Review 1567: Beneath the Visiting Moon

It is the summer of 1939. The Fontaynes are dreaming along in their stately but crumbling home, left without much money since the death of Mr. Fontayne, who had been a noted thinker and politician. Unusually for them, they attend a local dance, where 17-year-old Sarah meets and falls immediately in love with Sir Giles Merrick, a middle-aged diplomat. Sarah begins a series of attempts to develop more of a life for herself so that she can meet more people and perhaps see more of Sir Giles, her hazy mother Elisabeth seeing no attraction in anything but staying home.

The Fontaynes have been trying to sell their house. When they learn that an “artsy” family is leasing a house of no distinction, the children urge their mother to call on them in hopes the family will buy Fontayne. This meeting has unexpected consequences, for soon Elisabeth has agreed to marry Mr. Jones, an orchestra conductor on rest cure.

The Jones children, Peter and Bronwen, are more sophisticated than the Fontaynes and take delight in mocking things the Fontaynes like. The Fontaynes particularly find 13-year-old Bronwen, who has written a book that is being published and constantly quotes poetry, to be ghastly. Shortly after the marriage, Sarah decides it’s time to get a job.

I found this novel delightful and was disappointed to learn it was Cavan’s last, for she became a playwright later on, encouraged by Noel Coward. It’s a vivid picture of life in an eccentric household right before everything is about to change.

Full disclosure: I received a copy of this novel from the publisher in exchange for a free and fair review.

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Day 1248: Literary Wives! First Love

Cover for First LoveToday is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!

Emily of The Bookshelf of Emily J.
Eva of Paperback Princess
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

There is no conventional plot arc in Gwendoline Riley’s First Love, which was shortlisted for the James Tait Black Fiction Prize. Among other things, it shows scenes from a dysfunctional marriage between a writer, Neve, and her husband, Edwyn. It also provides some insight into Neve’s upbringing—her bullying father and her detached mother, whose smile Neve describes as baring her teeth.

What does the title mean, though? We see no evolution of a relationship, only a few scenes of tenderness, but mostly shattering scenes of badgering and bullying from her misogynistic husband. Neve continually reminds herself that her older husband is ill and must feel terrible, but he treats her shamefully.

We see almost more of her previous relationship in her early 20’s with Michael, an American musician. He breaks up with her over a trivial incident and then returning, years later, entices her into a declaration of her feelings only to drop her again. Is this her actual first love? Because she sure doesn’t seem to love her husband. Are we to understand that her damaging first love destroyed her self-esteem to the extent that she puts up with this husband? I don’t know. Just some points to consider.

I’m not sure how much I liked this novel. It certainly provides insight into a classic abusive relationship, but there seems to be no end to this dire situation.

What does this book say about wives or about the experience of being a wife?

Literary Wives logoNeve seems to be drawn to manipulative, cruel men. Although there is some affection in her marriage, it seems to be dependent upon her completely submerging herself to his needs and demands. Edwyn is verbally abusive and on one occasion, physically abusive. The novel blurb describes them as an unsuited couple, but I can’t imagine anyone getting along with this man. Pity and fear seem to be the only things keeping Neve in her marriage. I think this is one of the worst marriages we have studied in this club.

Neve’s role in this marriage seems to be to cater to her husband’s every whim and make no demands. When she tries to reason with him out of his abusive ideas, her arguments are thrown back at her as bitchery and whining. Instead, she fares a little better if she holds her tongue. It is difficult to understand what Neve gets from this relationship.

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