Day 955: Family Roundabout

Cover for Family RoundaboutBest Book of the Week!
It is 1920, and the Fowler and Willoughby families are about to be united by marriage. The Fowlers are an old county family, now getting a little shabby, while the Willoughbys are forces in the town, wealthy but not so genteel. Up until now, the families have held apart, but in this generation there are friendships between the children. Now, Max Willoughby, good-natured and charming, will marry the determined and managing Helen Fowler.

The two families are headed by widows. Ever since she married her husband, Mrs. Fowler has hid her true self, whom she wryly refers to as Millicent, behind a façade of vagueness and stupidity that she calls Millie. Although she never seems to make a decision or take charge of anything, everything seems to get done they way she wants it.

Mrs. Willoughby is made of sterner stuff. She manages everything, including the family business and the lives of her grown children. When she tries to manage Mrs. Fowler over the wedding, though, it’s like pushing jelly around. Everything gets done, just as Mrs. Fowler wishes it to. From the beginning of the marriage, Helen is more like Mrs. Willoughby’s daughter than Mrs. Fowler’s.

Endpaper
Endpaper for the Persephone edition

Other future partnerships seem foreseeable from the wedding. Anice Fowler gets engaged to Martin Newbolt, a poor but intellectual young man who works in his uncle’s book shop. We can see trouble ahead because of Anice’s unspoken rivalry with Helen. The youngest Willoughby, Oliver, finds himself attracted to his young sister Cynthia’s best friend, Judy Fowler, who is looking beautiful and grown up at the wedding. Then there is the already married couple, Peter and Belle Fowler. They have a young daughter, Gillian, but things are not looking good for them. Peter is sensitive and mild-mannered, but Belle is a self-centered, temperamental beauty.

Family Roundabout follows the fortunes of the Fowler family and some of the Willoughbys through almost 20 years, until just before the war. Although it has many characters, I found myself deeply interested in their lives and problems. This is a compelling novel about the everyday lives of ordinary people, with an ending that eerily contrasts what we know about the coming war with what the characters don’t know. Although I don’t usually lose this perspective with fictional characters, it made me wonder what happened to them next.

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Day 953: The Glass Room

Cover for The Glass RoomThe Glass Room is one of the books I’m reading for my Walter Scott Prize project. The novel is inspired by a real house in the Czech Republic designed by Mies van der Rohe. Most of the reviews of the novel, as well as the novel itself, have spent some time describing this house, and although architectural elevations appear before each section of the book, it helps to look at the pictures online when you’re trying to visualize the house.

Liesel and Viktor Landauer are recently married and have decided to build a modern home on a piece of property given to them by Liesel’s parents in the newly formed country of Czechoslovakia. Viktor wants a house that is open and will have no secrets, one of the ironies of a plot with many that I started to think of as mirrors. Viktor is excited at the beginning of what he sees as modern, changing times in the formation of the new country. But of course Czechoslovakia will not be in charge of itself for long, and in fact now no longer exists. Then we have the irony of the house itself, built for no secrets, that harbors many.

Viktor and Liesel’s marriage and day-to-day life are hardly at all the focus of this novel. We see Viktor getting a little annoyed at the depth of Liesel’s involvement with building and decorating the house, but otherwise Mawer actually spends very little time on them together. Instead, he focuses on their relationships with other people, Viktor’s with his mistress Kata and Liesel with her friend Hana. But World War II looms ever closer and eventually the family must leave the country, as Viktor is Jewish.

The book is divided almost exactly in half, the first half devoted to the building of the house and its existence as a family home. The second half explores its use by the different political entities that take it over, when it is never a family home, another mirror. First, it is a Nazi laboratory for attempting to identify physical characteristics of Jews and Slavs. During this time, Hana gets involved in a dangerous affair with one of the scientists. Next, it is a horse stable for Russian cavalry, then a physiotherapy lab for polio victims, and finally a museum.

The huge windowed glass room that makes up the living room, dining area, sitting area, and music room has at its heart a stone wall made of onyx. In the evening sunshine this wall glows and colors the room bright red. I think this is a metaphor—the clean, modern, uncluttered structure, one that may seem cold, is taken over by the unanticipated heart of the house, this red, for passion. I’m saying this clumsily, but one of Mawer’s focuses is the eroticism that is repeatedly evoked in these surroundings, not between Viktor and Liesel, but between other couples. At first, I was confused by why we know almost nothing about Viktor and Liesel together but dwell repeatedly on Viktor’s sexual relationship with Kata. But sex is one of the focuses of this novel, one of its mirrors. For example, in the icy surroundings of the lab designed for the most evil of purposes, Hana makes passionate love with Stahl, who later coldly discards her and even betrays her. Also, there is a tension between the openness of the house and a sense of voyeurism.

This novel was definitely not my favorite of the books I’ve read so far for this project. It is called a novel of ideas, but really it is so detached as to be almost cerebral. Yet, we are repeatedly entertained by descriptions of pubic hair or of how Hana’s labia just show beneath it. I found it unsettling and could understand a bit why the original owners of the house refer to the book as “probably pornography.” It is not pornography, of course, but the family is not buying Mawer’s stance that it’s a fictional story about a real house. They think it’s about them. Or perhaps they are afraid people will think it’s about them.

Despite this detachment from the characters, I still found some scenes toward the end of the novel touching. As for the rest, perhaps Mawer wanted to make readers feel like they were voyeurs. (See? Another mirror—the openness of the house versus voyeurism.) I am not sure, but I could have forgone some of the intense sexuality of this novel. There is another book by Mawer on my list, and I can’t say I’m looking forward to it. (Oh, dear, it just won the Man Booker prize.)

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Day 949: Traitor’s Purse

Cover for Traitor's PurseA man awakens in a hospital to realize that he remembers nothing about who he is or what has happened to him. Then he overhears a nurse and policeman talking. Someone has killed a policeman. Thinking they are talking about him, he escapes in the outfit of a fireman.

We soon learn that the escaping man is Albert Campion. Although he is picked up outside the hospital by his fiancée Amanda, he soon realizes that something important is happening and everyone is looking to him for instruction. He must stop something from happening, but he doesn’t know what.

This mystery, which is set during World War II, has to do with a plot to destroy the foundations of the country. All Campion knows is that it involves the mysterious Institute of Bridge, an organization called the Masters, and the number 15.

In this novel, we understand a little more about Campion’s thinking, precisely because he’s not behaving in character. I believe he is normally supposed to be somewhat inscrutable, because he’s frequently described as “wooden-faced.” Because of the unique situation of the novel, it is truly suspenseful.

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Day 947: Owl Song at Dawn

Cover for Owl Song at DawnWhen I first started reading Owl Song at Dawn, I was afraid it was going to be one of those quirky, feel-good novels that I’m coming to dislike. Fortunately, it turned out to have more depth than that.

Maeve is a woman in her eighties who owns the Sea View Lodge, a lodging house in a small seaside town in the south of England. Her policy has been to welcome guests with disabilities, and she provides a full-time residence for Stephanie, a young woman with Down Syndrome. Dot, the mother of Steph’s best friend Len, who also has Down Syndrome, is working with a social worker to arrange a home there for Len, because Dot is dying. A potential problem, at least for the authorities, is caused because Steph and Len consider themselves boyfriend and girlfriend.

Maeve’s memories are sent back to her adolescence and young adulthood by the arrival of Vince Roper, who has come to patch up their differences. Vince was her good friend when she was young. With her twin sister, Edie, who had severe disabilities, they made a threesome until Maeve began dating Frank. Then a series of tragedies culminated in Frank leaving Maeve at the altar. Maeve has always blamed this on Vince and has never understood why Frank left her.

This story is told nonsequentially with interjections by Edie, who is always with Maeve in spirit.

link to NetgalleyAlthough I felt there were some points where Maeve was inordinately obtuse and on the other hand where problems were cleared up too easily, I ultimately found this novel touching. The reasons that Maeve was angry with Vince for so long are flimsy, though, and she has brooded over them for so long that you’d think she would have figured out the truth, which is obvious, long ago. Her own perception that she has been shutting herself off from others for years is laughable, given her living situation.

These are small, niggling faults, though. Overall, I enjoyed this novel. It is touching without going too far, and it does a great job of showing us the loving personalities of its disabled characters. On the other hand, I see that it is on the long list for the Not the Booker Prize (for which you can vote this week from this link). I’m not sure how books get on this list, but I don’t really think this is a prize-winning novel. My favorite book on that list (although I have not read many of them) is Rush, Oh! by Shirley Barrett, which I will be reviewing in the next couple of weeks.

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Day 939: A Man Could Stand Up

Cover for A Man Could Stand UpBest Book of the Week!
At the beginning and end of A Man Could Stand Up, the third book of Ford Madox Ford’s Parade’s End, it is Armistice Day. In between, the book returns in time several months to the front.

Valentine Wannop is at her job as a schoolmistress in a London school when classes are dismissed because of the Armistice. But in the midst of all the confusion, Valentine receives a spiteful phone call from Lady MacMaster about Christopher Tietjens. Since Lady MacMaster has been spilling her poisonous lies to the headmistress, Valentine finds herself having to make plain to her what she barely understands herself.

Months earlier, Tietjens has been ordered to take second in command of a unit at the front. He was in a much safer position in charge of moving men, but General Campion has, as usual, miscontrued the events in the second book between Tietjens and his faithless wife and has transferred Tietjens to a position of more danger. Unfortunately, his commanding officer has been drinking too much, and Tietjens has to remove him from duty. The novel depicts the events of a chaotic night during a bombardment.

This novel has been considered one of the best books about World War I. Certainly I have enjoyed every minute reading about the principled Tietjens, whose every action has been misinterpreted, and his so far unfulfilled affair with Valentine Wannop.

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Day 934: One Fine Day

Cover for One Fine DayBest Book of the Week!
It is shortly after World War II, and Laura Marshall and her family are trying to return to normal life during the privations of post-war England. With only one part-time housekeeper, Laura is struggling with unaccustomed chores. The house and garden are beginning to look shabby, which bothers Laura’s husband Stephan, who struggles with the lawn every weekend.

The family is also having to accustom itself to living together again. Through the war, Laura and her daughter Victoria shared the house in a relaxed way of life with various female friends and children. Stephan is inclined to be more fastidious, while Laura is dreamy and untidy.

This novel takes place over the course of a fine summer’s day as Laura does her chores and thinks about a way of life that is disappearing. It is beautifully written, with evocative descriptions of nature. Barrow Down, which looms over the landscape, is an important feature of this novel.

This is a lovely short novel.

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Day 930: Early Warning

Cover for Early WarningEarly Warning is the second in Jane Smiley’s Last Hundred Years trilogy. It continues the story of the Langdon family, picking up in the 1950’s and ending in 1985.

The family, which began with a couple and their children and the occasional appearance of other relatives, expands during this period to grandchildren and eventually their children. As you can imagine, by 1985 we are dealing with many characters.

This is one of my criticisms of the novel. With so many characters, we don’t spend very much time with any, which creates distance from the novel. I already felt this with the first book, and this feeling increases for the second.

But is the purpose of this novel to follow the characters or the main events during these times? It seems to be the second, as we look at the ennui of suburban housewives in the 50’s, the Cold War, the Vietnam War and its associated protests, the counterculture and Jonestown, to name a few. Smiley manages to have at least one family member involved in each of these events or movements, which is quite an accomplishment for one family from Iowa.

Of the Langdon children whose families are the focus of this novel, Frank concentrates most of his attention on business and sexual escapades, while his wife Andie struggles with a feeling of pointlessness and self-absorption. Neither of them pays much attention to their children, except that Frank puposefully fosters competition between his two twin boys, Richie and Michael. All of his children suffer from this upbringing, and the boys are at times truly scary.

Joe is the only Langdon to stay on the farm, and although he was one of my favorite characters in the first book, we don’t see much of him in this one. He and Lois have had some lucky breaks, and the farm is in better financial shape than their neighbors’, but decisions of the Reagan administration make small farms a tough business.

Lillian and Arthur raise a rowdy and happy family in Washington, D.C. But Arthur’s job with the CIA brings him under terrific pressure, and a tragic loss creates ramifications for years. This family has more than its fair share of sorrows.

Claire eventually marries a doctor and settles down in Iowa. But she has selected her husband almost in competition with a friend and eventually regrets her choice.

The novel is saved somewhat at the very end by a touching event linked to the presence of a character who isn’t explained until the end, one who appears in the middle of the book and at intervals throughout. At first I found the introduction of this character confusing, but I figured he had to be a family member, so then it wasn’t too hard to guess who he is.

I will read the final book, but I fear that the distance I feel from the story will only increase.

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Day 929: The Railway Children

Cover for The Railway ChildrenThe Railway Children is a classic British children’s story, written in 1906. At the beginning, Roberta (Bobbie), Peter, and Phyllis live a happy and comfortable life with their parents in a suburb of London. Then one evening two men come to see their father, and they hear angry voices. Their father goes away with the men, and shortly afterward they move with their mother to a cottage in the country.

Here things are a bit more primitive. They only have one servant, a housekeeper, and a pump in the yard for water. They have to help their mother more, and Peter can’t go to school. Their mother can’t play with them, because she is busy writing stories for money. They are poor and have to be careful how much coal they use and what they eat.

Near their house is the railway, and they find lots to entertain themselves watching the trains and getting to know the men at the station. They wave to an old gentleman on the morning train every day, and they have adventures related to the railway.

I can see why children would love this story. Although the children’s adventures are all realistic, they would be exciting reading for children. There is also the mystery about their father. Character development is not a strong suit of the novel, but the children and their mother are sympathetic and the children behave like actual children.

Perhaps the novel does not have as much to offer adults, especially those who didn’t read and love the book as children. Still, it’s easy to see why the book is still popular.

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Day 920: Sidney Chambers and the Dangers of Temptation

Cover for Sidney Chambers and the Dangers of TemptationSidney Chambers and the Dangers of Temptation is the fifth book in the series known as the Grantchester Mysteries, even though Sidney no longer lives in Grantchester. I have only previously read the first book, and much has changed in Sidney’s life since then. It is 13 years later, Sidney is married to Hildegard and has a four-year-old daughter Anna, and he is an archdeacon.

Like the first book, this Sidney Chambers book is also presented as a set of short stories, but this is a bit of a misnomer. The mysteries are contained within a story, and many of them are very slight, but the back story and the other events continue through the book as if it were a novel. Consequently, the focus has moved from solving mysteries to the discussions of various spiritual issues. I believe the Father Brown mysteries touched lightly on similar issues, but Runcie is much more heavy-handed.

In “The Dangers of Temptation,” Sidney is drawn back to Grantchester by a former parishioner, Mrs. Wilkinson. Sidney both does not like her and is attracted to her. She has asked him to do what he can to extract her teenage son Danny from a commune run by Fraser Pascoe. Sidney is unsuccessful, but then Pascoe is murdered.

In “Grantchester Meadows,” young Olivia Randall loses a valuable family necklace while she is fooling around in a meadow during a drunken party for May Week. At the same time, there is a general panic because a young man across the field is nearly trampled by cows.

Sidney’s good friend Amanda’s marital troubles come to the fore when her husband’s first wife is murdered. The murder is secondary to the plot about what will happen with Amanda’s marriage.

link to NetgalleyIn other stories, Sidney and his family travel to East Germany to vacation with Hildegard’s family, and an arson and blackmail force Sidney’s ex-curate Leonard to consider his sexuality. “The Return” has a plot suspiciously similar to a Father Brown story.

For the most part, these stories devolve into discussions of a spiritual nature. In fact, the mysteries started to seem like excuses to springboard these musings. I, for one, did not find it interesting. Further, I prefer the 50’s setting of the older mysteries to the 60’s setting.

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Day 918: Ghost Light

Cover for Ghost LightBest Book of the Week!
The Irish playwright John Millington Synge was engaged to marry an actress, Molly Allgood, when he died in 1909. Their relationship was of several years’ standing, but it was considered scandalous because of the difference in their ages and stations. Synge was nearly twice as old as Molly, and Molly was from a poor and uncultured family.

Ghost Light is a fictionalized account of this relationship, and O’Connor freely admits to taking liberties with it. The novel begins in 1952, when Molly is an old lady, nearly destitute and living in a cheap rooming house in London. The story follows her for one night and day of her life, during which she remembers the events in her love affair with Synge.

This novel is beautifully and atmospherically written, poetic at times, and partially in different flavors of Irish vernacular. It eloquently tells a story of frustrated love and loss. This is a compelling characterization of Molly and her view of the character of Synge. Ghost Light has been another interesting experience from my Walter Scott Prize list.