Review 2173: Iza’s Ballad

When Ettie Szȍcs’s husband Vince dies, she is terrified of being left alone in her house in the small town where they’ve lived for many years. So, she is relieved when her daughter Iza tells her Ettie will come to live with her in Pest, in her modern apartment. Iza has always been the light of her and Vince’s lives, a proud defender of her father as a child after he was dismissed from his position as a judge for political reasons, an excellent student who worked against the Nazis during the war, now a respected doctor, a post-Stalinist modern woman. Ettie also has an invitation to stay in her own house with Antal, her ex-son-in-law, who bought it. But even though she still treats Antal like a son, she pays little attention to his invitation. In fact, she is more than a little befuddled by grief.

Iza is self-assured and always tries to do the right thing. However, she allows her mother no input into her own fate. She arranges to sell her mother’s house to Antal and puts her mother on a train directly after the funeral, not even giving her time to attend the little gathering that was planned. When eventually Ettie arrives in Pest expecting to see her furniture and little keepsakes, she finds Iza has sold or given away most of her possessions.

Ettie just wants to be useful. Although a simple soul who is easily frightened, she is still an active woman in her 70’s who is used to doing everything for herself and her husband. In Pest, she thought she could cook and clean for her daughter, but Iza has a housekeeper and doesn’t want Ettie to interfere. Iza believes Ettie should be happy to relax, but Ettie literally has nothing to do.

Iza works hard and then wants time alone or with her friends. It takes a remark from Domokos, Iza’s lover, to make her realize that Ettie is lonely. But even when they try to arrange a treat for Ettie, it’s something they want to do rather than something that would please Ettie.

The introduction to the NYRB edition says the novel asks what to do with the old and talks about Ettie’s inability as a country person to adapt to the city, but I think this novel is more a character study of Iza, a person who always thinks she knows best and is blind to the feelings of others. Her marriage to Antal was her only failure, and she still doesn’t understand why he left, since he was clearly in love with her. It’s a fascinating but sad novel.

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Review 2171: Stories for Christmas and the Festive Season

Although May is an odd time to review a collection of Christmas stories, I didn’t receive a copy of this book until much after the season. This entertaining collection is ordered by when the story occurs during the festive season and includes works by women published during the 20th century. Some of the authors are well known and others are only remembered now for a specific work. The introduction by Simon Thomas discusses each story in turn and tells something interesting about it.

The first story, “The Turkey Season” by Alice Munro, provides insight into a side of the holidays we may not have considered, factory workers processing turkeys. As usual, Munro is a masterly storyteller.

Some of the stories are amusing, such as “This Year It Will Be Different” by Maeve Binchey, about a housewife who goes on strike during the holidays, or “Skating” by Cornelia Otis Skinner, about a woman’s attempt to learn ice-skating. Others start out amusing but have a deeper meaning, for example, “The Christmas Pageant” by Barbara Robinson, about what happens when “the worst children in the world” get involved in the pageant or “Christmas in a Bavarian Village,” which subtly foreshadows World War II.

I especially liked “The Little Christmas Tree” by Stella Gibbons, about how a solitary woman’s Christmas plans are changed with the arrival of some children and “The Christmas Present” by Richmal Crompton, about an unusual gift passed down in the family from mother to daughter. The book finishes with a sprightly monologue by a black maid in “On Leavin’ Notes” by Alice Childers.

I received this book from the publishers in exchange for a free and fair review.

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Review 2167: Weir of Hermiston. Some Unfinished Stories

I wasn’t aware when I picked up Weir of Hermiston that it was Robert Louis Stevenson’s last and unfinished novel. But unlike The Mystery of Edwin Drood, only nine chapters of it exist. It has been packaged in the slim volume I found, dated 1925, with several other unfinished novels or stories, but of the others only one or two chapters or partial chapters exist. Between most of the fragments is a note from the editor containing what is known about the fragment and Stevenson’s intentions.

Weir of Hermiston tells the story of Archie Weir, whose mother brought him up to fear and distrust his father, the Lord Justice-Clerk. As a young man, Archie reacts in a disgraceful way, possibly treasonous, to a hanging, so his father sends him to his estate in Hermiston to learn to run it. Archie is ashamed and is not socially adept, so he becomes a bit of a recluse. However, he meets Christina, a cousin, and begins to fall in love with her. He is joined by Frank, a financially embarrassed friend, who decides to give him some competition for Christina. Things aren’t looking good when the fragment ends.

The next fragment is Heathercat, about a young boy whose mother keeps disobeying the law in regard to religion—I didn’t really understand the details—to the point where his father is being ruined by fines. She is using her son, whose nickname is Heathercat, to run illegal errands and keep guard on illegal services of worship. The notes explain that this novel was going to be based on a true story about a young boy who was married to an older girl to prevent her being forced to marry someone else.

Other stories are about a beautiful wife of a wine seller who falls in love with an aristocratic customer, a prince, presumably Prince Charlie, who tires of waiting around and decides to act; a man who takes over the household of a friend who has fled the country; and so on. The fragments are set in Scotland, England, or France during the 15th to 17th centuries, except Weir of Hermiston, which is set in the 19th.

I forgot to add that my copy begins with a description of Stevenson’s death and funeral, written by his stepson, Lloyd Osbourne, who was apparently very fond of him.

I found a book composed of fragments to be frustrating, but it made me want to read more of Stevenson’s adult novels.

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Review 2165: #ThirkellBar! What Did It Mean?

The focus of What Did It Mean? is on Queen Elizabeth II’s coronation. The novel deals principally with Lydia Merton, who has been asked to chair the committee for the Northbridge coronation pageant. This gives Thirkell the opportunity to poke fun at village committee meetings, during which very little seems to get done.

Lydia also gets acquainted with the Earl and Lady Pomfret and takes an interest in their oldest son, Lord Mellings, who at 16 is too tall for his strength, sensitive, and shy. Lydia arranges for him to meet the actress Jessica Dean and her husband Aubrey Clover, the playwright, and they enlist him in a part for their short play for the coronation, which promises to do much for his confidence.

For a while when reading this book, I thought Thirkell was starting to phone it in or that she needed a better editor. For example, there is a scene in which Lydia telephones to the Clovers to ask them to participate in the pageant. Then immediately following that, she takes Lord Mellings to the Deans to ask the Clovers the same question. Similarly, she reminds us several times of the little romance that took place between Noel Merton and Mrs. Arbuthnot when Lydia became so sick. There are also too many meetings described and no apparent romance until quite late in the novel.

However, the novel picked up as it went on, and the romance, once it emerged, was understated and touching. I finally ended up liking this one almost as well as the others.

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Review 2164: Classics Club Spin Result! The Moorland Cottage

When I selected The Moorland Cottage for my Classics Club list, I didn’t really read what it was about. Then when it arrived—a print-on-demand novella without any extraneous information—I thought maybe it was a gothic story, since most Victorian writers wrote some early in their careers. However, it is a romance with a strongly moralistic ending.

The Brownes live in an isolated cottage on the moor. Mrs. Browne is the widow of the respected curate of Combehurst. She dotes upon and spoils her son Edward while scolding and nagging at her daughter Maggie. As a result, Edward is selfish and unheeding, while Maggie is loving and giving.

When the local squire, Mr. Buxton, who was friends with Mr. Browne, decides to send Edward to school, the Browne children meet Frank Buxton and his cousin Erminia, both about their same ages, with Frank being a little older. Both Buxton children are impressed by Maggie but dislike Edward, and Maggie and Erminia become good friends.

As young men and women, Edward has not improved his character, while Maggie is good and beautiful, used to thinking of everyone but herself. Frank falls in love with Maggie, but Mr. Buxton is strongly opposed to their engagement. Then Edward’s misdeeds complicate the situation.

I had to laugh when I saw this novel described as “feminist” on Goodreads. When I was a little girl, I detested a fairy tale called “Patient Griselda.” It was about a prince who subjects the girl he loves to a series of painful tests to see if she is worthy of him. I wanted the girl to tell the prince to buzz off. This novel is going in the direction of Griselda except it is Edward, not Frank, who is always making demands. Thankfully, the ending was a little better than I expected. The novel has a strong religious message but one that seemed wrong-headed to me.

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Review 2157: War Among Ladies

The staff at Besley High School are choosing up sides. Not only has the ineffective head, Miss Barr, appointed the steely Miss Lexington as second head, favoring her superior degree over the years of experience of Miss Parry, but then there is the problem of Miss Cullen, the French teacher.

The staff has been frantically preparing for exams. Miss Cullen used to be a good teacher, but her methods are out of date and her students don’t respect her or pay attention in class. Unfortunately, the system is structured so that failure in French (for some incomprehensible reason, and I assume for some other subjects, too) means that the student fails the exams as a whole, no matter what her other scores are. The result is that only four students pass the exam, which reflects on the whole school.

Further, Miss Cullen has taught for 26 years, but if she quits or is fired before she puts in four more, she loses her pension, including any money she has put into the fund herself. She can’t afford to quit.

All the other teachers are more or less in the same boat. If the school is closed or they lose their jobs, they are unlikely to be hired elsewhere because of the school’s poor reputation. Miss Parry begins actively trying to drive Miss Cullen out, suspecting that Miss Cullen will blame her inability to teach the students on Miss Parry’s failure to prepare them in Beginning French.

Into this hotbed come three new teachers, particularly idealistic Viola Kennedy. She does not understand that Miss Cullen’s attempts to befriend her are misunderstood as her joining Miss Cullen’s side in the school brouhaha.

This book was written to show how hard teachers work and how unfair the system is that forces teachers to work beyond their effective years (also how unfair the pension system is). However, it certainly makes women at work look bad. Although even the most badly behaved have flashes of sympathetic impulses (except maybe the despicable Miss Parry), they are relentless gossips and many of them are petty and vindictive. Women at work, at least here in the States, were stigmatized for years (as masculine or man-traps, and the word “unnatural” is used several times), and this book doesn’t do them any favors. Only Viola mostly keeps above the fray, but that doesn’t keep her from being dragged down by some of the others.

I received this book from the publishers in exchange for a free and fair review.

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Review 2155: #1940 Club! Miss Hargreaves

When I saw Miss Hargreaves on the list of books published in 1940, I knew I had to read it for the 1940 Club, mostly because of recommendations by Simon Thomas.

Norman Huntley is quite a young man, impetuous and given to making up stories. He is traveling with his friend Henry in Ulster when they take refuge from the rain in a church they agree is hideous. However, the sexton appears and insists on giving them a tour.

When the sexton shows them a commonplace inscription dedicated to a previous vicar, Norman blurts out that he has a friend who knew him. Together he and Henry describe an eccentric old lady named Miss Hargreaves, continuing after they leave to add details.

To cap the joke, Norman writes a letter to the address they made up, inviting Miss Hargreaves to visit. Shortly after he returns home, he receives a letter from Miss Hargreaves saying she is arriving on Monday.

Miss Hargreaves is exactly as Norman described her, including a dog named Sarah and a parrot named Dr. Pepusch. Norman is confused and his friends treat him badly because of his relationship with the old lady. But he comes to believe that Miss Hargreaves exists only because he created her. He both likes and hates his creation.

Although some events seem to confirm this idea, after he gives Miss Hargreaves a title, she begins to go in her own direction, and things get even more complicated.

Of course, this frothy story is meant in fun, but I couldn’t help thinking that the novel could be a metaphor for an author and his creations—how they sometimes take control and don’t want to do what you planned, and how you can love them and hate them at the same time.

Although I don’t usually like magical realism, I found this novel madcap and funny, and I especially loved the character of Norman’s father.

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Review 2150: The Bogman

When The Bogman was published in 1952, it was banned in Ireland for indecency. These days, we find little to label it indecent, even if it is partially about a forbidden love.

The novel begins with Cahal Kinsella coming home to a very small village with less than a dozen houses, most of them occupied by older people. Cahal is illegitimate. His grandfather threw his mother out when he was born, and he was raised in an industrial school. Now 16, he has been released from the school and goes to live with his grandfather, Barney.

Barney is a hard man. He is sometimes brutal to Cahal, but Cahal doesn’t mind. He is used to obeying and is happy to belong somewhere. However, this attitude earns him the disdain of Máire Brodel, which will have far-reaching consequences.

Cahal also has the problem that no matter how good his intentions, he is often misunderstood. As he gets older, a series of incidents leads to him losing most of his friends. But his worst misfortune comes when, to get money, Barney arranges a marriage for him at nineteen with a woman in her 40’s.

This is a powerful novel about the hardships of Irish rural life at the time, about the insularity and lack of privacy in a small village, about rumor and gossip, treated as truth even if it’s a lie. According to the introduction by Nuala O’Connor, it is based at least partially on Macken’s own life and experiences.

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Review 2149: #ThirkellBar! Jutland Cottage

Jutland Cottage, published in 1953, begins with John and Mary Leslie, whom we have seen little of since Wild Strawberries. However, the purpose of this first chapter is to describe the death of George VI, or rather the characters’ reactions to it.

Then we go to Greshamsbury, where Father Fewling, now a canon, is the new rector and is moving into the rectory. Canon Fewling becomes aware of the plight of the Phelps’s. Admiral Phelps is ill and his wife not much better, both cared for by their daughter Margot, who is 40. Since they mix little in society, no one knows them, but it is Rose Fairweather who realizes that Margot needs help. She has been doing all the work around the house, including gardening and caring for chickens, and her parents are too ill to be left alone. She is tired, stressed, poorly dressed, with no amusements. She is also worried that if her father dies first, the navy pension will be too small for her mother to live on. As it is, they are very poor.

Rose makes a plan with her friends and neighbors to stop by to visit the Phelps’s frequently and to at least once a week get Margot out of the house while someone is visiting her parents. Rose goes further by giving Margot a length of tweed and taking her shopping. A great deal of attention is spent on her undergarments, particularly her “belt,” which is apparently a corset or girdle. (Thank goodness we don’t wear those anymore.) And she gets her hair cut.

While all this kindness is going on, Margot gains confidence and eventually draws the attention of some of the older bachelors.

In the meantime, Swan, who you may remember was in love with Grace Grantly until he realized her heart lay elsewhere, has found someone else to care for. But one of the things I like about Thirkell is her subtle romances, which are so downplayed that it’s often not clear who might end up with whom.

I don’t care what people say about Thirkell’s post-war novels, I am finding them just as interesting as ever, perhaps because I’ve come to know so many characters and want to know what happens to them.

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Review 2135: The Tortoise and the Hare

Imogen Grisham has a relationship with her husband, Evelyn, that is probably not unusual when this novel was written, in the 1950s. His job as a barrister being demanding, she feels it is her job to provide a stress-free home life. Unfortunately, since he is difficult to please and often impatient with her, she placates him. Her young son, Gavin, is like his father and treats her with disdain.

Imogen, who is some years younger than her husband, notices his growing friendship with Blanche Silcox but doesn’t worry about it because Blanche, a spinster, is old and unattractive, to her mind. However, Evelyn and Blanche have more in common, and eventually Imogen finds herself being excluded from occasions in which Blanche is included.

Although I thoroughly disliked Evelyn and Blanche, it was hard for me to be sympathetic at times with Imogen because she is superficial and so passive. For example, there is a situation in which Gavin has a serious problem at school while Evelyn is involved in an important case. Instead of going to school herself, she sends her friend Phil to deal with it, I assume because she believes she will be ineffectual. Even Imogen’s best friend thinks, not that Imogen should have gone herself, but that Evelyn would have respected her more if she’d interrupted him at work. Maybe there’s something about mothers going to school at that time that I don’t understand.

However I felt about the characters, this novel is a realistic portrayal of the breakdown of a marriage with all of its hesitations and heart-rendings on the one side and its self-justifications on the other. It is layered and ultimately affecting.

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