Review 1523: Eleanor Oliphant Is Completely Fine

Eleanor Oliphant leads a life of routine. She’s worked at the same company for years, doing the same job. She stops at the same stores on the same days and buys the same things. She has no friends, and her only human contact besides work and shopkeepers is her Wednesday phone call from her abusive mother. She doesn’t quite understand many interactions and often offends people. She also has a scar on one side of her face.

At a rock concert, she decides she has seen the man for her, the lead singer. She begins preparing a systematic approach to attract him. Around the same time, she meets the new corporate IT guy, Raymond, who is kind to her.

I have commented before about how much I dislike the custom of comparing a book to another book in its publicity. I understand that publicists are trying to build on the other book’s popularity, but if I loved the other book, I am always skeptical that I will find any resemblance. In this case, the comparison kept me from reading this book because I felt that the book it was compared to, A Man Called Ove, was cheap and manipulative. I finally read Eleanor Oliphant because a friend recommended it.

I have to say that I found this novel endearing and touching. At first, I was afraid that all of its humor would be around Eleanor’s eccentricities, but the depiction of her is more nuanced than that. You grow to care about Eleanor and the other characters as her friendship with Raymond opens her up to other people. There are hints of a horrific past, and you eventually come to admire Eleanor’s courage and resilience.

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