Tag: historical fiction

Day 196: The Secret Keeper

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Cover for The Secret KeeperI loved The Forgotten Garden so much that Kate Morton’s other books, although very good, have not been able to hold their own against it. At first I thought The Secret Keeper would also be good but not great, but a terrific surprise at the end of the book made me change my mind.

The novel begins in 1961, when sixteen-year-old Laurel Nicolson is up in the treehouse on the family farm dreaming about her boyfriend. She sees her mother Dorothy go into the house with her baby brother Gerry. It is Gerry’s birthday, and Laurel knows her mother has left the birthday picnic to fetch the family’s special birthday knife so she can cut the cake. A few minutes later, a stranger goes to the door, and Laurel sees her mother stab the man with a knife. He is assumed to be the man who has been attacking women in the area.

Fifty years later, Laurel is a famous character actor who has come home to visit her ill mother. Her mother’s memory is failing, but she has asked Laurel’s sister Rose to get some things out of a box that has always been private. Among them is a photograph of Dorothy and her friend Vivien, who died during the Blitz.

Laurel’s memory of the long-ago incident with the stranger has become muddied and even inaccurate, but she begins to remember it more clearly when she decides to look into it further. She finds that the attacker was Henry Jenkins, Vivien’s husband. Since Dorothy must have known Henry, there is obviously more to the story.

From here the story alternates between Laurel’s investigation in the present and the war years of young Dorothy (Dolly) Smitham. Dolly is madly in love with Jimmy Metcalfe, a newspaper photographer who also has sole care of his senile father. Dolly wants to marry immediately, but Jimmy thinks they can’t afford it yet, so Dolly takes a job as a companion to a wealthy old lady in London. At a war effort volunteer job, she meets Vivien, who lives across the street with her husband, a successful novelist. Dolly, who comes from a lower middle class background, gets carried away with the idea of leading a more exciting, fashionable life. After a series of misunderstandings, she hatches a plan to get money for her marriage and talks the reluctant Jimmy into helping.

At this point, my major problem with the novel was a growing dislike for Dolly, who seems narcissistic and lacking in conscience. I kept wondering how she was going to develop into the beloved mother of five children. But the novel goes on to unearth secrets. With Morton’s gift for storytelling and excellent writing, I think this novel is as good or better than The Forgotten Garden.

Day 194: Burning Bright

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Cover for Burning BrightI’m afraid I cannot read any book by Tracy Chevalier without thinking of the purity of the character she created in Girl with a Pearl Earring. Unfortunately, I haven’t read a book by her that was as good, but I keep hoping for one.

In Burning Bright, set in 18th century London, Jem Kellaway, a young lad from the country, moves with his family into Lambeth. They settle into a row house owned by Kellaway’s new employer, next door to the poet and artist William Blake and his wife.

Jem befriends a London street urchin named Maggie Butterfield, and they spend some time with the Blakes. These two children are meant to represent Blake’s ideas of innocence and experience.

Jem’s father has taken a carpentry job with Astley’s Circus. Unfortunately, Jem’s sister Maisie soon attracts the eye of John Astley, the rapscallion son of the circus owner.

Most of the action of the novel centers around the unease generated in England by the French Revolution. Blake’s unusual publications have made him appear to be seditious, and he and his family are threatened as the hysteria rises.

Unfortunately, the characters and story are not very interesting, and William Blake is almost incidental to the novel. The novel does nothing to make the mysterious Blake more understandable to us.

Day 188: The Nature of Monsters

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Cover for The Nature of MonstersClare Clark seems to be fascinated with shit. Her first book, The Great Stink, featured a mystery during the digging of the London sewer system, and it seemed to revel in descriptions of filth. The Nature of Monsters also spends a great deal of time describing the sanitary conditions of 18th century London.

The novel begins with a description of the 1666 Great Fire of London and the subsequent birth of a disfigured child. This opening is perplexing, and it takes you awhile to figure out the connection to the rest of the novel.

It is 1718, and Eliza Tally has essentially been sold by her mother to a wealthy man’s son, although they first perform a semi-legal marriage ceremony. When Eliza gets pregnant, her mother goes to the man’s father to negotiate a settlement. The results are not what she expects, as Eliza is sold into servitude in London as a maid for an apothecary, whom she thinks is supposed to rid her of her child. But he has other plans.

Eliza is trapped in a bizarre household. She is never allowed to see the apothecary. His wife, Mrs. Black, is intimidating and maintains an iron control over the household. The apothecary has a slimy assistant, and the only other servant is Mary, a mentally handicapped girl. The atmosphere of the house is dark and creepy.

Convinced that he is a scientist and that he is making scientific experiments, the apothecary believes that what a pregnant woman experiences determines the formation of her child. Since he has a handy pregnant woman in his house, he decides to use her for his experiments. Clark has written another disturbing but well-written and suspenseful novel.

Day 184: Caleb’s Crossing

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Cover for Caleb's CrossingBest Book of the Week!

Caleb’s Crossing by Geraldine Brooks is a wonderful novel about life in 17th century Martha’s Vineyard and Cambridge. The novel is focused around Caleb Cheeshahteaumauk, the first American Indian to take a degree at Harvard. It is narrated from the point of view of Bethia Mayfield, a girl whose thirst for knowledge is only slaked with great difficulty in Puritan New England.

Bethia meets Caleb when they are both twelve. She is wandering around the beaches of her home island, Noepe, later to be called Martha’s Vineyard, in a small act of rebellion because she is not supposed to be alone. She has already been halted in her education by her father, a minister and missionary to the Indians, who sees how her superior abilities humiliate her brother Makepeace.

Caleb is not one of the “praying Indians” who have adopted Christianity and moved closer to town. By all rights Bethia should avoid him. But she loves nature and is happy for Caleb to teach her about the island’s wildlife and learn his language while she teaches him English, reading, and writing. Although their relationship is perfectly innocent, it remains a secret and is naturally broken off as they grow older.

In learning more about English ways, and particularly about writing, Caleb decides he can best help his people by becoming more educated. His path continues together with Bethia’s, as a series of tragedies result in Bethia’s agreement to sacrifice herself for Makepeace’s tuition by working as an indentured servant for the teacher who is preparing Caleb, his friend Joel, and Makepeace to enter Harvard. As Caleb struggles with his adoption of the English culture, Bethia struggles with her own desires for an intellectual life in a culture that only recognizes one path for her–marriage and motherhood.

Although a few historical figures appear in the novel, little is known of Caleb and Joel–both historical figures–so the account is completely fictionalized. For example, Bethia’s father Thomas Mayfield is based on Thomas Mayhew, Jr., who did not have a daughter.

This is an enthralling novel, an evocative picture of the place and times, and Bethia and Caleb are memorable characters.

Day 181: Clara and Mr. Tiffany

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Cover for Clara and Mr. TiffanySusan Vreeland’s Clara and Mr. Tiffany is a novel about Clara Driscoll, a real artist who headed a woman’s workshop designing the most complex lamps and screens for Louis Comfort Tiffany. The novel details the ups and downs of a long professional relationship, including Driscoll’s frustration at not being recognized as the designer of some of Tiffany’s most famous pieces. A lot of the interest in the novel resides in the tension between the women’s division and the men’s division, which was only allowed to work on the more mundane pieces.

Right now I am reading some of Vreeland’s own comments about the captivating woman she found depicted in Clara’s own letters. Unfortunately for the novel, Vreeland does not do a great job of making her characters interesting in this book or of conveying the woman she found in those letters. Several important but minor characters are so undefined that I couldn’t keep them straight.

I believe that Vreeland is hindered rather than helped by the fact that she is fictionalizing the lives of real people whose relatives are probably still alive. She has written more successful books about artists who lived farther in the past–Monet in Luncheon of the Boating Party and Artemisia Gentileschi in The Passion of Artemesia, for example. There are certainly interesting aspects to the story–Driscoll had an unusual life featuring at least one bizarre event–but the novel is written more like a series of incidents than a narrative with an arc.

Day 176: Queens’ Play

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Cover for Queen's PlayBest Book of the Week!

Queens’ Play is the second book of Dorothy Dunnett’s excellent historical fiction series, the Lymond Chronicles. Although it is not absolutely necessary to read the first book, Game of Kings, you will enjoy the other books more if you do. If you decide to continue this series, it is important to read them in order after this one.

Francis Crawford of Lymond enters the scene disguised, and it is some time before we figure out which of two characters he is. Francis has been asked by Mary de Guise, Queen Dowager of Scotland and mother of Mary Queen of Scots, to travel to France and protect Mary. Although Mary is still a little girl, plots revolve around her, and her mother is afraid her life is at risk.

The Irish prince Phelim O’Liam Roe’s arrival into France is a spectacular one, as his ship almost crashes into another one when entering the harbor. This incident is perhaps not an accident, as evidence mounts that someone is trying to kill the prince. To the French court, O’Liam Roe is unbelievably provincial, and he is immediately the butt of ridicule. He is attracted to Oonagh O’Dwyer, an Irish woman living on the borders of society, but she disdains him. In fact, she is the mistress of the Irish rebel Cormac O’Connor.

O’Liam Roe has brought with him Thady Boy Ballagh, an ollav, or trained master poet. Untidy, fat Thady Boy is gaining popularity with the decadent French court through a series of reckless deeds and his brilliant musical performances.

It seems that the Queen Dowager’s fears are correct. During a hunt that employs the king’s leopards as hunting animals, someone lets Mary’s pet hare out in front of the cat near her pony. As she struggles to save her pet, the cat turns its sights on Mary.

As always, Dunnett combines heart-stopping action and suspense with a detailed knowledge of the period. This book begins some of the plot threads that will continue throughout the series.

Day 171: Eye of the Red Tsar

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Cover for Eye of the Red TsarI had a strange reaction to Eye of the Red Tsar by Sam Eastland. I felt as if the author had researched the time and place without actually grasping anything about it. The novel is placed in post-revolutionary USSR with flashbacks to pre-revolutionary Russia. Tsar Nicholas II and Stalin are both characters in the book, in their different time periods, but you do not get any feeling that the author understands what kind of people they were or anything about the politics involved. Given my fascination with Russia, this novel would seem to be a great fit for me, but I have nothing but objections to it.

Pekkala, a Finnish soldier, is a prisoner in a labor camp in Siberia at the beginning of the novel. He was Nicholas II’s private investigator before the revolution, when he became known as The Emerald Eye. He remained completely faithful to the Romanovs, so when the family was captured by the Bolsheviks, he was exiled to Siberia. But at the beginning of the novel, he is released because Stalin wants him to find out exactly what happened the night the Tsar and his family were executed. Of course, this question has remained a mystery to the western world until recently, but I did not buy at all that Stalin and his predecessors would not have already known perfectly well what happened to the Romanovs.

My first objection is about how Stalin is characterized. The book takes place partly in 1929, when Stalin is only a few years away from his reign of terror. Yet he is depicted as quiet and thoughtful, not exactly true to the historical consensus. As a kind of extension of that thought, even though the book is about a time and place when everything is politicized, the novel provides no political context for the reader.

Another problem I have is with the narrative style. As Pekkala conducts his investigation, he remembers his past, in order. When I compare Eastland’s technique with that used in The Darkest Room, where characters have fleeting thoughts or disjointed memories that eventually add up to something, this novel seems incomparably clumsy in execution.

Finally (somewhat of a spoiler), I found it completely unbelievable, given the loyalty of the main character to the Romanovs, that he would willingly agree to work for Stalin at the end of the book. I forgive myself for revealing this turn of events, as it is easy to see it coming. Readers are told at the beginning of the book that Stalin is known as the Red Tsar. Obviously, since Pekkala was the Emerald Eye under the Nicholas, he will become the Eye of the Red Tsar under Stalin.

Day 169: The Distant Hours

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Cover for The Distant HoursKate Morton has been one my favorite authors ever since I read The Forgotten Garden, which is still my favorite of her books. The Distant Hours is another of Morton’s atmospheric novels about family secrets.

When a letter posted in 1941 finally reaches its destination in 1992, Edie Burchill is surprised at the emotional reaction of her usually cool mother. She finds out for the first time that her mother was an evacuee during World War II at the home of Raymond Blythe, the author of Edie’s favorite childhood book, The True History of the Mud Man.

Later, after Edie has been asked to write an introduction for a reprint of Blythe’s classic, she gets lost meeting a potential author and accidentally finds Milderhurst Castle, the once stately but now crumbling home of the Blythes. Living there are the Blythe sisters, Percy, Saffy, and the invalid Juniper. In a way, too, the house is still occupied by the memory of their overbearing father.

The novel alternates between the present time and 1941, as we discover what happened during one night in 1941 that has haunted the family ever since. Morton is deft at creating a compelling atmosphere in the moldering castle and in keeping her readers in suspense.

Morton’s latest book, The Secret Keeper, is due out in October. I can’t wait to get my copy!

Day 167: City of Shadows

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Cover for City of ShadowsAlthough I have read and liked books from Ariana Franklin’s “Mistress of the Art of Death” mystery series, I think that City of Shadows, a stand-alone thriller about a different period, is particularly good. On a side note, I am sorry to hear that Ariana Franklin has died, so we will never learn what her plans were for the characters in her series.

Esther Solomonova is a mysterious scarred woman who works for the phony Russian prince and nightclub owner Nick Potrovskov in 1920’s Berlin. However, the book begins a step before we get to Esther, when a woman is being chased through the streets of Berlin and dives into a canal to get away. Nick hears that this woman, Anna Anderson, is claiming to be Grand Duchess Anastasia of the murdered Romanov family, so he decides to take her under his wing in the hopes of getting a share of the Tsar’s fortune that has been left in England.

Anna is in an asylum, and the inmates claim that every six weeks a man lurks outside, trying to get a chance to murder her. After Nick removes her from the asylum, people begin dying. Only Detective Schmidt pays attention to Esther’s theory that someone is trying to kill Anna, since the only evidence is the testimony of insane people.

Franklin does a convincing job of mixing the true story of Anna Anderson with the completely fictional murder plot. She evokes a real sense of the chaotic, anarchic, starving Berlin in the time in which Hitler is coming to power.

Day 166: We, The Drowned

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Cover for We, The DrownedBest Book of the Week!

We, The Drowned is an unusual novel by Danish writer Carsten Jensen that has become an international best seller. It relates the history of the author’s home town, the port of Marstal, Denmark, from 1848 to 1945. Although it picks principal characters to follow during these times, large portions of the novel are written in the first person plural, as though the entire town is the Greek chorus in a play. The novel follows the fate of the town as it rises to become a major shipping port to its near demise just before and during World War II.

The narrative style of the novel feels like a series of seafaring tales. Ships sink, sailors are never seen again, but the townsmen of Marstal continue to be lured out to sea. We follow them as the Danes go to war with Germany in the mid-19th century and the men of Marstal wonder why they are fighting men they traded with the week before. In this conflict, Laurids Madsen is shot upward from an exploding ship and lands again on his feet, unharmed, creating a legend about his boots.

Years later, his son Albert travels the South Pacific looking for his father, who went to sea when Albert was four and never returned. He finds him with a second family in Samoa.

As an old man retired from a prosperous career as a sea captain, Albert befriends a young boy, Knut Erik Friis, whose widowed young mother does everything she can to keep her son from going to sea. When she gains some economic power in the community, she undercuts the town’s shipping industry in an attempt to keep all the young men home.

These stories and many more, ending with Knut Erik’s experiences during World War II, tell the rich tales of the lives in this seafaring town. Although I was initially a little put off by the narrative style, I found myself barely able to put down this book.