Tag: historical fiction

Review 2203: Nora

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Nora is based on the movements of Nora Barnacle and James Joyce and on their letters, many of which, apparently, were quite explicit.

On an acquaintance of only a few, heated months, Nora Barnacle goes off with James Joyce to live in Europe despite his not believing in marriage. In 1904, she is 20 and has been working in a Dublin hotel after fleeing her family in Galway.

The life she takes on is difficult. Not only are they very poor and have no permanent abode after the job Joyce was promised at the Berlitz school in Zürich turns out to be a scam, but Joyce himself is difficult. He is a drinker and a spendthrift who buys gifts with the rent money. He is a jealous man who may not be faithful himself and likes to hear about the men Nora knew before him. He is selfish and superstitious, usually certain of his own abilities but not always.

As their life continues, Joyce gets work but never stays satisfied with it. He quits gainful employment to pursue fanciful projects. They have to borrow from his friends and family and move from place to place. Although he is gaining literary fame, he has trouble getting his books published without censorship. He leaves Nora home alone with the children to go drinking with friends and sycophants. Then there is the war, and his failing eyesight.

This is a fascinating depiction of a complex relationship. Aside from the difficulties of living with Joyce and a peripatetic life, Nora has to deal with family pressures and a mentally ill child. Yet her relationship with Joyce is one of fierce passion and love. Although I am not comfortable with explicit sex, I was otherwise wrapped up in this story.

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Review 2201: Homecoming

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To a certain extent, you know what you’re getting with a Kate Morton novel—a split time-frame story with family secrets revealed. The storytelling is always very well done, and more often than not, the story is engrossing. Homecoming is no different.

On Christmas Eve, 1959, Percy Summers is riding past Halcyon, the estate in the Adelaide Hills recently purchased by Thomas Turner, when he trespasses to water his horse in the river. By the river, he finds Isabel Turner and her children apparently asleep near the remains of a picnic. Only they’re not asleep. In his shock, Percy fails to notice a basket hanging from a tree—where Isabel put her baby. Later, everyone realizes the baby is missing.

In 2018 London, Jess is summoned home to Sydney because her grandmother, Nora Turner-Bridges, is seriously ill, having fallen while trying to go up to her attic. Jess, a currently unemployed journalist, has not been home in 20 years, but it was her grandmother who raised her.

Nora has told Jess stories about her brother Thomas, but it is not until she begins looking through Nora’s things for a letter Nora’s caregiver said upset her that she learns Thomas had a house in the Adelaide Hills where his family was killed when he was abroad. Jess can’t believe Nora never told her about this. In fact, she finds a book about the crime in Nora’s bedroom.

While Jess investigates the old crime, we learn about it from flashes back and from the book she found, which is contained in its entirety. For me, this was an unfortunate choice that made the slow unwrapping of the plot more artificial, particularly because it is far too short to really be a book. However, I got used to it.

There were several big mysteries wrapped within this crime, but the two big ones are, what happened to the baby? and did Isabel poison her family? I was fairly sure I knew the answers to both early on, but I didn’t guess the details or complications. In all, I felt that this novel, while not my absolute favorite of Morton’s books, was right up there.

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Review 2195: Catriona

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I was unaware until recently that there is a sequel to Robert Louis Stevenson’s Kidnapped, but there is, Catriona, and it begins right where the previous novel left off. (Note that apparently this novel is sometimes called David Balfour.) David Balfour has been confirmed in his estate and is ready to learn to be a gentleman, but first, he has some old business to take care of. He must arrange a ship to take his friend Alan Breck Stewart to France, and he must appear as a witness in the Appin murder case, for which he himself is wanted, to free James More, who is innocent.

The problem with this second plan, he finds when he visits the Lord Advocate’s office in Edinburgh, is that no one wants James More, who may not be guilty of Appin’s murder but is guilty of a lot else, to go free. David’s challenges are further complicated when, in the approach to the Lord Advocate’s house, he meets Catriona Macgregor, James More’s daughter, and falls instantly in love with her.

Conscientious David will not agree to any of the compromises proposed by the various lawyers as alternatives to his testimony, so David finds himself kidnapped again in an attempt to prevent him from testifying. So begins another set of adventures for our hero as well as for the innocent but feisty Catriona.

Kidnapped has long been my favorite Stevenson adventure but I liked Catriona very much.

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Review 2194: The Marriage Portrait

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Maggie O’Farrell’s latest novel is loosely based on the life of Lucrezia di Cosimo de Medici, who in 1560 at the age of 15 went to Ferrara to take up her married life with Alfonso II d’Este and was dead within a year, rumored to have been murdered by her husband. None of this is spoiler information. It’s explained before the novel begins.

At the beginning of the novel Lucrezia arrives at a remote country fortress with only her husband and some of his men. Her personal maids have been left behind. Lucrezia is sure her husband is going to murder her.

Then the novel returns to trace her childhood and young womanhood in the Medici family. There, she and her sisters are brought up entirely confined to a few rooms of the house and occasionally allowed outside. On the other hand, she has the example of her parents’ marriage, still loving, with both parents collaborating even in political decisions.

Lucrezia is not a favorite child. She has a core of resistance in her, and she prefers painting small, detailed pictures from nature to social pursuits. Fatefully, when she is ten, she briefly meets her older sister Maria’s fiancé, Alfonso II, heir to the Ferrara dukedom. When Maria dies before her marriage, Alfonso says he is open to taking Lucrezia instead, although she is only thirteen.

At fifteen, she marries Alfonso and travels with him to Ferrara to begin her marriage. At first, all seems well. His initial encounter with her was reassuring and he seems kind. Of course, she has to deal with knowing no one except her maid and not even understanding the servants’ dialect. Clothing and hair styles are different. And although she has much more freedom, she begins to learn that Alfonso’s ideas of marriage aren’t like her parents’. He wants her to obey him immediately no matter what he asks, and he doesn’t tell her what’s going on or want her to know anything. She appears to have no responsibilities, so she spends her time painting or socializing with his two sisters.

But slowly she learns that she only has one role in the family—to produce an heir. And Alfonso is known never to have fathered a child. Also, Alfonso is not as benign as he first appeared.

I found this novel absolutely fascinating with its convincing portrait of life in Renaissance Italy. The descriptions are detailed, and although Lucrezia is naïve, she is also a person who notices things. With growing dread, we observe her trying to make sense of this new world, with almost no preparation from her parents. As usual, O’Farrell is a deft writer who knows how to keep readers pinned to the page. I loved this one.

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Review 2192: Act of Oblivion

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It’s hard to know where sympathies might lie in this historical novel set right after the Restoration, in 1665. On the one hand, there is Richard Nayler (a fictional character), tasked with finding and taking to trial (or later, just plain executing) those deemed responsible for killing Charles I. A mighty task, but he performs it so zealously, not minding a dirty trick or two.

On the other hand, there are Colonel Edward Whalley and his son-in-law Colonel Will Goffe (historical characters), on the list because they signed the King’s death warrant after an illegal trial. They have escaped to America, but Nayler blames them for the death of his wife (in premature labor after they broke in on a religious service on Christmas Day, deemed illegal under Cromwell, and arrested people) and is determined to catch them.

Robert Harris states that this hunt for the regicides was the greatest manhunt of the 17th century so we may assume that’s his motivation for the book. Although I’m not particularly interested in the Puritan period of New England history, certainly there are interesting things I didn’t know disclosed in this novel, like the history of New Haven. In addition, Harris depicts the wildness of New England at this time more vividly than anything else I’ve read.

Harris manages to raise the tension of the novel at the end, when Nayler, long after everyone else has lost interest, finally locates Goffe, but overall, I was too turned off by the deeds on both sides of the English Civil War (usually I favor the Royalists, but he shows just how brutal both sides were) to care much about these antagonists. I read this book for my Walter Scott Prize Project.

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Review 2186: Eyes of the Rigel

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This third novel in Jacobsen’s Barrøy trilogy has Ingrid Barrøy leaving remote Barrøy Island at the end of World War II to find the father of her daughter. Alexander was a Russian prisoner of war whom she rescued after the prison ship, Rigel, sank.

Ingrid only has faint leads as she rows, walks, takes the train, and rides the bus from one place to another in Norway, bringing her infant daughter with her. She starts with the people she left Alexander with after she smuggled him off the island and follows the trail from one person or location to another. None of the people she meets seem eager to help her, and she continually feels that they are lying. Ingrid is surprised to learn that not all people are happy the war is over, and she is naïve about lingering resentments and distrust.

I have been completely entranced by these books and felt that this was a fitting ending to the series. Ingrid is brave and determined, the writing is beautifully spare, the journey difficult and unpredictable.

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Review 2183: The Leviathan

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In 1703, someone has awakened, someone Thomas Treadwater has been watching over for 60 years.

In 1643, Thomas is on leave from the Parliamentary army, on his way home because of an urgent summons by his sister Esther. When he arrives home, he finds many of his father’s sheep dead and his father felled by an apoplectic fit.

Thomas is disturbed to find that Esther has incriminated a servant girl, Chrissa Moore, for witchcraft, blaming her for the state of their father and claiming that the girl has had relations with him. Worse, he finds that Joan, a long-time servant, is also incriminated. Almost immediately after Thomas arrives, Rutherford, an officer of the court, arrives to escort Esther to make a statement, and Thomas finds that Joan and her mother have been arrested as well as Chrissa, who is refusing to speak.

Esther goes down to the jail to see Joan but says she and her mother wouldn’t speak to her. When Thomas goes down to the jail, Chrissa asks him to speak to Lucy Bennett in Norwich. Then he discovers that Joan and her mother are dead, poisoned by hemlock.

Although I figured out part of what was going on almost immediately, thus begins a truly gothic story that involves an ancient legend, a family secret, and the poet John Milton. It’s full of adventure and is rivetting.

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Review 2177: Fortune

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Fortune, shortlisted for the Walter Scott Historical Fiction Prize, is set in late 1920’s Trinidad. People have been jumping out of windows in New York, but there is an oil boom in Texas, and Eddie Wade foresees another one in Trinidad.

Sonny Chatterjee has oil seeping into the soil of his cocoa plantation, and his plants are dying. Charles Macleod of Apex Industries has been trying to get an oil lease from him, but he has seen the destruction caused by the large oil companies and refuses to let that happen to the land his father worked so hard to buy. However, Eddie convinces him that his smaller company will take more care and give Sonny a better deal, so Sonny agrees that if Eddie can come up with the $10K to get started, he can. The trouble is, Eddie has no money.

Eddie’s truck breaks down on the way into town, so he walks. Local businessman Tito Fernandes picks him up and trusts him instantly. Even though Tito is in serious difficulties because of his stock market investments, he finds the money Eddie needs.

The back cover of the novel makes clear that the fly in the ointment will be provided by Tito’s much younger wife Ada, and the affair that begins between her and Eddie. This novel is based on a real event—a fire in 1928. Smyth has changed the name of one historical person from Bobbie to Eddie, but it’s not clear just how much else is fictional. Certainly, I found the love triangle aspect uninteresting and unimaginative, but I guess if it really happened . . . .

The fact is that I didn’t actually care about any of these characters. Further, the writing is close to being spare, but it lacks the specificity and vividness of most spare writing, so I can only call it trimmed. It’s more mundane in nature. The setting itself occasionally comes to life but more often does not. I didn’t feel like I knew what it was like to be in Trinidad at this supposedly exciting time.

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Review 2175: White Shadow

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In this second book of Roy Jacobsen’s Barrøy trilogy, it is World War II and the Nazi’s have invaded Norway. The small island of Barrøy, the home of Ingrid’s family, has been evacuated. Ingrid has been living on the main island working in the canning factory, and her family is dispersed.

One day Ingrid defies the Germans and gets on a boat to row back to Barrøy. She goes into her family home without paying much attention to signs that someone has been in it, and it’s as if her brain refuses to see at first that there are dead bodies on the shore. A German ship carrying Russian prisoners has been bombed. She spends a day covering and burying bodies but eventually finds one man alive—a Russian, badly injured, up in the loft of the house.

Ingrid takes care of him but also must keep him safe from the Germans, who are observing her from the main island. She also is trying to bring the farm back into shape and fish to feed them.

The novel takes us to the end of the war, during which Ingrid has a difficult time.

Jacobsen tells this story with his usual pure, spare prose, a moving novel about human transcendence over great difficulty. I just love this series.

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Review 2170: The Road

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When I briefly researched to find out what the second book in John Ehle’s Mountain series was, I came up with The Road. However, the end of the novel indicates that one other book precedes it, and Goodreads lists it as #4, the last one. (Looking back, I see I found a site that recommended they be read in that order, with the last one second.) In any case, the novels don’t seem to be closely linked, only featuring the same families.

The Road begins 100 years after The Land Breakers, in 1876. Weatherby Wright, an engineer born and raised in the mountains, has been tasked with building a railroad from the eastern part of North Carolina up the mountains to the Swannanoa Gap. This railroad will help the mountain dwellers take their crops to market and make medical and other kinds of help available to them. However, no one knows if the effort can be successful.

Most of the novel focuses on Wright and the details of this difficult project. He is dependent mostly on convict labor and hires as the project accountant Hal Cumberland. Another plot is the romance between Cumberland and a mountain girl, Henry Anna Plover.

The novel is powerful at times but at other times reads like a series of anecdotes passed down in the family that don’t really link up into a coherent story. The character of Weatherby is not always involved because of health reasons.

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