Tag: historical fiction

Review 2263: The Shadows of London

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Cat Lovell and her partner Brennan have a commission to build a new almshouse and some houses where the old almshouse burnt down in 1666. However, workmen find a body in a rubbish pile on the site. Not only does the body need to be identified because it has no face, but a magistrate named Rush closes down the entire site until the inquest. This is unnecessary, but Cat’s employer Mr. Hadgraft, says that Rush originally was a partner in the undertaking and pulled out, so he is trying to get back at Hadgraft. For Cat and Brennan, the situation is urgent, because they only have a few months before winter closes the work down.

Cat’s friend James Marwood now works entirely for Lord Arlington, who assigns him the task of discovering the corpse’s identity. He finds there are two missing men who might be the victims. One is John Ireton, a civil servant who has disappeared. The other is a Frenchman, Monsieur Pharamond (a pseudonym). Both were involved in fleecing a young French lady-in-waiting in Dieppe.

This novel also tells the true story of that lady-in-waiting, Louise de Keroualle, who has attracted the attention of Charles II. Both Lord Arlington and the King of France see a benefit in having a young French, Catholic girl in the King’s bed. But Louise herself is hoping for a way out.

Marwood’s investigations indicate that his and Cat’s old nemesis, Roger Durrell, a tough for Buckingham, might have killed the dead man. Another issue is that James has become infatuated with Hadgraft’s daughter, and Hadgraft seems unexpectedly eager for the marriage. Cat finds herself surprisingly jealous.

This is an excellent series, and another exciting entry in it. I especially liked the ending.

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Review 2258: This Other Eden

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This Other Eden is based on a true event, when the State of Maine evicted the entire mixed-race community of Malaga Island, people whose forefathers had lived there since the 18th century, and placed 11 of them in a home for the feeble-minded.

It’s no coincidence that a conference on Eugenics takes place just before the committee of the Governor’s Council of the State of Maine begins considering the fate of the occupants of Apple Island, a fate the occupants have no say in. It’s the turn of the 20th century, but Benjamin Honey arrived on the island in 1793 with his pockets full of apple seeds, bringing his wife Patience.

Now four small families live on the island, the Honeys, the McDermotts, the Proverbs, and the Larks, along with the abandoned Sockalexis children, all guilty only of being dirt poor and mixed race. They live by subsistence fishing and gathering the fruits of the forest. The winters are brutal. In the spring, the schoolteacher/preacher Matthew Diamond settles in his house across the bay and rows over daily to teach the children. The mainlanders consider the islanders inbred and sub-intelligent, but Matthew Diamond knows that Esther Honey, the matriarch, can recite Shakespeare from memory, that he has to teach himself algebra to stay ahead of Emily Sockalexis, that Tabitha Honey has a gift for Latin, and Ethan Honey is a talented artist.

The fate of the islanders is already decided when the Governor’s Council arrives and starts measuring their heads with calipers and asking them idiotic “intelligence” questions. Matthew Diamond decides to try to save Ethan, so he writes a letter to his friend Thomas Hale in Enon, Massachusetts, asking him to sponsor Ethan at an art school. Soon, Ethan leaves the island.

Harding’s writing is sometimes poetic, and he likes to pursue extended metaphors. Sometimes I liked this, and other times I didn’t have the patience for it. However, I found this novel less obscure than the other two of his I have read, touching, and ultimately with a more positive ending than was probably the case with the actual inhabitants of Malaga Island.

I read this book for my Booker Prize project.

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Review 2249: Murmur

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When the cover of a book calls it “hallucinatory,” I know it’s not going to be a good fit for me. However, since Murmur is part of my James Tait Black project, I felt compelled to read it.

The novel aims to portray the mindset of an Alan Turing-like scientist named Alec Pryor after he is undergoing chemical castration because of a homosexual encounter. Aside from making his body more feminine, the chemical makes him dream and eventually induces wakened dream states, including ones where he fantasizes letters from his friend June, whom he hasn’t seen in years, and relives events of his boyhood.

Those who have been reading my reviews know how much I hate reading about dreams. Since it is difficult to know some of the time whether he is dreaming or remembering, this was a novel I found it hard to stick with, despite it being very short.

The rest of the novel is filled with philosophical musings about whether machines could have consciousness and other subjects. I felt that either I didn’t want to follow his thoughts or they were too hard for me to grasp. The journal section at the end is the most accessible part of the novel.

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Review 2238: Castle Rackrent

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Castle Rackrent is a novel I picked for my Classics Club list. Published in 1800 although set before 1782, it is an early example of the use of an unreliable narrator.

That narrator is Thady Quirk, a servant to the ancient Irish Rackrent family, but the novel is also annotated by a scholarly character called the Editor. Thady informs us in the first paragraph that he’s known as “Honest Thady,” a phrase that puts us on the alert.

Thady quickly runs through the older history of the family and then tells in greater detail the story of the last three owners of the Castle, Sir Murtagh, Sir Kit, and Sir Condy. These are satirical tales of mismanagement either by penny pinching and bleeding the tenants or by wasteful consumption. Thady is vehement in his avowals of support for the family and in this role makes some astonishing assertions, such as, about Sir Kit who married a woman for her money and then locked her away for seven years because she refused to give him her jewels, “He was never cured of his gaming tricks, but that was the only fault he had, God bless him.”

This novel is a light commentary on the class system and its abuses, as the series of barons get up to all manner of hijinks while the servants (particularly Thady and his son) arrange to purchase assets at low prices. It is moderately funny but is considered by critics to be an astonishing first novel by a woman at this period.

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Review 2236: The Sun Walks Down

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In 1883 Australia, the Wallace girls are at a wedding and Mathew Wallace is out working. Only six-year-old Denny and his mother are home when she sends him out to gather fuel. A huge dust storm comes up, and instead of staying where he is, he goes in the direction he thinks is home. And he is lost.

The family doesn’t realize he is lost right away, but when they do, Mathew takes off in the direction Denny went, along with Billy, his Aboriginal farmhand. Soon, almost everyone in the area is searching for Denny.

This novel doesn’t have a strong plot. Instead, it follows a mixture of characters during the search. There is Cissy, Denny’s headstrong sister, who joins the search; Constable Robert Manning, newly married, and his wife Minna; Foster, Manning’s superior officer, who ignores his trackers’ advice and follows the wrong trail; Karl and Bess Rapp, two painters who are traveling in the Australian bush looking for subjects to paint; and so on.

This is a beautifully written novel that shows insight into human nature and powerfully describes the Australian landscape. I read it for my Walter Scott prize project.

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Review 2235: News of the Dead

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One of the things I like about my shortlist projects is that they bring me into contact with books and authors I probably wouldn’t encounter otherwise. Certainly, I would never have run into News of the Dead if not for my Walter Scott Historical Fiction Prize project.

News of the Dead tells the story of one remote, secluded place—fictional Glen Conach—over the ages, mostly through a set of documents. The oldest is a book written in the middle ages about a Christian hermit the locals call St. Conach even though he’s not recognized as such by any authority. The Book of Conach tells the stories of lessons and miracles performed by the man, who died around 770 AD.

Another narrative is set in 1809 from the diary of Charles Gibb. Gibb is an antiquarian who has wangled himself an invitation to Glen Conach House ostensibly to study and translate The Book of Conach. His real goal, however, is to sponge off the Milnes, the current owners of Glen Conach House, for the summer. He rather cynically observes Glen Conach and his lady and daughter as they do him, at first. But slowly the situation changes.

The third narrative begins slightly pre-Covid and mostly concerns an elderly woman named Maja and her eight-year-old neighbor, Lachie, who likes to visit her. When Covid sets in, she decides to write him a letter telling the story of a girl who came to the glen as a child after World War II.

I did not have much patience for the stories about St. Conach, although it was clever how Robertson used variations of the stories to show how they change. It also, frankly, doesn’t reveal much about daily life except for superstition and wildness.

The other two narratives were a lot more interesting. Gibbs’s began at a fairly cynical level yet what we learn after it stops is surprisingly touching. And Maja’s story had me on the edge of my seat.

There were times when I wondered where this novel was going, but ultimately I found it a lovely examination of refuge. I also want to point out that all three narratives sound like they were written by different people, which they should in good fiction, and which is too often not the case.

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Review 2234: The Shadow King

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All I can say is, this is a powerful and eloquent book. It took me a while to get into it, but it was worth the wait.

In 1975, Hirut, an older Ethiopian woman, is on the way to meet a former enemy, Ettore, an Italian photographer who was part of Mussolini’s invading army in 1935.

In 1935, the great Ethiopian warrior Kidane has taken orphaned Hirut into his household. However, his wife Aster is almost insane with jealousy of her and thinks Hirut has stolen a necklace Aster gave Kidane at their marriage. In searching for it, she finds Hirut’s rifle, the only possession she still has of her father’s. Kidane, coming upon the incident, confiscates it for the poorly equipped Ethiopian army, for they know the Italians will soon invade, eager to be avenged for their 19th century humiliation.

Although Hirut’s personal situation worsens, all of them are caught up in the war. The household flees to the highlands, where Kidane and his men carry on guerilla attacks against the army of Colonel Fucelli.

Meanwhile Emperor Haile Selassi is ineffective, spending most of his time listening to the opera Aida. When he finally leaves the country, his troops are discouraged until Hirut notices how much the musician Minim looks like the Emperor. Kidane sets him up as a shadow king to help inspire his people, and his guards are the warrior girls Hirut and Aster.

In the Italian camp, Fucelli forces the photographer Ettore to record his cruelties, including the innocent people he has hurled off the cliffs. At the same time, Ettore is worried about what he is hearing about the treatment of Jews in Italy, as his father is Jewish.

I was a little confused about the women warrior theme, as at first it doesn’t look like Hirut is going to do much actual fighting. Also, it seems to be the fashion now to write about war from both sides, as though some sides hadn’t done things that were unforgivable, and I don’t have much sympathy with that. However, ultimately I was carried along by this novel and felt it was powerful. I was unaware before that the behavior of the Italians in Ethiopia was so brutal.

This was a novel I read for my Booker Prize project.

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Review 2233: News of the World

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Shortly after the Civil War, Captain Kidd, 72-year-old veteran of three wars, rides around Texas reading the news in small towns. He was previously the owner of a print shop in San Antonio, but during the war, the Confederate government forced him to invest in their government bonds, so he ended up bankrupt.

Most of Texas is very dangerous, prone to raids by Native warriors and lawless. He is in Wichita Falls when a freight driver he knows asks him to take a girl—who was captured by the Kiowa four years earlier and has now been returned under threat—to her relatives near San Antonio. The driver has found her hard to control and has no freight to take to San Antonio. The Captain reluctantly agrees.

The girl, kidnapped from German immigrants, is named Johanna and is going to her aunt and uncle. However, she remembers nothing of her previous existence and is wild about being taken from the Kiowa.

The Captain and Johanna come to understand each other on this dangerous, difficult journey of around 400 miles. They have to cope with floods and such dangers as an attack by three men who want Johanna for a prostitution ring.

I had already seen the excellent movie starring Tom Hanks, but News of the World is even more involving. I was interested to re-encounter Simon the Fiddler, who is the main character of Jiles’s most recent book. Having looked at some of her other books, I see that she has set several of them in the same area and time, with characters who make brief appearances in each other’s novels.

I just loved this book. Jiles has created two unforgettable characters, and the novel is ultimately powerful and heart-warming. Descriptions of the land are lyrical, from its harsh aridity to its lushness.

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Review 2225: The Postcard

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Although sold as fiction, I believe that The Postcard is very much autobiographical and historical, the story of the fates of Berest’s relatives and her own search for an identity.

The search begins with a postcard, one that arrived years before but that Anne’s mother Lélia shows her much later. It is an old postcard containing only the names of Anne’s grandmother’s parents, sister, and brother. All of them died in Auschwitz. The postcard is addressed by another hand to Lélia’s mother Myriam, but at Lélia’s address, where Myriam did not live. It is a mystery. Is it a threat? A reminder?

Myriam has never spoken about their family’s past and now she is dead, so both Lélia and Anne have grown up knowing very little about their family, Ephraïm and Emma Rabinovitch and their children, Noémie and Jacques. Since receiving the postcard, though, Lélia has built up an archive of documents about the history of the family up to when they were deported by the French government. The first part of the novel covers this history.

The further sections of the novel are about Anne’s attempts to discover who sent the postcard and what happened to Myriam. Why was she the only one missed, and what did she do during the war? And finally, how has her family’s experience affected Anne’s own life?

This is a deeply engaging story and an important one, I think. Although the Holocaust is long past, its effects are still reverberating.

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Review 2222: Bitter Orange Tree

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As Omani university student Zuhour pursues studies and friendships in England, she is haunted by thoughts about the woman she considered her grandmother, whom she neglected and avoided before her death. She revisits her family history, from the time when Bint Aamir, an impoverished relative taken in by her grandfather, was ejected, along with her young brother, from their father’s house at the urging of his new wife.

Back in England, Zuhour befriends Suvoor, a wealthy girl of Pakistani heritage brought up in England. Suvoor is devastated because her sister, Kuhl, has chosen a young man who she deems socially unworthy of their family. But Zuhour grows closer to Kuhl instead of Suvoor.

This novel is a poetic examination of the past and future of this character, where her contemplation of Bint Aamir’s life—in which her father did not permit the only marriage she was asked for—seems to predetermine her own—in which she is in love with her friend’s husband. The most interesting parts for me were the historical ones. The novel refers often to Zuhour’s dreams and sometimes seems dreamlike itself, but I didn’t feel touched by it. I read this book for my James Tait Black project.

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