Tag: classics

Review 2213: #ThirkellBar! A Double Affair

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I have to start out with a spoiler for the book before this one, so if you haven’t read Never Too Late and plan to, skip now to the second paragraph. A Double Affair begins with the wedding of Miss Merriman, called Merry by her friends, to Mr. Choyce. Merry has appeared in many of the novels as the devoted secretary/companion to both Lord Pomfret and Lady Emily Leslie, and she deserves a happy ending. (Readers may recall that early in the series she had an unrequited love.) The wedding is described in much more detail than any of the others—if they are described at all—so Thirkell must have thought so, too.

Then we briefly return to the subject of Edith Graham, still eighteen after three books. And here, I think Thirkell has made a continuity error, for Edith is returning from a trip to America after having returned two books ago. I noticed this particularly because I read the beginning of this book out of order, so in my mind she had just returned and she was returning again. So, at the end of Never Too Late, I looked for an indication that she was going abroad again, but there was none—just her plan to go to agricultural school.

Thirkell gets over this, sort of, by saying she abandoned her studies to go to America with Uncle David and Aunt Rose, but never once is there a reference to two trips to America. Thirkell even has her say that she thinks her temperamental problems were caused by this trip, but she had those same problems two books ago when she returned the first time.

In any case, I’m a little tired of Edith and her temper. At the beginning of the book, she still has three admirers—George Halliday, the farmer; John Crosse, the banker and Lord Crosse’s son; and Lord Mellings, the young heir of Lord Pomfret. However, she seems to lose her temper if some man isn’t paying attention to her at all times.

This is a good time to look at the problems of George Halliday. His father died in the last book, and now his mother is feeling lonely. He is working hard and is sometimes irked because when he gets home, his mother wants attention, whereas he wants to work on the books or just relax. Finally, she goes for a visit to her daughter Sylvia at Rushwater, where Sylvia and Martin feel much the same. But Mrs. Halliday has a surprise for everyone.

This novel will finally dispose of the affections of George, John, and Edith, but in what combination?

Although I enjoyed keeping up with these characters, this is the first time I’ve felt that Thirkell lost track of her plotting a bit. Also, I don’t want to spoil any romantic surprises, but I’ll just say that she cheats a bit in this one.

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Review 2210: It Ends with Revelations

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It’s going to be hard to convey a sense of this book without revealing a side to it that doesn’t arise until well into the novel. I will say that for 1967 the novel deals with a key issue in a surprisingly enlightened way, even though it may make modern readers cringe a few times.

Jill Quentin is the wife of Miles Quentin, a distinguished actor. Miles is opening a new play in a spa town during a summer festival. This play was already produced on television, but adapting it for the stage is proving difficult. In particular, Cyril, the actor playing the boy in the play, is not doing well despite having played the part on television.

Smith’s descriptions of the details of the play production as well as Jill and Miles’s relationship are interesting. However, the plot gets going when she befriends two teenage girls, Robin and Kit Thornton, who are staying with their widowed father in the same hotel.

I don’t want to say more, really, except that the novel involves a choice for Jill between romantic love and the love of a deep friendship and asks how important loyalty is in marriage.

I generally liked this book, but there was a point before some revelations when I felt that if it was a more modern book, it could be going somewhere creepy. However, it was not.

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Review 2208: The Foolish Gentlewoman

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When crusty, prim Simon Brocken goes to live with his widowed sister-in-law Isabel while his home is repaired from bomb damage shortly after World War II, he isn’t expecting to enjoy living so closely with other people. However, the household gets along comfortably together even though the four occupants don’t have much in common. Isabel is kind and generous, although Simon thinks she’s an idiot. Her Australian nephew Humphrey has come to stay, and he is slowly pursuing an understated courtship of Jackie, Isabel’s companion/secretary.

However, something is bothering Isabel, and eventually she tells them what it is. A preacher’s sermon about bad acts in the past being no less bad has made her consider an incident from when she was a girl, when her actions blighted the marital hopes of Tilly Cuff, a poor cousin her family treated a little like a servant. Tilly took a job as governess, and Isabel eventually married Simon’s brother.

Now Isabel thinks she must make amends to Tilly, so she has invited her to stay. But she also intends to give Tilly her entire fortune. Simon is appalled by this but can’t get her to change her mind. Then Tilly arrives, and everyone but Isabel soon realizes that she is actively malicious.

This novel is witty and sharply observant of human nature. It creates a situation that I couldn’t imagine being resolved neatly and that made me want to see what happens.

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Review 2206: The Ten Thousand Things

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I picked out The Ten Thousand Things from a list of the New York Review of Books publications for my Classics Club list without knowing anything about it. It is an unusual book, but beautiful.

It begins with an extended vivid description of an island in the Moluccas, referring along the way to the island’s stories and myths. It does this for so long that you begin to wonder where it is going, but finally it comes to the story of Felicia. Felicia spends her childhood on the island, visiting her grandmother in the Small Garden, hearing stories about objects and ghosts on the property, and examining her grandmother’s box of treasures, many of them stones with properties or unusual or valuable shells. However, eventually there is a dispute between her grandmother and her mother, so her mother insists her immediate family move to Holland. Felicia’s grandmother gives her some valuable jewelry so she can afford to come back.

She returns a young mother, her husband, who married her for money, having taken all her money and jewels and disappeared when he learned she was pregnant. She has had to take out a loan to return.

Most of the bulk of the novel is the story of her life on the island raising her son Himpies. Although this is not a novel in the magical realism genre, the island, with its tales of ghosts and monsters and its extreme beauty, seems magical. Dermoût spent her childhood on such an island and clearly loved it.

About 2/3 of the way through the novel, which is only about 200 pages long, it abruptly moves to some other characters on the island, then does it again. This is at first surprising, but Dermoût returns to the Small Garden and wraps everything up beautifully.

I think I can fairly describe this novel as haunting—sad and just lovely.

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Review 2204: The Summer Book

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The event that informs The Summer Book has already occurred before the novel starts—six-year-old Sophie’s mother has lately died. Sophie, her father, and grandmother travel early to an island on the Gulf of Finland where they spend their summers.

There isn’t much plot to his novel, which is mostly centered on Sophie and her grandmother. Sophie is changeable and sometimes anxious. Her grandmother, who is not in good health, is usually wise and responsive but can be irritable. In between tales of a visiting neighbor, the construction of a new road and a large, intrusive house, a haunted bathrobe, an unfriendly cat, the construction of a miniature Venice, and some massive storms, Jansson minutely describes the world of the island—the terrain, the insects and birds, the plants.

This is a lyrical novel that implies—most of them are unstated—some truths about life, death, and love.

Jansson spent most of her summers on such an island. She wrote this novel shortly after the death of her mother.

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Review 2200: Near Neighbours

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The last book I read before this one was This Mournable Body, and after reading that, I felt in need of something light. So I skipped through my queue until I found this book, and it answered the purpose very well.

Unlike the other Clavering works I’ve read, which were set in small towns or villages in the Scottish borderlands, Near Neighbours is set in Edinburgh, in a once-exclusive neighborhood where stately homes are being split up into flats. The two surviving single-family homes are next to each other.

In one, elderly Miss Dorothea Balfour has been dominated all her life, first by her father and then by her older sister. But now her sister is dead, and Miss Balfour has just begun to realize that her life is her own. Still, she is lonely, as her sister considered them to be socially above their neighbors. However, she has always been interested in the activities next door, where the Lenox family, a widow with five grown or nearly grow children, live.

Young Rowan Lenox notices Miss Balfour at the window one day and decides to call on her to offer condolences. She finds the house gloomy but gets along with Miss Balfour well and invites her to tea. Everyone likes her and soon there are friendly visits back and forth.

The three oldest Lenox girls have a romantic concern. Willow is married, but because her husband is in the navy and is often away, she still lives at home. Her mother wishes they would get their own place, and Rowan is disturbed to notice Willow spending a lot of time with Mickey Grant while Archie is away.

Hazel Lenox is a level-headed nurse who is surprised to learn that the hospital heartthrob, Adam Ferrier, approves of her. He even asks her out a few times but then informs her he needs to concentrate on his career as a surgeon. Hazel hadn’t realized until then that she cares for him.

Rowan’s new Highland Dance partner is a brooding Byronic type but the best dancer in the class, Angus Todd. He is sensitive about his lack of background, being adopted, but shows an alarming tendency to be possessive of her, while she thinks of him as a friend.

Miss Balfour is surprised to receive a call from a strange man, who turns out to be the brother-in-law her sister split from six months after she married him. Mr. Milner seems not quite reputable, and Charles Frasier, Miss Balfour’s solicitor, is alarmed because the sister left her entire estate in such a way that Mr. Milner could lay claim to all of it. Through Miss Balfour, Charles meets the Lenoxes and is struck by Rowan.

The novel is a pleasant story about nice people with few real surprises, but the characters are interesting and you want to know what happens to them.

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Review 2198: #ThirkellBar! Never Too Late

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Purely by error, I read most of the next book in the series before this one (apparently my stack got rearranged), which spoiled a key surprise of this book. So I will not spoil it for you.

Much of this book deals with young Edith Graham, who can’t decide what to do with herself. As, in fact, did the last book and as does the next one. It’s unusual for Thirkell to spend so much time with one character, although she certainly revisits characters time and again. To a certain extent, though, she also did this with Clarissa Graham, who was also a little spoiled. Edith is clearly discontented, especially when she feels she is not getting enough male attention.

But the novel also deals with the problems of George Halliday and his mother. George has been working hard to keep his father’s farm going and to keep his patience with his father’s advice. But now Mr. Halliday is failing in mind and body. George is too busy with the farm to help his mother care for his father, and both of them are exhausted. So, Agnes Graham, working with friends, takes a hand in the situation.

Aside from George’s problems there are newcomers to meet—the Carters, cousins of Everard Carter, the headmaster of Southbridge School—and two very understated romances of the middle-aged variety. So, I found Never Too Late to be as delightful as usual.

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Review 2191: Sally on the Rocks

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Sally Lunton has been living in Paris as it waits for a German invasion in 1915, and she is at her wit’s end. Her sketchy career as an artist has been finished by the war, and she is stone broke. She has changed from a blithe Bohemian to a woman nearly middle-aged (by the standards of 1915—she’s 29) who thinks her only hope is to marry someone well off.

Then Sally gets an apparently friendly letter from Miss Maggie Hopkins telling her that there is a new bachelor in her home town of Little Crampton, a bank manager, and he will soon be snapped up by a young widow with a daughter. Sally thinks Mr. Bingley will be horrible, but she goes home prepared to fight for him. She returns to the home of her guardian, the mild-mannered and affectionate Reverend Adam Lovelady.

Mr. Bingley turns out to be worse than Sally expected. He is plump and unattractive but full of himself for his lofty position in town. He is also religious and judgmental and is looking for a wife who is above reproach. He is guided by a book left by his deceased mother telling him what to look for in a wife—or rather what to avoid (hint—everyone).

Unfortunately, Sally has a skeleton in her closet. Six years ago, madly in love, she went off to Italy with Jimmy Thompkins. But after a summer in Italy, he left her. Sally has never really recovered, but it is vital that Mr. Bingley not learn of this escapade. Unfortunately, Jimmy is living in the village with his wife and two children, and he thinks Sally should not marry Mr. Bingley without telling him.

Another peril is Miss Maggie, who senses there is something between Jimmy and Sally and is determined to ferret it out.

Despite these complications, Sally’s appearance and pretenses of admiration are getting her ahead of her rival, Mrs. Dalton. However, soon there is another problem. Up on the moors, Sally meets Robert Kantyre, a disgraced former officer on the point of suicide. Sally is determined to save him from himself and from alcoholism.

This is a complex little book considering when it was written. Not only is it a satire of village life, but it makes some surprising observations about the differences in how men and women in the same circumstances are viewed and treated. Although Mr. Bingley is usually a figure of fun, he shows another side, even though his feelings for Sally fight with his yearning for his dinner at times. The only real villain is Miss Maggie, whose idea of fun is mischief making at the expense of others’ lives.

Except for tiring a little bit of Mr. Bingley’s internal battles, I found this novel very enjoyable and insightful.

I received this book from the publishers in exchange for a free and fair review.

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Review 2185: The Transit of Venus

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The Transit of Venus spans the 1950s through the 1970s. It is a modernist exploration of the love affairs, both unconsummated and consummated, of the characters surrounding two Australian sisters in England, Caroline and Grace Bell.

The novel begins when Grace Bell is engaged to Christian Thrale. Grace is a few years younger than her sister Caroline, who is 21. Both are staying with the Thrales when Ted Tice, an astronomy graduate, arrives to plan the placement of a new telescope with Professor Sefton Thrale, Christian’s father. Ted, who is shabby and unprepossessing at the time, falls in love with Caroline at first sight.

Caroline, for her part, falls in love with Paul Ivory, whose play is being produced and who has just become engaged to Tertia Drage, the daughter of a neighboring lord. Caroline and Paul have an affair, but Paul drops her for Tertia, choosing position and wealth over love.

Caroline is devastated. She goes off with a friend of the Thrales, a middle-aged roué who has been bedding Tertia, but she ends up in London, working at a poorly paid government job and leading a bleak existence. All the while, she is loved by Ted Tice.

As the years go by, most of the main characters of the novel are overtaken by love. Caroline and Paul rekindle their affair for a time, but Caroline eventually happily marries a wealthy American philanthropist, Adam Vail. Christian becomes briefly obsessed with a young secretary, while Grace falls deeply in love with her son’s noble doctor. Grace and Caroline’s difficult older half-sister marries, to their relief, but then is robbed and abandoned by her husband.

Until the ending of the novel, I felt that the novel was a fairly detached examination of these various relationships in terms of the dynamics of who holds the power. Then Caroline learns a secret that makes her re-examine her entire adult life and made me re-evaluate my liking for the book. It turns everything on its head and makes the novel a great one.

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Review 2182: The Love Child

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I guess I can say I’ve been theme reading lately with no plan to do so. By this I mean that I’ve been accidentally reading books with something unusual in common within weeks of each other. For example, I never read any books set in Sri Lanka (except one historical romance I read several years ago), yet within weeks I ended up reading two literary novels set there, one in the 80s and one more recently. Similarly, last summer I read two books set in Madagascar. Now, who would think that there were two books about an imaginary person who comes to life? Yet, a few weeks ago I reviewed Miss Hargreaves for the 1940 Club, and here is another novel on the same subject.

The Love Child is a different kettle of fish from Miss Hargreaves, though. The latter is an amusing romp, while the former looks more seriously at the fate of women in post-World War I England, where there was a surplus of them by nearly two million.

With the death of her mother, Agatha Bodenham (considered middle aged at 32) finds herself unexpectedly lonely. She and her mother have been very reserved and have not engaged in society, so she has no friends.

She remembers having an imaginary friend when she was a girl, a friend named Clarissa whom she romped with until her mother told her she was too old for such things. She begins by remembering the games she played with Clarissa, and eventually Clarissa reappears as an 11-year-old girl. Clarissa is a graceful, delicate girl, completely Agatha’s opposite. Agatha plays make-believe games with her and enjoys herself. But slowly Clarissa becomes visible to others.

When called upon to account for Clarissa’s existence, Agatha is confused and says she is her “love child.” No one believes this, but everyone assumes Clarissa is some relative.

Problems begin, though, when Clarissa starts to have a mind of her own.

This novel is quite a sad story, maybe, depending on how you understand the ending. It rests on then-current beliefs about how the lack of motherhood might affect women (it was published in 1927) and in the fate of unmarried women. I found it sometimes flagging for me but was interested to see how it ended.

I received this book from the publishers in exchange for a free and fair review.

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