Day 374: A Plague of Lies

Cover for A Plague of LiesA Plague of Lies is the third in the mystery series set in 17th century France and featuring Charles du Luc, a master of rhetoric at the Louis le Grand school in Paris.

Charles is dismayed when he is summoned to escort Père Jouvancy to the court at Versailles to present Madame de Maintenon with the gift of a holy relic. Madame is angry with the Jesuits because the King’s confessor, Père la Chaise, convinced the King not to give her the title of Queen, so the gift is an attempt to regain favor. Although Charles disapproves of what he sees as the Sun King’s constant self-glorification, he must escort Père Jouvancy, an old man who is just recovering from an illness that is raging through Paris.

On their way to Versailles, Charles and Jouvancy encounter Lieutenant-Général de la Reynie, head of the Paris police, whom Charles has assisted on occasion. La Reynie asks Charles to keep an eye on the Prince of Conti while he is there and to listen to what is said about him.

Once at court, though, Père Jouvancy has a relapse, and Charles comes close to witnessing the death of a much-disliked man, the Comte de Fleury. Apparently, he too was ill and running for the latrine when he slipped on the wet floor and fell down the stairs. The rumor is that he was writing a scandalous memoir, and poison is immediately mentioned. When the other members of Charles’ party fall ill, there are more rumors of poison, but all the men seem to just have food poisoning.

De Fleury does appear to have been poisoned, however, and Charles observes several people going in and out of his room, including the Duc du Maine, son of the King. Charles finds himself getting embroiled in the problems of the Duc’s sister, Mademoiselle de Rouen, who is soon to be engaged to the son of the King of Poland and is not happy about it. Charles also observes Conti behaving suspiciously. Next, a gardener is found drowned.

The novel presents us with a convoluted plot but also with a fascinating portrait of the court at Versailles. Rock’s knowledge of the period, even of how the places she describes would have appeared at that time, seems convincingly complete. Her novels are always absorbing.

Day 235: The Eloquence of Blood

Cover for The Eloquence of BloodIn the second of Judith Rock’s series, the Louis le Grand school run by the Jesuits is under financial hardship in this cold winter of 1686. On a visit to Monsieur Callot to ask for a contribution to the alms budget, rhetorician Charles du Luc meets a lovely young woman, Martine Mynette.

Martine’s mother Anne has recently died, and Martine is very concerned, because Henri Brion, a notary and Monsieur Callot’s nephew, has been unable to find a copy of Martine’s donation entre vifs. Because Martine is adopted, according to French law of the time she cannot inherit, so the only way her mother could leave her an inheritance is through this document. The copy usually hidden in the house is gone, and M. Brion is looking for his own copy.

When Charles relates this story to the school’s rector, Pére le Picart, the rector is dismayed because the Jesuit order was expecting the money through a bequest by Anne Mynette’s father. If a donation entre vifs exists, the school will not be entitled to the bequest. Another concern is that M. Brion is the same person who has supposedly been following up on the order’s claim. The rector sends Charles to the Brion’s house to find out what is going on.

Charles finds the area in disorder. Martine–a neighbor of the Brion’s, and Isabelle Brion’s best friend–has been murdered. No one has seen M. Brion. Isabelle is concerned because her father was trying to force her brother Gilles to marry Martine, which gives Gilles a motive for murder.

In addition to finding out about the bequest, Charles is assigned to follow the investigation into Martine’s murder. There are rumors on the street that the Jesuits murdered Martine for the money, and Paris seems to be entering one of its periodic convulsions against the Jesuit order.

As usual for the two books in this series, the historical details seem convincing and interesting. The novel is well written and keeps you involved. One very small caveat that I did not notice in the first book–Rock explains even the simplest French, which is annoying.

Day Four: The Rhetoric of Death

Cover for The Rhetoric of DeathOne of the many surprising things I learned from the historical mystery The Rhetoric of Death by Judith Rock is that an important part of the curriculum of 17th century rhetoric, as instructed by the Jesuits, was ballet. I don’t quite get the connection, but there it is. This novel, written by a historian whose dissertation is about the Louis le Grand in Paris, is full of interesting details about life in 17th century France.

Charles du Luc, a Jesuit maître of rhetoric, has had a position arranged by his cousin, the Bishop of Marseilles, at the famous Louis le Grand school. Du Luc isn’t really qualified to be employed by such an esteemed school, but the bishop wants to get him out of Provence because Charles has just finished helping smuggle his Huguenot cousin from there to Switzerland.

The school is two weeks away from its annual performance, an enormous, lengthy (some were as long as 12 hours) ballet and rhetoric production of The Labors of Hercules that will be attended by the king himself, and du Luc is assigned to assist with the dance rehearsals. On his first day, the distracted student who is to play Hercules runs off from the rehearsal and disappears. On the same day, his little brother is almost run down by a horse. Charles thinks these two events may be connected and is even more sure when the first boy is found strangled in a latrine.

At the same time Charles finds himself under suspicion from the authorities because he was the last person to see the first boy alive and was on the scene right after the second boy was almost run down. He is also facing hostility from a fellow member of the Jesuit school who takes an instant dislike to him, a member of the powerful De Guise family.

This novel does a good job of making the period come alive. Unfortunately, the mystery is not nearly as effective as the history. I figured out the motive and the person behind the murders on about page 50. Shortly thereafter I figured out who the actual murderer was. However, the test for me on a mystery, since I often figure out the solution, is whether I am still interested in reading it. In this case, I found the characters, story, and historical background interesting enough to finish.