to clash. Judith’s cousin Bernard Taverner warns her that Lord Worth may have designs on her fortune, which is large enough in itself but even larger if something happens to her brother Perry. Then Perry is first challenged to a duel and later his carriage is attacked. Judith and Worth are getting along better, but does someone have designs against Perry?

Most of Heyer’s Regency romances tend to either be funny or have an element of mystery (although they all have amusing dialogue). Regency Buck is one of the latter, with an engaging heroine, a mysterious plot, and as usual, perfect period detail.

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Review 1734: Effi Briest

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Effi Briest is sort of a German version of Madame Bovary. It seems that the last half of the 19th century was a big time for novels about unfaithful wives. However, whereas Anna Karenina was a call for improvement in women’s rights on this issue, Effi Briest seems to accept the unfairness of the laws and societal mores. Nevertheless, I liked this novel more than Madame Bovary, which is more of a character study of a stupid woman.

Effi is only sixteen when the Baron von Instetten, an old suitor of her mother, comes calling. Within an hour, he proposes marriage and is accepted. The Baron is a civil servant, and after their marriage, he takes her home to a seaside village in upper Pomerania. The house is dark and depressing and reputedly haunted. Society is limited, and Effi, who is a gay person who likes to enjoy herself, finds only one congenial inhabitant, the local chemist. The women she has to socialize with are commonplace or spiteful. Effi feels neglected and unhappy.

After the birth of her daughter, the Crampases arrive. Major Crampas is an old schoolfriend of the Baron and a known womanizer. (I wonder if his name’s resemblance to Krampus is a coincidence, considering the Germanic origins of that character.) Although she tries to avoid it, Effi is drawn into an affair with him. When her husband gets a posting to Berlin, though, she is happy to leave and put it behind her. But it is not behind her at all.

I liked the character of Effi very much, but she is the only one in this novel who is fully drawn. The others just seem like placeholders for their actions, except for Rollo the dog. Also, the harsh reactions of everyone when they find out about the affair, even though it is long over with, seem even more extreme than Karenin’s in Anna Karenina.

Even though this novel is 20 years more recent than Anna Karenina, having been published in 1895, it has a much more rigid and judgmental message despite Effi being a sympathetic character. As a person, I liked Effi better than silly Emma Bovary or naïve Anna Karenina, but I found the novel a bit punitive. Fontane was reacting in it to a story he heard of a similar event in which he was struck by the lack of surprise or dismay expressed by society at the harsh treatment of the woman involved, so he is combining an approach to our sympathy with Realism in this novel.

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Review 1728: A Sin of Omission

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A Sin of Omission opens with Stephen Mzamane making a long journey to see his best friend, Albert Newnham, across the region known in the 19th century as Kaffraria on the Cape of South Africa. During this journey, the novel looks back on his life.

Picked up as a starving child in the bush by Reverend Basil Rutherford, Stephen is raised at a mission to become an Anglican priest. Once his family learns where he is, his father brings his older son, Mzamo, there too, reasoning that the boys will not succeed unless they learn to be English. The Ngqika tribe has been driven off its lands by the British, and because of a prophecy that foretold the British would leave if the people destroyed their crops and animals, his father has killed his cattle and burned his crops. Although he is an important man, he has to work on the roads to avoid starving.

The Church is making it a practice to raise the sons of important natives as British clerics in an attempt to convert the people. Both Stephen and Mzamo are intended for this program. However, Mzamo is rebellious while Stephen is dedicated and devout, so Mzamo is ejected from the program.

Stephen is eventually sent to Canterbury to be educated at the Missionary College. There, although he is a fish out of water, he becomes best friends with a fellow student, Albert Newnham. Unfortunately for this friendship, Albert eventually chooses to marry a girl who is completely unsuited to be a missionary’s wife and is racist.

Things begin to go wrong after the young men take an ill-considered shortcut so as not to be late for tea, but Stephen only begins to learn the fruits of this event when he returns to Africa. Although he still needs to pass Greek and Latin exams to become a priest, unlike his white fellows, he is given a post far from any libraries or tutors. The job he expected to get working at the missionary college with his beloved Mfundisi Turvey, principal of that college, eventually goes to Albert. Instead of being give a post together, as promised, they are separated. In fact, Stephen is alone because the nearest cleric to his post is racist.

Stephen is also no longer a part of his own people, although his brother plays a large part in his fate. The major events of this novel are initiated when he learns of his brother’s death.

This novel is partially based on the life of Stephen Mtutuko Mnyakama, a missionary of the Anglican Church of the Holy Trinity. Although it didn’t initially pull me in, I eventually found it absorbing and heart-rending. This is a novel I probably wouldn’t have discovered had it not been for my Walter Scott project.

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Review 1723: A Fugue in Time

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Godden attempts something unusual in A Fugue in Time. She makes a house that has held the same family for a century into a sort of conscious entity and tells the story of the family in collapsing time.

It’s World War II, and old Rolls Dane has received notice that the 99-year lease on his house has elapsed and the owners want it back. The house was the one his parents moved into upon their marriage, and it has been the scene of many events, including his own unhappy love affair.

Rolls has been leading a reclusive life with only one servant left in the big house, and he is not pleased when his great niece, Grizel, an American officer, comes to ask if she can stay in the house. Later, Pax Masterson, an RAF officer being treated for burns, comes to visit the house that he’s heard about all his life from his mother, Lark, the girl Rolls’s father brought home many years before after her parents died in a railway accident.

Although I eventually got involved in this novel, its basic premise seemed at first affected and I didn’t think it was going to work. Early on, for example, there is a five- or six-page description of the house that slowed momentum to a standstill. Then, the shifts in time sometimes take place within the same paragraph, and at first it’s hard to grasp the when. There are some cues, for example Rolls’s name changes from Roly to Rollo to Rolls.

This is not one of my favorite Godden books, but the idea behind it is an interesting one. It reminded me a little of A Harp in Lowndes Square, in which images and sounds of the future and past reside in a house.

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Review 1719: The Nonesuch

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Often when I am in the middle of some hefty nonfiction book, I take a break by reading some sort of light fiction. I was reading a biography of Lyndon Johnson when I thought I hadn’t read any Georgette Heyer lately, so I picked The Nonesuch out of my library.

The inhabitants of the village of Oversett are all interested when they hear that Sir Waldo Hawkridge, known as the Nonesuch, has inherited Broom Hall from the miserly Joseph Calver and will be arriving to look it over. The young men are excited to see this notable whip. Up at Staples, kindly Mrs. Underhill is dismayed to learn that Sir Waldo has arrived with a lord, his young cousin Lord Lindeth, for her unprincipled but beautiful ward, Tiffany Wield, has announced that she means to marry into the nobility. Tiffany’s governess/companion, Ancilla Trent, remarks with her customary humor and calmness that they will just have to convince Tiffany she is wasted on anyone under a Marquess.

Lord Lindeth meets Tiffany after she carefully arranges an encounter while he is out fishing. When Waldo sees her and her affect on Lindeth, he is dismayed. However, he is much struck by Ancilla. It is Ancilla who does not have a high opinion of Corinthians, the set to which Waldo belongs.

As usual with Heyer, this novel is full of likeable characters, humor, and an engaging hero and heroine. I tend to like Heyer’s sillier plots best, because they are so funny. This is not one of them, but I enjoyed it very much just the same. A perfect Covid-era lightener. (I re-read it last January.)

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