This period’s Best Book is The Sentence by Louise Erdrich! Also recommended is Great Circle by Maggie Shipstead.
Tag: book lists
Reading Thirkell’s Barsetshire Series in Order: #13 The Headmistress + #12 Growing Up Wrap-Up
Thanks to everyone who joined in commenting on or reviewing or even just reading along with Growing Up. Although we met some new characters, I enjoyed catching up with some old friends. The participants were
- Liz Dexter at Adventures in Reading
- Penelope Gough
This month’s book is The Headmistress, which I will be reviewing on Thursday, June 30. I am fairly sure I have never read this one before, so I’m looking forward to it.
And here’s our badge.
Islands in the Stream
Every once in a while, I mention that I’m reading about islands again. For some reason, I have always drifted toward books set on islands or in other remote locations. So, I thought I’d do an extra post for fun, listing all of the books set on islands that I’ve reviewed since I started the blog. I’m not going to count New York City or the main lands of the British Isles, because there would be too many (or any Game of Thrones books, set on mythical Great Britain), or Australia, since it is a continent. I hope I don’t forget any of them.
Asia
- The Singapore Grip by J. G. Farrell (Singapore)
- Unbroken: A World War II Story of Survival, Resilience, and Redemption by Laura Hillenbrand (Japan)
- The Sapphire Widow by Dinah Jeffries (Ceylon, now Sri Lanka)
- Snow Country by Yasunari Kawabata (Japan)
- Pachinko by Min Jin Lee (Japan)
- Number9Dream by David Mitchell (Japan)
- The Thousand Autumns of Jacob de Zoet by David Mitchell (Nijema, Japan)
- The Distance Between Us by Maggie O’Farrell (Hong Kong)
- Murder in the Crooked House by Soji Shimada (Japan)
British Isles
- Blue Lightning by Ann Cleeves (Shetland Islands, Scotland)
- Cold Earth by Ann Cleeves (Shetland Islands, Scotland)
- Dead Water by Ann Cleeves (Shetland Islands, Scotland)
- Raven Black by Ann Cleeves (Shetland Islands, Scotland)
- Red Bones by Ann Cleeves (Shetland Islands, Scotland)
- The Seagull by Ann Cleeves (St. Mary’s Island, England)
- Thin Air by Ann Cleeves (Shetland Islands, Scotland)
- White Nights by Ann Cleeves (Shetland Islands, Scotland)
- King Hereafter by Dorothy Dunnett (Orkney Islands, Scotland)
- The Sea House by Elizabeth Gifford (Isle of Lewis, Scotland)
- The Girl from the Channel Islands by Jenny Lecoat (Channel Islands)
- The House Between Tides by Sarah Maine (Outer Hebrides, Scotland)
- The Story Keeper by Anna Mazzola (Isle of Skye, Scotland)
- The Winter Isles by Antonia Senior (Islands of West Scotland)
- Wildfire at Midnight by Mary Stewart (Isle of Skye, Scotland)
- To the Lighthouse by Virginia Woolf (Isle of Skye, Scotland)
Caribbean and South America
- In the Time of the Butterflies by Julia Alvarez (Dominican Republic, Hispaniola)
- Enchanted Islands by Allison Amend (Galapagos Islands)
- A Caribbean Mystery by Agatha Christie (St. Honoré)
- Robinson Crusoe by Daniel De Foe (island somewhere off South America)
- The Brief Wondrous Life of Oscar Wao by Junot Diaz (Dominican Republic, Hispaniola Island)
- Washington Black by Esi Edugyan (Barbados)
- A Brief History of Seven Killings by Marlon James (Jamaica)
- Sugar Money by Jane Harris (Martinique and Grenada)
- The Long Song by Andrea Levy (Jamaica)
- Treasure Island by Robert Louis Stevenson (a fictional island probably in the British Virgin Islands)
Mediterranean
- Patrick Leigh Fermor: An Adventure by Artemis Cooper (Crete, Greece)
- Dead Lagoon by Michael Dibdin (Venice, Italy)
- The Disorderly Knights by Dorothy Dunnett (Malta)
- Birds, Beasts, and Relatives by Gerald Durrell (Corfu, Greece)
- The Garden of the Gods by Gerald Durrell (Corfu, Greece)
- My Family and Other Animals by Gerald Durrell (Corfu, Greece)
- Siracusa by Delia Ephron (Sicily, Italy)
- Imperium by Robert Harris (Sicily)
- Death in Venice by Thomas Mann (Venice, Italy)
- The Information Officer by Mark Mills (Malta)
- An Orchestra of Minorities by Chigozie Obiama (Cyprus, Greece)
- The Bridge of Sighs by Richard Russo (Venice, Italy)
- This Rough Magic by Mary Stewart (Corfu, Greece)
- All That Man Is by David Szalay (Cyprus, Greece)
North America
- The Luminous Sea by Melissa Barbeau (Newfoundland, Canada)
- Caleb’s Crossing by Geraldine Brooks (Martha’s Vineyard, Massachusetts)
- Greenwood by Michael Christie (fictional Greenwood Island)
- Galore by Michael Crummey (Newfoundland, Canada)
- River Thieves by Michael Crummey (Newfoundland, Canada)
- Sweetland by Michael Crummey (Newfoundland, Canada)
- The Loon Feather by Iola Fuller (Mackinac Island, Michigan)
- Simon the Fiddler by Pauline Jiles (Galveston Island, Texas)
- The Miracle on Monhegan Island by Elizabeth Kelly (Monhegan Island, Maine)
- Anne of Avonlea by L. L. Montgomery (Prince Edward Island, Canada)
- Anne of Green Gables by L. L. Montgomery (Prince Edward Island, Canada)
- A Tale for the Time Being by Ruth Ozeki (an island in British Columbia, Canada)
- Away Off Shore: Nantucket Island and Its People, 1602-1890 by Nathaniel Philbrick (Nantucket Island, Massachusetts)
- Chances Are by Richard Russo (Martha’s Vineyard, Massachusetts)
- The Night Stages by Jane Urquhart (Newfoundland, Canada)
- The Promise by Ann Weisgarber (Galveston Island, Texas)
Oceania
- Moloka’i by Alan Brennert (Moloka’i, Hawaii)
- And the Sea Will Tell by Vince Bugliosi (Palmyra Island and Hawaii)
- The Luminaries by Eleanor Catton (New Zealand)
- The Rehearsal by Eleanor Catton (New Zealand)
- Owls Do Cry by Janet Frame (New Zealand)
- The Signature of All Things by Elizabeth Gilbert (Tahiti)
- The Survivors by Jane Harper (Tasmania, Australia)
- Under the Wide and Starry Sky by Nancy Horan (Samoa)
- The Bone People by Keri Hulme (North Island, New Zealand)
- Euphoria by Lily King (New Guinea)
- The Sun Is God by Adrian McKinty (New Guinea)
- Mutiny on the Bounty by Charles Nordhoff and James Norman Hall (Tahiti)
- Pitcairn’s Island by Charles Nordhoff and James Norman Hall (Pitcairn’s Island)
Scandinavia
- And Then You Die by Michael Dibdin (Iceland)
- The Mercies by Kiran Millwood Hargrave (Vardó Island, Norway)
- Jar City by Arnaldur Indriðason (Iceland)
- We, the Drowned by Carston Jensen (Ærø, Denmark)
- The Mist by Ragnar Jónasson (Iceland)
- Burial Rites by Hannah Kent (Iceland)
- The Girl with the Dragon Tattoo by Stieg Larsson (a private island off Sweden)
- The Fish Can Sing by Halldór Laxness (Iceland)
- Iceland’s Bell by by Halldór Laxness (Iceland)
- Independent People by Halldór Laxness (Iceland)
- World Light by Halldór Laxness (Iceland)
- The Glass Woman by Caroline Lea (Iceland)
- Smile of the Wolf by Tim Leach (Iceland)
- The Sealwoman’s Gift by Sally Magnusson (Iceland)
- Last Rituals by Yrsa Sigurdardóttir (Iceland)
- The Greenlanders by Jane Smiley (Greenland)
- The Tricking of Freya by Christina Sunley (Iceland)
- The Darkest Room by Johan Theorin (Öland Island, Sweden)
- Echoes from the Dead by Johan Theorin (Öland Island, Sweden)
- The Quarry by Johan Theorin (Öland Island, Sweden)
- The Voices Beyond by Johan Theorin (Öland Island, Sweden)
And in the upcoming months, expect reviews of more island-set novels, such as The Moonspinners by Mary Stewart (set in Crete), Red Island House by Andrea Lee (set in Madagascar), and The Unseen by Roy Jacobsen (set in a Norwegian archipelago).
Do you like books set on islands, or am I just weird? Which of these have you read?
Best of Ten!
The Best Book for this period is A Room Made of Leaves by Kate Grenville!
If I Gave the Award
I’ve now reviewed all the shortlisted books for the 2021 Walter Scott Prize for Historical Fiction, so it’s time for my feature where I decide whether the judges got it right. In this case, I can’t begin with the book I disliked most, because I liked all of them. In fact, that’s the difficulty, to choose between these worthy candidates.
I very recently reviewed The Tolstoy Estate by Steven Conte, about the German occupation of Tolstoy’s estate during World War II. I enjoyed this novel but didn’t like the letters that skipped ahead of the plot and felt the novel was somehow slight.
I also enjoyed The Dictionary of Lost Words by Pip Williams, which explored the ways that gender influenced the making of the Oxford English Dictionary and looked at the women who helped create the dictionary. I found the novel touching and interesting, although a few of the plot points were predictable.
The freshest book in my memory of is A Room Made of Leaves by Kate Grenville. I found this novel about how a woman learns how to work within a difficult marriage and helps found the sheep industry in Australia vivid and deeply interesting. Of course, the husband gets all the credit.
One of my favorite writers is Maggie O’Farrell. Her novel Hamnet is about the death of William Shakespeare’s and Anne Hathaway’s son and its influence on the writing of Hamlet. I found it to be deft and sensitive, although at first I wasn’t comfortable with how much O’Farrell was making up about Hathaway.
But speaking of favorite authors, along with many people, I was waiting for the last entry in Hilary Mantel’s trilogy about Thomas Cromwell. That book, The Mirror and the Light, follows Cromwell’s life as he serves Henry VIII and tries to keep him from his worst excesses. It begins with the beheading of Anne Boleyn and of course, ends with his own death. It had me in tears, which is my best gauge of how much I enjoy a book. This novel was the winner of the award for 2021, and I think the judges got it right.
Reading Thirkell’s Barsetshire Series in Order: #12 Growing Up + #11 Marling Hall Wrap-Up
Thanks to everyone who participated in or commented on this month’s reading of Marling Hall, in which we caught up on some familiar characters and met some new ones. Participants were
- Liz Dexter of Adventures in Reading
- Penelope Gough
- Historical Fiction Is Fiction
- Yvonne of A Darn Good Read
The book for May is Growing Up, for which I will be posting my review on Tuesday, May 31. This is another new one for me, so I’m excited. I believe it features the return of one of my favorite characters, Lydia Merton.
And here’s our badge.
Best of Ten!
The Best Book for this period is Unsettled Ground by Claire Fuller!
Best of Ten!
The Best Book for this period is Temptation by János Székely!
Classics Club Spin #29!
It looks like the Classics Club is having another spin. Members can participate by making a numbered list of 20 of the books on their Classics Club lists and posting it by Sunday. On March 20, the Classics Club will pick a number, and that determines which of the books on your list to read by Saturday, April 30.
So, here’s my list for the spin:
- The Aenied by Virgil
- The Castle of Otranto by Horace Walpole
- The Mayor’s Wife by Anna Katherine Green
- Much Dithering by Dorothy Lambert
- Rhododendron Pie by Margery Sharp
- Music in the Hills by D. E. Stevenson
- We by Yevgeny Zemyatin
- Sleeping Murder by Agatha Christie
- Grand Hotel by Vicki Baum
- Sense and Sensibility by Jane Austen
- The Dead Secret by Wilkie Collins
- The Return of the Native by Thomas Hardy
- Merkland, A Story of Scottish Life by Margaret Oliphant
- Go Tell It on the Mountain by James Baldwin
- The Moorland Cottage by Elizabeth Gaskell
- The Moonspinners by Mary Stewart
- Isa’s Ballad by Magda Szabo
- A Double Life by Karolina Pavlova
- The Three Musketeers by Alexandre Dumas
- The Saga of Gosta Berling by Selma Lagerlof
If you choose to participate, good look on getting a book you enjoy!
If I Gave the Award
Since I have posted my last review of the shortlisted books for the Booker Prize of 2019, it’s time for my feature where I decide whether the judges got it right. The nominees for that year include a dystopian novel, several novels that experiment in form and two that experiment in narrative style, and one fantasy/satire.
I often start this post with the books I liked least, but in this case, I have a little problem with that, and that is to decide which ones I disliked the least. In fact, on the list for this year, there are none that I thought were entirely successful and several that I actively disliked.
So, I’ll start with the one that is freshest in my mind, Quichotte by Salman Rushdie. This fantasy/satire about an elderly man on a road trip (that doesn’t get anywhere) with his imaginary son was a DNF for me. I felt Rushdie constantly winking at me as he proceeded with his ponderous humor that wasn’t funny at all.
The other novel I disliked intensely was An Orchestra of Minorities by Chigozie Obiama. I thought this novel, about a man who will supposedly do anything for love, was riddled with sexism and outright hatred of women. Its hints of Igbo culture are interesting, but also slowed down the forward impetus of the novel.
Now, we get to the novels that I thought were ambitious but not quite successful. Elif Shafak’s 10 Minutes 38 Seconds in This Strange World tackles violence toward women in an unusual way, but I found its change in tone to be jarring. In addition, the concept of the first part of the novel, which represents the 10 minutes and 38 seconds of brain activity in a dying person in 200 pages (short period of time, long time of reading), just didn’t work for me.
Ducks, Newburyport by Lucy Ellman was experimental by anyone’s reckoning. This novel, which is basically one 1000-page sentence (except for a few intervals that are written normally) broke every rule about writing I can think of. It was oddly compelling, enough to make me finish, but I’m not sure it provided much payoff for all the effort.
I didn’t actually say this in my review of The Testaments, but I really felt it was a bit of a sell-out by Margaret Atwood, only written to satisfy the fans of The Handmaid’s Tale television series. I felt it very conveniently wrapped things up and was far less of a landmark book than her original novel. It was also the most traditionally written book of the shortlisted novels for 2019. However, it was Atwood, so it was compelling reading.
That brings us to Girl, Woman, Other by Bernardine Evaristo, a cowinner of the award with The Testaments. This novel of linked short stories about women is also experimental in form, having hardly any periods. I called it a semi-successful experiment in form and writing style, but it did include some powerful stories. In a year that was hard to pick favorites, I guess this would be my pick. Since this novel was a cowinner of the award, I guess that makes the judges half right.












