Day 259: The Greatcoat

Cover for The GreatcoatI am not familiar with Helen Dunmore, but I looked for this book after reading a review of it on another blog citing it as a good ghost story.

At first I was inclined to dislike it. Isabel Carey is a new wife in 1952, married to a young doctor in a small village in Yorkshire. Isabel is a poorly trained housewife who spends her time disliking her new home in the bottom floor of the landlady’s house and feeling as if everyone is looking at her. She especially dislikes the landlady, Mrs. Atkinson, who paces back and forth on the floor above, sometimes all night.

Unable to get warm in the dank little house, one night she searches through a cupboard and finds an officer’s wool greatcoat, which she uses as an additional bedcover. The next night a strange man dressed as a World War II officer comes and taps on her window.

Soon the officer, Alec, begins coming to visit her and by his behavior shows that he thinks they are lovers. She knows almost immediately that he is a ghost but seems to passively accept their relationship. Who the soldier’s actual lover was should be almost immediately apparent, but Isabel doesn’t seem to guess.

At this point, I was extremely annoyed with the novel, believing I was supposed to find all this romantic when all I could think about was Philip, Isabel’s poor, hard-working husband, who only treats her kindly. The only negative thing about his character is his desire to protect Isabel from everything, and I believe that attitude was typical of the times. I also thought Isabel is a spoiled little brat who does little but complain and thinks nothing of launching into an affair with another man, ghost or not.

Eventually, though, the novel takes a more sinister turn, which is more to my taste. My final overall impression was ambivalence.

By the way, the Amazon write-up of this book (probably taken from the publishers) compares Dunmore as a historical novelist to Tolstoy and Emily Brontë. Aside from the oddness of an implicit comparison between those two writers, this is a gross overstatement of Dunmore’s abilities. What Dunmore has written is a slight, moderately entertaining novel that cannot be compared to the work of the other writers.

Day 257: Galore

Cover for GaloreA whale comes ashore at the remote coastal town of Paradise Deep, Newfoundland, in the early 19th century. The people, who have been starving all winter, come out to scavenge what they can of the meat. When Devine’s Widow, an old Irish “wise woman,” cuts open the belly of the whale, a man falls out, pale as an albino, mute, but still alive. Although he stinks like a fish, the Devine clan gives him room in a shed and calls him Judah. Nevertheless, he is treated with dread and superstition until he goes out fishing one day with Colum Devine and they take a huge load of fish in waters that have been barren that season.

The Devines have been at odds with the powerful King-Me Sellers since he proposed marriage to a young Irish bondswoman years ago and she refused him rudely, then went off to marry Devine, practically the first young man she met. Their relationship was not improved years later when King-Me’s daughter Lizzy married Colum Devine.

When King-Me’s spite turns against Judah, the only way the Devines can save him is by marrying him to Mary Trephyna Devine, Colum and Lizzy’s daughter and King-Me’s granddaughter.

Michael Crummey’s multigenerational novel captures the relationships between these two families along with the history of the town, with all its eccentric characters, ghost stories, myths, and tall tales. The novel is fascinating, unusual, and beautifully written. I don’t usually enjoy magical realism, but in this novel it is handled so well that I accepted it and was engrossed in the story. Galore is probably unlike any novel you are going to read, although in its focus on a sea-going people and its occasional feel of a sea tale, it reminds me a bit of We, the Drowned  by Carsten Jensen.

Day 251: The Disorderly Knights

Cover for The Disorderly KnightsBest Book of the Week!
The Disorderly Knights is the third novel in Dorothy Dunnett’s rousing Lymond Chronicles series. I previously reviewed the first two novels, The Game of Kings and Queen’s Play.

Upon his return to Scotland from his adventures in France, Francis Crawford of Lymond establishes a small fighting force of independent knights and begins training them. As their reputation spreads, the band begins to attract more knights, and he hears that they are to be joined by a renowned fighter, Sir Graham Reid Mallett, Knight Grand Cross of the Order of St. John. Many of the men who know Reid Mallet consider him almost a living saint. In disposition and talents he seems to be a perfect foil for Lymond, but they clash, and some of Lymond’s men begin to turn against him. As usual, Lymond’s behavior appears to put him in the wrong, and Reid Mallett seems to want to usurp the fighting force.

This conflict eventually leads to Malta, where Lymond arrives just before the Ottoman Turks attack. During the siege, Lymond becomes involved in the political maneuvering and feuds among the various national factions of the declining Order of St. John. He also hears that Oonagh O’Dwyer, the beautiful Irish rebel he encountered in Queen’s Play, is captive in another city on the island. After the siege, he follows her to North Africa in an attempt to free her.

It is difficult to write more about this novel because of spoilers, but also because the plot becomes increasingly complex from this point on, with threads that are not all explained until the sixth book. Suffice it to say that, although this is a slow-starting series, if you get this far, you will be hooked. The novel is suspenseful and exciting, and Lymond makes a complicated and compelling main character, almost an anti-hero at times. These books were written in the 1960’s and 1970’s, and I think the only series to compare with them might be George R.R. Martin’s Song of Fire and Ice or Dunnett’s own House of Niccolo series.

Day 249: The Physick Book of Deliverance Dane

Cover for The Physick Book of Deliverance DaneBest Book of the Week!
Connie Goodwin has just passed her orals in history at Harvard and is one thesis away from her doctorate when her advisor, Manning Chilton, challenges her to find an undiscovered primary source on which to base some subject about Colonial America. She is almost immediately side-tracked in her research by a request from her mother to sort out her grandmother’s long-abandoned house in Marblehead and sell it to pay off back taxes.

Connie finds a very old, filthy house with a gate so overgrown with vines that it’s hard to find the house. Almost immediately she has a few odd glimpses, as if she can vividly picture her grandparents and other people in the house.

While sorting through the objects and papers in the house, she finds evidence of a woman named Deliverance Dane, who was found guilty of witchcraft in the Salem trials and left behind a “recipe” book, possibly of spells. Chilton immediately begins putting pressure on Connie to find the book, as it could provide the first evidence that people were actually practicing witchcraft at that time in Massachusetts. As Connie searches for the book, she makes some astonishing discoveries about her family and herself.

Back in the 17th century, Deliverance Dane, a wise woman or healer, is called to attend a child she cannot save. When the child dies, her father accuses Deliverance of satanism.

Some small things at the beginning of the novel irritated me. In laying the foundation of some basic history, I think Howe condescends to the reader a bit too much. For example, she finds occasion to tell us what a familiar is. Although many people may assume that all familiars are cats and find out differently from this novel, I would be surprised if people didn’t know what they were, if only from remembering their grade school lessons about the Salem witch trials. But perhaps I’m wrong.

There are also a couple of instances where Connie takes awhile to figure out something that she, as a graduate history student, should already know. For example, she doesn’t immediately know that “receipt” is another word for “recipe,” and then she has to explain this term to her professor, supposedly an expert in Colonial America. I am no historian or even generally interested in this period of history, but I knew immediately what the word meant. She does the same thing with figuring out that “Deliverance Dane,” mysterious words on a piece of paper, is someone’s name, as if in all her studies of the period she never encountered such an unusual name.

It is also very easy to see where the novel is going and who will turn out to be a villain. However, I still found it interesting enough to regard it as a strong first novel, especially if you enjoy the mixture of historical fiction and the supernatural. The characters are believable, and both story lines kept my attention. The historical portion seems solidly researched.

And I won’t mention the tomatoes, because it’s just too picky.

Day 241: True Grit

Cover for True GritBest Book of the Week!
After the Coen brothers version of True Grit came out a couple of years ago, I became curious about the book. If you have seen that version of the movie, it is almost identical to the book and is much more faithful to it than the version from 1969 starring John Wayne.

For those who are not familiar with the plot, 14-year-old Mattie Ross travels into Indian Territory intending to track down her father’s murderer, Tom Chaney, a hired man who killed Mr. Ross for his extra horse. She looks for the U.S. marshall with the most grit and is pointed to the drunken Rooster Cogburn, who is reluctant to take on the job. She also meets a Texas Ranger named LaBeouf who is after Chaney for the murder of a Texas judge. Mattie is determined that the villain will hang for the murder of her father.

What makes True Grit unusual is the portrait of Mattie through her own words. She is indeed a unique character in fiction, scrappy, opinionated, tight with her money, not to be cheated, not to be turned from her self-imposed task, and tough as nails. Her narration drags us into the story and won’t let us go until it is over. This will be a quick read, because you won’t be able to put the book down.

The characters also speak in a stylized way using old-fashioned dialect that seems oddly formal and elaborate to our ears. It is expertly reproduced in the more recent movie.

If I can combine a book review and movie reviews, I have to say, “Sorry, John Wayne fans.” The Coen brothers movie starring Jeff Bridges is much better. I rented the 1969 version shortly after seeing the other movie and was surprised to see the contrast. Not only has the 1969 version been bowdlerized a bit, but the difference lies principally in the atmosphere created and the acting. The older movie is shot in standard western territory, probably in the hills of California, while the newer one is shot in a bleak landscape that makes us feel the danger and solitude.

As far as acting is concerned, Glenn Campbell as LaBeouf is pathetic as an actor, stiff and awkward. LaBeouf in the more recent version is played by Matt Damon, and I didn’t even recognize him for quite some time, so much does he submerge himself in his role. Although years ago I thought Kim Darby was good as Mattie, Hailee Steinfeld, acting at a younger age, is amazing. The older movie also minimizes but still fails to carry off the unusual style of dialog, coming off as stilted, whereas the newer movie embraces it.

Day 240: A Murderous Procession

Cover for A Murderous ProcessionWhen I first started reading Ariana Franklin’s “Mistress of the Art of Death” series, I had mixed feelings about the premise, which is that a 12th century Jewish woman doctor is trapped in England because of her usefulness to Henry II and is in love with a bishop. However, these books are well written and show a great deal of knowledge of the time and place. Ultimately, I find the books interesting and the characters compelling.

Adelia Aguilar is a medieval forensic pathologist trained in Italy who is forced in England to pretend that her Moorish servant Mansur is the doctor and she is his interpreter, since no one would believe a woman could be a trained doctor. In A Murderous Procession, Adelia is living a retired life in the countryside with her daughter when she is ordered to accompany Henry II’s daughter Joanna to her marriage with the King of Sicily. Adelia must leave her own daughter with Queen Eleanor until she returns.

However, Adelia herself is being followed, by a vengeful madman whose bandit lover she killed in a previous book. Unfortunately, I read and reviewed these books out of order. The previous book is Grave Goods, I believe.

Adelia’s lover Rawley is also a member of the party, but he is required to leave periodically on missions of diplomacy. In his absence, the madman incites the entire party, particularly the church men, against Adelia and Mansur, blaming them for the procession’s many mishaps.

Franklin was only able to write a few books in this series before she died. A Murderous Procession is the last. She also wrote the excellent pre-World War II book set in Berlin, City of Shadows, which I reviewed a few months ago. Her death is a sad loss to the fans of good historical fiction.

Day 236: The Loon Feather

Cover for The Loon FeatherBest Book of the Week!
The Loon Feather by Iola Fuller is one of my favorite books from when I was a girl, and I still read it every few years. A fascinating story set on Mackinac Island, it compelled me to visit every spot mentioned when I was on the island during a vacation.

Set in the early 1800’s, the book starts with the birth of its heroine Oneta. She is Ojibway and the (fictional) daughter of Tecumseh, the famous Shawnee leader. A prophecy at her birth says that she will bring a husband to her people who will be more powerful than a warrior. No one knows what that means, but prophecies are apparently always right.

The beginning of the book traces the seasonal nomadic life of her people, followed during her early childhood. Tecumseh is killed fighting for the British against the Americans in the War of 1812 when Oneta is young, and she is raised by her mother and her grandfather. A wise woman, Marthé, is also important to her as a young child, but Marthé leaves them all to marry a French trapper.

The Ojibway make a yearly trip to Mackinac Island, where part of the settlement from the war is payment of reparations from the Americans. The island is a fascinating mix of Native American, French, and American cultures. Here Oneta and her mother encounter Marthé, who lives on the island with her husband and young daughter, and they gladly visit back and forth. But before the tribe departs for the year, Oneta’s mother becomes ill, and Oneta is left there to care for her until her grandfather returns the next year. After Oneta’s mother recovers, she works as a maid up at Fort Mackinac and meets a French accountant for the Astor Fur Company, Pierre, who marries her.

At first we see things only from Oneta’s point of view as a Native American. As Pierre’s fastidiousness and different tastes clash with his bride’s customs, misunderstandings arise. However, Oneta is eventually sent away to a convent school to be raised as a French girl.

When she returns to the island as a proper young woman, she is at first inclined to disdain her true heritage and must find a balance between it and what she owes to Pierre and Madame, his mother. She also witnesses the struggles of Pierre and her younger brother Paul, who prefers his Native American roots and envies Oneta her heritage.

The colorful setting is populated by French voyageurs, American soldiers and capitalists, and the Native American tribes, who begin to become aware how the workings of history are fundamentally changing their way of life.

Day 235: The Eloquence of Blood

Cover for The Eloquence of BloodIn the second of Judith Rock’s series, the Louis le Grand school run by the Jesuits is under financial hardship in this cold winter of 1686. On a visit to Monsieur Callot to ask for a contribution to the alms budget, rhetorician Charles du Luc meets a lovely young woman, Martine Mynette.

Martine’s mother Anne has recently died, and Martine is very concerned, because Henri Brion, a notary and Monsieur Callot’s nephew, has been unable to find a copy of Martine’s donation entre vifs. Because Martine is adopted, according to French law of the time she cannot inherit, so the only way her mother could leave her an inheritance is through this document. The copy usually hidden in the house is gone, and M. Brion is looking for his own copy.

When Charles relates this story to the school’s rector, Pére le Picart, the rector is dismayed because the Jesuit order was expecting the money through a bequest by Anne Mynette’s father. If a donation entre vifs exists, the school will not be entitled to the bequest. Another concern is that M. Brion is the same person who has supposedly been following up on the order’s claim. The rector sends Charles to the Brion’s house to find out what is going on.

Charles finds the area in disorder. Martine–a neighbor of the Brion’s, and Isabelle Brion’s best friend–has been murdered. No one has seen M. Brion. Isabelle is concerned because her father was trying to force her brother Gilles to marry Martine, which gives Gilles a motive for murder.

In addition to finding out about the bequest, Charles is assigned to follow the investigation into Martine’s murder. There are rumors on the street that the Jesuits murdered Martine for the money, and Paris seems to be entering one of its periodic convulsions against the Jesuit order.

As usual for the two books in this series, the historical details seem convincing and interesting. The novel is well written and keeps you involved. One very small caveat that I did not notice in the first book–Rock explains even the simplest French, which is annoying.

Day 234: Rules of Civility

Cover for Rules of CivilityBest Book of the Week!
In 1966, the former Katey Kontent and her husband Val are attending an exhibit of Depression Era photographs at the Museum of Modern Art when they spot two pictures of an old friend of Katey’s, Tinker Grey. In one, he appears as a sophisticated, well-dressed banker, and in the other, shabby and unkempt, but lit from within. Val assumes that the man lost his money in the Depression, but Katey says that is not exactly the case.

Back in 1937, Katey and her best friend Eva Ross are two carefree working-class girls trying to have fun in New York on a very limited budget. On New Year’s Eve, they are at a scruffy jazz club when a young, immaculately dressed man comes in to meet  his brother. It is Tinker Grey, a wealthy investment advisor. The girls end up spending the evening with him and then seeing him regularly. From the first, he seems more attracted to Katey than to Eva, but fate takes a hand and links Tinker and Eva, seemingly irrevocably.

Katey and Eva are introduced through Tinker to the life of privileged young New York, entering the highest echelons of society. As Katey’s future life is decided by the people she meets during the next year, she learns to judge appearances more accurately and to hone her own acute moral sense.

Katey is a smart, witty, and engaging heroine with a strong sense of self. I found the novel to be beautifully written and absorbing. Rules of Civility is an impressive first novel from Amor Towles.

Day 231: I Am Half-Sick of Shadows

Cover for I Am Half-Sick of ShadowsAnother comic mystery starring the eleven-year-old sleuth Flavia de Luce, I Am Half-Sick of Shadows is the usual fun, even though the clues don’t add up until after the murderer is revealed.

Flavia’s father has rented out the house for Christmas to a film company in an effort to save the estate, since the family is so badly in debt. On Christmas Eve, the lead actors, Phyllis Wyvern and Desmond Duncan, perform a small benefit concert for the village of Bishop’s Lacey, after which everyone is snowed in by a blizzard. During the night, Wyvern is murdered, strangled to death with a length of film. This situation leaves the entire film crew and population of the village as potential suspects.

Although Flavia doesn’t know who the killer is, she becomes trapped on the roof where she has gone to shoot off fireworks and perform a scientific experiment. She has devised a super-sticky bird lime and has spread it all over the roof in an effort to capture Father Christmas, if he exists. Unfortunately, the murderer finds some reason to suspect that Flavia might be on his or her trail.