Tag: domestic life

Day 818: The Making of a Marchioness

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Cover for The Making of a MarchionessBest book of the week!
Although The Secret Garden was one of my favorite childhood books, I had no idea that Frances Hodgson Burnett also wrote novels for adults until I read a review of The Making of a Marchioness. The Preface points out that Polly references it in Love in a Cold Climate, but there Burnett’s name isn’t mentioned. In any case, I’m happy to report that it is a delightful novel.

The Making of a Marchioness combines a Cinderella story with a realistic description of an evolving marriage. It has been called “a romance between two unromantic people.” It also has a bit of peril mixed in.

Emily Fox-Seton is a woman in her 30’s of good birth but very poor. When her parents died, her more fortunate relatives made it clear they couldn’t be bothered with her. So, she has created a business of doing small tasks and running errands for her wealthy clients. She has the happy characteristic, though, of being a positive person who perceives kindness everywhere.

Lady Maria Bayne enjoys both Emily’s company and her utility, so she invites her to Mallowe for a house party in August, thinking Emily can help with the arrangements for her annual féte. Emily is delighted to leave the city in summer and soon becomes interested in the competition among three guests to snare Lord Walderhurst, a 50-year-old widower who is also a marquis. She finds herself rooting for Lady Agatha, a beautiful girl from a poor family that has several daughters to marry off.

Lord Walderhurst, though, likes the open expression in Emily’s eyes and her happy, busy ways. To Emily’s astonishment, he proposes, and she gladly accepts.

But that is only the beginning of the novel, about how gratitude and love can provoke love in its turn. Some piquancy is added by a plot development that puts Emily in danger from her husband’s heir, who has always considered Walderhurst’s vast estates as almost his.

This is a lovely novel that brought tears to my eyes. Its characters are prosaic but nice (except the heir). Even selfish Lady Maria is quite lovable. The writing is beautiful, and Emily’s story is touching.

By the way, a recent television adaptation of this novel, titled The Making of a Lady, follows the plot with some changes, but it wildly miscasts the two main characters, making them both younger and more attractive than they’re supposed to be in the novel. Still, I marginally enjoyed it.

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Day 792: Cheerful Weather for the Wedding

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Cover for Cheerful WeatherBest Book of the Week!
The house is in chaos on this morning of the wedding of Mrs. Thatcham’s daughter Dolly. Her two sons are arguing about the socks Robert has on and Kitty, the younger daughter, is screaming at the top of her lungs for her maid to find her brooch.

Breakfast has not been served after Mrs. Thatcham’s contradictory commands, and Mrs. Thatcham has just come in from a bitterly cold gale. Still, she thinks the weather is cheerful, as we find that her only criterion for cheerful weather is visibility.

Upstairs, Dolly is putting on her bridal garb with a bottle of rum in her hand. Downstairs, one of the guests, Joseph, has been asking if he can see the bride before the wedding.

At a little more than 100 pages, this novel by Julia Strachey (Lytton Strachey’s niece) is astonishingly rich. Upon its publication in 1932, it was regarded as nearly perfect. And so I find it.

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Day 733: Little Women

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Cover for Little WomenOver the past months I have occasionally reread a childhood favorite to see what I think about it now. The Secret Garden and Anne of Green Gables, for example, came through with honors. Not only were both beautifully written, but I found them as entertaining as an adult as I did as a child.

Little Women doesn’t fare quite as well. I found some of the same parts of it affecting as I did when I was young. Who wouldn’t sympathize with these girls, bravely coping without the things their friends have, doing without their father for over a year, getting along as cheerfully as they can? However, as a child reading the book, I didn’t notice that almost every chapter ends with a moral lesson.

The novel covers about 12 years in the lives of the March family, beginning during the American Civil War. For the first half of the novel, Mr. March is away as a chaplain for the Union army. The main character is Jo March, at the start of the novel a tomboyish, gawky 15-year-old who loves writing and putting on plays, reading, and writing stories.

Her older sister Meg is more ladylike and laments having to wear old things to parties. Beth is the third sister, who is too shy to go to school. Amy is the youngest and a little spoiled. Although there are certainly events in their lives, the story is about how Marmee, their mother, raises them all to be good, productive women.

One of the closest relationships in the novel is the friendship between the family and their neighbor Laurie, a rich young man being raised by his grandfather. This and other relationships are warm ones, and the Marches all seem like real people, as do their friends.

If Alcott could have let up a bit on the moralizing, I would have enjoyed the novel more. The other two novels I mentioned earlier also have moral messages, but they leave the reader to figure them out themselves. Still, I’m sure any young girl reading this novel would be as drawn by it as I was years ago.

My comments have made me wonder what I would think of Eight Cousins, which was actually my favorite book by Alcott when I was a child. I’m a little afraid to find out.

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Day 723: Greenbanks

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Cover for GreenbanksBest Book of the Week!
This novel begins with a large family Christmas dinner at Greenbanks, the home of Robert and Louise Ashton. It is around 1910. Louise is in her late middle age, a quiet, kind woman who delights in her housekeeping skills and her garden. Her husband, a serial philanderer, has proved a source of pain and humiliation, but she has tried to live it down.

Although the Ashtons are grandparents, three of their grown children live at home. Jim works at the family business, allowing his father to devote little time to it. Charles also purportedly works there, but he prefers to spend time fiddling with inventions, tinkling the piano, and entertaining his adoring mother. Laura is just about to engage herself to Cecil Bradfield. Rachel, the five-year-old daughter of Letty and Ambrose, is Louise’s favorite grandchild.

Robert soon dies in embarrassing circumstances. But even though the novel follows the fortunes of the family over roughly 15 years, it concentrates on the relationship between Louise and Rachel. Rachel, with a self-absorbed mother and an officious father, loves spending as much time as possible at Greenbanks with her grandmother.

The novel has overtones that are feminist for the time, as Rachel finds she has a gift for scholarship. Her father’s rigid and old-fashioned ideas about the place of an education in the lives of young women cost her a scholarship at Oxford, but she manages to continue her education despite him.

Inside cover
The cover at the top is really plain, but for some reason Amazon shows this picture, which is actually the inside of the cover!

One source of disagreement in the family is Louise’s choice of companion. Louise always felt sorry for Kate Barlow when she was a child and tried to include her in family activities. When Kate was a young woman, it was rumored she became pregnant by a married man and had his child, then was thrown off by her parents. Louise meets her in town one day and begins a correspondence with the reluctant woman. After Charles leaves for South Africa and her other two children marry, she invites Kate to become her companion. But Kate never really accepts Louise’s kindness.

The story of the Ashtons is told in spare, matter-of-fact prose that makes no attempt to influence the reader. Many of the characters are flawed and some are unlikable, but there are no heroes and villains here, just a set of ordinary middle-class people. It’s difficult, then, to explain why I so much enjoyed reading this novel. Whipple is a master of style and shows us her characters in the fullness of their lives.

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Day 713: Salem Chapel

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Cover for Salem ChapelBest Book of the Week!
Because of the order the books were listed in on Wikipedia, I thought that Salem Chapel was the first of Margaret Oliphant’s Chronicles of Carlingford. However, the introduction to the book says it is the second. When I started to read it, I thought it was going to be, like Miss Marjoribanks, a light satire on society, only a different level of society. But it is much more dramatic than that.

Arthur Vincent proudly takes up his first clergy position as the Dissenting vicar of Salem Chapel at Carlingford. He is an educated gentleman of some ability, and he is certain he will soon be an accepted member of the best Carlingford society. But he receives a shock when he meets his congregation of buttermen, poulterers, and greengrocers and their wives. He soon finds, too, that he is expected to bend to their wishes, as they pay his salary.

Arthur is a proud young man of good family, and this doesn’t sit well with him. Still, he makes an impression with his first sermon and dutifully goes about his business until he is struck by the sight of the beautiful, young Dowager Lady Western. Although a mutual acquaintance tries to warn him not to make anything of her warm manner to him, as she is like that with everyone, he doesn’t pay attention. Soon, he is informed that his parishioners are displeased. He has been seen paying a call in Grange Lane, the home of the upper-class residents of Carlingford (and setting of Miss Marjoribanks), who all attend St. Roque’s.

Arthur has also made the acquaintance of a less prosperous woman, Mrs. Hilyard, an impoverished gentlewoman who takes in sewing. Mrs. Hilyard is an odd and unfortunate woman, and it is a favor she asks of Arthur and his family that drives the larger actions of the plot.

Up until the major events are set in motion, I found the book amusing, as when Arthur, moonstruck by the sight of Lady Western, spends an entire week daydreaming about her. His congregation interprets this lack of activity as a scholarly application to his sermon and is impressed.

This novel contains wonderful characters who can be a bit Dickensian, like the well-meaning butterman Deacon Tozer or the disturbing Mrs. Hilyard, who reminds me a bit of Rose Dartle in David Copperfield. From humor, the novel soon takes a more serious turn.

The introduction to this novel says that once Mrs. Oliphant was one of the most well-regarded of the Victorian novelists, but she is now nearly forgotten. I have found the two of her novels I’ve read to be very entertaining. I think she reminds me, with a delicate touch, more of Jane Austen than any other writer I’ve encountered, and some of the events of Salem Chapel are remindful of Pride and Prejudice. I can only hope that more people will decide to read the works of Margaret Oliphant.

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Day 709: Family Furnishings

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Cover for Family FurnishingsBest Book of the Week!
I felt it was about time I read something by Alice Munro, having only ever encountered a story or two in a magazine. Now, I only wish I’d read her earlier. A note in Family Furnishings explains that the stories were selected to cover the entire time of Munro’s writing career, although it also refers to two volumes. So, I assume this volume is from the latter half.

I am usually more a long fiction person, because I like to get thoroughly involved in what I’m reading, and short fiction doesn’t usually accomplish that. But in this case, I found myself completely absorbed in story after story.

Early on in the volume, I thought I detected a pattern of Munro telling how the different characters formed their families, sometimes in unusual ways. Later, I thought I might have imagined this pattern, or it may not fit all the stories. In any case, the stories are spell-binding, often toward the end revealing something that happened earlier than the timeframe of the story and illuminating some truth. Some of the stories appear to be autobiographical and some may be about Munro’s ancestors.

“The Love of a Good Woman” at first seems to be two unconnected stories, one about three boys discovering a car in the river with a body in it, the other about a nurse discovering tender feelings for a man she knew in high school while she is nursing his dying wife. Yet, it turns suddenly into a murder mystery. But Munro somehow makes this a banal and everyday event.

In “Hateship, Friendship, Courtship, Loveship, Marriage,” we seem to be reading about a swindle. An old man’s servant suddenly runs off with his dead daughter’s furniture to live with his ex-son-in-law. But halfway through the story, we meet two adolescent girls, Edith and Sabitha, who are actually controlling this situation through a prank.

“The Bear Came Over the Mountain” is the touching but even more complex source of the wonderful movie Away from Her, about a man helplessly observing his wife’s growing loss of memory from Alzheimer’s. In “The Children Stay,” a young woman walks away from her family during a vacation on Vancouver Island to leave with her lover.

Several of the stories are about Munro’s own childhood—how her father began raising animals for fur too late to make a success of it and had to go work in a foundry, how her mother suffered for years from Parkinson’s, how the truth of a story long told about a crazy neighbor’s behavior when Munro was a baby suddenly was revealed years later when she saw a poem in a newspaper.

All of these stories show us the complexities and depths of human interactions. They are minutely observed and beautifully written. I’ll soon be looking for more to read by Alice Munro.

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Day 688: The Age of Innocence

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Cover for The Age of InnocenceI have certainly read The Age of Innocence before, but it was not until this rereading that I gained a full appreciation for its subtlety and complexity. I may have read it years ago, but I became really interested in it after an interview with Martin Scorsese about his movie adaptation (my favorite film ever) where he commented on “the brutality under the manners” of the upper class New Yorkers in the novel, set in the 1870’s, and likened them to gangsters.

This novel is about the tension between individual desires and the expectations of a rigid society. However, it is also about the two main characters trying to do the right thing in the face of yearning and passion.

Newland Archer is an intellectually inclined young man interested in art and travel who thinks he understands but sometimes is a little impatient of the rigid and insular customs of his time and social class. He has just become engaged to May Welland during a difficult time for the Welland family. May’s cousin, the Countess Ellen Olenska, has returned to New York to her family, having left her husband, and society is shocked to see them bringing her to parties and the theatre. Archer decides to show solidarity with the Wellands and soon finds himself drawn into the Countess’ affairs in his professional capacity as a lawyer. Countess Olenska wants to divorce her husband, and the family is horrified, asking Newland to convince her not to.

Newland succeeds, but he soon realizes that he is in love with Ellen Olenska himself. Ellen is determined not to betray her cousin.  When she admits she loves Newland, she comments that by getting her to drop her divorce, he has assured that they can never be together. A disappointed Newland marries May.

Within a short time, Newland regrets his marriage and foresees a gray existence of doing the same things with the same people year after year. The innocence and purity he saw in May is actually an incuriosity and inability to grow or change. Although Newland doesn’t see Ellen, who has moved to Washington, he has begun to think of her as the only real corner of his life. All these feelings are brought to a climax when the Countess returns to New York and her family decides she should reunite with her husband.

This novel is vivid with carefully observed descriptions. Underlying it all is an understated yet savage critique of petty and provincial New York society of the time. Almost every sentence is double-edged, such as when Wharton describes a soprano’s solo in the first chapter:

She sang, of course “M’ama!” not “he loves me,” since an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.

Nice! I understand that when this book was published, nearly 50 years after its setting, members of New York society were still able to match most of the characters in the novel with their real counterparts.

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Day 687: Someone At a Distance

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Cover for Someone at a DistanceBest Book of the Week!
I would normally not give away something important that happens well into a novel, but the book blurb openly presents it as the novel’s central conflict. The Norths are an affectionate and happy family with little to discontent them in post-World War I England. Avery enjoys his work as a partner in a publishing firm and is a loving husband and father. He dotes on his daughter Anne especially. Ellen loves her family and her garden. Although she perhaps does too much for her family, she enjoys it. Hugh is serving his term in the army but can’t wait to get out and work at his father’s firm. Fifteen-year-old Anne loves her family and especially her horse.

The only small annoyance in the family’s life is Avery’s mother, who is critical and discontented, wanting more attention than the busy family can provide. But she soon solves her own problem by hiring a companion, a French girl named Louise Lanier.

Louise is a selfish and discontented young woman who is fleeing the end of an affair in which she was felt to be socially inferior to her lover and unworthy of marrying him. Eventually, she sets her sights on Avery, heedless of any destruction she may wreak with her harmful intentions and toxic personality.

I spent the first half of this novel entranced by this perceptive and layered novel and the last third in tears. The characters are wonderfully realized. Perhaps Louise’s character lacks a little nuance, but we have all met people who are able to justify their own bad behavior to themselves. This is a great book that should have had more attention since it was written in the 1930’s.

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Day 685: A Thousand Acres

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Cover of A Thousand AcresBest Book of the Week!
A Thousand Acres is a powerful novel set mostly in 1979 rural Iowa. It evokes a completely realized world that is complex and secret.

Ginny Smith has lived on the family farm all her life. Her husband Ty farms alongside her father, Larry Cook, and she and Ty live on what used to be their neighbor’s property, which Larry has bought to make his thousand acres of land. Ginny’s sister Rose also lives on the farm, and her husband Pete works with Larry as well, a bit less comfortably. The women’s youngest sister Caroline is a lawyer in Des Moines.

Ginny is proud of her family’s accomplishment in creating a fine, well-run farm out of the swampland her great-grandparents bought sight unseen. It soon becomes clear that the farm and the relationship to the land is the most important thing to her family—to all of the families in the area.

At a local barbecue, Larry makes an unexpected announcement. He will create a corporation of the farm and hand it over to his three daughters. Ginny, who is mild-mannered, is taken aback and has doubts, but she does not say anything. Rose seems to be enthusiastic. Caroline simply says “I don’t know,” at which point, Larry petulantly cuts her out. When she tries to approach him later, he slams the door in her face.

Harold Clark, another older farmer, has his prodigal son Jess return after an absence of many years. Almost immediately, he begins to favor Jess over his more loyal and hard-working son Loren.

If this all is beginning to sound familiar, it should, for A Thousand Acres is a modern re-imagining of King Lear. This novel, however, turns the original on its head, for we see it from the point of view of the two “greedy” sisters. In fact, Smiley accomplishes a rather clever trick, because while the neighbors and townspeople see events occur that, from their points of view, seem parallel to those of the play, the readers of the novel are conscious of a whole new layer of information, about how two old men lie and exaggerate when they don’t get their way, and how family secrets fuel Ginny’s timidity and Rose’s rage.

This novel presents complicated, flawed characters in a fully realized setting. It is really excellent and thought-provoking.

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Day 666: The Magnificent Spinster

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Cover for The Magnificent SpinsterJust a quick update! The members of Literary Wives have just finished choosing books for the coming year. See my Literary Wives page for the list of upcoming books. If you want to read along, join us April 6 for a discussion of The Bishop’s Wife by Mette Ivie Harrison.

***

In 1985, May Sarton wrote The Magnificent Spinster in an attempt to honor her friend Anne Longfellow Thorp. It is a fictionalized biography of her friend’s life that is being reissued.

Cam has returned from her friend Jane Reid’s funeral thinking that no one will remember her extraordinary friend after her friends and relatives die. So, she sets out to write a novel about Jane.

This novel is just as concerned about the act of writing a novel as it is about the subject matter. Each section begins with a paragraph or two about the author’s uncertainties or difficulties and about her conversations with other friends of Jane while gathering information for the book.

The novel has feminist overtones, one of its purposes being clearly to illustrate how a single woman, even one born around the turn of the 20th century, could live an active and fulfilling life. Although I was interested especially in the depiction of Jane’s summer times spent on a family island, I felt there was too much worship in this portrait to really get a sense of Jane. Opportunities of real possible interest, like learning about her teaching, her reason for quitting teaching, or her work in Germany after World War II are lost in surfacy descriptions or ignored. When she helps found some sort of group house in Germany, the purpose of the project isn’t even explained until later in that section.

When some of the most interesting possibilities have to do with Cam’s own life, for example her experiences during the Spanish-American war, they are only alluded to. I understand that Sarton was trying to focus on the character of Jane, but Cam is a character in the novel, too, and the novel sometimes deals with her problems. The novel is missing some opportunities to gain interest from those experiences. In fact, it suffers overall from assuming a knowledge of both characters’ friends and activities that the reader cannot know. For example, some people come to visit Jane on her last summer on the island, but it takes a long time before Sarton explains who they are.

link to NetgalleyToo often the dialogue is trivial and to little purpose, and almost all conversations end with people agreeing what a wonderful, extraordinary person Jane is. Some of this rubbed me the wrong way, too, because it was clear her friends thought she was the more extraordinary for having decided to lead an active life of service rather than the one of privilege that she was born to. Although this decision is admirable, I don’t think she deserves more praise than anyone not born to privilege who leads a life of service, perhaps less, because another person would have a harder time affording to live the way Jane chooses to do. I have no doubt the original subject of this bio-fiction was an unusual and worthy woman, but Sarton doesn’t really make us feel it.

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