Review 2325: Homestead

In her research for Homestead, Melinda Moustakis incorporated her grandparents’ stories of homesteading in Alaska. Yes, in 1956, you could still receive a homesteading grant in exchange for working and making a home on the land. That was a surprise to me, too.

Lawrence Beringer is a withdrawn and hard man who has just filed homesteading documents for 150 acres of land when he meets Marie. Marie has traveled from Texas to stay with her sister Sheila and Sheila’s husband Sly with the plan of finding a husband so that she never has to return home. Within hours of meeting each other, Lawrence and Marie are engaged.

The couple live on a bus the first year while Lawrence clears land, plants a crop, and finally builds a cabin. Life is difficult, but for Marie, most difficult is understanding Lawrence, who is very withdrawn. For Lawrence has found he cares too much and must stay away to keep himself together. A miscarriage when Marie is almost at term doesn’t help, especially because Marie understands that her part of the bargain is providing children.

Conditions begin to improve, but even when things are good between them, Lawrence is aware that he’s keeping a secret from Marie.

I felt some distance from both of these characters but found the story fascinating nonetheless. It is written telegraphically, in short, sometimes partial sentences. Despite the descriptions of such activities as plowing, building a cabin, or planting potatoes, this novel is mostly a study of two distinct characters.

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Review 2323: Literary Wives! Mrs. March

Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

This month we welcome a new member, Kate of booksaremyfavoriteandbest! She will join in for the next review in June.

My Review

Set in an undefined time that is probably the 1950s or 60s, Mrs. March is a character study of a woman disintegrating. This all begins at her favorite pastry shop. Mrs. March is a woman highly concerned with appearances. She is married to George March, a writer whose most recent novel is a hit. She is figuratively torn asunder when the shop owner asks her if she minds being depicted in George’s book as the main character, Johanna. Mrs. March hasn’t exactly read the book, but she knows that Johana is an ugly whore whose clients don’t even want to be with her.

Mrs. March immediately becomes obsessed by the idea that he has portrayed her and that everyone is talking about it. She doesn’t read the book, which might be a reasonable reaction, but she destroys a few copies and roots through George’s desk trying to discover his secrets. There she finds an article about a missing teenager in Maine and immediately begins to believe that George, who periodically visits a cabin in the same town, has had something to do with it.

This novel takes a deep look at the psychological behavior of a woman who is unraveling. At times it is darkly funny, sometimes tipping nearly to absurdism. Mrs. March is not likable, her behavior is often outrageous, yet it’s hard to turn away from the page.

What does this book say about wives or about the experience of being a wife?

It’s hard to answer this question, actually, because we don’t see much of George. You have to wonder in the first place what would make George give such an unpleasant character as Johanna all of his wife’s rather distinct mannerisms, especially since most of the time he seems affectionate and soothing to her. Artists can be clueless, but it also seems clear that Mrs. March is so self-obsessed that she is detached from everyone, even her son.

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What does the poor woman have to do all day except clean up things she doesn’t want her maid to see and prance around town in her fur coat shopping? It’s enough to drive anyone mad. Yet is seems that no one is stopping her from doing whatever she wants to except, possibly, the notion of how it would look if she, say, got a job.

And how things look seems to be the dominating force in her life. We get a few glimpses into her childhood where her cold mother taught her this priority.

George has his secrets, but he is really not at all important in this novel. Mrs. March is able to adjust her notion of George instantly, thinking he’s a murderer while preparing his birthday party. What a book!

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Review 2319: Trust

Trust is like a stack of nesting dolls. It is the story of a fabulously wealthy couple set in New York of the 1920s and 30s. First, it is written in the form of a novel published in 1937, Bonds by Harold Vanner, in which the couple are called Benjamin and Helen Rask. While the husband makes money, the wife is a patroness of the arts who dies in an insane asylum.

The second section of the novel consists of chapters and notes from Andrew Bevel’s unfinished “autobiography.” Bevel is the actual tycoon depicted in Bonds, and his biography reveals a controlling and almost megalomaniacal personality. In this section, the biggest difference is how unequal the couple are, with Mildred Bevel being treated as the little wife who has the harmless hobby of loving music and encouraging a few musicians. There are also sections about what a financial genius the husband is. This section was so overbearing that I could barely stand to read it.

Patience is needed for this novel, because more is revealed at each level. In the third section, we meet Ida Partenza, the ghost writer of Bevel’s biography. Her narrative is split between two time frames, the “present” of 1985 in which she is an older lady who has just heard of Mildred Bevel’s papers being available for study at Bevel House, and her memoir of working with Bevel on his book as a 20-year-old woman just after World War II. Bevel’s main concern seems to be to refute the novel Bonds, especially in regard to how it depicts his wife, and it’s true that it depicts her as dying in an insane asylum instead of a health clinic. However, to Ida’s confusion, instead of sharing with her memories of his wife or letting her interview Mildred’s friends, he seems to want her to invent things. It is in this section that the novel begins to be really interesting. Who was Mildred Bevel? What are Bevel’s secrets?

The final section is Mildred Bevel’s journal, brief passages written when she was dying in Switzerland.

This is the kind of novel that unfolds more in each succeeding section. It is about money, power, and control but especially about control. It is like glimpsing an image in a sliver of mirror that reflects differently as it moves.

I read this novel for my Pulitzer project. Trust was a cowinner for 2023 with Demon Copperhead.

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Review 2307: The Geometer Lobachevsky

In 1950 Ireland, Soviet citizen Nikolai Lobachevsky has been working in the western bogs, trying to help a team survey the bog lands. He receives a letter from the Soviet government summoning him home to take up a “special assignment.” He knows that probably means execution, so he hides on a remote estuarial island.

Readers who look for a rousing plot aren’t going to find one here. Nothing much happens except for work and exact observations. First, Nikolai is helping with the surveying. Later, he helps farm seaweed. But he is homesick, and once he hears of Stalin’s death, he decides to return to Russia, taking a gamble that Malinkov, for whom he used to work, will pardon him for whatever sins he’s supposed to have committed.

I just felt meh about this novel, which I read for my Walter Scott project. It excels at descriptive passages, but it was hard to know Lobachevsky. Also, I am not that into strictly contemplative novels.

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Review 2306: The Midnight News

Is The Midnight News a love story? a murder mystery? an espionage tale? a story about a dysfunctional family? an exploration of how the stress of war affects people psychologically? I’m not telling.

Charlotte is the daughter of privilege. Her father is a peer and a member of Parliament with an important war job. But Charlotte has chosen to work as a typist in a government office and live in a respectable but middle class boarding house.

It is the Blitz, and Charlotte’s home is in a dangerous area south of the Thames. She and the other residents of the house have been spending their nights on the lowest level of the house.

The novel starts slowly. Charlotte spends a day with her best friend, El, who has been elusive lately. Then El is killed in the Blitz. Charlotte goes to visit her godmother, Saskia, after she hears that a well-known actress, a schoolmate, has also been killed. Then Saskia dies, too. Charlotte has noticed a square gray man in several different places and comes to believe he is following her and killing people she is close to. This may seem like a wild idea, and since Charlotte has begun hearing the voices of her dead friends and has a history of mental illness, we begin to worry about her.

Then there is Tom, the son of an undertaker whom Charlotte has noticed feeding the birds. He is waiting to hear about a scholarship and a place at King’s College, but notifications are delayed because King’s has been hit in the Blitz. He is in love with Charlotte but thinks she is above him.

Is Charlotte being followed or is she paranoid? Is there something else going on? This novel eventually because a fast-moving, tightly plotted, and satisfying tale.

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Review 2298: Libertie

Libertie is an African-American girl growing up in pre-Civil War Brooklyn. Her mother, Mrs. Sampson, practices as a homeopath and has been training Libertie in the use of plants. Her great desire is for Libertie to study medicine and become the first African-American woman doctor.

But Libertie seems to be a person who only knows what she doesn’t want. She doesn’t want to study medicine, but her mother arranges a course of study for her at a college in Ohio for African-American students, without consulting her. She is the only girl in the science department. There she decides to punish her mother for sending her away by neglecting her studies. She spends her time trying to figure out how to fit in with one group or another and finally settles on girls nicknamed the Graces, two women with beautiful singing voices.

The novel is mostly concerned with the relationship between the two women—the mother constantly pushing, disapproving, eaten up with ambition for her daughter but with no regard for what her daughter wants, the daughter seeking approval but rebelling at the same time, with no ambitions for her own life. This relationship becomes even more difficult when Libertie comes home after a year at college, lying about her results, and meets Emmanuel Chase, her mother’s protégé from Haiti.

I was uncomfortable with this book, I think, partly because of its first-person point of view. I don’t like historical fiction that makes its heroines modern, and there is nothing 19th century about Libertie’s narrative, especially when it comes to sex. But even more than that, it didn’t help that neither Libertie nor her mother is a particularly appealing character or that all of Libertie’s life decisions are poor ones. A 21st century young person might fritter away the opportunity that her mother is struggling to provide her, for example, but I can’t imagine a 19th century one, with her knowledge of what her people have been through, would. Libertie behaves more like a spoiled 21st century child than someone who in the 19th century would be considered a young woman.

Finally, Greenidge says this novel was inspired by the first African-American woman doctor in the States, but I kept wondering who it was meant to be. Mrs. Sampson herself is not a qualified doctor, and Libertie purposefully sabotages her opportunity in pre-med.

I read this novel for my James Tait Black project.

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Review 2297: Killingly

Killingly is loosely based on the true story of a student’s disappearance from Mount Holyoke College in 1847.

Bertha Mallish has vanished, but the readers realize that her best friend Agnes Sullivan seems to know something about it. The river has been dragged, but no trace of Bertha can be found.

Bertha and Agnes are the campus misfits. They are hard workers who don’t socialize and are from poor families. However, the last few months they have become very close.

Dr. Hammond, who had been courting Bertha, has arrived at the college with Reverend Mallish, Bertha’s elderly grandfather, and Florence, her much older sister. Florence and Agnes don’t like Dr. Hammond, who quickly develops an obsession about the case, hires a private detective, and behaves as though he’s in charge of the investigation. He becomes suspicious of Agnes.

Beutner is very skillful in how she slowly unfolds the story and reveals what happened to Bertha. She draws you in to a story that is sometimes affecting, sometimes suspenseful. The novel is involving, and I look forward to reading more by Beutner.

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Review 2295: Frederica

I didn’t set out to reread Frederica, but the Folio Society just brought out a couple of beautiful editions of some of Heyer’s books, so I had to buy them. My original review is here, but I thought I’d talk about some things that struck me this time around.

Heyer has a great sense of humor, and I was tickled by the situation that brings about the climax of the book. Frederica has spent a good deal of ill-afforded money and enlisted Lord Alverstoke’s help with the aim of making a good match for her beautiful but dim-witted sister, Charis. Unfortunately, Charis has fallen in love with Endymion Dauntry, Alverstoke’s handsome but stupid heir. Frederica is skeptical of Charis’s affections because she has fallen in love many times before. Endymion has convinced himself that Alverstoke would prevent the match by having him sent on a mission. Not only does Alverstoke have no power to do so, but he doesn’t really care who Endymion marries. He thinks Endymion isn’t serious because he hasn’t consulted him about getting married.

The incident with the dog in the park

Endymion is friends with Harry, Charis’s and Frederica’s brother, and the two have been confiding their star-crossed misfortunes to him. Frederica makes him angry for some trivial reason, and he suddenly realizes he is Charis’s guardian. So, the three of them stage a totally unnecessary runaway marriage.

Felix and Jessamy, Frederica’s young brothers, are especially delightful characters. Heyer is an amusing writer and a master of silly situations such as the one that Charis and Endymion create for themselves.

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Review 2288: Arabella

Merry Christmas, everyone! Here’s a romp for Christmas Day.

The vicarage children are excited to learn whether their mother’s best friend will invite their sister Arabella for a season in London, in the hopes she can make an eligible match. The invitation arrives from Lady Bridlington, and then the worry is that the upright Reverend Tallant will not allow her to go.

Soon Arabella is on her way to London from Yorkshire. But the perch of her uncle’s old carriage breaks, and she sees nothing wrong with going to the nearest house for shelter. Unfortunately, it is the hunting box of Robert Beaumarais, a leading figure in society and a very wealthy man, who assumes she is one of many girls trying to make his acquaintance. When she hears him saying this to his friend Lord Fleetwood, she says she is the rich Arabella Tallant, who hoped to be unrecognized in London.

Beaumarais sees through this lie but maliciously lets the indiscreet Lord Fleetwood think he knows about her. He also decides to make her debut a sensation. Soon, Arabella is a success but doesn’t dare accept anyone’s proposal because she realizes that they all think she is rich, whereas she has no money at all.

Although she is in an awkward position, she is enjoying herself. But then her brother Bertram, who is supposed to be at Oxford, arrives and begins to get himself into financial difficulties. To make things worse, Arabella has begun to realize she cares for Beaumarais and is afraid to admit her deceit.

Arabella is an adorable heroine, and Beaumarais a likable hero, as he fondly watches her dig herself deeper into trouble, hoping she will confide in him. Heyer is at her best and funniest with these absurd plots.

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Review 2287: In the Country of Others

In the Country of Others tells the fictionalized story of Slimani’s own grandparents during a time of turmoil. During World War II, Amine Belhaj is a Moroccan soldier stationed in the Alsacian region of France. There he meets and marries his French wife Mathilde, and after the war, they go to live in Meknes, Morocco.

Mathilde finds it difficult to adjust to Moroccan life, especially once they move 15 miles out of town to live on the land Amine’s father bought and that he has dreamed of cultivating. Mathilde struggles to fight the total loss of power expected of an Arab wife. Amine can sometimes be physically abusive. Also, he works hard and spends all his time and money on the orchards. Mathilde would like to go into town and have some fun sometime. As what is considered a mixed-race couple, they are mocked on the street.

The narrative shifts mostly to her daughter Aïcha when she is a young girl starting school. Her parents send her to a Catholic school where she is mocked by her French schoolmates. She hates her kinky hair and is terrified when her parents leave her at school the first day.

As it gets into the 50s, the Moroccans move closer to war when France ignores their desire for independence. French people and homes are attacked.

This is a novel about sex and power. Although Mathilda doesn’t want Aïcha to be raised as a submissive woman, she finds herself forcing her sister-in-law Selma into marriage with an old man when Selma is deserted by her young French lover. It is also about power in terms of who will control the country.

It is an interesting story that’s told in a dispassionate way, keeping me from totally identifying with any of the characters. It’s clear toward the end that Aïcha is identifying with the native Moroccans rather than the French, even though she is half and half, but Slimani herself doesn’t seem to take any sides, either in war or in sexual politics, even though she clearly wants more for Moroccan women.

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