I like Catriona McPherson’s thrillers. I call them cozy thrillers because they usually involve a friendly community. The Dead Room is a little more dire than usual, and one plot point didn’t work for me at all, but I still enjoyed it.
Lindsay Hale in her mid-thirties is a new widow, her beloved husband Kai having died from a brain tumor. When he was dying, her old friend Chloe came out to their home in Hawaii to help. Finally, between her brother John and Chloe, she was convinced to move back to Scotland, to her hometown which she has never revisited since she left. There are hints of a traumatic childhood.
Lindsay arrives a day earlier than expected, and when she gets to her hometown, she breaks down while talking to an old lady, Peggy Marsh. Peggy takes her inside her beautiful, old, slightly rundown house and gives her tea. She falls asleep and arrives at her brother’s house very late, surprising her relatives.
Lindsay wants to find a house, but her brother tries to convince her to stay with them. Despite their welcoming, they seem to be concerned about her behavior. It is true that Lindsay starts having some visual perception problems and also doesn’t recognize people she’s supposed to know, but her behavior seems pretty normal for a recent widow, and her family overly concerned. They seemed to be trying to make her doubt herself.
A few days later, Lindsay returns to Peggy’s home only to find it empty. When she asks a neighbor about it, he is hostile. A while later, she learns that Peggy entered a nursing home and died shortly afterward, but when she goes to the nursing home, the man at the desk is hostile and the home oddly empty-seeming.
Lindsay begins to believe that she has something wrong with herself. She is able to buy Peggy’s house, but she hears noises at night as if someone has come in and actually sees a man leaving her house at night. But all the doors are locked, and the police obviously think she is being silly.
Periodically, we hear from someone else who is being held prisoner. Is it Lindsay at a later time or someone else?
My biggest problem with the book is that the gaslighting seemed so obvious to me, and it seemed as though Lindsay was too quick to doubt herself. Also—spoiler alert—once the plot comes out, it’s almost impossible to believe that some people would have wanted her to return to Scotland. Despite a brief statement of explanation, it makes no sense.
Despite my caveats, the novel is suspenseful and the main character appealing. I would just rate it slightly lower than some of McPherson’s more compelling cozy thrillers.









