Day 671: Lila

Cover for LilaBest Book of the Week!
In Lila, wonderful writer Marilynne Robinson returns to the small Iowa town of Gilead, the setting of her previous novels Gilead and Home. In these novels Lila Ames is not much of a presence. She is referred to as the surprising choice of a wife for the elderly, gentle, and educated pastor John Ames—much younger, rough, and uneducated.

Lila has lived almost her entire life on the tramp, ever since Doll stole her away, a neglected, starving, feverish little mite who lived mostly under the table or was locked out of the house. Doll and Lila joined up with a group of travelers lead by Doane, wandering from job to job, and life was just fine until the long, dark days of the Depression and the Dust Bowl. Years later, Lila has stopped outside Gilead and is living in a shack, walking to nearby farms and houses and asking for work.

Lila knows nothing about religion, but on occasion she has been curious about it and was warned away by Doane, who claims all preachers are charlatans. So, one day she ventures into the church. There she sees and is drawn to John Ames, and he to her. Eventually, they marry.

The action of this novel is mostly interior. Lila is tormented by some of the memories of her previous life and feels unworthy of Ames. She is afraid that he may ask her to leave at any minute. All the same, she occasionally wants to return to the freedom of her old life.

Ames, on the other hand, is happy to have Lila’s company, for he has lived alone ever since the death of his wife in childbirth, years ago. He is afraid she will decide to leave him one day.

As with Gilead and Home, this is a quiet novel, characterized by religious discussions as Lila tries to read and understand the Bible. She has no prior relationship to religion, but she has vowed that John Ames’s son will be brought up praying, as his father does. The discussions in Gilead between the two pastors were way over my head, but these are more fundamental.

I am not particularly interested in religion, but what I like about Robinson’s books is that they are about good people trying to be good. That is a refreshing theme these days. And the writing is superb, the subject matter approached with delicacy. I can’t recommend any book by Marilynne Robinson strongly enough.

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Gilead

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Day 281: Gilead

Cover for GileadBest Book of the Week!
Gilead is the novel that precedes Marilynne Robinson’s Home, although it is set in the same time frame and covers some of the same territory. This novel won the Pulitzer Prize for fiction.

John Ames is an elderly Congregationalist minister in 1956 who believes he is dying. He has a much younger wife and young son, a surprising blessing in his old age. The novel is in the form of a diary addressed to his son in the expectation that he will not live long enough to personally pass on his family history and advice.

Ames lives in Gilead, a small Iowa town on the prairie near the border with Kansas. The town was founded by abolitionists during the Free State wars in Kansas as a refuge for slaves and fighters the likes of John Brown. Ames’ grandfather, also a minister of the warrior-for-God ilk, had visions of God and once preached a sermon in a bloody shirt with a gun in his belt. With that upbringing, his son was naturally a pacifist, who left the church for awhile after that sermon to worship with the Quakers. One of Ames’ most powerful memories is of the journey he made with his father to Kansas, in terrible conditions, to retrieve the body of his grandfather, who had returned there.

Although Gilead is certainly about the history of the town–the wars, the Depression, the Dust Bowl years–it is more about the relationship between fathers and sons, both from the secular and religious points of view. Not only does it explore the relationships within Ames’ own family, but it also looks at that between Ames and the son of his best friend the Presbyterian minister–Ames’ surrogate son–John Ames Boughton.

The story of John Ames Boughton is the one more thoroughly explored in the sequel Home, although interestingly enough, Gilead tells Boughton’s story more explicitly, while Home, narrated by Boughton’s sister Glory, only hints at some of the facts.

The novel, a celebration of life and faith, is beautifully written and full of ideas to ponder. That being said, as I do not particularly have a religious background or bent, I did not fully understand some of the narrator’s ideas and preoccupations. I found Home, although told from the point of view of the same goodness and piety, a more accessible novel than Gilead.