Day 297: Persuasion

Cover for PersuasionMost people have probably read Pride and Prejudice, which is a wonderful book, but if I had to pick my favorite Jane Austen heroine, it would be hard to decide between Elinor Dashwood of Sense and Sensibility and Anne Elliot of Persuasion. Probably fewer people are familiar with Persuasion.

Anne is no longer in the bloom of youth. Seven years ago she fell in love with a young naval officer named Frederick Wentworth, but Sir Walter, her superficial, supercilious father, did not approve. Perhaps the gentle Anne would not have been dissuaded from marriage, but her older friend and mentor, Lady Russell, talked her out of the engagement because of Wentworth’s lack of wealth and social position. Anne listened because she viewed Lady Russell as a surrogate mother, and she hasn’t heard from Wentworth since.

Now the family has fallen upon hard times, and Sir Walter is forced by his profligacy to lease their house and take rooms in Bath. He and Anne’s fashionable sister Elizabeth care very little for Anne, and they leave her to close up the house and make all the arrangements for its occupation by an Admiral Croft. Much harassed, she readies the house and tends to her hypochondriac, selfish sister Mary Musgrove. At least she enjoys the company of the children and Mary’s genial in-laws, with their two daughters Henrietta and Louisa and Anne’s brother-in-law Charles.

Anne meets the friendly Admiral and Mrs. Croft, and between their society and that of the Musgroves, begins to find a little pleasant enjoyment. However, she is soon dismayed to learn that Frederick Wentworth is Mrs. Croft’s brother, and he will be arriving soon. Wentworth is now wealthy and has retired from the service.

When he arrives, Wentworth pays little attention to Anne; in fact, she overhears him saying that she has changed so much he would not have recognized her. This remark distresses her very much, as her feelings have not altered. Soon he appears to be courting Louisa Musgrove. Anne finds it easiest to send Mary off into company while she stays home with her nephews.

After Louisa has a fateful accident on an outing in Lyme Regis, Anne finds herself taking charge and summoning help. Then she returns with Wentworth to notify Louisa’s parents. Feeling superfluous after the Musgroves leave with Wentworth for Lyme Regis, Anne decides she has no choice but to join her unpleasant father and sister in Bath.

What I love about Anne is her understated good will. Despite the insults by her family members and their general bad treatment of her, she tries to help them and to be a true sister and daughter to them. Despite Wentworth’s slights and attention to Louisa, she hides her feelings and remains faithful in her heart. Anne has much in common with Elinor Dashwood, except that Elinor is well regarded by her family and Anne is not. There is something delicate and understated in this novel, and in all of Austen’s work, that I appreciate in this more tempestuous modern world.

Day 291: Brat Farrar

Cover for Brat FarrarI have only read a few mysteries by Josephine Tey and have had mixed reactions to them. I really enjoyed The Daughter of Time, but disliked The Franchise Affair. Brat Farrar is completely different from either of those novels, and I enjoyed reading it.

Patrick Ashby, the 13-year-old heir to the Ashby fortune, disappeared three years go. This novel isn’t a mystery about whether Brat Farrar is an imposter–we know that from the beginning–but about what actually happened to Patrick.

Brat, an orphan who bears a surprising resemblance to the Ashbys, is talked into impersonating Patrick, despite his better instincts, by a ne’er-do-well cousin of the Ashby’s. This cousin has carefully coached him for his part, with the understanding that after Brat inherits, he will pay the cousin a pension. Once Brat arrives at the house, he feels surprisingly at home with the place and the family, except for Simon, his supposed twin brother.

The characters are likeable, and the story keeps your attention, even though I figured out the solution to the mystery fairly early on.

Day 272: Moby Dick or, The Whale

Cover for Moby DickThose who know me well will be surprised to see me reviewing this book, because one of my stories is of my horror, when first trying to read it, to find an entire chapter about one rope. At that point, Moby Dick became the first book I ever stopped reading. However, I got interested in trying it again by listening to the Moby Dick Big Read. I listened to the beginning chapters and finally picked up a copy to finish it.

The plot, of course, is about the sailor Ishmael, who decides to go whaling for the first time, the people he meets, and his experiences–and about the obsession of his captain, Ahab, to kill the whale that took his leg.

Moby Dick is not for everyone. The novel is not simply an adventure tale about whaling but also a dissertation on whaling history, a series of philosophical essays, an explication on types of whales, on the different parts of a whale, on pieces of whaling equipment (hence, the chapter on the rope), even a musing on the color white.

The novel also has a sort of schizophrenic narration, starting out as first-person limited from the point of view of Ishmael, but then at other times taking the point of view of Ahab. The writing style rips back and forth from simple story telling to a kind of heightened, bombastic oratory. Characters do not so much speak as give speeches.

The novel is immense, but it is meant to be immense–the way Melville saw America and its possibilities. I have over the years read different interpretations of this work (the whale as a symbol of evil, etc.), but one that strikes a chord with me is that it is a reflection on some of the American political ideas of the time, particularly Manifest Destiny. While seeming to admire the grandiosity of such ideas, Melville is, with one whaling story, also warning of their possible effects and ramifications.

I can see why some academics have devoted their careers to this work, because it can be endlessly examined and interpreted. I finished reading it this time, but I can frankly admit that it is still a bit too much for me and is probably better suited for someone who is more contemplative in his or her reading.

Day 270: The Secret Garden

Cover for The Secret GardenBest Book of the Week!
The Secret Garden was one of my favorite books as a young girl. I recently had occasion to reread it and was surprised to find it just as entertaining as I remembered. I also noticed for the first time how beautifully written it is.

We might be inclined to sympathize with ten-year-old Mary Lennox at the beginning of the novel. After all, she has survived a cholera outbreak in India that killed her parents, and she was left alone when the remaining servants abandoned the house. But Mary is spoiled and bad-tempered. She goes to live with her uncle, Archibald Craven, in Yorkshire, and she doesn’t like anything she sees. The food is horribly bland. The house is located on a desolate stretch of moor, and her uncle isn’t even there, so she is to be kept by servants. Well, she knows how to handle servants.

To her surprise, the English servants are not afraid of her temper; they expect her to do as she’s told. Largely left to her own devices, she explores the huge, rambling house and the gardens around it. Her young maid Martha tells her the story of a secret garden that used to belong to Uncle Archibald’s wife. His wife died, and he had the garden locked and the key buried.

Running around outside, Mary starts to improve her health and temper. She makes friends with a robin, and Martha’s mother sends her a jump rope. Soon she is rosy-cheeked and stops turning her nose up at the food.

Mary makes the acquaintance of the taciturn gardener, Ben Weatherstaff, and eventually finds the door and the key to the secret garden. The plants are dead, because it is early spring, but she wonders if the garden can’t be revived with a little help. She gives Martha some of her allowance to buy gardening tools, and Martha’s young brother Dickon delivers them. Dickon is a fascinating boy who roams the moors and makes friends with the animals, and with Mary. Soon, both Mary and Dickon are working every day in the secret garden.

Her nights have occasionally been disturbed by someone crying. One night she follows the noise and finds that a boy is living in the house, her cousin Colin. He is an invalid who has not been out of his bed for years, and he is even more spoiled than Mary. After putting him in his place, Mary begins to feel sorry for him. She reads him stories and tells him about the secret garden as if it were story, but he soon figures out that it is true. Eventually, she and Dickon take him out into the garden in a wheelchair.

This book is a tale about how living things can heal bodies and minds. As Mary’s health improves and she works in the garden, her temper improves. The magic of the garden brings Mary together with her friends and eventually reunites the Craven family.

Day 255: Anderby Wold

Cover for Anderby WoldMary Robson is a young married woman who has been working for years to save her family farm, Anderby Wold. She even married John, her much older husband, whose hard work has kept it going these past years. She is a managing woman who thinks it is her duty to oversee the welfare of the village, making herself disliked by many. Because of her preoccupations, she seems much older than she actually is.

One day she encounters David Rossiter, a young radical journalist who disagrees with everything Mary believes in. David is trying to get farm workers interested in unionizing, and Mary becomes unsuitably obsessed with the younger man. The schoolmaster, Coast, becomes involved in the unionization issue expressly to make trouble for Mary, whom he detests.

Anderby Wold is an interesting slice of Yorkshire life in the 1920’s. It reflects the issues of the times, when farmers were facing increased demand for workers’ rights. Another of Winifred Holtby’s consistent themes that appears here is getting on with life after the death of a loved one. This novel is Holtby’s first, and its realistic depictions of village life of the times reflect her background as a journalist.

Day 243: The Pursuit of Love

Cover for The Pursuit of LoveIt’s always fun to re-read Nancy Mitford’s charming and funny autobiographical novel about her youth and young womanhood. Mitford’s alter ego is Linda, a young woman with terrible taste in men, who throws herself from one extreme to another in pursuit of love.

Mitford’s strength is her portrayal of peculiar but lovable characters, all modeled upon her own eccentric family or on figures in society. The novel is narrated by Fanny, a sensible but lonely girl who spends a lot of time with her cousins, the Radletts. Her terrifying Uncle Matthew (modeled on Mitford’s father) loves to hunt his children instead of foxes, a game the children love. Aunt Sadie is unutterably vague, which she probably has to be to live with Uncle Matthew. Uncle David is a cultured hypochondriac. The Bolter, Fanny’s mother, is supposedly a portrayal of Lady Idina Sackville, a famous society woman who kept leaving her husbands and was a member of Kenya’s famous Happy Valley set.

Mitford starts the novel with childhood–the children are hunted, hang out in the linen cupboard fantasizing about running away, and generally run wild–and follows the older girls into young adulthood. The novel finally centers on the story of how Linda first impetuously marries a stuffy banker who bores her silly, then leaves him for a communist who only thinks about his causes, and finally falls into the arms of Fabrice, a French duke who is a world-class womanizer. Characterized by facetious observations of society life and dialogue brimming with zingers, Mitford’s novel is a joy to read.

Just as an aside because I’ve recently read a few posts about cover design, I originally copied into this post the most recent cover of the book, which shows a romantic black and white photo of a debutant holding a bouquet of flowers with a pink banner for the title. I decided to replace it with this older cover (the one on the copy I have), which I think does a much better job of conveying the type of novel it is, much more of a social commentary than a romantic novel.

Day 239: Lucky Jim

Cover for Lucky JimI hate to use the word “hapless” two days in a row, but here goes. Hapless Jim Dixon is an unhappily employed lecturer in history at a “new university” in England. (I believe even that phrase is supposed to be fraught with meaning, but I am not British, so I don’t know what it might be.) Uncertain of whether he’ll be keeping his job in the coming year, he is forced to listen with an attentive air to the endless prosings of his boss Professor Welch and to take on all the tedious chores he is assigned. He vents his frustration through silly pranks and grotesque grimaces when he thinks no one is looking.

He has also gotten himself entangled with Margaret, a manipulative coworker whom he pities because she recently attempted suicide when her fiancé left her.

During a stultifying weekend of amateur theatrics and madrigal singing at the Welch’s, Jim meets the beautiful Christine, the girlfriend of the horrible Bertrand, Welch’s pretentious and belligerant son. Jim is startled to find that perhaps Christine returns his interest.

Amis’ amusing skewering of academic life comes to a climax at Jim’s well-attended lecture on Merrie England. Amis’ novel is known both for being the first “campus novel,” one that takes the point of view of a lecturer rather than a student, and for its down-to-earth, witty writing style, an approach that was unusual at the time. Although it was published in 1954, it holds up pretty well in modern times.

Day 233: The Moviegoer

Cover for The MoviegoerWalker Percy’s classic novel The Moviegoer is a novel about alienation. Binx Bolling is an idle young man living in New Orleans during the late 1950’s. His experiences in the Korean War seem to have cast him adrift, or perhaps he has always been adrift. He spends his time chasing women and going to the movies. He cares for his cultured and prominent family, yet he seems strangely indifferent to them at the same time. He claims to be on a search, but it is not clear what he is searching for–perhaps a purpose, but his search is strangely aimless. Although he has a job as a stockbroker, he doesn’t devote much time or attention to it.

Kate, his cousin, is mentally ill in an undefined way. She and Binx seem to understand each other, and he genuinely cares what happens to her. From drifting for quite awhile in the same waters, the story finally moves forward when Kate insists on coming with Binx to attend a convention in Chicago, where he has an important work assignment.

New Orleans features as a colorful setting, but in some ways the city’s possibilities are neglected. Some of the most interesting scenes are set in a small house over a bayou, where Binx goes to visit his mother and younger siblings.

This is an existentialist novel that is supposedly heavily influenced by the writings of Søren Kierkegaard. Although Jack Kerouac’s On the Road reflects the alienation experienced by some young men following World War II, The Moviegoer shows that this alienation was still felt by young men following the Korean War, ten years later. Essentially, these two novels examine the same themes, only Binx’s explorations are followed in more socially acceptable ways.

I have to admit that these themes don’t personally strike any chords with me. For most of the novel I wasn’t that interested in Binx’s search or in the things that he finds interesting. However, I liked the ending of the book, when he finally accepts responsibility for something.

Day 213: The Monk

I don’t usually have problems with the language of the classics or with appreciating a book that is long out of its time, but I had one with The Monk. Although it is considered a classic gothic novel, published in the height of their popularity in 1796, I found it boring. I imagine that for its day it was very shocking.

Ambrosio is a monk at a Capuchin monastery in Madrid. Although he is considered to be almost a saint, he is full of vanity and lust. He becomes sexually obsessed with a woman who is disguised as a boy in the monastery, and succumbs to temptation. Then his eye lights on a pious virgin. Gradually, he becomes more and more debauched until he is completely given up to depravity.

What irritates me is the narrative, which is repeatedly interrupted by long and boring digressions, apparently to further the gothic flavor. An example is the story of the brave Lorenzo, who battles with bandits in the forests of Germany. The novel is also rabidly anti-Catholic, as almost all the representatives of the church are scheming, power-seeking, or just plain evil. Although the general over-the-top quality of the novel should have appealed to me, I found myself just not interested enough to finish it.

Day 199: South Riding

Cover for South RidingI had never heard of Winifred Holtby until I watched the excellent Masterpiece series South Riding. I enjoyed it so much that I picked up several of Holtby’s books. Holtby published 12 novels in the 1920’s and 1930’s, as well as pursuing a successful career as a journalist and nonfiction writer. She is known for regional fiction about Yorkshire and has a prize for regional fiction named after her.

Set post-World War I, South Riding is the story of the conflict between the landed gentry and social progressives in a Yorkshire town. Sarah Burton comes to town as the headmistress of a girl’s school. She has many progressive ideas and wants to improve the school and the quality of education provided to the girls. To accomplish her goals, she asks the town to invest more money in the school.

She immediately runs afoul of Robert Carne, a local landowner. He has very conservative ideas about the town and school, but he also has some heavy concerns. Previously prosperous, he has spent all his money on care for his mentally ill wife. He also has the care of a young daughter who is having her own problems.

Unlike the television series, the novel has a huge sweep and does not concentrate on Sarah, but presents the stories of about fifteen other major characters. It deals with issues like education, poverty, and governmental corruption as well as family relationships. The characters are all carefully delineated so that you feel that you know each one.

The novel is beautifully written, although it gets just a little preachy at the end. Some reviewers have compared Holtby to George Eliot because of her interest in local social issues and her breadth of scope.