Tag: England

Day 429: The Dark Rose

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Cover for The Dark RoseThe Dark Rose is the story of how the lives of two troubled people intersect, with unfortunate results.

Louisa has had a secret for 20 years that changed her life. In flashbacks to 1989, she meets Adam, a singer and bassist in a local rock band, and falls immediately in love. For the first time, she is not the one in charge of her own love life, and he is in turn attentive and evasive, loving and impatient. Louisa is eaten up by jealousy, especially when his band mates make jokes about his relationships with other women. No good comes of this situation.

In the present time, 19-year-old Paul has been forced to testify against his friend Daniel. They have a long-standing friendship that Paul has been wanting to escape. As boys Daniel protected Paul from bullies while Paul kept others from finding out that Daniel was illiterate. But Daniel’s father is a criminal, and Daniel has begun involving Paul in illegal activities just as Paul is trying to begin a new life at university.

While he awaits Daniel’s trial, Paul is sent out of the area for his own protection to help with a project restoring a Tudor garden to its former glory. On site he meets Louisa, the head gardener, who is struck by Paul’s resemblance to her long lost love.

Kelly does a good job of keeping up the suspense, telling the interleaved stories of the young Louisa from 20 years before and of Paul’s more recent history. Although you become aware that each story involves some horrendous event, she spins out her tale so that events are revealed toward the end of the novel. Still, all is not over.

I found The Dark Rose less satisfying than The Poison Tree, Kelly’s debut. Paul and Louisa are definitely more flawed and less likable than the previous book’s heroine. Still, we want to find out what happens to them.

Erin Kelly has been likened to Gillian Flynn or Tana French. I am always skeptical of such comparisons (“If you like so-and-so, you’ll love . . .”), and I prefer the work of Flynn and French. However, Kelly does have a comparable dark sensibility. I just think Flynn and French are better at getting you to sympathize with their main characters, even though they are invariably flawed (except for Gone Girl, that is, where no characters are sympathetic).

A warning about this book if you shop in used book stores. I bought it a second time by accident because the British edition is under a different title, The Sick Rose.

Day 426: A Fatal Likeness

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Cover for A Fatal LikenessIn A Fatal Likeness, Lynn Shepherd has created her own gothic horror around the mysteries in the real lives of two fans of the gothic, the poet Percy Bysshe Shelley and his wife, the writer Mary Shelley. It is not only a dark story, but some of it is relatively plausible, given the research Shepherd has done into their lives. Ever since I read Shepherd’s astounding reworking of Bleak House, The Solitary House, I have been a fan of her narrative skills, her writing skills, and her imagination.

Shepherd’s detective, Charles Maddox, is summoned to the home of Percy Shelley, the son of the deceased poet. Shelley and his wife have established a shrine to the poet’s memory and say they are worried about some papers someone is offering to sell them. Mrs. Shelley in particular has been responsible for destroying any papers that would tarnish Shelley’s legacy. They hire Charles to find out what is contained in these papers.

Charles has his own reasons for taking the job, for his beloved great-uncle, also Charles Maddox, the master detective who trained him and is his only family, suffered a stroke upon receiving a calling card bearing the name of his client. Charles learns from his assistant Abel that his great-uncle was employed on a case years before for William Godwin, the brilliant philosopher and Mary Shelley’s father. When the file on this case is located, though, some of the pages have been torn out.

Charles takes a room in the home of the person purveying the papers, whom Charles has been told is an Italian man, and it is not long before he realizes his landlady is Clair Clairmont. Clair, the step-sister of Mary Shelley, infamously ran off with Shelley and Mary when both the girls were only sixteen and Shelley was still married to his first wife, Harriet.

Charles is soon to realize that everyone involved in this case has ulterior motives, those of the Shelleys to find out whether a record of the earlier case still exists, as it certainly contains damaging information. With his great-uncle only slowly recovering, it is up to Charles to discover what mysteries lurk in the Shelleys’ past. As he investigates the earlier case, he finds records of an even earlier encounter with his great-uncle.

The Shelleys’ past is a rat’s nest, with two young suicided women, Shelley’s first wife and Mary’s other step-sister, with several dead infants, with Shelley’s own history of delusions, hallucinations, fits, and obsessions. Each person’s story of the fraught years of the Shelleys’ relationship is different, and it is difficult to know what or whom to believe. It is not long before Charles is to think Percy Shelley was something of a monster.

Doubles are a theme throughout the novel. Shelley is always involved with two women at once, two young women commit suicide, Shelley is obsessed with the idea of a doppelganger and thinks he has encountered a monster with his own face. Charles’ great-uncle was partially deceived long ago by the likeness he perceived between the young Mary Godwin and a lost love.

Shepherd’s writing style is distinctive. She writes in limited third person but overlays this voice occasionally with observations from a more knowing narrator of a later time, perhaps the present. The effect is slightly facetious and ironic in tone.

Her research into this time period and into the lives of the Shelleys is clearly extensive. She impressed me with The Solitary House and here she continues to do so with a fascinating, disturbing tale about some turbulent personalities.

Day 423: Accidents Happen

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Cover for Accidents HappenKate Parker has lived the last five years in fear, not of something specific but of harm to herself or her son Jack. She believes she is cursed. First, her parents were killed in a freak accident on the night of her wedding, and then a few years later her beloved husband Hugo was viciously murdered by a gang of men who were trying to steal his car.

Since then, Kate has been obsessed with numbers, the odds of this or that happening that could hurt her or her son. She has gotten so fearful that her in-laws are threatening to sue for custody of her son, claiming she is harming his mental well-being.

Kate is not just being paranoid, though. Fairly early on, we learn that someone is regularly breaking into her house from the student rooming house that shares a wall.

Kate meets Jago Martin, a professor at Edinburg University who is visiting at Oxford. He has written a book that fascinates her on the statistics of events. Once he finds out her problem, he begins a series of unorthodox experiments with her to try to draw her out of her fears. Soon, she seems to be improving, and she is becoming attracted to Jago.

This novel does a fairly good job of building suspense. However, I feel the whole “treatment” idea to be unlikely, first that Kate would agree to do some of the experiments–actually any of them given how she was behaving before–and second that they would help her improve so quickly. There are other plot points I find unlikely, but I can’t discuss them without giving too much away. Let me just say that although the motivation for some actions may not be completely absurd, the chosen target makes no sense at all. Finally, after a villain comes into the open, given the time and effort expended on the tortuous plot, the manner of resolution seems too easy. With these mysterious comments, I will leave you to decide for yourself whether to read the book!

Day 420: NW

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Cover for NWI’m not sure what I think about NW. In reading a few reviews, I almost wish I had come to Zadie Smith first through one of her more traditional novels, as NW is almost a deconstruction of form.

NW is the postal code of an area of northwest London where Smith’s characters were brought up and reside. They were all raised in the same housing project, a group of towers that dominates the area of the impoverished and ethnically mixed Kilburn. In each section of the novel, we follow a different character.

Leah Hanwell has escaped the projects but lives within sight of them in a nicer neighborhood. She is of Irish and English heritage, married to Michel, who is half Algerian, half Guadaloupan. Her best friend Natalie Blake is first generation English of Caribbean origin. It seems that for every character in this novel, ethnic heritage is a mixed bag and not a way to find an identity.

Leah has come to resent Natalie, who has been the most successful of their acquaintances. Leah misses their former closeness and feels they now have little in common, especially since Natalie had children. The issue of children is a stressful one for Leah, who has been secretly taking birth control pills while her husband thinks they are trying to conceive. The only absolute and pure love Leah has to bestow goes to her dog Olive.

Leah is home alone when a woman comes to her door claiming to have an emergency. When the woman recognizes Leah as a former resident of the same building in the projects, all pretence of an emergency seems to disappear as they exchange information about common acquaintances. Even so, Leah impulsively hands over a fairly large sum of money. Afterwards, she vacillates between sympathy for this woman–a drug addict on the con–and a resentment that she’s been cheated. Telling Michel about it sets up a situation that ends badly.

In the second section of the book, Felix starts out his day of running a few errands in a cheerful mood. He is going to visit his father, say goodbye to an old girlfriend, perhaps buy a car. He is happy in his life. He has kicked a drug habit, is in love with his girlfriend, has a good job, and wants to lead a more productive life. We don’t anticipate what happens to Felix.

The bulk of the novel belongs to Natalie, who has remade her life, including changing her name from Keisha. She is a lawyer married to a day trader, with two children. She lives in a beautiful house in an upscale neighborhood. She is outwardly a confident, take-charge woman, but inwardly much more tentative. As one of her friends says, she’s been telling everyone all their lives that she is different from them. Yet surely, her impulse is more to fit in.

Natalie and her husband Frank pretend to be a loving couple, but when they are not out in public they spend little time with each other. Natalie doesn’t enjoy her children, either. Of all the characters, including a homeless drug addict named Nathan that Leah and Natalie had crushes on when they were all kids, she seems the most discontented. In one way, she has erased her former life. In another, she drags it along with her. All she enjoys is her work.

The novel is presented in a fragmented way. Conversations begin in the middle and sentences are cut off. Issues remain unresolved. Dialogue and descriptions are vivid but gritty, such as when Leah and Natalie push a stroller through a trash-lined neighborhood to find an ancient church in the middle of a traffic circle, its tombstones covered in graffiti. Smith’s novel is ambitious, an urban slice of several lives.

A little side note. The paperback copy of this novel has a typo on the back cover where it calls a character by the wrong name. I kept waiting for that character to appear until I figured out what was going on. That’s a pretty big mistake. Just sayin’.

Day 412: Stone’s Fall

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Cover for Stone's FallBest Book of the Week!
Ever since Iain Pears wrote the stunning An Instance of the Fingerpost, I have been waiting for him to come out with something that could match it for complexity and interest. He has finally achieved this with Stone’s Fall.

Did he fall or was he pushed? might be the question journalist Matthew Braddock is asked to answer when Elizabeth Stone hires him after her husband falls to his death from his office window. Instead, she asks him to find the child John Stone mentioned in his will. Stone’s estate is tied up during the search for this unknown heir, but Elizabeth says she has no ulterior motives except a sincere wish to follow her husband’s wishes. As Stone was an extremely wealthy but private arms manufacturer and the only person who could understand the complex structure of his inter-related companies, many are concerned in his affairs, even the British government.

Completely infatuated with the older woman and feeling wholly unqualified to find the child, Braddock instead concentrates on investigating the last days of Stone’s life and the state of his corporations. In doing so, he finds evidence that Stone’s net worth was not nearly as large as everyone thinks. He also has questions about the involvement of Henry Cort, a mysterious figure believed to work for the Foreign Office. Braddock relates the tale of what he discovered quite some time after his 1909 investigation, in 1953 after Elizabeth Stone’s funeral.

Braddock’s story does not answer many questions even though he believes he has found some facts, but after his narrative, he includes a manuscript sent to him by Henry Cort. Cort takes his own story back further, to events in Paris of 1890, when he befriends Elizabeth after having known her years before.

The final section of the novel takes us to Venice in 1867, when as a young man John Stone meets Cort’s parents and the man who invented the torpedo that began Stone’s empire. It is in this final section of the novel that we begin to understand the answers to the mysteries of John Stone’s life and death.

This series of narratives is like a set of nested gift boxes–as we unwrap each one, we learn more and go deeper into the story, finally beginning to understand the mysterious Stone. The novel is impeccably plotted and beautifully written–a great reading experience for those who appreciate a mystery that is not formulaic.

Day 411: Bellman & Black

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Cover for Bellman & BlackWhen I heard that another book by Diane Setterfield was coming out, I was really excited, having enjoyed The Thirteenth Tale immensely. Although the previous novel was about a teller of fables, I enjoyed other aspects of the novel more than the fables themselves. Bellman & Black is actually an extended fable with a vaguely 19th century setting rather than a more traditional novel, and as such, I did not enjoy it as much.

William Bellman is a capable boy, liked by all, with a golden future. But one day when he is fooling around with his friends, he takes what seems to be an impossible shot with his slingshot and kills a rook without actually intending to. The boys go to bury the rook but end up desecrating it instead. They have no idea how these actions will affect their futures.

Bellman goes on to work at his uncle’s mill, where he proves himself more than capable and earns his uncle’s trust. He begins a career that eventually brings him great wealth, and his attention to the details of his enterprises is phenomenal. In his personal life, however, he is not so lucky, as he loses most of those closest to him to death. After a particularly wrenching loss, he is so grief-stricken that he can barely function, and at that point he makes a bargain with a Mr. Black, the details of which he can’t quite remember.

As I mentioned before, the story is told as an extended fable, in the style of a folk tale. Most of the characters are emblematic of a single characteristic rather than fully developed. Even Bellman, in his single-mindedness, seems one-dimensional. The writing is gorgeous and replete with detail, the setting atmospheric. It is easy to imagine the scenes Setterfield describes, but her characters remain enigmas.

http://www.netgalley.comPeriodically, a chapter ends with a few paragraphs about rooks, their appearance, habits, mythology. When we are told that the rooks in the tree by Bellman’s house are descended from the rooks in Norse mythology named Thought and Memory, this information is vital for understanding the story.

Even at the end of the novel, I did not feel I fully understood everything about the bargain Bellman made. In any case, beautifully written as the novel is, I sometimes found my attention wandering.

Day 407: This House Is Haunted

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Cover for This House Is HauntedThis House Is Haunted fittingly begins when Eliza Caine and her father decide to attend a reading by Charles Dickens of his ghost story A Christmas Carol. Unfortunately, Eliza’s father takes a chill as a result of this outing and dies.

It is not long before the landlord informs Eliza that, rather than owning the house she has lived in all her life, her father had been leasing it, and the rent is exorbitant, too much for a schoolteacher to afford. Grief-stricken Eliza rather hastily decides that she wants to change her life, so she applies for a job as governess at Gaudlin Hall.

With this Dickensian beginning and the title of the novel, it is no surprise that Eliza will soon find herself living in a haunted mansion.

In fact, things become strange before Eliza even arrives at the house. In the station at Norwich, she feels someone push her in front of a train, and she only survives because a Mr. Toxley pulls her back. When Mr. Toxley and his friendly wife learn of her destination, however, they react oddly.

Eliza is especially taken aback by her reception in her new home. After being dropped at the house by Heckley, the surly and taciturn coachman, she is received by the children, Isabella and Eustace Westerley. No adults but Heckley are anywhere to be seen. She was engaged by an H. Bennet, whom she believed to be the master, but no one by that name resides at the Hall. When she finally gets a chance to talk with the Gaudlin solicitor, Mr. Raisin, he is evasive. The villagers behave oddly when they find out who she is. And the situation soon gets a lot worse.

All of this is a lead-in to a pleasantly creepy ghost story of a Victorian nature, with reminders of Jane Eyre and The Turn of the Screw. The narrative style is convincingly appropriate, more inclined to the descriptive than the conversational and old-fashioned without being difficult for the modern reader.

image for NetgalleyIf I have any complaint at all, it is that the title itself telegraphs a little too much too early. I did not feel the chill that I sometimes feel when a ghost story takes me by surprise. In addition, the style of writing itself promotes a lightness of tone that never led me to dread. In general, though, I found the novel entertaining and endearingly old-fashioned in style and tone.

Day 405: The Child’s Child

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Cover for the Child's ChildEven though The Child’s Child is a relatively short novel, it seems to take a long time to get to the payoff. Although Barbara Vine’s novels are more character studies than thrillers, they always involve a certain amount of suspense.

This book uses a novel-within-a-novel structure, with the exterior novel taking place in 2011 while the interior one begins in 1929. The themes of unwed motherhood and homosexuality and the extent to which both are stigmatized are the same in both stories.

Grace Easton is a graduate student working on a thesis about the portrayal of unwed mothers in literature. She and her brother Andrew have inherited a house and impulsively decide to share it instead of selling it. However, they have not discussed issues such as how to deal with prospective mates, and soon enough Andrew, who is gay, has brought home James, a writer. Grace and James do not get on, and she begins to feel uncomfortable in her own home.

One evening Andrew and James witness a brutal crime against a gay friend, about which they will be called upon to testify. James is extremely upset by this event, and his reaction leads to unforeseen complications.

Grace has promised to read the manuscript (the interior novel) written by an acquaintance’s father with a view to telling the acquaintance whether it is publishable. She has been avoiding reading it while she works on her thesis but finally begins. We are led to understand that, while presented as a novel, it is actually a true story of the writer’s relative.

In the interior novel, Maud Goodwin becomes pregnant at fifteen and is immediately rebuffed by her family, with the exception of her brother John. John has recently taken a new job in a different county, and his solution to his sister’s problem is to set up housekeeping with her, the two of them posing as husband and wife to avoid her shame. John is homosexual, which of course was illegal in those days, and has vowed to remain celibate, so he knows he will never marry.

The interior novel takes up the bulk of the book, which I found unfortunate. I thought John was in some ways foolish, and Maud becomes a bitter, ungrateful woman. My immediate thought, even as John was deciding what to do, was that Maud’s situation could just as effectively and more sensibly have been taken care of by her posing as a widow and sharing a house with her brother.

Sadly, John lacks judgment in where he bestows his affections, and when he chooses a partner he basically seals his fate. I had some sympathy for John, but he exits the novel fairly early on, and I grew to dislike Maud more and more.

It isn’t until the narrative returns to the present time that I feel the novel regains its focus and finally provides some payoff, and the long-anticipated suspense. In addition, sadly, the themes of the novel seem labored and obvious, to the point where the author has characters voicing them instead of letting the reader figure them out. If you want to try Barbara Vine, the name Ruth Rendell uses for her psychological suspense novels, I suggest instead A Dark-Adapted Eye, which is one of my favorites.

Day 402: Dust and Shadow

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Cover for Dust and ShadowIn Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson, Lyndsay Faye combines a great deal of research into the Jack the Ripper killings in 1888 with a vast knowledge of Sherlock Holmes literature to offer an entertaining solution to the crimes. The novel begins nearly 50 years after the events, when Dr. Watson places his narrative of the murders into a safety deposit box on the eve of war.

Inspector Lestrade comes to consult Holmes after the second murder, when police begin to realize the two deaths may be linked. Holmes immediately begins pursuing his usual means of detection–inspecting the body and the scenes of the crimes, trying to find out where the victims were last sighted, questioning the victims’ friends–and he very quickly figures out that another murder is related. He even hires an alert young prostitute, Mary Ann Monk, to make her own enquiries and observations after she identifies the body of her friend, Mrs. Nichols. However, he is soon frustrated by his lack of progress. The only lead Holmes has come across is the story of an elusive sailor, being sought by a friend who thinks he may have been involved in the first murder, that of Mrs. Nichols.

Soon Holmes and Watson have something else to worry about, for a member of the press is printing details of the crimes unknown to but a few. He has been alleging that Holmes himself may be the murderer.

Faye’s novel is atmospheric and absorbing. Its greatest accomplishment, though, is in successfully capturing the narrative style of Doctor Watson, making us believe that this could be a Holmes story. Although I was about 100 pages ahead of Holmes in solving the murder (which would never happen in a real Holmes story), I still found the solution ingenious as well as the reason why the crimes are recorded in history as unsolved (when, of course, Holmes solved them). This novel is a very good first effort. I have Faye’s next book awaiting me in my pile.

Day 398: The Strange Fate of Kitty Easton

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Cover for The Strange Fate of Kitty EastonIf you prefer a book to leap immediately into action, this is probably not the mystery for you. The second in a series, it starts slowly, with Speller taking the time to develop the setting and characters.

Laurence Bartram is a young man damaged by World War I, during which his wife and child died and he was injured. Laurence is an expert on church architecture, and he is happy to be summoned to the estate of Easton Deadall by his friend, William Bolitho. William wants him to look over  a small but unusual church, for which William is designing and installing a window.

Laurence is soon pulled into the affairs of the Eastons, a family that is haunted by the war, but moreso by the disappearance in 1911 of the young daughter of Digby Easton, the oldest of the three Easton brothers. Digby died during the war, but Kitty still obsesses her mother Lydia, an invalid who sometimes speaks of her as if she is alive.

The middle Easton son, Julian, has been doing his best with the estate, which Laurence finds beautiful but slightly crumbling, while Lydia’s sister Frances takes care of her. Laurence finds the subject of Kitty lurking behind every conversation and wonders if they will discover her body in the course of their renovations. Soon, the third Easton brother, Patrick, returns to Easton Deadall after an absence of years, first at Oxford and then on an archaeological dig in Greece. It becomes obvious that there is tension between him and Julian.

The family decides to make up a party to visit the Empire Exhibition. William, who was left wheelchair bound by the war, does not feel he can handle it, and Lydia is too ill, but the rest of the family goes. The expedition includes Eleanor, William’s wife, and Laurence. They also bring along David, the estate’s man of all work, and the teenage maid Maggie to help care for William and Eleanor’s young son Nicholas. At the exhibition, Maggie and Nicholas go missing, and although the others find Nicholas, Maggie is nowhere to be seen.

Distressed by Maggie’s disappearance, which can’t but echo the earlier one of Kitty, the family begins falling apart and secrets emerge, especially about the charismatic Digby and his relationships to his family and to his troops during the war. A few days after the disastrous outing, Laurence and David are clearing an area in the church to prepare for the installation of William’s window when they discover a trap door in the floor under the altar. When they open it, they find the body of a woman. The police are able to quickly ascertain that the body is of a woman too old to be Maggie, but then, who can it be? Could it even be Kitty, grown up and returned from wherever she has been?

Laurence does not exactly detect so much as look into a few things the others haven’t thought of, and he eventually unearths a tangle of secrets. Although the novel takes awhile to get going, I soon found myself unable to put it down. It slowly and skillfully builds to suspense. I found it well worth my patience.