Tag: 20th century

Day 1028: Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune

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Cover for Empty MansionsI’ve been sitting here trying to understand what makes Empty Mansions such an interesting book and what drew me to the topic in the first place. I’m still wondering about that, although the topic was interesting enough to make Bill Dedman’s NBC investigative series popular. (I did not see it.) Perhaps the fascination is with abundant wealth, perhaps one with eccentric personalities. Perhaps it is a sort of voyeurism.

Huguette Clark was the youngest daughter of W. A. Clark, the Copper King, a man who for Samuel Clemens, fairly or unfairly, represented the Gilded Age. Although W. A. Clark’s name is not familiar to us like that of John D. Rockefeller or Andrew Carnegie, he was right up there in terms of wealth.

This book tells the story of his life along with that of his daughter, Huguette. An artistic woman but shy, she gradually removed herself from the public eye. Although she owned several beautiful and palatial homes and apartments, she first became almost a shut-away in her New York apartment and then lived in a small hospital room for the last years of her life. Of further interest is the charge that some of Huguette’s caregivers and employees took advantage of her dependence on them to drain her estate. Her estate is currently involved in a suit between the legatees of her will and 19 of her relatives.

The book, written by Dedman and Paul Clark Newell, Jr., a cousin who corresponded with Huguette, does a pretty good job of remaining impartial on this point. In any case, I found the story of Huguette’s unusual life to be fascinating.

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Day 1024: Vittoria Cottage

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vittoria-cottageVittoria Cottage is a gentle post-war romance with likable characters. Caroline Dering is a widow with three children. She was married at a very young age to a selfish, complaining man many years her senior, and the marriage was not a happy one. Now she is alone with her two teenage daughters, her son James being away in Malaysia.

Caroline meets Mr. Shepperton, a stranger to the village who doesn’t say much about himself. Caroline gets along with him very well, and he begins making himself at home with her family. Everyone likes him but her older daughter, Leda.

Leda, unfortunately, takes after her father. She soon announces her engagement to her childhood friend, Derek. Caroline and Derek’s father both have reservations because of the young people’s ages, but frankly Caroline does not believe they will be happy. Still, she and the admiral agree that the young couple can become engaged, as long as they don’t marry until Derek gets his degree.

But the central romance in the story is between Caroline and Robert Shepperton. Caroline falls in love with him and thinks he is in love with her. But then her sister Harriet arrives for a visit, and Caroline comes to believe he prefers Harriet.

It isn’t often that I develop an affection for a character within a few pages of meeting her, but that was how I felt about Caroline. The other characters are mostly engaging. This is a pleasant and touching little novel about post-war village life.

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Day 1021: Mariana

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marianaAt the opening of Mariana, Mary hears that her husband’s ship has struck a mine and that there were many casualties. Her phone is dead and it is nighttime, so she must spend the night convinced her husband is dead. She goes back in her memory to her childhood, adolescence, and young adulthood to consider how her life began.

As a young girl, Mary lives for her summer vacations at Charbury, her grandparents’ home, and it is Charbury she first remembers. Charbury means her wonderful room at the top of the house, her pony, and lots of running around with her cousins. In particular, this means Denys, with whom she is infatuated. Dickens’s descriptions of Charbury are delightful.

In the fall, Mary reluctantly returns home to the small flat where she lives with her mother and uncle, a largely unemployed actor. Her father married beneath him, but since his death Mrs. Shannon has insisted on her independence, and the small family struggles along. Certainly, her upbringing is unusual, because her mother and her brother are on the Bohemian side, although certainly affectionate guardians.

This novel follows Mary as she grows up and through her various relationships in her youth. We are pulled along by our interest in her and our curiosity about who she marries rather than by the plot. This novel is romantic without being a romance novel as such. Monica Dickens was Charles Dickens’s great-granddaughter, and she certainly inherited his ability to tell a tale.

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Day 1008: An Officer and a Spy

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Cover for An Officer and a SpyAn Officer and a Spy is about the Dreyfus Affair. Of course, we know how the Dreyfus affair turned out, but in writing about it, Robert Harris has managed to infuse the story with suspense. He accomplishes this by concentrating not on what happens to Dreyfus himself but on the man who exposed the sham.

At the beginning of the novel, Georges Picquart is only peripherally involved in the Dreyfus affair, but the generals in charge see him as helpful and he is rewarded by being put in charge of the Statistical Section, the army’s intelligence department. Picquart does not want the post, but he soon finds he is good at his job.

His staff seems distrustful of him, while he believes that some of their methods are sloppy. He receives intelligence that indicates that there is still a traitor in the French army, and it is not long before he figures out that the army has found Dreyfus guilty for crimes committed by a Major Esterhazy.

When Picquart notifies his superiors of what he believes is a mistake, his investigation is shut down. Soon, he is sent on a mission out of the country and begins to believe that his own staff is working to discredit him. It becomes clear to him that Dreyfus was actually framed for Esterhazy’s crimes in a climate of antisemitism.

Soon, Picquart is striving to save his own career and reputation. But he also refuses to give up on his campaign to right a wrong.

This novel is deeply involving and at times truly exciting. I have not read Harris before, but picked this up because of my project to read finalists for the Walter Scott prize and since I have read it, have read most of Harris’s Cicero trilogy. This novel is a masterful historical novel that is full of suspense.

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Literary Wives! Day 1005: Mrs. Hemingway

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Cover for Mrs. HemingwayToday is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in modern fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!

Ariel of One Little Library
Emily of The Bookshelf of Emily J.
Kate of Kate Rae Davis
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

My Review

Although I liked Mrs. Hemingway better than many of the books we’ve read for Literary Wives, I still wasn’t that fond of it. Perhaps my reaction has more to do with my dislike of Hemingway.

Mrs. Hemingway purports to be about each of Ernest Hemingway’s four wives, particularly about the periods when each of them split from Hemingway (or in the case of Mary, when Hemingway died). As it is such a short book, it can’t really deal with their relationships in depth. And, I used the word “purports” advisedly, because this novel shows more insight into Hemingway than into his wives.

In fact, none of the wives seem like a distinctive character except Martha Gellhorn, and she, interestingly, is depicted with the least sympathy. She alone seems serious about her own writing career, even though two of the other wives are also writers, and she alone breaks with Hemingway.

Not that Hemingway actually breaks with anyone. Instead, he manipulates his wives and mistresses into impossible situations without making a decision, until something gives.

This novel did nothing to change my opinion of Hemingway as a loud, macho bully, so overtly masculine as to perhaps reflect an unsureness about his own sexuality. But I’m over-analyzing. An alcoholic, and a person who alternates charming and brutish behavior. In other words, a jerk.

What does this book say about wives or the experience of being a wife?

Literary Wives logoIt says, don’t marry Ernest Hemingway. But seriously, I don’t think we see enough of these marriages to understand them. We start out at the end of each one, with flashbacks. But it’s hard to understand what draws these women in. I didn’t really feel the charm as described. What I saw was manipulation, cruelty, and a combination of self-regard and self-hatred. Clearly, Hadley thinks he is unbelievably handsome, which he was when he was young. The others are to a certain extent attracted by his fame.

If we are to believe this book, these marriages consist of swimming, fishing, hunting, and drunken parties. We don’t really see the characters in a day-by-day existence. Maybe we see more with Mary, Hemingway’s last wife, but she is dealing with depression and madness along with the alcoholism. Still, we don’t learn very much about what makes any of these characters tick.

The most we can say is that a wife of Hemingway’s can’t rely on him to be faithful, even when he seems at his most tender. Also, that marriage is a one-way street. Everything is for the benefit of Mr. Hemingway.

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Day 1004: Half-Blood Blues

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Cover for Half-Blood BluesIn 1939 Paris after the German occupation, Sid Griffiths and the members of the Hot Time Swinger’s American Band have just finished cutting a record when Hiero Falk, German but black, is picked up by the Gestapo and never seen again. In 1992, Falk, now considered a jazz legend on the basis of that one recording of the “Half-Blood Blues,” is being honored with the opening of a documentary in Berlin. Sid quit playing years ago, but Chip Jones, another member of the band, talks him into attending.

Chip has been Sid’s frenemy since childhood. He’s a great musician, but he’s also a liar. When he and Sid get up at the opening to talk about Hiero, Chip blindsides Sid with terrible lies about him and Hiero to the audience. The problem is, Sid did do something shameful to Hiero, just not what Chip accuses him of.

After the presentation, Chip talks the reluctant Sid into traveling to Poland. He has found out Hiero is alive and has even corresponded with him. As the two travel by bus into Poland, Sid thinks back to the events of 1939.

This novel is written in African-American vernacular that sounds fairly modern, even for the part from World War II. It takes a little getting used to, although I am not sure if it is accurate for the time. Certainly, the novel effective re-creates the feeling of the time and place, and the precarious existence of these young musicians.

This novel was on both my Walter Scott Prize and Man Booker Prize lists. It was another book that I may not have chosen on my own but that I enjoyed reading.

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Day 1003: Classics Club Spin! Look at the Harlequins!

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Cover for Look at the HarlequinsI was supposed to read Vladimir Nabokov’s Ada for the latest Classics Club spin, but after attempting to read it, I substituted Look at the Harlequins!, the last novel published before Nabokov’s death. Sometimes I encounter a novel that really makes me feel stupid, or perhaps intellectually lazy, and such was the case with Ada. It was so full of literary allusions and wordplay that I felt I didn’t know what was going on half the time. In addition, it focuses on some of the same themes as Lolita, and while I found Lolita fascinating, the delights of prepubescent girls are not really what I want to read about.

Look at the Harlequins! is a more straightforward fictional autobiography. Many critics consider it a parodic biography, in which Nabokov twists the events of his life to make them meet public expectations of his character. For example, his family’s exit from Russia after the Revolution was relatively uneventful, while Nabokov has his alter ego, V. V., shoot a Red soldier on the way out. Similarly, although in life Nabokov was monogamous, he gives V. V. four wives and a salacious extra-marital career.

His literary career, however, is reflected in the novel, as is, to some extent, his academic career. I believe he transfers events involving his wife Véra to characters such as his fictional daughter Bel and a briefly mentioned assistant. In any event, he addresses his novel to an unnamed “you,” who we may assume is Véra’s alter ego.

We still don’t avoid the theme of prepubescent girls, though, as V. V. fondles an 11-year-old daughter of friends (whom he has an affair with when she is in her 20’s and he is in his 70’s), has such a questionable relationship with his daughter Bel that friends advise him to send her away to school (he fatefully decides to remarry instead), and ultimately marries a woman his daughter’s age. Obviously, this sexual focus on girls was a motif for Nabokov, but I find it disturbing.

It’s hard to evaluate this novel on a literary level. It has none of the beautiful language of Lolita. It is told in a facetious manner and focuses several times on what the narrator considers a mental aberration. Each time we have to endure a description of the problem, which actually seems like a silly one that obsesses the narrator more than it should. V. V. opens the subject each time he decides to marry but describes the problem over and over. I’m not sure what the point of it was.

Because of its facetious tone, however, the novel lacks highs and lows. Instead, it is full of puzzles, anagrams, and self-references. It is entertaining enough but ultimately unsatisfying.

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Day 996: World Light

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Cover for World LightAs much as I have enjoyed other novels by Halldór Laxness, I just couldn’t get into World Light. I think it was its allegorical qualities that put me off, as that is not my genre.

Olaf Karason is a foster child who has been brought up on a remote Icelandic farm. He is so badly treated there that in his teenage years he takes to his bed as an invalid. He is sadly aware of his own history, in which his father abandoned him, and his mother sent him away in a bag. He hears she is now doing well, but she shows no interest in him.

Olaf has a spiritual turn of mind and believes he has experienced some knowledge of God. He also wants to be a poet and is hungry for knowledge. But to the people surrounding him, this all just makes him seem more peculiar. He is almost ridiculously innocent, too, and because of his innocence and his hunger for love, he keeps thrusting himself into situations where he is misunderstood.

While Olaf is on the farm, I stayed with him, but more than 100 pages into the book, he loses his home and the parish sends a man to fetch him. That man, Reimar, takes him to a farm where he is miraculously cured before taking him to his destination in a convalescent home. But Olaf is cured, so no one knows what to do with him.

This section seemed to begin an entirely different book, and here it started to lose me. Because I felt as if I didn’t understand something, I began to read the Introduction, something I usually don’t do before finishing a novel, if then. Unfortunately, that told me enough about what was coming for Olaf that I developed a sense of dread. I struggled on but finally decided to stop.

Laxness’s novel is apparently an indictment of all the forces in the world against gentler souls. Certainly, the social climate and behaviors he depicts are brutal. As with some of his other novels, I had to keep reminding myself that it was set in the 20th century, because it seems to be several centuries earlier.

I hope my review doesn’t stop anyone from reading Laxness. Generally, I find him wonderful, with a keen, dark sense of humor. If this doesn’t sound like your kind of book, try Independent People (my personal favorite of the ones I’ve read) or Iceland’s Bell.

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Day 995: The Promise

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Cover for The PromiseSeveral years ago, I read Erik Larson’s Isaac’s Storm, a nonfiction account of the terrible Galveston hurricane and flood of 1900. So, when one of the books on my Walter Scott Prize list turned out to be set in that time and place, I really wanted to read it. It did not disappoint.

Catherine Wainwright has behaved badly, and the result is a scandal that has resulted in her ostracism from her home town of Dayton, Ohio, and cost her livelihood as a performing pianist. In desperation, she writes to an old friend, Oscar Williams, who is a dairy farmer on Galveston Island. Although she has always considered herself his social superior, years ago he proposed to her. She did not accept him, but he is now a widower with a young son. He proposes again and she accepts. She has barely enough money to get to Galveston.

Nan Ogden is a much less sophisticated woman. She was the best friend of Bernadette, Oscar’s wife, and promised her she would take care of Andre, Oscar and Bernadette’s son. Truth be told, she has her own feelings for Oscar. Until Catherine appears, she has hopes that some day she might be Oscar’s wife. Instead, she finds herself a housekeeper for a woman who can barely boil an egg.

We don’t like Catherine at first, but she quickly grows on us as she develops more empathy for other people. As Catherine, Oscar, Andre, and Nan try to sort out their various feelings and relationships, the tension in the novel builds toward the storm. Then the novel becomes truly riveting.

The Promise is especially strong in its sense of place. I’ve been to Galveston when it was so hot I wondered how anyone could live there before air conditioning, let alone wearing corsets and tight clothes. Weisgarber really makes you feel the heat and stickiness.

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Day 987: Murder of a Lady

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Cover for Murder of a LadyMurder of a Lady is a classic locked door mystery set in a castle in Scotland next to a loch. Amateur sleuth Dr. Eustace Hailey is visiting in the area when he hears of the death of Miss Mary Gregor, whom some regard as a saint, the respected sister of Duchlan, the castle owner. She was found dead in her bedroom of a stab would, but the bedroom door was locked. No one could have entered the window, because men were fishing in the loch, and the window was in plain sight of their boats. Miss Gregor is found to have an old wound in her chest that no one admits to knowing about.

When Dr. Hailey goes to investigate, he is not welcomed by Inspector Dundas, who wants to solve the case himself. An oddity of it was that a herring scale was found on the victim, and this and the report of a splash are enough to start rumors of a selkie among the Highland servants. Dundas is able to make no headway in the case at all, though, and finally asks for Dr. Hailey’s help. But shortly after the doctor arrives, Dundas is himself murdered, in similar circumstances to the original murder, within seconds of Hailey and Dr. McDonald leaving his room.

The new policeman, Inspector Barley, is quick to decide that Miss Gregor was murdered by Oonagh, Duchlan’s son’s wife, and Dr. McGregor, whom he thinks are lovers. He and Dr. Hailey have realized that Oonagh was trapped in a horrible situation at the castle, in a rivalry with Miss Gregor, who was not as saintly as people believe. But Dr. Hailey believes that Oonagh loves her husband Eoghan and is not having an affair. And soon there is another murder.

This novel is certainly a characteristic Golden Ager, focusing most of its attention on the locked room puzzle, although some attention also goes to understanding the psychology of the people living in the house. Still, Dr. Hailey is an enigma, and the story is wrapped up so abruptly after the solution of the murder that it is startling. Still, I mildly enjoyed this novel, especially for its Highland background.

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