Day 1031: A Country Marriage

Cover for A Country MarriageMary Springer marries George Strong even though she hardly knows him. She has been raised with the idea that a good marriage is her only option in life, and George is a good catch. His family owns the farm of Summerleas, and even though he is not the oldest son, she will be provided for. What Mary doesn’t know is that someone else wants her new husband, Annie, his brother Tom’s wife.

Mary has other surprises in store. She is not to live at Summerleas after all, because the farm will not support the two youngest sons. Instead, she and George will live at dark, damp Keeper’s Cottage. Also, George has only one idea about their intimate life, and it doesn’t include affection or companionship.

George is also involved with a group called the Radicals, who are working for better pay for farm laborers. But they use extreme tactics, like destroying farm machinery and burning hayricks.

This novel conveys the difficult life of rural workers in the early half of the 19th century and covers an important issue of the times. I sympathized with Mary’s plight, but felt that some of her behavior later in the novel was completely out of character.

At some point, the plot devolves into a focus on two illicit love affairs. I didn’t find this plot line interesting, nor do I care for three-page-long sex scenes, although some may think they’re romantic. Goddard has given this novel a subtitle “A Summerleas Novel,” so she seems to be planning a series about the family. I didn’t have enough interest to continue, however.

Related Posts

Far from the Madding Crowd

Tess of the D’Urbervilles

The True Heart

Day 1026: Imperium

Cover for ImperiumBest Book of the Week!
One of the books on my Walter Scott prize list is the second in Robert Harris’s trilogy about Cicero, so I thought I’d start with this first book. The only other straightforward historical series about this period of Roman history that I’ve read is Colleen McCullough’s Master of Rome series about Julius Caesar. This series makes an interesting contrast.

The novel is narrated by Tiro, Cicero’s slave and amanuensis. Cicero is already in his 30’s when the novel begins with his decision to prosecute the corrupt governor of Sicily, Verres. Cicero is usually an advocate, but he sees in this case a way to further his ambitions to ultimately become consul.

Although corrupt governors are apparently not unusual, Verres has completely abused his authority, by even condemning to death without due process a Roman citizen or two, something that was unspeakable to the Romans. Still, as a policy the powerful aristocrats are behind him, including the renowned orator Hortensius, who is defending Verres. Cicero must take a trip to Sicily to collect evidence.

This novel is a really fine combination of a legal and political thriller. McCullough’s series was mostly positive on Julius Caesar and negative on Cicero, even faintly ridiculing him. Harris’s novel makes Cicero a complicated sympathetic character and Caesar a slippery conniver. If you are at all interested in this period, I highly recommend this novel. And for excellent plotting and writing, I recommend it if you are at all interested in historical fiction.

Related Posts

An Officer and a Spy

Master & God

Acté

Day 1023: The Second Mrs. Hockaday

Cover for The Second Mrs. HockadayBest Book of the Week!
Shortly after the American Civil War, Placidia Hockaday begins a series of letters to her aunt about the peril she finds herself in. But she refuses to say exactly what happened. While her husband, Major Gryffth Hockaday, was away fighting for the South, Placidia had a child and is being accused of murdering it. But at first, all she wants to talk about in her letters is her first meeting with Major Hockaday and the circumstances of her wedding. She was a naive 18, and he was twice her age and a widower with a baby son. They knew each other all of one day.

Eventually, we learn that Placidia, or Dia, as her family calls her, does not know how her baby died. It seems obvious that her real crime is her pregnancy and her refusal to name the father of her child. All she will say is that she cannot betray someone who helped her. Rumors are rampant.

Susan Rivers is pretty clever about how she spins out her story, although at times I got impatient with Dia’s relatives’ squeamishness in avoiding reading her diary of the time. Her son has found it written on the backs of the pictures in a copy of David Copperfield, and the contrast between the picture captions and the content of Dia’s diary provide a note of irony and a whole other level of information. Nevertheless, we are completely captured by the story of her difficult life during the war, as she slowly and with great suspense works her way to the point.

Dia has been left without enough support on a remote farm in South Carolina after only being married a few days. She soon dismisses the slave woman caring for baby Charlie when she sees her smack him. Eventually, she is left with too little help on a farm that is repeatedly looted by deserters and bandits, as well as undergoing normal threats to agriculture by the weather.

link to NetgalleyThis is a powerful novel. If I have any complaints about it, it is for Dia’s devotion to her husband after he leaves her without word or enough help for several years and then, upon returning home and hearing rumors of her illegitimate child, apparently turns her over to the authorities without even speaking to her. Then she decides not to tell him what happened for his own sake.

Told in a series of letters and diary entries, this story gripped me from the first page. it is a forceful depiction of the vicissitudes of war on the innocent civilians and a great character study of a strong woman.

Related Posts

The All-True Travels and Adventures of Lidie Newton

Shiloh

Little Women

Day 1020: One Thousand White Women

Cover for One Thousand White WomenWhen I first began reading One Thousand White Women, I didn’t think I was going to like it. I was unconvinced, under the circumstances, by its narrator’s facetious tone, and I felt that the way some characters told her their deepest secrets on first meeting was unrealistic. I was also afraid that most of the characters would turn out to be caricatures of real women. However, I eventually changed my mind from my first impressions.

This novel is a completely fictional imagining of what would have happened if an actual event had taken place. During an 1854 peace conference, a Cheyenne chief suggested that the United States trade 1000 white women for horses, reasoning that this assimilation of cultures would ultimately result in understanding between the two. This suggestion was indignantly received, but Fergus’s novel imagines what would have happened if the experiment were tried.

In 1874, May Dodd is one of those women. She has decided to participate to escape from a mental institution to which her family committed her after she had children outside of marriage with a man they found socially inferior. With her on the train west is a colorful group of women, some of them fleeing ruined lives and others hoping for a family.

On the way out, May falls in love with Captain John Bourke, in charge of their escort from Fort Laramie. Unfortunately, Captain Bourke is engaged to be married, and May feels herself pledged to the mission, which has been presented to the women as a patriotic one.

May is chosen as the bride for Little Wolf, a respected chief of the Northern Cheyenne. He is an older man with two current wives, but he is a man May can respect.

Fergus is strongest in his descriptions of the western landscape and life among the Cheyenne. As I mentioned, at first all the women seem like types, but eventually I came to care for most of the major characters, from the timid Martha to the African-American Amazon, Phemie. And the major Cheyenne characters are sympathetically depicted.

Of course, we know what kinds of things were going on in the West at this time (and if you don’t, I recommend Dee Brown’s excellent and affecting Bury My Heart at Wounded Knee). This novel is a sensitive and powerful depiction of the native American life and struggles of the time.

Related Posts

True Grit

Appaloosa

The Loon Feather

Day 1014: The Stranger from the Sea

Cover for Stranger from the SeaThis eighth Poldark novel begins in 1810, ten or eleven years after the last one. Ross and Demelza’s oldest two children are a young man and woman, and to some extent the novel focuses on their futures.

The Stranger from the Sea begins with George III descending yet again into madness. This situation creates a problem for the country. Wellington is recently in charge of the British army in the Peninsular wars, but the Tories fear that if George’s son is made regent, the Whigs will come into power and make peace with France. Some of Ross’s friends in Parliament ask him to go to Portugal and observe Wellington.

While Ross is away, his son Jeremy pulls a drowning man from the sea. This man is Stephen Carrington, who first says that his own ship went under in a storm but later admits to being a common sailor. Demelza is not altogether sure he can be trusted. Unfortunately, her daughter Clemence is greatly attracted to him.

On an expediction to reclaim the lugger Carrington says is his prize, Jeremy runs afoul of revenue officers and is hidden by the intervention of Cuby Trevanion. Jeremy is smitten, but her family makes it clear that he is not worthy enough.

George Warleggan has also been smitten, 10 years after the death of his wife, Elizabeth. The woman who has attracted him is a widow, Lady Harriet Carter. Although she herself is impoverished by her husband’s debts, she comes from a much higher social strata than George, so he makes some risky investments in an attempt to impress her brother.

Ross and Demelza are still very present in this novel, but the focus seems to be moving to their children. Since we don’t know them well yet, this novel feels transitional. Still, I was interested as ever to see how things would work out.

Related Posts

The Black Moon

The Four Swans

The Angry Tide

Day 1010: The Antiquary

Cover for The AntiquaryThe Antiquary was considered Scott’s gothic novel, but I felt it was more a romance, in the old-fashioned sense of the word. The only gothic elements involve trickery and a ruined abbey. This novel was Scott’s favorite, as well. It is not mine, but it does have a good deal of humor.

The antiquary is Mr. Oldbuck, loquacious to a fault, a man who likes to lecture others on the history of every object that he sees and every subject in conversation. He befriends a young man he meets on a journey, Mr. Lovel, who arrives in the area on undisclosed business.

Mr. Oldbuck has a friend, Sir Arthur Wardour. Sir Arthur handles his money poorly and is in the thrall of a German conman, Herr Dousterswivel, who is trying to further deplete him. Mr. Lovel has formerly met Miss Wardour and proposed to her, but she has turned him down because of his lack of birth.

There are several plot lines in The Antiquary—the machinations of the German, the state of Mr. Lovel’s romance, and a terrible secret of the house of Glenallen that begins to emerge upon the death of the countess.

The dialogue for this novel is in Scottish dialect except for the well-born characters, and there is a good deal of humor around the characters of Mr. Oldbuck and of the rustics.  A beggar named Edie Ochiltree acts as a deux ex machina so often that I began to think the novel should have been called The Beggar. I enjoyed this novel, just not as much as I  have some others of Scott’s.

Related Posts

Guy Mannering

Waverly

The Castle of Wolfenbach

If I Gave the Award

Cover for An Officer and a SpyI’m continuing my tradition of commenting on the award projects I have taken on by giving my opinion about whether the judges got it right. Yesterday, with An Officer and a SpyI finished reviewing the short listed books for the 2014 Walter Scott Prize for Historical FictionAn Officer and a Spy was the winner for that year.

I have to say that there were some excellent historical novels on the list for that year. Life After Life by Kate Atkinson was my best book for one year, and since I read it during a different year, The Luminaries was my best book for another year. I also loved Fair HelenIn fact, I enjoyed all of the nominees for 2014. Of the three named above, Life After Life and The Luminaries are most inventive in structure.

Cover for Life After LifeSo, for this article, I was forced to consider the idea of giving a historical fiction prize. I think that the prize must partly depend upon how successfully the novel depicts the feel of the period or the historical events being described. Here, The Luminaries is not as strong as some of the others in its sense of time and place. An Officer and a Spy may not be as inventive in structure, but it tells a strong historical story. So, too, though, does Life After Life. So, because it combines an inventive structure with a strong historical background, I pick Life After Life, with the caveat that all of the nominees for this year were good ones.

Day 1008: An Officer and a Spy

Cover for An Officer and a SpyAn Officer and a Spy is about the Dreyfus Affair. Of course, we know how the Dreyfus affair turned out, but in writing about it, Robert Harris has managed to infuse the story with suspense. He accomplishes this by concentrating not on what happens to Dreyfus himself but on the man who exposed the sham.

At the beginning of the novel, Georges Picquart is only peripherally involved in the Dreyfus affair, but the generals in charge see him as helpful and he is rewarded by being put in charge of the Statistical Section, the army’s intelligence department. Picquart does not want the post, but he soon finds he is good at his job.

His staff seems distrustful of him, while he believes that some of their methods are sloppy. He receives intelligence that indicates that there is still a traitor in the French army, and it is not long before he figures out that the army has found Dreyfus guilty for crimes committed by a Major Esterhazy.

When Picquart notifies his superiors of what he believes is a mistake, his investigation is shut down. Soon, he is sent on a mission out of the country and begins to believe that his own staff is working to discredit him. It becomes clear to him that Dreyfus was actually framed for Esterhazy’s crimes in a climate of antisemitism.

Soon, Picquart is striving to save his own career and reputation. But he also refuses to give up on his campaign to right a wrong.

This novel is deeply involving and at times truly exciting. I have not read Harris before, but picked this up because of my project to read finalists for the Walter Scott prize and since I have read it, have read most of Harris’s Cicero trilogy. This novel is a masterful historical novel that is full of suspense.

Related Posts

Murder on the Eiffel Tower

The Bones of Paris

The Night Inspector

 

 

Literary Wives! Day 1005: Mrs. Hemingway

Cover for Mrs. HemingwayToday is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in modern fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!

Ariel of One Little Library
Emily of The Bookshelf of Emily J.
Kate of Kate Rae Davis
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

My Review

Although I liked Mrs. Hemingway better than many of the books we’ve read for Literary Wives, I still wasn’t that fond of it. Perhaps my reaction has more to do with my dislike of Hemingway.

Mrs. Hemingway purports to be about each of Ernest Hemingway’s four wives, particularly about the periods when each of them split from Hemingway (or in the case of Mary, when Hemingway died). As it is such a short book, it can’t really deal with their relationships in depth. And, I used the word “purports” advisedly, because this novel shows more insight into Hemingway than into his wives.

In fact, none of the wives seem like a distinctive character except Martha Gellhorn, and she, interestingly, is depicted with the least sympathy. She alone seems serious about her own writing career, even though two of the other wives are also writers, and she alone breaks with Hemingway.

Not that Hemingway actually breaks with anyone. Instead, he manipulates his wives and mistresses into impossible situations without making a decision, until something gives.

This novel did nothing to change my opinion of Hemingway as a loud, macho bully, so overtly masculine as to perhaps reflect an unsureness about his own sexuality. But I’m over-analyzing. An alcoholic, and a person who alternates charming and brutish behavior. In other words, a jerk.

What does this book say about wives or the experience of being a wife?

Literary Wives logoIt says, don’t marry Ernest Hemingway. But seriously, I don’t think we see enough of these marriages to understand them. We start out at the end of each one, with flashbacks. But it’s hard to understand what draws these women in. I didn’t really feel the charm as described. What I saw was manipulation, cruelty, and a combination of self-regard and self-hatred. Clearly, Hadley thinks he is unbelievably handsome, which he was when he was young. The others are to a certain extent attracted by his fame.

If we are to believe this book, these marriages consist of swimming, fishing, hunting, and drunken parties. We don’t really see the characters in a day-by-day existence. Maybe we see more with Mary, Hemingway’s last wife, but she is dealing with depression and madness along with the alcoholism. Still, we don’t learn very much about what makes any of these characters tick.

The most we can say is that a wife of Hemingway’s can’t rely on him to be faithful, even when he seems at his most tender. Also, that marriage is a one-way street. Everything is for the benefit of Mr. Hemingway.

Related Posts

Under the Wide and Starry Sky

Circling the Sun

The Last Wife of Henry VIII

Day 1004: Half-Blood Blues

Cover for Half-Blood BluesIn 1939 Paris after the German occupation, Sid Griffiths and the members of the Hot Time Swinger’s American Band have just finished cutting a record when Hiero Falk, German but black, is picked up by the Gestapo and never seen again. In 1992, Falk, now considered a jazz legend on the basis of that one recording of the “Half-Blood Blues,” is being honored with the opening of a documentary in Berlin. Sid quit playing years ago, but Chip Jones, another member of the band, talks him into attending.

Chip has been Sid’s frenemy since childhood. He’s a great musician, but he’s also a liar. When he and Sid get up at the opening to talk about Hiero, Chip blindsides Sid with terrible lies about him and Hiero to the audience. The problem is, Sid did do something shameful to Hiero, just not what Chip accuses him of.

After the presentation, Chip talks the reluctant Sid into traveling to Poland. He has found out Hiero is alive and has even corresponded with him. As the two travel by bus into Poland, Sid thinks back to the events of 1939.

This novel is written in African-American vernacular that sounds fairly modern, even for the part from World War II. It takes a little getting used to, although I am not sure if it is accurate for the time. Certainly, the novel effective re-creates the feeling of the time and place, and the precarious existence of these young musicians.

This novel was on both my Walter Scott Prize and Man Booker Prize lists. It was another book that I may not have chosen on my own but that I enjoyed reading.

Related Posts

Suite Française

In the Garden of the Beasts

The Good Lord Bird