Tag: historical fiction

Day 241: True Grit

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Cover for True GritBest Book of the Week!
After the Coen brothers version of True Grit came out a couple of years ago, I became curious about the book. If you have seen that version of the movie, it is almost identical to the book and is much more faithful to it than the version from 1969 starring John Wayne.

For those who are not familiar with the plot, 14-year-old Mattie Ross travels into Indian Territory intending to track down her father’s murderer, Tom Chaney, a hired man who killed Mr. Ross for his extra horse. She looks for the U.S. marshall with the most grit and is pointed to the drunken Rooster Cogburn, who is reluctant to take on the job. She also meets a Texas Ranger named LaBeouf who is after Chaney for the murder of a Texas judge. Mattie is determined that the villain will hang for the murder of her father.

What makes True Grit unusual is the portrait of Mattie through her own words. She is indeed a unique character in fiction, scrappy, opinionated, tight with her money, not to be cheated, not to be turned from her self-imposed task, and tough as nails. Her narration drags us into the story and won’t let us go until it is over. This will be a quick read, because you won’t be able to put the book down.

The characters also speak in a stylized way using old-fashioned dialect that seems oddly formal and elaborate to our ears. It is expertly reproduced in the more recent movie.

If I can combine a book review and movie reviews, I have to say, “Sorry, John Wayne fans.” The Coen brothers movie starring Jeff Bridges is much better. I rented the 1969 version shortly after seeing the other movie and was surprised to see the contrast. Not only has the 1969 version been bowdlerized a bit, but the difference lies principally in the atmosphere created and the acting. The older movie is shot in standard western territory, probably in the hills of California, while the newer one is shot in a bleak landscape that makes us feel the danger and solitude.

As far as acting is concerned, Glenn Campbell as LaBeouf is pathetic as an actor, stiff and awkward. LaBeouf in the more recent version is played by Matt Damon, and I didn’t even recognize him for quite some time, so much does he submerge himself in his role. Although years ago I thought Kim Darby was good as Mattie, Hailee Steinfeld, acting at a younger age, is amazing. The older movie also minimizes but still fails to carry off the unusual style of dialog, coming off as stilted, whereas the newer movie embraces it.

Day 240: A Murderous Procession

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Cover for A Murderous ProcessionWhen I first started reading Ariana Franklin’s “Mistress of the Art of Death” series, I had mixed feelings about the premise, which is that a 12th century Jewish woman doctor is trapped in England because of her usefulness to Henry II and is in love with a bishop. However, these books are well written and show a great deal of knowledge of the time and place. Ultimately, I find the books interesting and the characters compelling.

Adelia Aguilar is a medieval forensic pathologist trained in Italy who is forced in England to pretend that her Moorish servant Mansur is the doctor and she is his interpreter, since no one would believe a woman could be a trained doctor. In A Murderous Procession, Adelia is living a retired life in the countryside with her daughter when she is ordered to accompany Henry II’s daughter Joanna to her marriage with the King of Sicily. Adelia must leave her own daughter with Queen Eleanor until she returns.

However, Adelia herself is being followed, by a vengeful madman whose bandit lover she killed in a previous book. Unfortunately, I read and reviewed these books out of order. The previous book is Grave Goods, I believe.

Adelia’s lover Rawley is also a member of the party, but he is required to leave periodically on missions of diplomacy. In his absence, the madman incites the entire party, particularly the church men, against Adelia and Mansur, blaming them for the procession’s many mishaps.

Franklin was only able to write a few books in this series before she died. A Murderous Procession is the last. She also wrote the excellent pre-World War II book set in Berlin, City of Shadows, which I reviewed a few months ago. Her death is a sad loss to the fans of good historical fiction.

Day 236: The Loon Feather

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Cover for The Loon FeatherBest Book of the Week!
The Loon Feather by Iola Fuller is one of my favorite books from when I was a girl, and I still read it every few years. A fascinating story set on Mackinac Island, it compelled me to visit every spot mentioned when I was on the island during a vacation.

Set in the early 1800’s, the book starts with the birth of its heroine Oneta. She is Ojibway and the (fictional) daughter of Tecumseh, the famous Shawnee leader. A prophecy at her birth says that she will bring a husband to her people who will be more powerful than a warrior. No one knows what that means, but prophecies are apparently always right.

The beginning of the book traces the seasonal nomadic life of her people, followed during her early childhood. Tecumseh is killed fighting for the British against the Americans in the War of 1812 when Oneta is young, and she is raised by her mother and her grandfather. A wise woman, Marthé, is also important to her as a young child, but Marthé leaves them all to marry a French trapper.

The Ojibway make a yearly trip to Mackinac Island, where part of the settlement from the war is payment of reparations from the Americans. The island is a fascinating mix of Native American, French, and American cultures. Here Oneta and her mother encounter Marthé, who lives on the island with her husband and young daughter, and they gladly visit back and forth. But before the tribe departs for the year, Oneta’s mother becomes ill, and Oneta is left there to care for her until her grandfather returns the next year. After Oneta’s mother recovers, she works as a maid up at Fort Mackinac and meets a French accountant for the Astor Fur Company, Pierre, who marries her.

At first we see things only from Oneta’s point of view as a Native American. As Pierre’s fastidiousness and different tastes clash with his bride’s customs, misunderstandings arise. However, Oneta is eventually sent away to a convent school to be raised as a French girl.

When she returns to the island as a proper young woman, she is at first inclined to disdain her true heritage and must find a balance between it and what she owes to Pierre and Madame, his mother. She also witnesses the struggles of Pierre and her younger brother Paul, who prefers his Native American roots and envies Oneta her heritage.

The colorful setting is populated by French voyageurs, American soldiers and capitalists, and the Native American tribes, who begin to become aware how the workings of history are fundamentally changing their way of life.

Day 235: The Eloquence of Blood

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Cover for The Eloquence of BloodIn the second of Judith Rock’s series, the Louis le Grand school run by the Jesuits is under financial hardship in this cold winter of 1686. On a visit to Monsieur Callot to ask for a contribution to the alms budget, rhetorician Charles du Luc meets a lovely young woman, Martine Mynette.

Martine’s mother Anne has recently died, and Martine is very concerned, because Henri Brion, a notary and Monsieur Callot’s nephew, has been unable to find a copy of Martine’s donation entre vifs. Because Martine is adopted, according to French law of the time she cannot inherit, so the only way her mother could leave her an inheritance is through this document. The copy usually hidden in the house is gone, and M. Brion is looking for his own copy.

When Charles relates this story to the school’s rector, Pére le Picart, the rector is dismayed because the Jesuit order was expecting the money through a bequest by Anne Mynette’s father. If a donation entre vifs exists, the school will not be entitled to the bequest. Another concern is that M. Brion is the same person who has supposedly been following up on the order’s claim. The rector sends Charles to the Brion’s house to find out what is going on.

Charles finds the area in disorder. Martine–a neighbor of the Brion’s, and Isabelle Brion’s best friend–has been murdered. No one has seen M. Brion. Isabelle is concerned because her father was trying to force her brother Gilles to marry Martine, which gives Gilles a motive for murder.

In addition to finding out about the bequest, Charles is assigned to follow the investigation into Martine’s murder. There are rumors on the street that the Jesuits murdered Martine for the money, and Paris seems to be entering one of its periodic convulsions against the Jesuit order.

As usual for the two books in this series, the historical details seem convincing and interesting. The novel is well written and keeps you involved. One very small caveat that I did not notice in the first book–Rock explains even the simplest French, which is annoying.

Day 234: Rules of Civility

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Cover for Rules of CivilityBest Book of the Week!
In 1966, the former Katey Kontent and her husband Val are attending an exhibit of Depression Era photographs at the Museum of Modern Art when they spot two pictures of an old friend of Katey’s, Tinker Grey. In one, he appears as a sophisticated, well-dressed banker, and in the other, shabby and unkempt, but lit from within. Val assumes that the man lost his money in the Depression, but Katey says that is not exactly the case.

Back in 1937, Katey and her best friend Eva Ross are two carefree working-class girls trying to have fun in New York on a very limited budget. On New Year’s Eve, they are at a scruffy jazz club when a young, immaculately dressed man comes in to meet  his brother. It is Tinker Grey, a wealthy investment advisor. The girls end up spending the evening with him and then seeing him regularly. From the first, he seems more attracted to Katey than to Eva, but fate takes a hand and links Tinker and Eva, seemingly irrevocably.

Katey and Eva are introduced through Tinker to the life of privileged young New York, entering the highest echelons of society. As Katey’s future life is decided by the people she meets during the next year, she learns to judge appearances more accurately and to hone her own acute moral sense.

Katey is a smart, witty, and engaging heroine with a strong sense of self. I found the novel to be beautifully written and absorbing. Rules of Civility is an impressive first novel from Amor Towles.

Day 231: I Am Half-Sick of Shadows

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Cover for I Am Half-Sick of ShadowsAnother comic mystery starring the eleven-year-old sleuth Flavia de Luce, I Am Half-Sick of Shadows is the usual fun, even though the clues don’t add up until after the murderer is revealed.

Flavia’s father has rented out the house for Christmas to a film company in an effort to save the estate, since the family is so badly in debt. On Christmas Eve, the lead actors, Phyllis Wyvern and Desmond Duncan, perform a small benefit concert for the village of Bishop’s Lacey, after which everyone is snowed in by a blizzard. During the night, Wyvern is murdered, strangled to death with a length of film. This situation leaves the entire film crew and population of the village as potential suspects.

Although Flavia doesn’t know who the killer is, she becomes trapped on the roof where she has gone to shoot off fireworks and perform a scientific experiment. She has devised a super-sticky bird lime and has spread it all over the roof in an effort to capture Father Christmas, if he exists. Unfortunately, the murderer finds some reason to suspect that Flavia might be on his or her trail.

Day 230: The Candlemass Road

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Cover for The Candlemass RoadBest book of the Week!
At first The Candlemass Road seems like it will be a romantic adventure story similar to Lorna Doone, but George MacDonald Fraser was an expert on the border counties of England and Scotland and far too cynical for that, so it is an adventure certainly, but not a romance.

Lady Margaret Dacre has not been home to Askerton Hall in Cumberland since she was four years old, but now her grandfather Lord Ralph Dacre has been murdered and rumor has it that Lady Margaret has been sent away from court by Elizabeth I herself. At the beginning of the novel, all of the hall’s servants, including the narrator Frey Luis Guevara, a Catholic priest, are frantically preparing for her arrival.

Young and beautiful, she arrives in a temper. She has been accosted on the road by George Bell, one of her tenants, who has come to complain that he has received no help from her bailiff about the dreaded Nixon clan, who has demanded blackmail. None of Lord Dacre’s tenants have had to pay blackmail because he protected them, but after his death, his men at arms all departed.

When Lady Margaret asks Land Sergeant Carleton for protection for her people, he says the problem lays outside of his purview–he has merely come to pick up a prisoner. Incensed, Lady Margaret refuses to give him the prisoner, who was caught stealing bread and cheese from the kitchen.

The thief is a broken man–that is, one who has no master or clan–named Archie Noble the Waitabout. Lady Margaret is about to let him go free when she finds he got his horse from a famous villain, who tried to murder him in his camp. Already angered by Archie’s impudence, Lady Margaret declares him a murderer and threatens to hang him unless he goes by himself to aid the Bells, whose blackmailers return that night.

The short novel is beautifully written with dialog in a northern dialect that is still understandable, with Elizabethan expressions thrown in. The novel is an exciting yet chilling and occasionally humorous picture of the time and place.

Day 228: The Night Circus

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Cover for The Night CircusIt is the mid-19th century. Prospero the Enchanter raises his daughter Celia Bowen as if she were an apprentice magician, only it is not magic she is working. Continuing an ancient disagreement, Prospero challenges the man in the gray suit to a competition–his daughter against any opponent. So, the man in the gray suit takes a young boy out of an orphanage.

Both children grow up training for this elusive competition, and when they are adults, the man in the gray suit collaborates in creating the Night Circus and sends his protégé Marco to work for its designer. Soon Celia is employed by the circus as an illusionist, and Celia and Marco take up the competition with no understanding of its rules. Celia doesn’t even know who her opponent is.

The Night Circus is a marvelous place, all white and black and gray, constantly growing and changing. It becomes the venue for and creation of the competition.

The Night Circus has been extremely popular, and it seemed like it was right down my alley. However, although it is entertaining enough and is certainly based on an original idea, at some point my interest began flagging.

I think one major problem of the novel is that we are constantly told how wonderful the circus is, but Erin Morgenstern fails to describe it in a compelling way. Descriptions are vague instead of specific enough for readers to imagine a scene. In two or three consecutive pages, for example, I just happened to notice that Morgenstern used the word “elaborate” five or six times with no attempt to describe each object beyond that word. The details she does divulge don’t sound as if they would be that interesting, and frankly, a black, white, and gray circus seems to be the invention of a person more concerned with style than enchantment. An important part of a circus is the vibrancy of color. I felt no sense of wonder, was never surprised or beguiled, and I was occasionally confused, especially concerning the “wonderful coalescence” described in one scene. What does that mean? Although the competition turns out to be about life and death, I also never felt any sense of danger.

Another problem for me is the fable-like quality of the novel, which treats the characters more emblematically than as real people. You feel some sympathy for Celia and Marco, but you don’t know what they are like. Overall, I found the novel mildly disappointing.

Day 221: The Postmistress

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Cover for The PostmistressIn The Postmistress, Frankie Bard is a radio reporter working with Edward R. Murrow in London at the beginning of World War II. She meets an American doctor during the Blitz who has left his new wife at home to come help in London, inspired by Frankie’s broadcasts. He gives her a letter for his wife right before he is hit by a car and killed.

Instead of mailing the letter, Frankie carries it around Europe for three months while she interviews Jews who are fleeing their countries. All that time, the wife, Emma Trask, doesn’t hear from her husband and is not notified of his death. Frankie also witnesses the murders of innocent people by Nazis and never reports them. She just goes home.

In the doctor’s small Massachusetts home town, the postmistress is Iris James. She doesn’t seem to be that important a character, although the book surrounds her with this great mystique that she is the center of the village because she knows all its secrets. What she actually does is withhold a letter to Emma from Dr. Trask’s landlady saying that he has disappeared, and she does this because Emma is pregnant.

I felt this book was entirely frustrating, because I found the characters’ actions inexplicable. What kind of person carries a letter for someone else around in her pocket for three months without mailing it? What kind of reporter witnesses the deaths of innocent people and doesn’t tell anyone about them? A postmistress who withholds a letter from its recipient is disobeying federal law, and I suggest that the upright, responsible Iris wouldn’t think of doing that, let alone reading the letter in the first place. And who would decide it is better for a wife to be left in limbo for years? Trask has already deserted her for the war with very little explanation, which is traumatic enough.

Everything pivotal in this novel seems like a contrivance to me. In addition, the novel that is supposed to be about the postmistress gets hijacked by the reporter, whose actions throughout are irrational. I also feel as though too little attention is paid to the details of life during the war. Frankie’s journey to the continent during the height of German occupation seems to be completed with very little difficulty, and in record time. One reader on Amazon points out that Frankie and her London roommate Harriet have a refrigerator in the room, even though they were uncommon in England in the 1940’s. In other respects, the characters seem oddly untouched by the war. Although Sarah Blake wrote another novel that I enjoyed very much, Grange House, I cannot recommend The Postmistress.

Day 218: Sea of Poppies

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Cover for Sea of PoppiesSea of Poppies is an absolutely enthralling historical novel, the first of a trilogy. Set in India in the 1830’s, it is centered around the opium trade, which the British East India Company forced upon both India and China. The novel is an ensemble piece, following the fates of several characters who all find themselves by the end of the book on the Ibis, an old slave ship bound for Mauritius.

The novel begins with Deeti. Like the other Indian farmers in her area of eastern India north of Calcutta, she has been forced to replace her food crops with poppies, destined for the Ghazipur Opium Factory. Now she can barely grow enough to feed her family, while the price for poppies sinks. As a girl, she was tricked by her husband’s family into marrying a hopeless opium addict. Soon fate will cause her to leave her home and flee down the Ganges.

Zachary Reid is a mulatto sailor who ships out from Baltimore on the Ibis as an ordinary seaman. A series of misfortunes onboard leave him without officers to sail the ship to Calcutta from Africa with only the help of Serang Ali and his fellow lascars. Once in Calcutta, his employer Benjamin Burnham hires him to help refit the ship and take the third mate position for the voyage to Mauritius.

Raja Neel Rattan Halder, the zemindar of Rashkali, is deeply in debt because of poorly timed investments in the opium trade. Although Neel is careful of the welfare of his hundreds of dependents, he is careless of business and expects to go on in his pleasure-loving ways. But the self-righteous Burnham wants the Raja’s estates for himself.

Paulette Lambert, the daughter of an eccentric French naturalist, has been left destitute by his death. Burnham has taken her into his family out of charity, but she is having a hard time adapting to his household. She is expected to behave like a proper young English lady, but she was primarily raised by an Indian woman, treats her son Jodu like a brother, and prefers to dress in a sari. Jodu has recently returned to Calcutta after his mother’s death and wants to be taken on as a hand on a sailing ship.

The fates of all these characters, and others, converge aboard the Ibis, which is scheduled to journey across the Indian Ocean to Mauritius with a load of indentured workers and then to sail to China to participate in the impending Opium Wars.

The novel is filled with entertaining characters and the colors, smells, and languages of India. It is beautifully written and crammed full of unusual words–Bengali words, sailor and lascar jargon, ornate oriental English, and various patois. The book has a glossary, but it is ironically intended. Comic, cruel, vivid, and deeply engrossing, the novel is rich and teeming with life. Amitav Ghosh’s novel, which was shortlisted for the Man Booker Prize, is wonderful.