Day 134: A Red Herring Without Mustard

Cover for A Red Herring Without MustardBest Book of the Week!
A Red Herring without Mustard is another of Alan Bradley’s delightful, comic mysteries featuring Flavia de Luce, the eleven-year-old detective and chemist.

In this book a mysterious gypsy woman is nearly beaten to death after Flavia allows her to camp on de Luce land. Something odd is going on. After Flavia surprises a neighborhood thug in the de Luce’s drawing room when everyone else is in bed, she finds him dead the next day, hanging from the trident of a fountain of Poseidon.

As usual, Flavia races all over the countryside on her bike Gladys, feuds with her sisters, consorts with her father’s shell-shocked batman, and tumbles into trouble in this novel, set in England just after World War II.

Bradley’s plots are implausibly complex, but it is not for the mysteries that I read these books but for the funny, irrepressible character of Flavia.

Day 126: Dombey and Son

Cover for Dombey and SonI recently re-read Dombey and Son after not having read it in so long that I could not remember its plot. The novel is Charles Dickens’s tale about Paul Dombey, a wealthy, cold, self-important man who cares only about his son, not about his wife or his gentle, loving daughter Florence. His wife dies in childbirth, and his son Paul is weak and often ill, but Paul and Florence have a loving relationship. When Florence is kidnapped as a child, she is rescued by Walter Gay, a young employee of Dombey. Dombey ships him off to Barbados to get him away from Florence, but Walter’s ship is lost and he is presumed drowned.

With Walter gone, Florence has only her brother Paul for her friend. Then Paul dies, and her father even resents Florence for the love his son had for her, which he did not give to his father.

Dombey meets a beautiful widow, Edith Granger. She is a cold, haughty but impoverished woman, and Dombey essentially “buys” her by marrying her. She despises Dombey for his pride and herself for having married him for his money. The only person she is kind to is Florence, which provides more fuel for Dombey’s dislike of his own daughter. His attempts to subdue his wife end in her disgracing him as best she is able by running away to Dijon with Mr. Carker, one of Dombey’s rivals. When Florence attempts to offer sympathy, Dombey strikes her and she leaves the house, friendless and destitute.

Although the novel is not critically accepted as one of Dickens’s major works, it is still enjoyable. It is full of vibrant characters–mostly those of good will but also some villains–and it is gripping to the end. Some critics have noticed a change in the novel that takes place with the death of the young Paul, believing that having the colorless Florence and the unlikable Dombey as the main characters is not enough to carry the story forward. The absence of Walter and his uncle through much of the book is also thought to be a problem. However, the novel has all of the Dickens hallmarks–social commentary, comic absurdity, realism, pathos, and transformation. Dombey and Sons was written before most of Dickens’s real masterpieces like Bleak House or David Copperfield, but it certainly shows the movement from his lighter, shorter works toward the qualities of his more major works.

Day 124: Whose Body?

Cover for Whose BodyIt has been years since I read Whose Body? by the British writer from the Golden Age of Mysteries, Dorothy L. Sayers. Unfortunately, as soon as I saw the murderer’s name, I remembered who did it, so I was not able to judge how difficult it was to guess.

Mr. Thipps finds an unidentified body in his bathtub wearing nothing but a pair of pince-nez. The body bears a resemblance to a missing financier, but it is not him. Who is the dead man and how did the body get into the tub? Where is the missing financier? Is this one case or two? Of course, the police suspect Mr. Thipps. After Mr. Thipps’s mother asks him to help, Lord Peter Wimsey gets interested in the case and decides to find the answer to these questions in his inimitable way.

As always, Sayers is fine in characterization, much better than many of her Golden Age peers. Lord Peter is his usual apparently frivolous self. He and his man Bunter are fun. Lord Peter’s mother, the Dowager Duchess, is adorably ditzy. The plot is clever. However, as with many early mystery novels, it is overcomplicated and very unlikely. For people who haven’t read any Lord Peter books, I recommend Murder Must Advertise as a better starting place.

As a total side note, the cover I’m showing is not the one for the book I read, but is just one I found on Amazon. It occurs to me, why would they show the body of a woman when the victim is a man? This disconnect in publishing is always a mystery to me. One peek at the first few pages would have told the artist the sex of the body.

Day 122: The Tudor Secret

The Tudor SecretI have heard about C. W. Gortner before, but The Tudor Secret is the first book of his I have read. My overall impression is that the book reflects some knowledge of Tudor times and some research, but is generally on the light side, with a fairly predictable plot.

Brendan Prescott is a servant of the powerful Dudley family, a foundling who has been mistreated by the Dudleys all of his life. He is surprised when he is removed from the stables and given training as a body servant. He is dismayed when he is sent to court to wait on the cruel Robert Dudley.

He is almost immediately thrust into dangerous circumstances as he tries to help the Princess Elizabeth see her dying brother, King Edward. Edward’s regent Northumberland, Robert’s father, is trying to keep everyone away from the king.

Elizabeth is in contention for the throne against her half-sister Mary. But Northumberland is trying to manipulate his daughter-in-law, Lady Jane Grey, and his son Lord Guildford Dudley, onto the throne. Soon, Brendan finds himself spying for William Cecil to help Princess Elizabeth.

Although the Tudor era was a turbulent time, involving much intrigue and a lot of paranoia, I felt that some of the plots suggested in the book were absurd, such as Northumberland poisoning Edward so that he can put himself on the throne. I understand from reading one of the reviews on Amazon that this was an early book by Gortner and not up to his usual level, so perhaps I will try another.

Day 118: The Solitary House

Cover for The Solitary HouseBest Book of the Week!

I had an ambivalent reaction to The Solitary House, which is sort of a riff on Bleak House. It is not exactly a retelling of Dickens’s book. Although some story lines are re-interpreted, most of the Dickens characters appear in the background of the novel. My ambivalence is because Bleak House is one of my favorite Dickens novels, and I have not been happy with some of the retellings of classics that have appeared lately, particularly those that seem to miss the point of the original works. I am also a little dismayed by what Shepherd has done to some of my favorite Dickens characters. However, I find I have to admire the masterful way Shepherd has worked the threads of Dickens’s novel into such a different story. On the whole, almost despite myself, I am giving this novel a big recommendation for its originality.

Charles Maddox is a former detective for the London police force who left under undesirable circumstances. He is hired by Edward Tulkinghorn, a mysterious solicitor who has an evil reputation. A client of Tulkinghorn’s has been receiving threatening letters, and Maddox’s assignment is to find out who is sending them. Charles descends into the squalor of London to discover the author of the notes, but when he turns the information over to Tulkinghorn, the author of the notes is brutally murdered.

Thinking that this is not a coincidence, Charles begins investigating Tulkinghorn himself, as well as his client, Julius Cremorne. In doing so, he comes upon evidence of a serial killer. He also runs up against Inspector Bucket, his former police supervisor.

Charles’s story is written in a jokey third-person omniscient narration that often addresses the reader directly and is interlarded with many references to Dickens and some quotes from Shakespeare. Imagine a style that is like a postmodern Dickens. This narration is interleaved with the first-person narrative of Hester, seemingly the same quiet, loving, capable Esther Somerset of Bleak House. It is not until the end of the novel that these two stories merge horribly together.

Ultimately, I am coming down on the side of strong admiration for this book. It is completely absorbing and inventive, well written and literate, and actually convincing as a twisted alternate vision of Bleak House minus the case of Jarndyce vs. Jarndyce. It made me want to return to Bleak House, which I have not read recently, and dig out all the references. It is a gothic novel that becomes a serious creepfest, and you know how I love those.

I see that Shepherd has also riffed on Mansfield Park. As much as I am dreading what she will do to my beloved Jane Austen, I think I’m going to have to read it.

Day 117: Tinker Tailor Soldier Spy

After seeing the exciting movie this winter, I decided to read the novel Tinker Tailor Soldier Spy by John le Carré. George Smiley has been drummed out of the service and the entire leadership of “The Circus” (slang for Britain’s intelligence organization) replaced after the death of Control, their former leader.

But the ministry calls him in to listen to the tale of Ricky Tarr, a low-level operative from Penang, who has been missing for months. Tarr’s story includes information from the wife of a Soviet operative and an allegation that The Circus has a mole at the highest level, moreover, that the mole has been sending the Russians information for some time. The ministry wants Smiley to investigate. It is soon clear that the mole is one of only a few of Smiley’s colleagues, whom he has known and worked with for years.

The novel is breathtakingly suspenseful even though, having seen the movie, I knew the ending. Smiley puts the pieces together by going over records of significant events and interviewing several agents who were replaced because of suspicions they raised or events they witnessed.

This may not sound exciting in this day of explosions and car chases, but le Carré is a master at building up the intrigue and suspense. You will not want to put this book down. I recommend the movie as well, featuring a host of excellent British actors.

Day 116: 22 Britannia Road

Cover for 22 Britannia RoadAlthough the subject matter of 22 Britannia Road should have been interesting, a major flaw of this novel by Amanda Hodgkinson is that I always feel removed from the actions and characters. This feeling of distance may be because we, the readers, are immediately thrust into their woes without first getting a chance to know them.

One minute they meet, the next minute they have a baby, the next he is off to war. The two main characters, Janusz and Sylvana, are natives of Poland before the invasion of the Nazis, but aside from knowing that, you wouldn’t believe that anything unusual is going on. Later, they are in Poland, fleeing, with the Nazis invading, but except for a few events, you wouldn’t know there was a war. It’s as though the author is unable to imagine what it might be like first to live in Poland when the war is building and worse to be there once the Nazis arrive.

The novel actually begins after the war, with Janusz waiting in England, where he has spent most of the war, for the arrival of Sylvana and their son Aurek from Poland. Later it tells the story of their meeting, courtship, marriage, and war through unconvincing flashbacks.

It also tells the story of their floundering marriage, which happens because they tell each other nothing. This post-war story is a little more realized than the story of their past.

I have some sympathy for Janusz at the beginning of the novel, when he is waiting for his family to arrive. He has obviously meticulously prepared for them and is hoping to give them a good life. But I think Sylvana is a stupid woman, who is cloyingly overprotective of Aurek. She is harboring a big secret, but I guessed it almost from the beginning.

Although I was mildly interested in the story of the novel, I felt it could have been done much better.

Day 112: Fever of the Bone

Cover for Fever of the BloodVal McDermid is the author of an excellent series featuring Tony Hill, a troubled profiler. In Fever of the Bone, someone is luring teenagers over the Internet and murdering them.

Tony’s friend and colleague Inspector Carol Jordan’s new boss won’t allow her to employ Tony, so he goes off to Manchester to consult on a case. Later, two boys disappear in Bradfield. Neither Carol nor Tony know it, but they are both working on cases with the same killer.

Tony has also inherited some property from his father, whom he never met. He just wants to ignore the situation, but Carol thinks it’s important that he try to find out about his father.

As usual with a McDermid novel, the book introduces interesting characters and has an involving plot.

Day 102: Who Murdered Chaucer? A Medieval Mystery

Cover to Who Murdered ChaucerIt is an accepted interpretation of history that Richard II was a weak, dissolute ruler who was hated by the English people. But Who Murdered Chaucer? A Medieval Mystery makes a plausible case for the truth having been rewritten by the victors after Richard was deposed.

The version of events that has been accepted for centuries is that Henry IV saved the English kingdom by overthrowing the corrupt Richard II at the urging of the populace. Authors Terry Jones, Robert Yeager, Alan Fletcher, Juliette Dor, and Terry Dolan provide plausible evidence that Richard was neither unpopular nor weak, but that he was a relatively enlightened monarch–a patron of the arts and an advocate for the new fashion of authors writing in their own languages instead of in Latin–and that he permitted criticism of the church.

However, his rule was periodically threatened by several of the more conservative members of nobility and the church, including especially Thomas Arundel, the younger brother of the Earl of Arundel. Richard eventually had to banish some of them, including Arundel, and others were killed. The end of Richard II’s reign actually came later when he felt secure enough to travel to Ireland.

As the result of a proposed duel, Richard also banished Henry of Bolingbroke, the son of John of Gaunt. Henry was considered the consumate knight and was admired throughout the kingdom. Richard seemed to be fond of him and probably considered him his heir. Henry’s dispute with Thomas de Mowbray resulted in charges of treason, and they were both banished. Henry was banished for 10 years, but Jones et al. find plausible indications that Richard had an agreement to allow Henry back early. One was that Richard initially did not take Henry’s property, as was usual.

But Henry met with Arundel on his European travels, despite strict injunctions not to have dealings with him. The two plotted to overthrow Richard, attacking England when he was away in Ireland with his army. Henry won and became Henry IV, treating Richard shamefully. No one was sure what happened to him, except that he was dead. (Henry’s own son, after he became Henry V, had Richard’s bones brought to Westminster to be buried.)

The book shows that Henry relentlessly rooted out records that were approving of Richard, even implicitly, or that were negative to himself. He assiduously promoted propaganda alleging that Richard was hated, weak, and dissolute. He gave Arundel free reign, as Archbishop of Canterbury, to burn heretics for the first time in England and to set his own criteria for judging heretics. In short, he instituted a reign of terror.

What does this have to do with Chaucer? This shift in power left him very vulnerable. His works under Richard II had criticized the very things about the church that Arundel considered to be heresy. Chaucer disappears from the historical record right around 1400, about a year after Richard was deposed.

The book makes a shakier case that Arundel either caused Chaucer’s death, possibly in imprisonment, or paid to have him killed. There is no evidence of this, of course; the authors’ conclusions are drawn from things that happened to other writers, from some vague accounting records, and from hazy interpretations of some of Chaucer’s work. Although I feel that they have certainly pointed toward some possibilities, even they admit that it is unlikely anyone will know the truth.

The book is easy to follow and amusing at times. It is beautifully illustrated with pictures from illuminated manuscripts. The political and historical theories about Richard’s and Henry’s reigns are very interesting. However, I believe the book falls off a bit at the end when it settles down to examining the story of Chaucer’s end, especially when it resorts to interpreting Chaucer’s poetry.

Day 101: The Uninvited Guests

Cover for The Uninvited GuestsThe Uninvited Guests is a delightfully original novel. At first it seems to be an Edwardian family social comedy that reminds me of the light, eccentric novels written by Stella Gibbons or Dodie Smith, but then it takes a turn toward the bizarre.

The Torrington-Swifts live in a large, ramshackle house that is at risk because they can’t afford it. The grown children, Emerald and Clovis, make a show of resenting Edward, their kind, patient, one-armed stepfather. Clovis is sulky and irritable, while Emerald is more likeable. Charlotte, their mother, is selfish and used to being cossetted. Smudge, the youngest girl, is used to being ignored.

It is Emerald’s 20th birthday, and the family is preparing for guests and a party, but Edward must miss the party because he has to travel to Manchester to try to borrow money to save the house. The guests are settling in and a storm is building when other people begin to arrive. A horrendous train accident has occurred a few miles away, and the railroad has sent the passengers to the house for shelter. Among them is an odd character in a red waistcoat who insists upon inserting himself into the birthday party.

Here is where the story begins its strange turn as the party gets odder and odder.

The novel is extremely well written and completely captivating, with a touch of the bizarre.