Review 1401: The Muse

In 1967 London, Odelle Bastien has been making her way with difficulty. Although she is well educated, her race and origins in Trinidad are keeping her from getting a job. Then she gets a break. Marjorie Quick hires her as a secretary in an art institute and makes friendly overtures.

Odelle finds Quick mysterious. She asks Odelle about herself but tells her nothing. She does, however, encourage Odelle to write.

Odelle has also met Laurie Scott, a young man who is interested in being more than her friend. His mother has just died, leaving him only an unusual painting. To support himself, he intends to try to sell it. Odelle encourages him to bring it to the Skelton Institute, her workplace. When Quick sees the painting, she has a strong reaction to it.

In 1935, Harold Schloss, an art dealer, has fled Vienna with his family. Unfortunately, he has chosen Spain, which will soon be little safer, to flee to. His daughter Olive has been accepted at Slade, but she hasn’t told her father. He believes that women can’t be artists, just dabblers.

Olive meets Isaac Robles, an artist, and his sister Irene. Both are servants for the house the Schlosses are renting. Olive is struck by Isaac’s good looks and begins painting in a new style with vibrant colors.

The novel follows these two time threads as it explores the mystery of the painting. Who painted it, and how did it end up in London? How does Quick know about it?

I was struck by Burton’s weird and wonderful The Miniaturist, so much so that as soon as I finished reading it, I bought this book. I found The Muse to be a bit more mundane, with few surprises. For a long time, I was much more interested in Odelle’s section than Olive’s, particularly because Olive makes a decision about her art that I found shocking and unbelievable. In theme, this novel is similar to The Blazing World, and in an action taken by an artist, but with a crucial difference.

Also, like some other bloggers, I am wearying of the dual time-frame format. I am beginning to think it is a little lazy. After all, it seems easier to write half a book about two historical time periods (or one depending upon the time chosen for the more recent period) than a whole book about one. One of the delights of The Miniaturist was how it immersed me in the period. This novel doesn’t really do that.

Mind, it’s not a bad novel, and many people will like it. I just found it a disappointing follow-up to Burton’s first book.

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Review 1399: The Mermaid and Mrs. Hancock

In 1785, Jonah Hancock is a merchant who is waiting for his ship to arrive. It is delayed, and he has heard nothing for a long time, but such is the life of a merchant. Finally, his captain arrives but without his ship, which he has sold to purchase, of all things, a mermaid.

Mr. Hancock doesn’t quite know what to do with the wizened, grimacing creature with the fish tail, especially as it is dead and Captain Jones has sold his ship for £2000 less than it is worth. But the Captain blithely believes the mermaid will make his fortune—he should exhibit it.

Angelica Neal’s protector recently died, leaving her with nothing. Her friend, Mrs. Frost, worried about their household expenses, urges her to return to the house of Mrs. Chappell, the bordello owner, but Angelica is hoping to attract a protector rather than to fall back in debt to Mrs. Chappell. Unfortunately, she falls in love at the party Mrs. Chappell gives to exhibit Mr. Hancock’s mermaid, with a young lieutenant who doesn’t come into his fortune for years.

I enjoyed this peculiar novel, which seems solely a historical novel but contains a whimsical dash of the supernatural. I was interested in both Angelica and Mr. Hancock as characters, as well as some of the others. There is an odd subplot about a girl who runs off from Mrs. Chappell that, while not unfinished, takes some part of the narration and then vanishes from the book until the end. I wasn’t sure of the point of that story line.

In fact, the entire novel sort of meanders past the point where you think it will end, making for an unexpected last 100 pages.

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Review 1394: Mothering Sunday

Best of Ten!
It’s a warm day in the spring of 1924, Mothering Sunday, a day when servants are released from their duties to visit their mothers. Jane Fairchild is a young maid in the home of the Nivenses, but she has no mother. She plans to curl up with a good book until she receives a phone call from her long-time lover.

Her lover is Paul Sheringham, the only son left after World War I to a neighborhood family. Although he is to be married in two weeks, he sets up a tryst with Jane in his own home while his parents and the servants are out.

Jane is to revisit these hours spent with her lover for the rest of her life. For something happens that afternoon that changes the course of her life.

This is a remarkable novel. It is very short, but it somehow covers the course of Jane’s entire life while minutely examining one scene, the meeting with her lover. It touches on every action and word, considers them from several sides just as the mind does as it re-examines an event. At the same time, it examines what qualities make a writer and what a writer attempts to do when writing. This is an excellent novel I read for my Walter Scott Prize project.

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Review 1391: The Persian Boy

Bagaos, the son of an old Persian family, is ten years old when his family is murdered because his father kept faith with the new king, Arses. Bagaos is sold into slavery and made a eunuch.

Bagaos’s owner rents him out to anyone he wants a favor from, but the news of the boy’s beauty attracts a buyer. Bagaos is being trained for better things and eventually finds himself serving Darius, the new king.

When Bagaos joins the court, Darius has already been defeated once by a Macedonian barbarian named Alexander. So, Darius sends his generals to beat him. Bagaos is grateful for the relatively easy life he leads with Darius but soon finds Darius is no general.

Bagaos must suffer the confusion and savages of war until a Persian general takes him in and then presents him to Alexander as a gift. Bagaos is horrified at the uncouth behavior of the Macedonians, especially toward their king, but he soon finds himself devoted to Alexander.

The Persian Boy is the second book in Mary Renault’s Alexander the Great trilogy. It is faithfully researched and covers some of the many events of Alexander’s life as he conquered the Persian Empire and much of the known parts of Asia. (At the time, the Indian Ocean was considered the edge of the world by the Greeks.)

This is a convincing portrait of Alexander and a character study of Bagaos. Although I felt Renault nailed the psyche of a boy raised as Bagaos was, I did not enjoy this novel as much as the last because of that point of view. During the novel, Bagaos must learn to throw off the effect of the poisonous Persian court.

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Review 1385: The Miniaturist

Best of Ten!
I so enjoyed The Miniaturist that I was only disappointed at knowing all its secrets, since I had first seen it televised on Masterpiece. Jessie Burton’s novel is set in the 17th century, and what a difference from the previous novel I read (Widdershins) also set in the 17th century. Burton’s novel evokes the bustling city of Amsterdam, ruled by commerce but also by a harsh Calvinism, a city where people are constantly watched for misbehavior.

Nella arrives from the country to take up residence with her new husband, Johannes Brandt, a wealthy merchant. Although she brings a good family name to the marriage, she brings nothing else, for her father was a poor businessman.

Nella isn’t warmly received. Johannes’s sister Marin is cold, and Johannes hasn’t bothered to be home. When, after a few days, Johannes hasn’t consummated the marriage and Marin continues with the housekeeping, Nella fears that she has no role in her new life.

Johannes’s marriage gift to her is a miniature copy of their house that she can furnish. Although Nella thinks he is treating her like a child, she eventually sends a note to a miniaturist asking for three items: a lute, because Marin will not allow her to play the ones in the house; a block of marzipan, because Marin disapproves of sugar; and a marriage cup, which Nella should have received from Johannes but did not. When the items arrive, they are exquisite, but she also receives things she did not order. And more arrive. They so closely match what is going on in the house that Nella first thinks the family is being spied upon, later that the items foretell the future.

This novel is really good. The story and characters are compelling. Life both within the claustrophobic household and the city is evocatively evoked. It has a delicate touch that reminds me very much of Tracy Chevalier’s The Girl with a Pearl Earring. And there is that tantalizing touch of the supernatural.

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Review 1382: The Sport of Kings

To paraphrase Sophia Brownrigg, a reviewer from The Guardian, The Sport of Kings is about horse racing like Moby Dick is about whales. It is ambitious—attempting to tell the history of Kentucky through that of two families—one white, wealthy, elitist, and bigotted, the other black, poor, and beleagered. It is sometimes magnificent in its prose and sometimes overblown. It is Southern Gothic, focussing on the ramifications of slavery and bigotry.

Henry Forge is the only son of a proud Kentucky family. As a youngster, he was brutalized by his father and lectured about his place in history. We have some sympathy with him until, in his teens, he commits an unforgivable act.

He rebels against his father by turning the family corn plantation into a horse farm, but the nut doesn’t fall far from the tree. When his wife leaves him, his daughter is nine. He takes his daughter out of school and teaches her himself, all his lessons revolving around horses and breeding and including much out-of-date or just plain incorrect information. He is as elitist as his father—and worse.

Henrietta grows up with a talent for working with horses and a keen, cold intelligence. She also likes to pick up men for sex. Then she meets Allmon Shaughnessy, the new African-American groom, fresh from a prison program for working with horses.

Up to that point, the novel seems mostly a multigenerational saga, occasionally discoursing on geology, genetics, or history in the interludes. But after that it becomes wildly overblown at times, reminding me of the characteristics of Moby Dick that I disliked.

Like one other reader on Goodreads, every time I picked up this novel I wanted it to end. It is about deeply unpleasant characters; the least at fault—Allmon—whines his way through the novel. Its long asides are often irritating. It is sometimes beautiful and very dark, but it is often annoying.

Last year I read an essay—I can’t remember who wrote it—complaining about what I call “books only men like,” usually the ones that win awards. (I read this one for my James Tait Black prize project.) This essay commented that because a certain type of book gets attention and wins awards, now some women are beginning to write like men, using All the Birds, Singing as an example. I did not agree with the writer’s example but couldn’t help thinking of this essay while I read this novel.

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Review 1379: The Nightingale

I wasn’t impressed by the only other Kristin Hannah novel I read, but my brother recommended The Nightingale so strongly that I decided to give her another chance. I know I’m probably in the minority.

The novel begins with an old lady living in Oregon in 1995 who is moving into a retirement home and is sorting through old papers with her son. Her son finds the identity papers of Juliette Gervaise, a person he’s never heard of. This launches most of the rest of the novel, set in France during World War II.

The two Rossignol sisters are very different women. Vianne is a mother, wife, and schoolteacher. When the Nazis arrive in the village, she is careful to follow orders and try to stay out of trouble. Isabella, however, is a rebellious teenager who runs away from school and immediately begins distributing fliers for the Resistance.

As Vianne fights to survive and protect her daughter, Sophie, she eventually finds that she can’t always follow the rules. In the meantime, Isabella’s involvement with the Resistance becomes more dangerous. Obviously, one of hooks of the novel is to find out which sister becomes the little old lady in Oregon.

It took quite a while, but I did become involved in this novel. It’s an interesting story, based on a real one. I still, however, consider the writing mediocre and trite and the characterization flat except for a few characters. I found the novel affecting, though.

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Review 1378: Widdershins

Widdershins presumably takes place in the 17th century, when Puritan elements began to go after the local wise women and midwives and accuse them of witchcraft. The novel follows two characters, John, who was raised by his mother’s midwife after her death, and Jane, whose mother is a midwife.

When John is a boy, he is sent to live with his uncle, a woman-hating Puritan. He casts off his affection for his foster mother and begins to imbibe his uncle’s beliefs. As Jane approaches womanhood, she is being taught midwifery and the use of herbs by her midwife mother and Mag, a wandering wise woman. She also falls in love with her best friend, Tom.

It’s clear from the beginning that these two characters are on a collision course. However, for me, it was taking too long to get there. I’m not a reader who requires a lot of action from a novel, but I do require something. I didn’t find these characters particularly compelling, and when I reached the halfway point, I decided to stop.

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Review 1373: The Queen of the Caribbean

I was intrigued enough when I wrote my Classic Author Focus article on Emilio Salgari for The Classics Club that I ordered one of his books. Salgari was an early 20th century adventure novelist whose work inspired other writers and film makers.

Unfortunately, I didn’t really do my homework and ended up picking a book with an appealing cover and title. The problem was that it is the second in Salgari’s Black Corsair series. Unlike many old adventure series—I’m thinking of, for example, Tom Swift—The Queen of the Caribbean depends heavily on its predecessor, The Black Corsair, which I had of course never read.

I was a bit taken aback when I opened the book to find a modern map of Southern Mexico and Central America labeled “West Indies, 1600.” The only concession to the 1600’s was a hasty label “New Spain.” Panama, which wasn’t even a country until a couple of years before the book was published in 1905, was delineated. Apparently, Salgari or his publishers (assuming this was a map that appeared in the original publication and not a creation for the republished copy) chose to use modern place names, some of them even in English.

Other than that, Salgari appears to have some knowledge of pirates, sea-going, and the flora and fauna of Mexico and Florida. Unfortunately, he sometimes stops the action dead in its tracks to tell us about some plant or animal. In a way, this book reminds me of those of W. H. G. Kingston, which I had a small collection of that never reappeared after our move. However, Kingston was better at working his facts into the story.

The Black Corsair is pursuing his enemy, Van Guld, who betrayed his followers in battle. Later, after the Black Corsair and his brothers turned pirate in pursuit of their enemy, Van Guld was responsible for the deaths of the corsair’s brothers. All this apparently happened in the first book. In The Queen of the Caribbean, this pursuit leads them to attack Vera Cruz, an event that actually happened. During the search in Vera Cruz for Van Guld, the Black Corsair hears rumors that his lady love, who he thought was dead, may be alive.

Although the Black Corsair behaves nobly, he doesn’t seem at all disturbed by the mayhem wrought upon innocent people by his pirate friends. Perhaps Salgari was attempting to portray pirates more realistically than is usual in adventure fiction. He seems, however, to have an admiration for what are essentially bloodthirsty cutthroats. I don’t think I’m applying my 21st century standards here, because I’ve managed to enjoy many other adventure novels, including ones about pirates. The characters in this one are cardboard figures being put through their paces.

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Review 1372: The Greenlanders

Best of Ten!
The Greenlanders took me quite a while to read, and that wasn’t because it wasn’t interesting. My hardcopy book was 558 pages, which isn’t that long a book for me. The type was small, however, and the pages dense, so that I would guess it normally would be closer to 1000 pages long.

This novel is also unusual because it is written in the tradition of the Nordic sagas. Although it centers on the activities of the family of Asgeir Gunnarsson, it also tells of other events taking place in the country, beginning in about 1345 until roughly 1415. Because of this style, the actions of the people are described, but there is little conventional character delineation.

Much of the novel has to do with the events spawned by a feud between Asgeir Gunnarsson’s family and that of their nearest neighbor, Ketil Erlendsson. Asgeir and Ketil are wealthy landowners, but life on Greenland is hard, and no landowner can be assured he or someone in his household will not starve during a difficult winter.

In fact, the Greenlanders don’t know it, but in the mid-14th century, they are at the beginning of a long downhill slide for the country. Although ships used to arrive with relative frequency from Norway or Iceland, at the beginning of the novel, the first ship arrives in 10 years. The Greenlanders hear that much of Europe has been overcome by the plague, and so many people have died that the church has not been able to send priests to Greenland nor has the bishop been replaced.

In fact, Greenland has already suffered some diminishment. There used to be settlers in the Western Settlement but now it is deserted. As time progresses, more and more farms in the Eastern Settlement are abandoned as farmers become unable to support their households. The novel documents famines, illnesses, outlawry, the loss of laws and the country law-keeping institutions as well as weddings, births, and deaths.

Despite its nontraditional approach, I was deeply absorbed by this book and particularly by the events in the lives of Gunnar Asgeirsson, Asgeir’s son, and his daughter Margret Asgeirsdottir. I was particularly struck by how similar the lives of these 14th century Greenlanders were to those of the Icelanders described in Halldór Laxness’s Independent People. I think I mentioned in my review of that book that I assumed it was set in the Middle Ages, only to be floored when I realized it was set in the 20th century.

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