Tag: England

Day 353: Friday’s Child

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Cover for Friday's ChildFriday’s Child is one of Georgette Heyer’s funniest Regency romances. Although some of her novels are a bit closer to being “serious” romances (that is, with the emphasis on the romance, but always with witty dialogue), this novel is endearing in its plethora of foolish characters.

Anthony Verelst, the Viscount Sheringham, is a wild young man who is extravagantly wasting his inheritance on gambling and women, but his estate is left so that he cannot touch the principal unless he marries. He has fancied himself in love with the current reigning beauty, Isabella Milbourne, but he is not tempted to matrimony until he becomes fed up with his mother and her brother, one of his trustees, whom he believes is milking his estate. He proposes to Isabella, plainly expecting an answer in the positive, but piqued by his lack of ceremony, she rebukes him for his dissipated lifestyle. In a rage, he storms off, vowing to marry the first female he meets.

As he is returning to London from his mother’s house in the country, he meets Hero Wantage, a very young lady who is an impoverished orphan and a neighbor. He thinks of her as a little sister, so he has no hesitation in relating the tale of his misfortunes. When he tells her of his vow, she answers, “Silly, that’s me!” So, the heedless viscount throws her up into his curricle and drives her off to London to get married. Since she has long worshipped the Viscount, or Sherry, as he is known to his friends, and has been mistreated by her Bagshot relatives, she is happy to go.

The couple is naturally headed for trouble, for Hero is completely naïve and badly brought up, with no idea of how to behave in society. The heedless Sherry seems to feel that he can go on about his business as always without paying much attention to her, so she begins befriending the wrong people and otherwise falling into scrapes.

This novel features an outstanding cast of secondary characters, especially Sherry’s close friends–Gil Ringwood, a thoughtful young man who vaguely feels there is something wrong with the way Sherry neglects his wife; Ferdy Fakenham, a silly but warm-hearted dunderhead reminiscent of Bertie Wooster; and George, Lord Wrotham, a hot-tempered gentleman who constantly challenges other men to duels and is madly in love with Isabella. As a side comment, I think it is a hallmark of a good Heyer novel that the characters who would be the heroine and hero in a typical romance novel (that is, Isabella and George) provide some of the humor in her own novels, especially the devastatingly handsome George, with his exaggeratedly romantic behavior.

Heyer is one of my favorites for light reading, and Friday’s Child makes me laugh out loud, particularly when Ferdy gets it into his head that he and Gil are being pursued by “that dashed Greek we learned about at Cambridge. Kept lurking about in corners,” in other words, Nemesis. The characters are funny, the dialogue is witty, and the plot is full of twists and turns.

Day 345: The Chalice

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Cover for The ChaliceI am not sure why I found this novel so irritating. Possibly it is because it is a sequel, but nowhere on the cover is that indicated, and this novel is definitely one that requires knowledge of the previous book, which I have not read.

Joanna Stafford is a former Dominican novice after the dissolution of the monasteries by Henry VIII. At the beginning of the novel she is in Canterbury with some ex-monks about to commit some serious act, but then the action turns back several months.

Joanna is living in Dartford with her young cousin and her friends Brother Edmund and Sister Winifred, a former monk and nun who are sister and brother. Some of the townspeople are suspicious of the former residents of the priory, but Joanna has plans to continue there and set up a loom to weave tapestries.

Soon, however, her cousins Gertrude and Henry Courtenay arrive to invite her and her cousin Arthur for a visit. Little does Joanna know that Gertrude is aware that Joanna is the subject of a prophecy, which a group of Catholics believe will save Catholicism in England. Apparently, in the previous novel she received a prophecy and was told she would learn it in full after she received three prophecies. Since her family was destroyed as the result of a prophecy, however, she has promised never to dabble in it again. She is soon subject to immense pressure from Gertrude Courtenay and others, including the Lady Mary Tudor and the Spanish ambassador Chapuys, to see a seer.

The novel does not seem very coherent. Joanna is told she must hear the prophecies of her own free will, yet all kinds of pressures and threats are applied to make her hear them. She is refusing to hear the prophecy, then she isn’t. Then we go through the same thing with the next prophecy. Some of her decisions seem completely unlikely for a person who is extremely religious and was previously a novice. At one point in the book she throws herself at two different men within the space of weeks.

It takes an incredibly long time to feel certain that we’ve learned of everything revealed in the first book–new facts keep popping up until nearly halfway through the volume. This is not a stand-alone novel by any means. Whether it would be more satisfying for someone who has read the first book I cannot answer.

Day 344: Tuesday’s Gone

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Cover for Tuesday's GoneTuesday’s Gone is the second mystery/thriller featuring psychotherapist Frieda Klein in a series that is turning out to be quite exciting. A social worker calls on a mentally ill client for a first visit at a grimy, squalid hostel. The client, Michelle Doyce, leads her in to her apartment and introduces her to her guest–a naked man who has been long dead.

The police, embattled with cost-cutting measures, are inclined to close the case even though the victim has not been identified, but DCI Karlsson wants to see what Frieda Klein makes of Michelle, who seems to be talking nonsense. Frieda soon concludes that, rather than having strangled the victim, Michelle suffers from a rare disorder that makes her unable to distinguish the animate from the inanimate and was trying to help him.

When the victim is finally identified, he turns out to be Robert Poole, an apparently charismatic and charming con man and identity thief. He seems to have several potential murderers, but none of them appears to bear him any ill will.

In the meantime, Frieda is slowly beginning to realize that the case from the first book, Blue Monday, is not closed, because the murderer is not dead, as believed. Frieda is sure he is lurking somewhere nearby. She is also involved with troubles with her family and among her friends, as well as the return of her ex-lover Sandy from the US.

Frieda is an interesting character–a loner who likes to walk the streets of London at night and prefers to keep her own counsel yet has several close friendships. The mysteries are involving and complex, and although I figured out who the murderer was before the secret was revealed, it was only a bit earlier. Although the married writing team who calls itself Nicci French builds suspense slowly, the final chapters of the novel are quite thrilling.

Day 343: Poor Caroline

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Cover for Poor CarolinePoor Caroline begins with the death of Caroline Denton-Smyth, a do-good spinster who has dreamed of forming the Christian Cinema Company, which will clean up the film industry. This satire of charitable organizations is a little different from the other Winifred Holtby novels I have read, which are about small town Yorkshire.

Caroline, an elderly eccentric, although virtually penniless, forms the film company and manages to put together a board of directors of dubious character. Basil St. Denis is an elegant dilettante who is hoping to use the charity to make some money. Clifton Johnson is a seedy American scammer. Joseph Isenbaum is a wealthy social climber (and not a Christian) who wants St. Denis to sponsor his son at Eton. Charles Guerdon is a Quaker nonentity, Father Mortimer is carrying scars from World War I, and Hugh Macafee is a film inventor who is obsessed with his work. The makeup of the board alone is an object for satire.

Caroline is in some ways admirable, with a buoyant, energetic personality, who devotes herself to one cause or another, only to have it fail or have the rest of the workers desert her. However, she is totally self-absorbed as she pursues her goals.

There are only two completely sympathetic characters in the novel. Caroline’s young cousin, Eleanor de la Roux, wants to learn to be successful in business and break ground for other women. Roger Mortimer, a young Anglican priest, wants to live a life of poverty and service and falls in love with Eleanor.

I am not sure whether I like this novel or what I think about Caroline herself. She is completely blind about her charities, and from the point of view of her relatives has cadged from them shamelessly for years. Certainly she is a believable type, reminiscent of Mrs. Jellyby in Dickens’ Bleak House, who spends all her time on charities for Africa while her children are uncared for and her house falls to pieces.

Day 342: The Tryst

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Cover for The TrystThe Tryst is an odd book by Michael Dibdin, the author of the Aurelio Zen mysteries. Although billed as a crime novel, it takes some time to get around to the crime. In fact, it misleads us into thinking it is one type of novel when it is actually another.

The novel follows the actions of two characters, a homeless boy and the therapist who is trying to figure out why the boy is pretending to be insane. Gary Dunn has come to the psychiatric hospital where Aileen Macklin works as a psychiatrist requesting institutionalization and insisting that someone is trying to kill him.

We find out that Gary, a glue-sniffing boy who lives with a bunch of junkies, has befriended an old man. Although Gary’s mates would like to rob the man, Gary has become involved in the old man’s long, involved story about a former employer who sees a beautiful woman no one else sees. In the story, the employer follows the woman to his death. This story eventually connects the fates of Aileen and Gary.

Ultimately, the novel doesn’t work that well, because it starts out being a crime thriller and turns into more of a gothic novel/ghost story. It is too much one kind of novel to work successfully as the other kind. Although the novel is well written and interesting, it reads almost as if Dibdin started with an idea and changed his mind in midstream. For a better example of a book that combines a crime story with a ghost story, read Johan Theorin’s fantastic The Darkest Room.

Day 333: Pigeon Pie

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Cover for Pigeon PieThis exceedingly silly book about Britain just before World War II has its amusing moments. Although it is not one of Mitford’s best, it still made me laugh out loud at times. The novel spoofs British high society, spy stories, and religious cults.

The heroine is Lady Sophia Garfield, a stupid, frivolous society matron who lives happily, mutually ignoring her husband, who admires Hitler. As events move toward war, she begins to suspect she has a nest of German spies in her home. Although no one believes her, she eventually manages to foil them.

One of the funniest moments for me has to do with Lady Sophia’s chief social rival, whom she distinctly remembers as the ordinary school girl Baby Bagg but who goes around pretending to be a Russian princess, Olga Golgothsky. Inclined to the theatrical, Olga frequently makes remarks about what would happen to her if she went to Russia–she says she would be handed over to the peasants to do what they please. Our heroine reflects on what Russian peasants must be like, thinking that if she were handed over to British peasants to do what they please, they would put her in the best bedroom and give her a cup of tea.

Day 327: The Five Red Herrings

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Cover for Five Red HerringsAlthough I am normally a fan of Dorothy L. Sayers’ Lord Peter Wimsey series, The Five Red Herrings is exactly the novel I’m talking about when I say that I don’t care for the Golden Age mysteries full of railway timetables. This type of novel boils down to a puzzle designed to confuse the reader with a lot of detail. I do like Lord Peter, but I like him better when I have to keep track of fewer things.

Lord Peter is visiting an artists’ colony in Scotland when a painter is found dead. He is Sandy Campbell, a talented artist but one who also has a talent for getting drunk and picking fights. He is found in a stream with his half-finished painting on the bank high above, and the reasonable explanation is that he accidentally fell to his death. However, Lord Peter immediately notices inconsistencies that make it impossible for Campbell to have painted the picture.

Whoever the murderer is, he or she must also have been a talented painter, for the picture is exactly in Campbell’s style. Six other artists in the area who had quarrels with Campbell have enough ability to be the killer. Some of them have convincing alibis, and the solution revolves around–yes–railway timetables.

As usual, Lord Peter is entertaining. His man Bunter is not as much in evidence as in other novels, which is a little disappointing, but Sayers capably depicts a group of colorful suspects.

Day 325: Over Sea, Under Stone

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Cover for Over Sea, Under StoneOver Sea, Under Stone is a charming children’s story with an Arthurian theme. Simon, Jane, and Barney Drew are vacationing with their parents and great uncle Merriman Lyon in a fishing village in Cornwall. While exploring the attic of the old house they rented, the children discover an ancient map of the local coast line. Barney realizes that the map refers to King Arthur.

The children’s parents are befriended by a Mr. Withers and his sister Polly, who invite the entire family to go fishing on their yacht. Jane is reluctant to go, though, and while everyone else is out, discovers a guide book that is similar to the map. It soon becomes clear that the Withers and perhaps other parties are looking for the secret that the documents reveal.

After a robbery, in which the robbers only rummaged through books and documents, the children decide to confide in great uncle Merry. They all figure out that the map and guide book may hold the secret to the Holy Grail. The children and their uncle become forces of the Light, while the others are forces of the Dark.

Over Sea, Under Stone is an entertaining book that should appeal to older grade school and middle school children. As an adult, my only quibble with it is the coincidence that other people suddenly begin looking for the map in the house just after the children find it. However, that is something that most kids wouldn’t think of.

The novel is well written and packed with adventure. I believe it is the first book in a series called The Dark Is Rising.

Day 324: Trick of the Dark

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Cover for Trick of the DarkCharlie Flint is a profiler who is on probation because her testimony freed a man who went on to murder four women. She is asked by Corinna Newsam, her old tutor, to investigate the lesbian lover of the tutor’s daughter, Magda. Corinna Newsam thinks that this lover, Jay Stewart, may be a serial killer, because several people who were in her way conveniently died, including Magda Newsam’s husband on the night of their wedding.

Charlie finds herself attracted to a woman she meets in a seminar. (Spoilers follow in this paragraph and the next. I usually don’t include spoilers, but these are integral to my criticism.) This woman is clearly manipulating her from day one, and in the course of her investigation, Charlie violates the confidentiality of the people she is investigating by confiding in her. Of course, without this happening, there wouldn’t be a plot, but it is still the crux of my problem. I don’t think it would be likely that a person in her position would make the mistake of confiding information on a sensitive case to a new acquaintance, even if she is dating her.

It is the nature of this violation that bothers me most, as it is extremely unprofessional and I felt it unlikely from a profiler. Of course, the woman actually turns out to be connected to the murders, and this coincidence also bothered me.

Finally, I am reluctant to say this for fear it will be misconstrued, but at least five characters are fretting about their sexuality. These characters are lesbians, but I don’t enjoy this kind of emphasis in heterosexual literature either.

I am a big fan of the Tony Hill/Carol Jordan books, and I also like the Kate Brannigan series by McDermid. I know she has a Lindsay Gordon series, but I don’t think I have read any of those. McDermid has written some of the best stand-alone thrillers I have ever read, particularly A Place of Execution. I was disappointed not to enjoy this novel as much.

Day 323: Oliver Twist

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Cover for Oliver TwistOliver Twist was one of the first adult books I read as a child, although I believe that David Copperfield was the very first one. This book is, of course, Dickens’ famous indictment of the British treatment of and attitudes toward the poor, as followed through the adventures of Oliver Twist, an innocent and hapless young orphan.

Oliver is born in the workhouse after his mother dies in childbirth without identifying herself. He is named by the beadle and brought up at a baby farm, the intent of which seems to be to starve as many babies to death as possible. The story really begins when Oliver is 10 years old and is moved to the workhouse to begin an illustrious career picking oakum, which is unraveling and picking apart old ropes. There he is voted by the boys to be their representative in asking for another bowl of thin gruel at mealtime (or rather is the only one naive enough to agree to do it).

This act brands Oliver as a malcontent, and he is apprenticed out to a coffin maker with dispatch. His employer seems disposed to be kind, but he is bullied by a “charity boy,” Noah Claypole, as well as by the housemaid and the coffin maker’s wife. Finally, after being unjustly punished for standing up for himself, he runs away.

Oliver’s adventures lead him to London, where he innocently falls in with a gang of thieves lead by the infamous Fagin. Oliver’s struggles to make his way in life without becoming a criminal and the mystery of his identity are the focuses of the rest of the book.

Although this novel has a few amusing and lovable characters, it is fairly grim compared to some of Dickens’ later efforts. It is merciless in its satire of institutions such as the workhouse and the law courts. Oliver himself is more of a symbol for goodness than a fully developed character, yet we are touched by his plight.

It is a long time since I read this novel, and I found I had forgotten just how complex the plot is. Although I do not feel that it is as good as some of Dickens’ later works, as his first serious novel, it is compelling reading.