Tag: historical fiction

Review 1769: The Man from St. Petersburg

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Back in the days when Ken Follett and John Le Carré were the major names in the espionage genre, I used to read both and sometimes confuse them. However, at some point I realized that, of the two, Le Carré is really the master of the genre and the better writer, so I stopped reading Follett. When Pillars of the Earth came out, I read that and decided that historical fiction was not Follett’s genre (I know many would disagree), so I stopped reading him altogether. This is a long way of staying that I picked up The Man from St. Petersburg by mistake.

The premise is intriguing. It’s 1909, and Winston Churchill wants to avoid a war with Germany by making a pact with Russia. The czar wants Prince Aleksey Andreyevich Orlov to handle the negotiations, so Churchill wants Lord Walden, whose wife Lydia is Orlov’s aunt, to handle the British side. Back in Russia, the anarchists want a revolution, which they believe would be kicked off by a war, so they want the negotiations stopped. One of the anarchists, Feliks, must kill Orlov, and he goes to England to do so.

I thought that sounded interesting, but not too far in I felt like Follett was just putting his characters through their paces, making them do what he needed them to do. The diplomatic conversations lacked the subtlety they actually would have had. They just seemed crude and too direct. Finally, a major plot point that was supposed to be a surprise on about page 80 was too loudly telegraphed on page 10. I stopped reading about one third of the way into the book.

Code to Zero

Munich

The Revolution of Marina M.

Review 1768: Venetia

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I didn’t remember Venetia as being one of my favorite Georgette Heyer books, but actually I liked it very much. It features a sparkling heroine.

Venetia Lanyon has lived almost secluded in the Yorkshire countryside. When her mother died, her father became a recluse and refused permission when the time came for Venetia to be brought out by her aunt. Now 25, since her father’s death she has been taking care of her brother’s estate until he returns from the wars, at which time she plans to take a house with her younger brother, Aubrey. Although she has two suitors, she cares for neither of them and believes she will need to be there for Aubrey, who has a bad hip and does not relish meeting people.

The Lanyons’ neighbor, Lord Damerel, is seldom home and has such a bad reputation that when they were children Venetia and her brothers called him the Wicked Baron. Venetia is out picking berries one day when she meets Damerel. He at first mistakes her for a village girl and kisses her. However, he soon finds his mistake and doesn’t know what to make of her reaction. Fairly quickly, they find themselves friends.

Of course, this will never do, think her friends and relations, and we’re off for another funny romp with Heyer.

Black Sheep

Regency Buck

Frederica

Review 1766: China Court

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Old Mrs. Quin dies, leaving her beloved house, China Court, dilapidated from lack of money and her even more beloved garden tended only in a few places. Her descendants gather, assuming the house and contents will have to be sold to pay for the taxes and the leftover money divided. Among them is Tracy, her only grandchild, who loved the house as a child but was taken away by her mother to lead a wandering existence. Mrs. Quin’s children are indignant about the presence of Peter St. Omer, who abandoned an aimless life four years ago to work the estate farm at Mrs. Quin’s encouragement.

When the will is read, there is a surprise for all, as Mrs. Quin has left the house to Tracy and the farm to Peter with an unusual proviso. But can they find the money to save the properties?

China Court was the novel I chose to read for Rumer Godden Week, hosted by Brona at This Reading Life. With a great deal of fluidity, it tells the story of the lives of several generations of Quins in their home of China Court. It moves back and forth among generations, the shifts triggered by an object or a smell, as it tells what happened to the family—the smart girl denied an education because of her sex, the wife madly in love whose husband was unfaithful at the first opportunity, the girl in love with one brother who married another.

Godden does this skillfully, inserting the seeds of the stories into the first chapter so that readers want to find out about them. She structures the novel by dividing it up like a book of hours, beginning each chapter with a description of the page of that hour from a specific book. I was perplexed about the reason for this device, but all is eventually made clear.

Godden uses a similar technique in A Fugue in Time (written in 1945) but less successfully there, I think. In this novel I became very involved in the stories of some of the characters and the fate of the house. Godden has perfected this approach to fiction by the time she published this book in 1961.

A Fugue in Time

The Lady and the Unicorn

A Harp in Lowndes Square

Review 1765: Brooklyn

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It wasn’t until I finished reading Colm Tóibín’s latest novel on Sunday that I noticed no review for Brooklyn, which I was sure I had read. I looked back at my old records, and sure enough, I read it in March 2016, but mistakenly removed the flag from my notes that indicates I haven’t reviewed it yet. So, here goes.

Brooklyn is a quiet story set in post-World War II Ireland and New York. It is about the tension between yearning for home and desiring to make your own way in the world.

Eilis Lacey has finished a bookkeeping course and is eager for work, but the only job she can find in her small Irish home town is clerking at Miss Kelly’s store on Sunday mornings. Her brothers have emigrated to England for work, and the family is supported by her older sister Rose, who works as a bookkeeper. Rose wants more for Eilis, so she arranges for Father Flood, a visiting priest, to find Eilis a job in Brooklyn.

The best he can do for her is a clerk’s job in a department store, Bartocci’s. Eilis enjoys her job, but she is frightfully homesick and does not much enjoy living in Mrs. Kehoe’s boardinghouse. Reasoning that being busy will make her less homesick, Father Flood signs her up for courses at Brooklyn College.

Soon, she is making a new life for herself, doing well in her courses, and even finding a boyfriend, a cheerful Italian plumber named Tony. She is finally settling into her new life when something unexpected occurs that takes her back to Ireland and a choice between her two lives.

Written in Tóibín’s graceful prose, Brooklyn is a quiet but powerful character study and exploration of the immigrant experience in post-World War II America.

Nora Webster

The Empty Family

Galway Bay

Review 1764: Literary Wives! The Summer Wives

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

Eva of Paperback Princess
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

* * *

In the summer of 1951, young Miranda Schuyler arrives on Winthrop Island for her mother’s wedding to Hugh Fisher. There, she is immediately drawn to the young fisherman, Joseph Vargas, one of the lower class full-time population of the island that is in summer also occupied by the wealthy elite. She doesn’t care about his social position, but her new stepsister, Isobel, claims him for her own despite being engaged to someone else.

In the summer of 1930, a very young and naïve Bianca Medeiro falls madly in love with Hugh Fisher. She does not understand how he views their relative social positions and believes that having sex with him means they are spiritually married, despite his engagement to another girl.

In the summer of 1969, Miranda, now a movie star, returns to the island, where she has been a pariah since the events of 1951. Slowly, we learn what happened back then and what led to Joseph’s imprisonment for the murder of Hugh Fisher.

My Review

Literary Wives logo

First, I have to say that this is absolutely not my kind of book, so I only read it because it was a selection for Literary Wives. I have read one other book by Beatriz Williams, but I’m guessing it was improved by being a collaboration with two other writers, Lauren Willig and Karen White. The Summer Wives is definitely chick lit, which I do not read, so I will attempt to comment on the other aspects of it.

The plot develops so slowly that I considered quitting about page 50, when nothing much had happened except girls swooning over boys. I was about at page 5 when I thought I knew every secret that was going to be revealed, and I was just about right, barring that by then only a few of the characters had appeared. I also expected more of a sense of what the island looked like and who the characters were, but they were very much one- or maybe two-dimensional.

The dialogue was uninteresting, and the writing was either fairly mundane or overstated. For example, Bianca is stunned at being given gin to drink, not surprised, not startled, but stunned.

The novel picked up a little at the end, but had a frankly unbelievable ending. And what is this fascination chick lit books seem to have with wealth? The novels all seem to be about rich people or poor girls brought into worlds of wealth. So, of course, Miranda’s mother marries a wealthy man and despite Miranda having been ostracized from the family at a young age, she doesn’t become just an actress but a movie star.

What does this book say about wives or the experience of being a wife?

Well, really not much. Despite its title, the novel isn’t really about wives so much as a series of illicit relationships and love affairs. In fact, the word “wives” is used ironically, I think. Bianca considers herself married to Hugh despite his engagement to another woman and is shocked when he actually marries her. The marriages that are depicted are all in some sort of dysfunction. Hugh Fisher and Bianca Medeiro marry others but cheat their spouses throughout their marriages. Miranda has just left her abusive husband who, of course, is a movie director. Another middle-aged wife has been seducing the young men on the island. These are not sincere depictions of marriage but stereotypes, and I find nothing much to say about them.

The Forgotten Room

War of the Wives

An American Marriage

Review 1756: The Cold Millions

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Best of Ten!

Sixteen-year-old Rye Dolan and his older brother Gig are wanderers through the Northwest, among thousands of other men looking for work when they can get it, in 1909. Indeed, the town of Spokane is teeming with them. It is a thriving town that has grown rapidly, and at first glance it seems to consist only of fabulously wealthy mine owners and the destitute.

The mine owners only accept workers through corrupt employment agents. Men pay a dollar, a day’s pay, for a referral for a job they may not get, and most of the money gets kicked back up the chain to the employer. Gig is a member of the IWW, or Wobblies, who are trying to recruit members to their union during a Free Speech Day that protests against the employment agents, the poor pay and working conditions, and the corrupt Spokane police department.

Rye isn’t so sure he believes in the union, but on Free Speech Day when the police begin beating and arresting the protesters, he is inspired to jump on a soapbox next to Gig and sing the union songs. So, he and Gig are arrested and thrown into jail along with 500 other men, into packed cells and brutal conditions.

Rye, because of his age, gets out of jail early with the help of a lawyer and Elizabeth Gurley Flynn, a crusading 19-year-old union firebrand (an actual historical figure). However, Rye sort of unwittingly makes a deal with Lem Brand, a mine owner, to give him information in exchange for getting Gig out of jail.

This novel vividly depicts the kinds of conditions that made unions evolve in the first place and the fight the unions had to stay in existence. Does that sound unexciting? Well, this novel has an appealing center around the two brothers, features a historical figure we should know more about, and is full of intrigue, action, and skullduggery. It is harrowing at times, alternating narrators among several characters who don’t always end up alive at the end of their narratives. I was enraptured.

Beautiful Ruins

The Paragon Hotel

The Long Take

Review 1753: Faro’s Daughter

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Max Ravenscar is exasperated when his aunt, Lady Mablethorpe, comes to consult him about Adrian, his young cousin for whom he is a trustee. She reports that Adrian has fallen in love with a girl from a gambling den and means to marry her. Ravenscar assumes the girl will have to be bought off.

When he meets her in her aunt’s home, which has indeed been converted into a gambling den, he is surprised at her well-bred appearance and demeanor. However, when he makes his offer, he finds she has turned into a termagant.

Deb Grantham, for her part, has no interest in entrapping naïve young men into marriage. Nor is she interested in Lord Ormskirk, who unfortunately holds some of her aunt’s debts and the mortgage to her aunt’s house. However, she is so angered by Ravenscar’s proposals that she decides to pretend she wants to marry Adrian and to behave as vulgarly as possible.

Even though this is not one of my very favorite Heyer novels, it is still great fun. It has some potentially melodramatic twists to it that are saved from seriousness by a feisty heroine who is not to be defeated.

Frederica

Sylvester, Or the Wicked Uncle

The Talisman Ring

Review 1751: Last Friends

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This final novel in the Old Filth trilogy gives us the last pieces in the puzzle of the complex relationships described in the first two books. It tells of the origins of Terry Veneering, the lifelong rival of Edward Feathers (known as Old Filth) who finally became a friend.

Last Friends begins in the same place as Old Filth, with the memorial service for Edward Feathers. Much of this novel is presented through the eyes of two minor characters in the trilogy, Dulcie and Fiscal-Smith. Veneering is a mysterious figure in the other two books of the trilogy, his origins unknown but subject to many rumors. It turns out that Fiscal-Smith has known him from boyhood in a northern manufacturing town, the son of a schoolgirl and a Russian dancer rumored to be a gentleman, who was badly injured as a young man and had to be supported by his wife.

This final tale is enthralling and brings a fitting ending to this great trilogy.

Old Filth

The Man in the Wooden Hat

The Singapore Grip

Review 1746: The Hand That First Held Mine

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Best of Ten!

It’s the mid-1950’s, and Lexie Sinclair has already made arrangements to leave her family home in Devon when she meets Innes Kent. He is a stylish magazine editor whose car has broken down on their road. When she tells him she is coming to London, he asks her to look him up. Instead, he looks her up.

Lexie takes up an exciting life as part of the Soho art scene. She and Innes are the loves of each other’s lives even though he is married. His wife has, however, taught her daughter Margo to hate Lexie even though she and Innes have been split up for years.

In present-day London, Elina and Ted have just had a baby. The birth was difficult, and Elina is having a hard time coping with the pressures of motherhood. At the same time, Ted, whose memory is notoriously poor, has begun having flashes of memory that do not correspond to what he understands of his life. Slowly, these two stories connect.

Maggie O’Farrell is always wonderful, I find, but this novel had me sobbing. It is beautiful and tragic as it explores the themes of motherhood and family secrets.

The Vanishing Act of Esme Lennox

After You’d Gone

Instructions for a Heat Wave

Review 1744: Regency Buck

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On her way to London with her brother Peregrine, Judith Taverner mistakenly stops in a town hosting a prize fight and has an unfortunate encounter with a man in a curricle. When the siblings reach town and call on their guardian, Lord Worth, they find that he is the man in the curricle. Their father mistakenly designated their guardian as the fifth Earl instead of his friend, the fourth, who has died.

Judith is headstrong and determined to make a splash in London society. Although Lord Worth gives them assistance with suggestions and introductions, he and Judith continue to clash. Judith’s cousin Bernard Taverner warns her that Lord Worth may have designs on her fortune, which is large enough in itself but even larger if something happens to her brother Perry. Then Perry is first challenged to a duel and later his carriage is attacked. Judith and Worth are getting along better, but does someone have designs against Perry?

Most of Heyer’s Regency romances tend to either be funny or have an element of mystery (although they all have amusing dialogue). Regency Buck is one of the latter, with an engaging heroine, a mysterious plot, and as usual, perfect period detail.

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The Nonesuch

Black Sheep

Frederica