Review 2471: Literary Wives! Their Eyes Were Watching God

Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

My Review

Their Eyes Were Watching God is another reread for me. I looked over my original review and still agree with it. I can make one more comment. This time around I really tired of the dialect and was happy that it became less as the work went on. Writing novels in dialect was popular between the late 19th century and the early 20th, but it is sure hard on the reader. You can find my original review here.

What does this book say about wives or about the experience of being a wife?

Janie’s journey is a search for both love and selfhood, and it involves three marriages.

When she is a naïve 16, Janie’s grandmother arranges a marriage for her with Logan Killick, a much older farmer. Janie believes those that say married people learn to love each other, but very soon she finds this isn’t always so. Keeping house isn’t enough for him. He wants her to do heavy work around the farm. The last straw is when he announces his intention to buy a second mule so that Janie can plow, too. For Logan, a wife seems to be someone who can save him from hiring a farmhand. Janie puts up with a few months of this and then walks off with flashy Joe Stark.

Joe is a guy fall of ideas and ambition who becomes a powerful force in the all-black town of Eatonville. (On a side note, I didn’t understand until I read Dust Tracks on a Road what a big deal this town was.) Unfortunately, a trait Joe shares with Logan is that a wife should do as she’s told, so he doesn’t allow Janie to take part in any of the pleasures of living there. She must bind up her beautiful hair, mind the store but not take part in the conversations in it, and act stately, because she is the mayor’s wife. Both these husbands treat Janie more like a symbol of what they want than a person. There is also the issue of Joe’s verbal and sometimes physical abuse of her.

After Joe dies and she’s been a widow for nine months, she takes off with the much younger Tea Cake. She’s in love. When he takes her $200 and loses it gambling, she is only worried that he left her. He does consult her on plans and lets her do what she wants, and certainly he provides opportunities for fun, but he is also jealous and beats her once just for show. It’s a different culture and time, but I was fairly appalled at everyone’s reaction to the beating.

In the Afterword, Henry Louis Gates, Jr., points out that Hurston wanted to show characters who are real, not all good, not all bad. I guess that’s my way to understanding why Janie remains so in love with Tea Cake. And he does treat her as a person. But it seems to me that in the search of love and selfhood, Janie only gains selfhood once Tea Cake is gone.

Related Posts

Dust Tracks on a Road

Go Tell It on the Mountain

Red Island House

Day 636: Their Eyes Were Watching God

their-eyes-were-watching-godTheir Eyes Were Watching God was my selection for Classics Spin #8 for the Classics Club! Here is my review.

I had a complex reaction to this novel. On the one hand, I liked its protagonist, Janie Crawford, and was interested in her struggle to define her own identity. On the other hand, I didn’t much like any other characters in the novel. On the one hand, Janie’s struggles to define herself make the novel a landmark feminist book; on the other hand, Janie defines herself through her choice of husbands and her relationships to them. On the one hand, I don’t usually like tales in the vernacular; on the other hand, both the educated omniscient narrator and Janie’s vernacular third/first-person narration have moments of entrancing imagery. And speaking of that imagery, for a book written in 1937, the novel is occasionally startling in its sexuality.

A woman in her 40’s, Janie has recently returned home without Tea Cake, the man she left with. Having departed in some scandal, a well-off widow with a much younger, penniless man, she is figuring in a lot of talk. So, when her friend Pheoby comes to see her, Janie decides to tell her the story of her life.

Janie was raised by her grandmother in West Florida after her mother had her as a result of rape and then disappeared. Janie is a light-skinned black woman with long beautiful hair, and her appearance features in much of her story. When she is still an extremely innocent 16-year-old, her grandmother marries her off to a much older man, trying to give her stability. Janie thinks that marrying will make them love each other, but she is soon disillusioned and finds he is inclined to treat her like a work horse.

Then she meets Joe Stark, a flashy well-dressed man who seems to be going somewhere, and is. She leaves with him and they settle in an all-black town in “the new part of Florida,” where Joe soon becomes the mayor and store owner. But he defines his marriage by what he gives her and expects her to maintain a certain decorum as his wife, not allowing her to participate in many of the small town amusements. Also, he treats her with disrespect, publicly ridiculing her.

After Joe dies, under circumstances that have already started talk, Janie meets Tea Cake and eventually leaves with him to work in the Everglades. Although Tea Cake is in some ways an improvement over her other two husbands, there are some events that disturbed me. First, he steals her $200 and comes back with $12, but she is only upset when she thinks he has left her. Next, he earns it back but makes her put it in the bank and promise to live off what he can provide, a classic play for dominance that ignores the fact that she soon has to go to work next to him, manually in the fields. Finally, he beats her up once, not because of anything she does but because he wants to show everyone that she belongs to him.

Hurston was a trained ethnographer, and her fiction details a way of life in small-town Florida of her time. I found many of the details interesting. A fascination with skin color and Caucasian features is one theme that comes up several times. In fact, when Tea Cake beats Janie, instead of provoking a discussion of the fairness of the beating, the people are more fascinated by Janie’s skin being fair enough that they can see the bruises, which makes the other men envious.

Janie is often viewed harshly and unfairly by others. But it is part of her growing self-awareness that she doesn’t care. Although to me she sometimes seems too passive in her relationship to men—her gentle response to Tea Cake’s beating is seen as a good thing—she is otherwise a strong and resourceful heroine.

Day 481: St. Lucy’s Home for Girls Raised by Wolves

Cover for St. Lucy'sDifficulties of youth and adolescence are the themes of Karen Russell’s unusual collection of short stories. Many of them are set in the Florida Everglades among bizarre and tacky theme parks or tourist destinations, where children sled through the sand on crab shells or visit enormous conches.

The first story, “Ava Wrestles the Alligator,” provides an introduction to the two sisters who are more fully developed in Russell’s later novel Swamplandia! Abandoned momentarily at their Everglades theme park home, Ava has a murky encounter with the Bird Man and tries to rescue her sister Osceola from her ghost lover. That story is expanded in the novel, which I really enjoyed.

Although certainly all are unusual, some of the stories are more bizarre than others. In “from Children’s Reminiscences of the Westward Migration,” a 19th century family makes a difficult crossing west, their wagon pulled by their father, the Minotaur. In the title story, human children of werewolves are sent away to be raised by nuns so that they can have a better life than their parents.

Russell’s stories are at once peculiar and oddly touching, full of young misfits who are even more out of place than all adolescents think they are. At times funny, such as the descriptions of the wolf-girls’ canine behavior when trying to adjust to their new school, the stories all reverberate with longing. Russell’s writing is brilliantly fierce and original, sparked by her own peculiar vision.

A few of the stories felt to me as if the author was just trying to think of the strangest ideas possible, and she almost lost me in “Lady Yeti and the Palace of Artificial Snows.” But ultimately, I enjoyed the stories, although I prefer the more developed characters and plot of Swamplandia!

Day 404: Swamplandia!

Cover for SwamplandiaBest Book of the Week!

Swamplandia! is the third book I’ve read in the past few months that has a strong young female voice (with Tell the Wolves I’m Home and Where’d You Go, Bernadette). All of them were very good.

Before I start, though, a comment on the cover for the hardcover copy of the book, which is not the one I read or the one shown here. I was not really clear about whether this book is considered appropriate for young adults or not (probably), but the hardcopy cover makes Swamplandia! look like a children’s book, showing a very young girl piggyback on a character who looks somewhat like the Mad Hatter, both watching an alligator. Let me warn you that Swamplandia! is definitely not for young children.

Thirteen-year-old Ava Bigtree and her family live on an island in a hokey-sounding amusement park in the Florida Everglades called Swamplandia! There, they dress up as Native Americans (their grandfather, who founded the park, was a German-American farmer from Ohio) and breed and wrestle alligators. Ava’s mother Hilola was the main attraction until she became ill with cancer and eventually died.

Since then the family has tried to cope with its grief while also attempting to save the floundering park. Homeschooled and with little contact with the mainland, the Bigtree kids have been raised in a sort of dream land. They all possess a thorough and subversive knowledge of the history of Florida and of its flora and fauna but not many skills for dealing with the outside world. Kiwi spends almost all his time reading, Osceola believes she has a ghost lover, and Ava is aiming to become a world-famous alligator wrestler.

When tourists stop arriving on the ferry, Chief Bigtree, the children’s father, makes one of his mainland journeys to raise money to save the park, but not before Kiwi apparently abandons them to get a job with the park’s competitor, The World of Darkness. Sixteen-year-old Osceola and Ava are left alone on the island until Osceola floats away on an old barge to join her lover.

Frantic to save Osceola, young Ava joins up with a mysterious man named the Bird Man, who claims to know his way into hell, which is where Ava assumes she must go to bring Osceola back from her ghost lover. As our apprehension grows, we follow Ava’s journey while periodically cutting over to observe Kiwi’s serio-comic adventures at the hell-themed World of Darkness.

Russell creates a lush world in Swamplandia! and a compelling narrator in the innocent/wise Ava. The language of the novel is gorgeous, its heroine engaging. You will find yourself immersed in a damp world bursting with life, and you won’t want to leave it until you know what happens to Ava.