Tag: England

Review 2612: Across the Common

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Louise has left her husband Max for reasons that are not clear to her and gone to stay at The Hollies with her elderly aunts. Part of the problem is that she still considers The Hollies home and bears some guilt for how she left it. Maybe she resents some of the attention Max gives to his students or maybe that he realized his limitations as an artist but is happy as a teacher. (When we finally meet Max, he seems perfect, so it must be for some other reason.) In any case, she eventually realizes, she needs to grow up.

At first, she is happy to be home with her formidable Aunt Rosa and her fey-like Aunt Seraphina, although not so pleased to hear that Aunt Cissie, who has broken her hip, is coming to recuperate. And then there’s Gibby, the cook and housekeeper, who is more like family. But very soon, she learns something disturbing—that her grandfather committed suicide years ago. No one will talk about it, so she doesn’t know why.

As she listens to her aunts talk about their past, Louise begins considering what happened to all the men in the family—they all left or died. Her own father was a sort of invalid, and both he and her mother died there from the flu. Neither of her sisters ever married.

Soon, Louise begins to discover secrets in her family history and instead of retreating to her childhood, as she does at first, learns to become her own person.

I liked this book very much. The writing is gorgeous, and Berridge manages to tell the story without falling into clichés. Rooms, scenes, and emotions are minutely observed, as are perceptions about human relationships.

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Review 2607: Girls in Their Married Bliss

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Girls in Their Married Bliss is the third book in O’Brien’s Country Girls trilogy. It is unusual in that the book is narrated partially by Baba instead of only by Kate (once Caithleen). Baba is much more cynical, and she lets us know right away that neither of them is happy.

At the end of the last book, Kate seemed to give up on her older married boyfriend Eugene and moved to England with Baba. However, she was pregnant, so, in the interim between the last book and this one, she and Eugene eventually married. But Kate felt ignored in their marriage except for Eugene’s myriad of rules, so she began a romantic relationship with another man. They have just broken up at the beginning of this novel when Eugene discovers his love letters. He turns cruel and nasty and threatens to take away Kate’s little boy.

Baba has married a rich, crude builder for his money. After she has an unsatisfying encounter with a drummer, she becomes pregnant. Despite her knowing attitude, neither she nor Kate have any idea what to do, and they must do something, as Baba’s husband is not big on sex.

This is an affecting trilogy, but I thought this book was the most affecting. I don’t want to say any more about what happens, though.

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Review 2605: Absolutely & Forever

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I have been on the fence about or even disliked some of Rose Tremain’s books, so I wasn’t really looking forward to reading Absolutely & Forever for my Walter Scott Prize Project. I especially wasn’t because I’m not that fond of coming-of-age novels in general. However, I found this little novella to be truly touching and insightful about human emotions. And the coming-of-age part is only the beginning.

It’s the late 1950s and Marianne is 15 years old. She has been in love with beautiful 18-year-old Simon Hurst for some time, and he finally pays attention to her the night of a friend’s party. He has just been given a new Morris Minor car, so he takes her for a ride and they have sex. Marianne says she will love him absolutely and forever.

I thought I knew where this was going, but it wasn’t. Simon and Marianne go off to their respective schools and plan to get married when they are older.

However, Simon fails his Oxford exam. Everyone is shocked, and the next thing Marianne knows, he has moved to Paris to be a writer. Marianne tries to buckle down to her French so that she can move there as soon as possible, but she is clearly not good at studying. Her parents tell her they are certainly not going to allow her to visit Simon in Paris when she is only 15.

Simon’s letters eventually fall off, and in the last one she gets the bad news. Simon has gotten his landlady’s daughter pregnant and married her.

The novella follows Marianne as she grows into womanhood, works at some jobs but seems to have little purpose in life. She marries her good friend Hugo (who I felt was a much better person than Simon). But she continues to love Simon.

The heart wants what it wants is the theme of this touching novel. And it tells the story beautifully, narrated by the distinctive voice of Marianne.

The book blurb hints at some secret, and it’s not very hard to guess. But that’s not the point. I found this book to be wise and deeply touching.

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Review 2603: Babel: An Arcane History

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Knowing that this wasn’t my genre, I still decided to read Babel because it sounded interesting. I tried very hard, but it was a DNF for me at about 150 pages. I’ll tell you why in a bit.

A Chinese boy, later called Robin, is dying from cholera when he is mysteriously cured by the application of a silver rod by a stranger named Dr. Lovell. It is too late for Robin’s mother, however.

It is the first half of the 19th century, the height of the British Empire. It seems odd to Robin that once he is well, Dr. Lovell offers to make him his ward and have him educated. The doctor is not warm in his manner, but Robin accepts, suspecting it’s the doctor who has been sending his family books all his life and provided a Scottish nurse. For Robin is now fluent in both Cantonese and English. He also sees a strong physical resemblance between himself and Dr. Lovell.

Robin is educated in Latin and Ancient Greek for the next few years living in Dr. Lovell’s home in Hampshire. The doctor continues to be cold and in one case beats the boy badly for forgetting to go to a lesson.

Finally, Robin is sent to Oxford to study in the translation school, Babel. Besides translating books into English and writing grammar books, Babel’s mission is to handle silver, which can process magic spells through language. Robin makes friends with the other first years—Ramy, Letty, and Victoire, yes, girls at Oxford 100 years before they were let in. I’ll get to that in a minute.

Almost immediately, just as he’s introduced to this new, exciting life, Robin meets a man who looks almost identical to him. This is Griffin Lovell, an early protégé of Dr. Lovell’s, and he belongs to the Hermes Society, a secret group that steals Babel’s silver to give to the more deserving. And Robin helps them.

Before I get into my general problems with the historical angle, I thought it was a shame that Kuang brought the Hermes Society into the novel so soon. I would have liked to see what was going on in Babel without the distraction of the resistance movement. Kuang doesn’t even let Robin go to school for one day before he gets involved with them. That may turn out to be important for the plot. I don’t know, because I quit reading very quickly afterwards.

OK, here’s my problem with some of these genre-bending books. If you’re going to put a magical realism book or speculative fiction in a historical setting, at least get the details right. You can’t cheat by saying this is your alternate reality. Having girls in Oxford might squeak by as part of this invented school if the girls acted even remotely like 19th century women. Having some of the characters with social attitudes closer to 21st century ones I give a reluctant pass to, since some of these characters are from suppressed populations.

However, having the characters use words or think thoughts using words that are anachronistic—no. In one case, for example, Robin thinks about huffing a scent, that is, inhaling it. At that time, though, huffing meant breathing out. The word didn’t start meaning breathing in until the late-ish 20th century, and then it referred to breathing in drugs, although the usage may be more general now.

Another wrong detail is Robin’s casual use of a fountain pen. The problem is that although fountain pens had just barely been invented by then, they were not in general use until much later in the century. In the 1830s, they cost about £2000, although I don’t know whether that’s an amount that is adjusted for 2025 or not.

Historical novels need to get the details right, whether they’re genre bending or not. In my opinion, it’s only fair to change the details that apply directly to the alternate reality. Otherwise, writers are just being lazy.

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Review 2602: One Corpse Too Many

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It’s 1138 during the war between King Stephen and Queen Maud, which became known as the Anarchy. King Stephen is besieging Shrewsbury, which is soon to fall. FitzAlan and Adenay, the castle defenders, wait until the last minute to flee with their men, but rumor has it that Adenay’s daughter and FitzAlan’s fortune are still inside the castle.

In the monastery, Cadfael is assigned a new helper, a boy named Godrik, who is a hard worker. It doesn’t take Cadfael long to figure out Godrik is a girl, Adenay’s daughter Godith, whom Stephen is searching for to use as leverage.

Stephen has the remaining defenders of the castle executed after he takes it, and Cadfael takes charge of identifying and burying the bodies. However, he finds there is one corpse too many. In looking more carefully at the corpses, he sees that one man has been garroted. So, he reports to the king the information that someone has tried to hide a murder by mixing the body with the executed and is given permission to try to identify the body.

A young lady of the town, Aline, identifies the body as Nicholas Faintree, a squire of FitzAlan. She has recently also identified one of the executed men as her brother.

Meanwhile, Godrik, whom Cadfael has sent reaping to escape the attentions of a mysterious man, Hugh Beringer, who has been following him, finds a wounded man. It turns out that the wounded man Godith finds is Torond Blunt. He was sent off with Nicholas Faintree to carry FitzAlan’s fortune into Wales. However, they were ambushed at night. Briefly separated, Torond returned to find Nicholas dead and then someone attacked him from behind, but he managed to get away and hide the fortune.

Now Cadfael is hiding Godith and Torond and trying to make arrangements to get them both to Wales along with the fortune. Meanwhile, it’s clear that Beringer is dogging his steps ever since he visited Godith’s old nurse to tell her she is safe. Incidentally, Beringer is engaged to Godith, although they haven’t seen each other for years. And she has fallen in love on sight with Torond.

Beringer seems to be playing a game with Cadfael, so he decides to play back. But is Beringer a friend or foe?

Although this mystery doesn’t really give clues to the murderer’s identity until the end, it does a good job of misdirection. This book is the second of the Cadfael series, which I would describe as Medieval cozy. It has likable characters and seems to be well grounded in its time period.

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Review 2601: #ReadingAusten25! Emma

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After rereading Emma, I can understand in a way why Austen called her her favorite heroine. She has a long way to go in self-awareness, and I think that’s something novelists enjoy.

Although Emma has been played as a sparkling beauty by such actresses as Gwyneth Paltrow, when I began this reread, I found a lot to dislike in her. Fortunately, she is also easy to come to like. Rich, charming, somewhat spoiled, and managing, she is also bored, because her beloved friend and ex-governess, Miss Taylor, has recently married Mr. Weston. Since she prides herself on having made the match and has recently befriended Harriet Smith, she decides to make a match for her.

Now, Emma’s biggest fault—besides trying to arrange the lives of other people—is that she decides something and then sees nothing that doesn’t support that decision (despite hints by her brother-in-law, Mr. Knightly). Harriet is a beautiful girl, but she is the illegitimate daughter of who-knows-who. Emma, based on no evidence, decides she is the daughter of someone important, and the first harm she does to the suggestible Harriet is convince her she’d be throwing herself away by marrying Robert Martin, a farmer who has proposed to her. Emma intends her for the vicar, Mr. Elton, ignoring Mr. Knightly’s warning that Elton is looking for a marriage that will advance him. In fact, Emma, having decided for the match, takes his attentions to point at Harriet when in fact he is courting Emma herself. Harriet would never consider Mr. Elton without Emma’s management, so she develops affections where there will be no return.

Then there is Jane Fairfax, a lovely young woman who has recently returned from years of living with friends to the home of her impoverished aunt and grandmother. Jane Fairfax’s friend being recently married, Jane has returned home for a few months before seeking a position as governess. Although Jane is the only young woman of Emma’s age and birth in the neighborhood, Emma says she finds her too reserved to like. Emma is jealous of Jane’s accomplishments but doesn’t know it.

Mr. Weston has a son who was adopted by his wife’s family after she died. Although Frank Churchill is now a young man, he has never visited his father, having many times promised to come. He finally arrives, and Emma, who has not taken a hint about his character from his continual nonarrivals, finds she likes him very much.

As usual with Austen, there are lots of comic characters who echo people we know in real life. Mr. Woodhouse, Emma’s father, worries continually about his and everyone else’s health, and if Emma isn’t around when they entertain, he’ll have guests eating gruel instead of their dinners. Mr. Weston is so open and sanguine that if he knows something is a secret, he’ll only tell five or six particular friends. Mrs. Elton, once there is one, is full of self-importance, despite coming from an inferior background, and tries to patronize people, especially poor Jane Fairfax.

Of course, class difference is important in this novel, maybe more so than in much of Austen (except maybe Persuasion). So, some of the problems may not be obvious to modern readers.

Even if you don’t like Emma’s managing at first, she is such a sparkling and witty creation, fond and gentle with her silly father, and she is truly repentant of her faults once she comes to see them. This is a great book.

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Review 2600: Helen

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I thought I had read all of Georgette Heyer’s books, but when I looked up something recently, Amazon showed me that there were several I’d never heard of. So, I got a Conservatory Press print-on-demand copy of this one. It is one of her very few contemporary novels that are not mysteries, published in 1928.

Helen’s mother dies in childbirth, and although her aunt offers to take her, her father insists on keeping her. She is brought up in wealth on a country estate enjoying riding, hunting, and sports. She has old-fashioned values when she becomes an attractive young woman. Then everything is upended with World War I.

This novel spends a lot of time with the bright young things that emerged after the war. Helen is drawn into the set by some friendships, but her older friends are dismayed. She also attracts a young artist who may be a dangerous type.

There are long conversations in this novel meant to show how the younger generation is changing its attitudes from their Edwardian parents. It seemed to me that both sides had intolerant viewpoints, but the younger people, meant to be witty, seemed silly. In any case, I hate to say it, but I found this focus as well as Helen’s relationships to be a little tedious after a while. I didn’t think that this more serious romantic novel was Heyer’s forte. And both generations expressed attitudes about women that we find objectionable now.

As with most machine-read books, I found lots of wrong words. Not typos, but the wrong word replacing a correct one. I thought perhaps no human had read the book between machine-reading and publishing, but maybe someone read the beginning. I say this because the errors increased so much in the last third of the novel that sometimes it was difficult to guess what was meant. Helen is fairly consistently called “he” instead of “she,” and at one point, she is called “Heaven” instead of “Helen.” So, you can imagine how several errors could mount up to make the text unintelligible at times.

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Review 2597: Death Under a Little Sky

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Maybe I’m a little old-fashioned, but there seems to be a vogue for calling characters just by their first names these days. But when we’re strangers, as we are to characters, we don’t often go straight to first names, do we? Yet, after reading many books, I have a hard time finding the main characters’ last names. This time, I had to look it up.

Jake Jackson has retired early from being a police detective because of the combination of a separation from his wife and an inheritance from his uncle. He has been left a house in the isolated countryside, not even a road to it, and quite a bit of money, his uncle wanting to give him the gift of solitude. The name of the house is Little Sky.

There were a few things about this house that I found hard to believe, since parts of it are very old and it is huge, so presumably at one time had servants. First, why is there no road to it if it’s been there a long time? How was it built? How did they get furniture to it? Second, why are there no bathing facilities? Third, why no laundry, however primitive? Even a rustic abode would have a big metal tub for baths and a place to wash clothes.

These are nitpicks, you might think, but then, of course, Abell needs his hero to live in a perfectly remote area (it could have been an island, Stig, that would be believable), he wants his scene where Jake is caught in the nude after his morning swim (Stig, he can swim even if he has a bathroom), but that doesn’t really explain the laundry.

Oh well. So, Jake begins living in this house, mostly being by himself but slowly getting to know his neighbors. His closest neighbor is the local vet, Livia. Livia what? I don’t know. No last names are exchanged. You can tell I find this irritating. Livia is a lovely mixed-race woman with a little girl named Diana. Jake is immediately interested. Since his home also has no phone or reception, Livia gets to take him by surprise when he is swimming nude.

One thing Livia does is encourage him to participate in a local custom, a hunt for St. Aethelmere’s bones. The local storekeeper hides a bag of sticks marked “bones,” and there’s a contest to see who can find it, if anyone can. Jake finds the bones, but they turn out to be really bones, and human, as judged by Livia and the local biologist, Dr. Peter.

Jake reports the bones to the police, and he meets the local man, Chief Inspector Gerald Watson, who seems happy to have Jake poke around and try to figure out who the bones might belong to. They are of a woman in her thirties and are about 10 years old. A look through his uncle’s old newspapers provides a possible name, that of Sabine Rohmer, a foreign farmworker who fell from a tower on the farm where she had worked for years. The death had been ruled misadventure.

However, when the police examine Sabine’s grave, they find bones in it. Watson seems inclined to think the whole thing is a wild goose chase, but Jake convinces him that perhaps Sabine’s death was not an accident, because someone, hearing the grave would be exhumed, has hastened to put bones in it to throw them off, and as it turns out, the bones in the grave are too old to be Sabine’s.

Jake’s investigations turn up little cooperation, just hostility, threats, and violence, principally from the people on Smith’s farm where Sabine had worked and from some lay-abouts and nogoodniks around the village, including Sabine’s old boyfriend, a man named Rose. Then Dr. Peter, who has been helping Jake, is killed.

This novel is really more of an action book than a mystery, as we’re given no hints to the identity of the killer until the same second Jake figures it out. And, although I don’t fall into the camp that believes mystery and romance don’t mix, I think there was too much emphasis on the romance, and it was a clunky one, with scenes that Abell obviously found sexy but left me cold. Usually, women who are trying to develop a relationship slowly because of their child don’t engage in salacious banter at an early meeting, even if they see a guy naked.

The novel is a very slow developer, which I didn’t mind. I enjoyed the descriptions of the countryside and the work Jake does to improve his property. However, my comments above have me wondering how interested I am in reading the second book in the series.

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Review 2591: Lady Living Alone

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For quite some time in reading this novel, there is no indication of what it will become. It seems to be a domestic novel about a modest woman in her 30s, Penelope Shadow, disorganized, scatterbrained, unconventional, undomesticated, and of little means until she has a hit with her fourth novel. Soon enough, she is doing well and is able to move out of her sister’s house and buy her own. She has trouble keeping servants, however, and that is mostly an issue because of her phobia of being in the house alone at night.

On her way home from visiting friends, Penelope is forced to stop in a hotel at night because of the weather, but more because there is no one at home, the servants having quit while she was gone. The hotel is pretty dreadful, but a very handsome young man who is working there brings her tea when she wants it. He later confides to her that he’s leaving in a few days because he was hired as a waiter but is made to do all kinds of other work—cooking breakfast, cleaning, and so on.

He is so efficient and seems so kind that Penelope decides to ask him to work for her. His reaction when she’s not looking is the first indication that the novel is going somewhere other than expected.

Everything goes so well at home with Terry working for her that she is in seventh heaven. This state lasts for months until Terry comes home angry because, he says, people are spreading nasty rumors about their relationship. Instead of hiring another woman to live in the house, Penelope says they should get married.

Maybe, like me, you don’t think this is a great decision. Slowly, the novel shifts from a domestic drama to suspense.

This novel is a little different from anything I’ve read. It takes its time getting to where it is going without being a long book, and even after the reader is fully aware that things are going badly, Penelope is basically the only person who doesn’t know that.

I liked this novel a lot. I liked Penelope and sympathized with her problems, even though she is so impractical and looks too hard for people’s better nature. My dread grew toward the end of the book, and the ending was quite suspenseful.

Lofts wrote this book under the name of Peter Curtis so as not to confuse her usual readers, who expected historical novels. I’m going to look for more by Peter and also for those under her own name, as she is a writer I haven’t read before.

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Review 2590: The Night of Fear

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At a Christmas house party with the staff dismissed to attend a party in the village, the guests play a game of hide and seek. The host, George Tunbridge, and Julian Haviland, a young guest, wait for 20 minutes after the lights have been turned off at the main and then are supposed to look for those in hiding. However, before they begin to do that, another guest, a blind man named Hugh Darrow, comes running out in a panic. He has discovered the bloody body of another guest, the famous writer Edgar Stallard.

Sergeant Lane has Inspector Collier of Scotland Yard staying with him as a guest, and he is happy to bring him along on the case. Suicide being ruled out because of the absence of a weapon, and no forced entry discovered, the police feel the murderer must be one of the guests.

Aside from George Tunbridge and his wife, who is so shaken she takes immediately to her bed, the guests are Sir Eustace Tunbridge, a pompous older man engaged to a beautiful young Diana Storey; Mrs. Storey, Diana’s grandmother, who went to bed early; Ruth Clare, a young woman who it becomes clear is in love with Hugh Darrow; and a bunch of young people, including Angela Haviland, who were hiding together and are so alibied. Even George and Julian are without an alibi, as they stood on either side of a screen as they waited.

Unfortunately, the Chief Constable is offended to find Collier on the scene, and he is asked to report back to London. That leaves Sergeant Lane to investigate by himself for a day. The next morning, he is found unconscious from a gas leak in his room. Collier is convinced that he was on to something, but his notes have been ripped from his notebook. Collier’s replacement, Inspector Purley, arrives and comes down heavily on everyone then concludes that the murderer was Hugh Darrow, who had a grudge against Stallard and didn’t tell anyone that his blindness was cured from the shock of discovering the body. In making this decision, Purley is ignoring some clues—that despite typing at all hours, Stallard appears to have left no notes or manuscript in his room and that Sergeant Lane is poisoned in the hospital after Darrow is arrested.

To help with the defense, Collier recommends a private investigator, Mr. Glide. When Sergeant Lane is poisoned, he is unable to speak but writes a clue on a piece of paper.

This novel wasn’t quite as zippy as Dalton’s first one and had a little too much recap of the evidence, but it was still fun to read and fairly baffling. It looks to me as though Mr. Glide might become a recurring character. I’m looking forward to the next one.

I received this book from the publisher in exchange for a free and fair review.

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