Tag: England

Day 315: Beyond Black

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Cover for Beyond BlackI have liked almost everything I have read by Hilary Mantel but could not finish Beyond Black. It is supposed to be extremely black humor, which I usually enjoy, and the idea is certainly an entertaining one, but somehow I felt it went too far, at least for me.

Alison is a medium who travels the rounds of the psychic “fayres.” She actually does see and hear the dead. Alison meets Colette, an event planner, who she hires as her personal assistant. Soon, the two women are sharing a house in a suburban wasteland, where apparently all hell breaks loose. (I did not get this far in the novel.)

Mantel’s skewering of the “fayres” is amusing. Another clever idea in the novel is that the dead are a bunch of seedy characters obsessed with trivial things, just as are many people in life. However, after awhile the sheer bulk of the trivialities becomes overwhelming.

Alison’s spirit guide, Morris, instead of being the traditional Indian chief or swami, is the ghost of an actual hoodlum Alison knew when she was young. I could deal with the spirits constantly talking about minutia, but Morris was incredibly repulsive and disgusting. With the mundanity going over the top combined with my disgust at Morris, I stopped reading.

Day 308: Love in a Cold Climate

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Cover for Love in a Cold ClimateLove in a Cold Climate is more of a companion novel to Nancy Mitford’s The Pursuit of Love than a sequel, because it focuses on a different group of characters. Fanny is still the narrator, and she returns to tell a little more of her own story but mostly that of her beautiful friend and distant relation Polly Hampton.

When Fanny receives an invitation to stay with the family upon their return from India, she is happy to renew her friendship with Polly. Polly’s demanding mother, Lady Montdore, has been pushing her toward marriage, but Polly resists. Polly has always been difficult to read, unlike Fanny’s Radlett cousins from The Pursuit of Love, who “told everything.” Although Polly is so beautiful that she could have her pick of the eligible bachelors, she tells Fanny that she finds the whole life of the social season boring.

Lady Montdore is a rapacious, snobbish manipulator with social ambitions, although not without charm. Another family member who is important to the novel is also a snob, “Boy” Dougdale, the husband of Polly’s aunt, Lady Patricia. Fanny and her cousins have always called Boy “the Lecherous Lecturer” because of his tendency to furtively grope very young girls. Much to everyone’s surprise, Polly’s secret comes out when, shortly after Lady Patricia’s death, she marries a reluctant Boy, for she has been in love with him for years.

Polly is ostracized from her family and cut out of her father’s will as a result. But the plot thickens upon the arrival of Lord Montdore’s heir, the effeminate and hilarious Cedric Hampton.

As usual with Mitford, we have a strong suspicion that all her ghastly and funny characters strongly resemble real-life society members of her time. Her novels are full of vivid characterizations and incisive dialogue. Even in today’s world, so removed from her own, her novels are extremely funny.

As a side comment about the cover art, I find the covers of the most recent editions of Mitford’s novels to be too romantic and to do nothing to convey the spirit of her novels. I was able to find a better cover for The Pursuit of Love, but this was all I could find for Love in a Cold Climate.

Day 307: Unnatural Death

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Cover for Unnatural DeathAfter a long battle with cancer, Miss Agatha Dawson dies, leaving her considerable fortune to her great niece, Miss Whittaker. Nothing may be suspicious about this, but a local doctor is uneasy. He did not attend her at her death, but he treated her earlier and distrusts Miss Whittaker. When he cautiously voices his doubts, he is drummed out of the community for blackening Miss Whittaker’s name. So, he turns to Lord Peter Wimsey for assistance.

Miss Dawson’s nurse insists that the old lady was delirious the last month of her life and couldn’t possibly have written a will. The witness to Miss Dawson’s will claims that Miss Dawson did not want to be involved in the signing of the document. This does seem suspicious. Lord Peter is vaguely interested, but when he starts looking into the case, odd things happen. The first is that the maid dies.

Lord Peter and his friend Inspector Parker pursue the case, Lord Peter with his usual humor and urbanity. Lord Peter is an interesting character. A World War I veteran who is still haunted by the events of the war, he hides his nerves with bouts of silliness. He is a collector of rare books and a pianist who also flies his own plane and barrels around the countryside in his motorcar.

By and large, I enjoy Sayers’ Lord Peter Wimsey novels, although on occasion they get bogged down in a myriad of details, for, as a Golden Age mystery writer, Sayers prefers to present her readers with puzzles rather than motives. However, the complexity in Unnatural Death is created with the plethora of suspects who managed to traipse through the dying woman’s bedroom, all with their own stories–an approach that is more to my taste than complicated railway timetables.

Day 306: The Cat’s Table

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Cover for The Cat's TableIn the early 1950’s, the 11-year old Michael Ondaatje set sail from his home in Sri Lanka for England to meet his mother and go to school. The Cat’s Table is a fictionalized tale of this journey, he tells us.

On board the Oronsay, Michael (nicknamed Mynah) becomes friends with two other boys–Cassius, a wild, rebellious boy from his school, and Ramadhin, gentle and contemplative, with a bad heart. Also on board is Michael’s cousin Emily, a 17-year-old beauty with whom he is close.

Although Michael’s father has arranged for an acquaintance to look after him, she is in first class and only summons him occasionally during the voyage. Michael and his two friends are assigned to the “cat’s table” with the most insignificant passengers on board–a tailor who never speaks; Mr. Mazappa, a jazz musician who admits he is “on the skids”; Miss Lasqueti, a seemingly colorless spinster; Mr. Fonseka, a literature teacher from Colombo; and Mr. Daniels, a botanist who is transporting an entire garden in the hold of the ship. Other important characters are a deaf Singhalese girl named Asuntha whom Emily befriends and a mysterious prisoner who is brought above board late each night and provides fuel for the boys’ imaginations. Michael and his friends find that no one is paying attention to them, so they run wild all over the ship.

At first this narrative proceeds more or less sequentially in a series of vignettes telling of different passengers or events. Later, the narration branches out, moving forward in time to later periods and incidents in Michael’s life related to the people he knew on the ship, and then back again. Toward the middle of the novel I felt confused, as if the narrative would never resolve itself into a coherent story.

But it does. Events on board the ship affect the future lives of several of the passengers, particularly those of Michael and Emily. In getting to that place, we experience the sights and sounds of this exotic and evocative passage across the Indian Ocean and the Arabian Sea, up the Suez Canal, and into the Mediterranean.

The novel is beautifully written, with the vignettes working together in the same way that Michael describes a series of paintings by Cassius, which he sees in a gallery years later. At first the paintings seem abstract, but if he looks at them from the right distance, he sees they perfectly depict the events of a particular night in their voyage together. The vignettes, like fragments seemingly disconnected and abstracted, slowly come together to show us a coherent whole, of Michael’s understanding of the events of the voyage, of his reinterpretation of those events later in life, of how they affect his life and those of others.

Day 305: The Dark Enquiry

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Cover for The Dark EnquirySome elements of Deanna Raybourn’s Lady Julia Grey romantic mystery series sometimes get old, such as the debate between Lady Julia and her husband Brisbane about how involved she is allowed to get in his investigations. This debate begins The Dark Enquiry, and eventually Brisbane reluctantly agrees that she can be a partner in his investigations, but not before she discovers for herself that her own proper, conservative brother, Lord Belmont, is being blackmailed. As a government official, he should have known better than to get involved with a lady, but especially to send her love letters. The lady turns out to be working for a foreign government.

In following up her investigation into her brother’s difficulties, Lady Julia disguises herself as a man to go to the Ghost Club, where Madame Séraphine holds nightly séances. There she is discovered by Brisbane. As they sneak back into the club together later in the evening, they are just in time to see Madame Séraphine be murdered by poison.

This novel is peopled with Lady Julia’s eccentric family, but it also features blackmail, gypsies, and spies. Raybourn’s novels are lively, and the dialog is entertaining. If we can just get over the endless debate about Julia’s part in the investigations, the series will continue to be fun to read.

Day 304: Flashman

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Cover for FlashmanHaving enjoyed Fraser’s The Candlemass Road, I thought I would give his satirical Flashman series another try. I read one years ago but wasn’t prepared to be met with such an unmitigated scoundrel as the main character.

Flashman is the first of the series, and it begins when Flashman is expelled from Rugby. Apparently, the character is based on a bully who appears in Tom Brown’s School Days, a novel I have never read but which is frequently referenced in other literature.

Flashman at a young age is already a complete scoundrel, cheat, and poltroon, so the comedy in the novel centers around his ability to be successful and eventually to be lauded as a hero despite his true nature. Having set his sights on a position as officer in the Eleventh Light Dragoons, a unit he selects as unlikely to see combat, Flashman is getting along swimmingly under the ridiculous Lord Cardigan until he makes the mistake of seducing a Scottish merchant’s daughter and being forced to marry her. To the snooty Lord Cardigan this fraternization with the middle class is unacceptable, so Flashman is forced into an Indian regiment.

Flashman is not happy to be consigned to what was then regarded as second class service, but once he arrives in India he finds he enjoys bossing around the natives and discovers in himself a facility for languages. Unfortunately from his point of view, this talent gets him assigned to Afghanistan as an aide to Lord Elphinstone just before the infamous and harrowing 1842 retreat.

This satire of the army and society reminds me of Thackeray’s more subtle Vanity Fair. I think you have to be in the mood for Flashman’s antics, but the novel is based on solid historical research and is certainly entertaining. Fraser’s prose is incisive as he cuts swaths through Victorian society and skewers the ineptitude of the British army.

Day 302: The Cradle in the Grave

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Cover for The Cradle in the GraveFliss Benson is a television producer who on the same day is unexpectedly handed control of an important documentary on women falsely accused of murdering their babies and then receives a mysterious card with 16 numbers on it.

As a result of her boss’s work, three women have been released from prison and the doctor who testified against them, Dr. Judith Duffy, is under investigation for misconduct. Now Fliss’ boss wants to resign and turn the project over to her. Shortly after receiving the job, Fliss learns that one of the mothers featured in the documentary was murdered–and a similar card was found in her pocket.

As Fliss tries to make sense of all the research materials she has been left with, DC Waterhouse is trying to untangle the evidence from his side. His boss “the Snowman” was the person who originally arrested the murder victim, although he knew her well and continued to protest her innocence. A little later, another of the freed mothers is attacked, and another card left for the police to find.

As usual with a Sophie Hannah novel, the characters are convincing, the plot is complex, and the conclusion is hair-raising. The dialog is bright and clever. Simon Waterhouse is as neurotic as ever, but he always eventually gets to the solution. When I am in the mood for some dark, twisted fun, Sophie Hannah is a great choice.

Day 300: The Land of Green Ginger

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Cover for The Land of Green GingerJoanna Burton is a naive girl with a huge sense of adventure who has always wanted to travel the world in this most touching of Winifred Holtby’s books. Born in Africa but brought to England as a small child, Joanna has never felt like she quite fit in and has always wanted to return to the “land of green ginger.” During World War I she meets a young officer, Teddy Leigh, who tells her he is going to give her the world as a golden ball, and she believes him.

Several years later, however, she is living on a Yorkshire farm with two little girls and an ailing husband. Not only was Teddy gassed during the war, but he hid from her his history of tuberculosis.

As Joanna struggles to deal ineptly with the farm, her husband, and her children, a nearby landowner asks if they could take a Hungarian man in as a roomer. Joanna is so preoccupied with her troubles that she doesn’t notice her husband’s irrational jealousy or the rumors starting up in the village about her relationship with the Hungarian.

This novel is beautifully written and painful to read at times, as the readers see Joanna unconsciously make misstep after misstep and the neighborhood gossips become vicious indeed. Holtby only wrote a few books before she died at the age of 37, but she was a master at depicting life in the Yorkshire countryside and small towns.

Day 299: Moriarty

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Cover for MoriartyI thought the idea of a novel written from the point of view of Sherlock Holmes’ nemesis, Professor James Moriarty, was an interesting one, but since I always found the Moriarty plot tedious, I now wonder why I thought so. When I opened the book cover to find that John Gardner is the author of many, many series novels and Moriarty is one of them, I was further dismayed, not generally being a fan of series writing (although I have a small number of favorites) and being even more skeptical of someone who writes many different series. Moreover, don’t be mislead into thinking this is a Sherlock Holmes mystery–this novel is missing Sherlock Holmes entirely and it isn’t really a mystery.

The novel opens with two introductions, both putting forward the pretense that the novel  is based on newly discovered diaries of Moriarty, which cannot be reproduced because of their vile content. I suspect the truth is that Gardner found himself unable to sustain a convincing 19th century writing style, this hunch seeming to be confirmed by the modern writing style of the book and the dialogue.

The plot concerns Moriarty’s attempts to re-form his criminal empire after an absence of several years following the Reichenbach Falls incident, in which, if you’ll remember, Conan Doyle attempted to kill off both Holmes and Moriarty. In Moriarty’s absence, other criminals have taken over his various enterprises.

Although not badly written, the novel completely failed to capture me. I was not interested in any of the characters and in fact thought they made unconvincing and boring criminals. One incident early in the book that is artificially spun out by going back and forth in time and place is confusing, and such a device seems totally unnecessary.

All in all, I found the novel tedious and only finished about a third of it before quitting.

Day 297: Persuasion

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Cover for PersuasionMost people have probably read Pride and Prejudice, which is a wonderful book, but if I had to pick my favorite Jane Austen heroine, it would be hard to decide between Elinor Dashwood of Sense and Sensibility and Anne Elliot of Persuasion. Probably fewer people are familiar with Persuasion.

Anne is no longer in the bloom of youth. Seven years ago she fell in love with a young naval officer named Frederick Wentworth, but Sir Walter, her superficial, supercilious father, did not approve. Perhaps the gentle Anne would not have been dissuaded from marriage, but her older friend and mentor, Lady Russell, talked her out of the engagement because of Wentworth’s lack of wealth and social position. Anne listened because she viewed Lady Russell as a surrogate mother, and she hasn’t heard from Wentworth since.

Now the family has fallen upon hard times, and Sir Walter is forced by his profligacy to lease their house and take rooms in Bath. He and Anne’s fashionable sister Elizabeth care very little for Anne, and they leave her to close up the house and make all the arrangements for its occupation by an Admiral Croft. Much harassed, she readies the house and tends to her hypochondriac, selfish sister Mary Musgrove. At least she enjoys the company of the children and Mary’s genial in-laws, with their two daughters Henrietta and Louisa and Anne’s brother-in-law Charles.

Anne meets the friendly Admiral and Mrs. Croft, and between their society and that of the Musgroves, begins to find a little pleasant enjoyment. However, she is soon dismayed to learn that Frederick Wentworth is Mrs. Croft’s brother, and he will be arriving soon. Wentworth is now wealthy and has retired from the service.

When he arrives, Wentworth pays little attention to Anne; in fact, she overhears him saying that she has changed so much he would not have recognized her. This remark distresses her very much, as her feelings have not altered. Soon he appears to be courting Louisa Musgrove. Anne finds it easiest to send Mary off into company while she stays home with her nephews.

After Louisa has a fateful accident on an outing in Lyme Regis, Anne finds herself taking charge and summoning help. Then she returns with Wentworth to notify Louisa’s parents. Feeling superfluous after the Musgroves leave with Wentworth for Lyme Regis, Anne decides she has no choice but to join her unpleasant father and sister in Bath.

What I love about Anne is her understated good will. Despite the insults by her family members and their general bad treatment of her, she tries to help them and to be a true sister and daughter to them. Despite Wentworth’s slights and attention to Louisa, she hides her feelings and remains faithful in her heart. Anne has much in common with Elinor Dashwood, except that Elinor is well regarded by her family and Anne is not. There is something delicate and understated in this novel, and in all of Austen’s work, that I appreciate in this more tempestuous modern world.