Review 2333: The Halt During the Chase

Sophie is an intelligent, vivacious young woman who is in love with Philip, whom she considers perfect. It’s clear, however, that she is subduing her personality and dressing to please him. She, her mother, and friends have been waiting for a proposal of marriage, but none has been forthcoming. Then, during a romantic tryst in a hotel room, he says something that she finds unforgivable, and it becomes clear to her that, although he loves her, he wants a wife with money.

Sophie realizes she needs to be more independent of her mother, too. After attending some “spiritual” lectures that sound like they are about self-realization, she realizes that their relationship as it is, with her coddling and reassuring her mother, is bad for them both.

Sophie decides to split from Philip, although it is difficult to do so because she still loves him. But she wants to live her own life. Her elderly friend Pussy has told her that once she tries to leave, he will try to get her back, and he does.

This novel is intelligent and funny. It contains unusual turns of phrase and vividly conveys emotions. Sophie is a sparkling heroine. I just loved this novel.

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Review 2328: Tom Tiddler’s Ground

At the beginning of World War II, socialite Caroline Cameron takes her baby daughter to stay in a country village with her old school mate, Constance Smith. Caroline is witty but spoiled, and she has begun to feel that her husband John is coddling her too much. She thinks that Constance is nice but naïve, and her husband Alfred, who married up, is a social climbing bounder.

Caroline is surprised by how involved she gets with the lives around her. Constance also has an evacuee mother and baby staying with her. The mother is a sullen girl who pays little attention to the badly underweight baby. Once Nurse and Caroline change his food, he begins to gain weight and Constance begins to care for him.

Alfred is embarrassed because his half sister Mary moved to town as the grocer’s wife. He tries to avoid her, but Constance welcomes her.

Caroline, however, is being tempted into an affair with Vernon, an actor friend. She is displeased with her husband because he doesn’t want to discuss his first marriage, which she’s heard conflicting stories about. When she is in town with Vernon’s friends, she finds herself telling stories about her country friends and then feeling a little disloyal to them.

Although it deals with some serious issues, this is a charming novel about growing to understand other people.

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Review 2326: Fear Stalks the Village

Joan Brook has been working as companion for Lady D’Arcy, a woman suffering from dementia, when she is visited for the day by a friend from London. The village where Joan lives is so perfect that her friend begins making up stories about the villagers’ dirty secrets.

It’s not too much later when Miss Asprey, a respectable old lady who is a social leader of the village, admits to having received an anonymous letter alleging a past of improprieties. The Rector tries to keep her admission a secret, but the word gets out.

Things seem to settle down except that some people believe that the letter was sent by Miss Corner, a hearty writer of boys’ books. This belief is based on the way the envelope was addressed, using Miss Asprey’s middle initial, which only someone who knew her as a girl would know. Then Miss Corner receives a similar letter. Almost immediately after, she accidentally overdoses with sleep medicine.

The Rector calls his old friend Ignatius Brown for help. The once perfect village is under a shadow. Rumors are going about that Dr. Perry poisoned Miss Corner because of an inheritance, so some people change doctors. He actually did benefit from her will, but he hasn’t received anything yet and is having difficulties because of his wife’s spending and his loss of income. Moreover, he misses Miss Corner, who was his only friend after the Rector, whom he thinks has been indiscreet. Ignatius thinks that the relationship between Miss Asprey and her companion, Miss Mack, has something odd about it.

The novel slowly builds an atmosphere of fear and mutual distrust as more letters appear. Perhaps too slowly. Although White is skilled at building tension, it takes a long time before anything more sinister happens.

The character of Joan is about the only likable one in the novel except for poor Miss Corner. The Rector, Joan’s love interest, is a bit neurotic for me as are most of the villagers. But White does do an excellent job of portraying psychological pathology.

I received this book from the publisher in exchange for a free and fair review.

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Review 2322: A Well Full of Leaves

Laura is from a poor family, but lack of money isn’t the problem so much as lack of love. Her father earns very little and is often drunk. Her mother constantly complains, offers no affection to her children, and tells them they are ungrateful.

At the opening of the novel, Anda, the oldest at 16, is beautiful but selfish. Robert, at 14, loves reading about history but has been made to quit school for a job as a clerk. Both pick on Steve, the youngest at 11, who deeply feels the lack of affection. Only Laura, who is 12 or 13, seems to care about him, and she has learned to adapt to their circumstances by losing herself in the tiny details of life, to enjoy living. She tries to teach her outlook to Steve, but he just becomes more bitter.

A crisis comes when Steve is 14. Although he is the best student of Greek in school and has a good chance at university, their mother tells him she removed him from school so he can work. This is just meanness, because Anda is leaving home, and Robert and Laura are working, so the household is better off than it ever has been. After a huge family fight, Steve burns all his books.

The novel begins to be about the relationship between Laura and Steve. Steve becomes a famous actor with a very bad reputation. He has many affairs but says he loves only Laura. Once their father dies, Laura goes to live with Steve. The real crisis comes when Laura falls in love.

Although I agree with a lot of Laura’s ideas, Myers expresses them far too often and in a florid writing style that seems to belong to the early Romantics. Sometimes, I had no idea what she was talking about and other times, I didn’t want to think about it enough to figure it out. Parts of the novel are absolutely fraught in tone, especially at the end.

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Review 2321: Classics Club Spin Result! Weatherley Parade

Note: the name on this cover image is misspelled. The cover on the book I have looks the same but is spelled correctly.

In Weatherley Parade, Richmal Crompton takes a look at changes in society through the lens of one upper-class family, the Weatherleys. Her novel begins with the return of Arthur Weatherley from the Boer War in 1902 and ends in the midst of World War II in 1940.

The novel is written in vignettes, chapters that take up a few hours, a few days, or a few months. What with children, grandchildren, and other relatives, there are many characters. No one is completely lovable or unlikeable. They are shown with their good points and flaws.

During the years, there are many events—happy and unhappy marriages, separations, a divorce, and deaths. Among these events, there is one treatment of a child that is hard to forgive.

Among some of the characters is Aunt Lilian, a young woman in 1902 of whom her brother Arthur despairs. He can’t understand why she keeps jilting one fiancé after another. She runs with a fast crowd and seems restless and bored. At first, I thought she was just ahead of her time, dissatisfied with traditional women’s roles, but I liked her less as time went on, and she eventually turns to alcoholism.

Arthur’s two children are Clive and Anthea. Clive is a boy who thinks everything should be done properly and by the rules, which doesn’t make him a popular schoolboy or, later, schoolmaster or father, even though his intentions are good. Anthea likes to have people’s attention, which works well when she is the mother of many children but isn’t so successful when they begin leaving the nest.

The novel stops in to visit these characters and their descendants at key periods of their lives. The scope here is broad rather than particular, so we don’t get to know any characters extremely well. I thought the depiction of changing times and attitudes was interesting, but I felt fairly neutral about most of the characters.

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Review 2317: William

William Nesbitt is a successful ship builder and owner, and at the beginning of this novel, he is contemplating the successes of his life. The only thing he feels he has missed is some romance in life, his wife Kate being a very practical woman. But he experiences romance vicariously, through his favorite daughter, Lydia, whom he views as a source of light.

Kate Nesbitt is a worrier, and she has a sense of impending doom. She also is extremely conventional and I think old-fashioned, even for the time (1925). For example, she disapproves of her daughter Dora going to visit Lydia in London without her husband. Kate has a sense that something is going to go wrong with what she sees as her family’s happy and content existence.

Of course, she is being almost willfully blind. Their son Walter and his wife Violet are content, but their daughter Dora is increasingly discontented with her husband Herbert. Their daughter Mabel and her husband John are self-righteous, and Mabel likes to complain and pretend they are poor when John’s business is going well. Janet, the youngest, unmarried daughter is silent and unhappy. Later, it becomes obvious that she thinks she’s in love with Oliver, Lydia’s husband.

Then, something bad does happen: Lydia leaves Oliver for Henry Wyatt, a writer. William is still accepting of Lydia, thinking she is trying to live her life honestly, but he begins to see that Kate is more rigid and unaccepting than he realized.

This novel is an insightful and nuanced study of how a crisis can affect a family. Since Young ran off with a married man, it’s interesting to speculate how autobiographical this novel may be. I found the novel deeply interesting, with complex characters.

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Review 2313: Kate Hardy

I usually like D. E. Stevenson’s novels for very light reading, but Kate Hardy seemed all over the place.

Old Quinings is a village that has been left in the past, and the residents like it that way. They are interested to learn, though, that Mr. Morven has sold the Dower House. The new owner is Kate Hardy, a writer of adventure stories who has been yearning to get out of London and away from her selfish sister and spoiled niece.

Kate has bought the Dower House sight unseen, but she loves it as soon as she sees it, even the resident ghost. She meets Mr. Morven early on, but he is careful to visit only rarely because he is old-fashioned and married, although he and his wife live apart.

Kate doesn’t mean to be a recluse even though she needs time to write, and she gets involved in all kinds of things. When she barely knows Mr. Morven, she receives an anonymous letter alleging an improper relationship between them. Another letter goes to Mrs. Morven, who comes back from America hoping her husband wants a divorce. Then Kate arranges to take care of the couple’s nine-year-old daughter Susan, which is an odd offer to a stranger and even odder for the stranger to accept. Susan arrives, but we hardly spend any time with her.

In a gesture that seems sweepingly condescending, Kate also gives a party to welcome back Mrs. Stack’s son Walter from his service in India even though she has just met Mrs. Stack and doesn’t know Walter. There’s a class issue here, not only because of the invitation but because Walter has bettered himself in the service but is stubbornly insisting on keeping his promise to take back his old job and take care of his mother. His old mates are resentful of his getting his job back, although that was promised when he went to war, and his mother and Kate think he could do better.

Then there is the witch plot, which is just silly.

I think there is too much going on in this novel. Maybe the whole thing with the witches was meant to give atmosphere, but it just seemed sort of thrown in, as does the presence of Mr. Morven’s daughter. Also, Kate ends up with two suitors without us having much of a sense of what they are like. I noticed in addition a couple of occasions when Stevenson tells us what people talked about without recounting the dialogue—and the dialogue gives us a better sense of what people are like. Its not very convincing to be told a character’s views are interesting instead of learning what they are or hearing the character say them.

So, I don’t think that this was one of Stevenson’s best.

On the old subject of mistakes in the Furrowed Middlebrow series, which we haven’t encountered in a while, Mrs. Stack is called Mrs. Stark on the back cover of the book, and there is a section after the novel ends that was apparently written by Stevenson but in my copy appears to be missing pages, because it has no heading and starts in the middle of a sentence.

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Review 2311: Big Ben Strikes Eleven

Financial tycoon and former politician Sir Robert Boniface is found shot to death in his limousine in the Vale of Health on Hampstead Heath. At first, the police aren’t sure if the death is murder or suicide—only the lack of the gun tells them it is murder.

The body is discovered by a window washer, but Matt Caldwell, an artist, is present in a nearby pub. He is not only able to identify the victim and his car, having painted Sir Robert’s portrait, but he is happy Sir Robert is dead.

Enquiries by Inspector Beckett and Superintendent Mooney lead in the direction of Sir Robert’s nephew, Frank Littlewood, who was recently fired by Sir Robert. However, two office mates, Sir Robert’s confidential secretary Miss Pritt and the obsequious Mr. Fuller, seem too eager to drop him in it.

Then the police find the gun and establish that it belongs to Matt Caldwell. Unfortunately, he is nowhere to be found.

I haven’t paid much attention to this issue until other bloggers pointed it out about other novels, but I would say this novel is about 100 pages longer than it needs to be. First, the action is brought to a screeching halt while the author lays out the case against the original three suspects—as if readers haven’t been paying attention—then we follow Matt Caldwell’s progress in a completely unnecessary romance that coincidentally brings more clues to light. The information is important, but it seems as if it could have been introduced in a different way that didn’t take two or three chapters.

But my biggest problem was with the actual investigation. Early on, Miss Pritt tells the police that the murder had nothing to do with business and uses that reason to withhold information about Sir Robert’s appointments. And the police just go along! Later, the Superintendent just hands her her handkerchief, which he found at the scene of the crime! In other ways, the approach to evidence is just as casual.

Finally, an interview with the Earl of Rollesborough, on the board of the trust that Sir Robert works for, seems called for from the beginning but doesn’t take place until the end. And no wonder, because it pretty much makes everything obvious.

I was able to identify the murderer fairly early on, but that didn’t bother me as much as the sloppy police work, or possibly lack of knowledge about police work.

I received this novel from the publishers in exchange for a free and fair review.

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Review 2310: Jane Austen at Home

Although I read Claire Tomalin’s biography of Jane Austen years ago and thought it was very good, I feel that historian Lucy Worsley’s book provides a more personal look at Austen with more detail about her everyday life. Although some references are drawn from Worsley’s knowledge of Georgian society, she doesn’t hesitate to draw inferences from Austen’s novels and letters. Further, I think she has a better sense than some biographers of when in Austen’s letters she is joking

Worsley points out how important a settled home is in Austen’s fiction. Certainly, from the time of her father’s retirement from Steventon, that is something she and her sister and mother did not have that provoked much anxiety.

It was Tomalin’s suggestion that Austen was unable to write when she was unsettled, but Worsley suggests that Austen was working on novels all along but not doing much to market them. She also pointed out some subversive ideas in Austen’s fiction that I never noticed despite how many times I’ve read the novels. In any case, she does a good job of showing how revolutionary Austen’s fiction was for her time.

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Review 2309: The Curate’s Wife

When I reviewed E. H. Young’s Jenny Wren, I remarked that I preferred Jenny’s sister Dahlia to Jenny. So, I was delighted to find that The Curate’s Wife is about Dahlia (although Jenny’s romantic fate is also involved).

Dahlia has married the curate, Cecil Sproat, on the basis of a friendship in which she feels she can say anything. But very soon, she finds that’s not true when it applies to religion, which has not formed part of her upbringing and which she finds silly. For his part, Cecil is rigid and has been unthinking in his religious beliefs. There is also the problem that Cecil is in love with Dahlia, but the reverse is not true.

Another issue is created by Mrs. Doubleday, the wife of Rector Doubleday, Cecil’s boss. She is an unpleasant woman who already dislikes Cecil and takes a strong dislike to Dahlia. She makes it her business to listen to gossip about the girls’ mother’s inferior social standing and her affair during the war. Their mother foolishly married farmer Thomas Grimshaw at the end of Jenny Wren, hoping that would remove a bar to Jenny’s marriage with Cyril Merriman, but that only made the situation more hopeless. Jenny has gone off to live with Mr. Cumming’s sisters and father and learn about the antique business.

Dahlia begins to feel as if she missed out. After school, she was first isolated on the farm and now is living with a dedicated man doing good works. She has never even been to a party or enjoyed other types of amusements. She begins to fancy herself in love with Simon Tothill, a young man she met at a theater rehearsal.

Just as Dahlia and Cecil are beginning to understand each other, Jenny arrives without warning. She has left the Cummings and expects to live with Dahlia and Cecil. Although Dahlia is happy to see Jenny, she begins to realize just how selfish her sister can be. For his part, Cecil is a little jealous of how close the sisters are.

Dahlia’s problems with Cecil have an interesting parallel in the relationship between the Doubledays. Mr. Doubleday is easy going and tries to avoid trouble but is afraid of his ill-natured wife. Their son is returning after three years of service in Africa, and Mrs. Doubleday wants him all to herself. But she soon makes a mistake in a remark that frees Mr. Doubleday from trying to please her.

This novel takes a complex look at new marriage and the lack of preparation people have for its problems. I didn’t like Jenny any better, but I have been impressed by how far below the surface Young’s novels go.

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