Tag: lesbian fiction

Day 1207: White Houses

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Cover for White HousesAmy Bloom’s latest novel, White Houses, leads me to a topic that I’ve mentioned before. I think it is important, when writing fiction about real people, to keep their characters true to that of the original person. Historians disagree about whether Eleanor Roosevelt’s warm friendship with Lorena Hickok was a full-blown lesbian affair. Those who believe it was, base their supposition on Eleanor’s exuberant letters. Those who do not, base it on Eleanor’s dislike of being touched. I think that’s significant, and I think people these days misinterpret the tone of letters from earlier times, when friends expressed themselves more affectionately than we do.

Amy Bloom has chosen to believe that the women’s relationship was a lesbian affair, and that’s what White Houses is about—and all that it’s about. It is written from the point of view of Lorena Hickok—or Hicky, as she was called.

link to NetgalleyThe novel paints a relatively convincing portrait of Eleanor, although I don’t buy the bed bouncing, and it is a sad story and ultimately touching. Its premise, though, makes me uncomfortable for the reasons stated above.

Franklin does not appear in a positive light, and in terms of their marriage, he should not. The character study of Hicky as a downright, plain-speaking reporter who gave up her career for love is a good one, and one I can believe.

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Day 694: The Paying Guests

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Cover for The Paying GuestsSarah Waters builds on some of her themes from Affinity in the post-World War I novel The Paying Guests. Frances Wray lives with her mother in the family home, a large house that is getting a little seedy. Since the death of Frances’ father, they have had to dispense with servants, and Frances does all the housework herself. Now they have been forced to take in “paying guests,” giving up most of the top floor of their house to be their lodgers’ apartment. The lodgers are a young couple, Leonard and Lilian Barber.

Frances did not see her life like this. Not so long ago, she was in love with a friend, Christina, and they planned to make a home for themselves. But after the death of her father, Frances discovered he had lost all his money, leaving her mother nearly destitute, and she decided to stay to help her mother. Now she feels as if Christina and her new friend Stevie are leading the life she and Christina planned.

Class is an important issue in this novel and comes up constantly. Frances and Mrs. Wray feel they’ve been deceived when they take stock of their new guests, who are considerably less genteel than they thought. Frances often refers to them as being in the clerk class, but Lilian’s family is considerably more common. On the other end of the class scale, Frances has to wait to do her housework when her mother is out, because it appalls her so to see her daughter doing physical work. Her mother herself does none.

Different classes or not, Frances and Lilian tentatively develop a friendship. Soon, though, their relationship becomes a love affair. Frances wants them to run away to lead their own lives, but Lilian thinks she is fantasizing. Soon, their plans put them into peril.

This novel creates a fully realized time and place, with reference to many of Britain’s post-war issues. Unemployed soldiers on the streets are a problem as well as a growing sense of a less-ordered society.

I found Frances to be an interesting character but was less interested in Lilian, who seems more formless. I found the story compelling, though, wondering how the women would get through a difficult situation.

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Day 324: Trick of the Dark

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Cover for Trick of the DarkCharlie Flint is a profiler who is on probation because her testimony freed a man who went on to murder four women. She is asked by Corinna Newsam, her old tutor, to investigate the lesbian lover of the tutor’s daughter, Magda. Corinna Newsam thinks that this lover, Jay Stewart, may be a serial killer, because several people who were in her way conveniently died, including Magda Newsam’s husband on the night of their wedding.

Charlie finds herself attracted to a woman she meets in a seminar. (Spoilers follow in this paragraph and the next. I usually don’t include spoilers, but these are integral to my criticism.) This woman is clearly manipulating her from day one, and in the course of her investigation, Charlie violates the confidentiality of the people she is investigating by confiding in her. Of course, without this happening, there wouldn’t be a plot, but it is still the crux of my problem. I don’t think it would be likely that a person in her position would make the mistake of confiding information on a sensitive case to a new acquaintance, even if she is dating her.

It is the nature of this violation that bothers me most, as it is extremely unprofessional and I felt it unlikely from a profiler. Of course, the woman actually turns out to be connected to the murders, and this coincidence also bothered me.

Finally, I am reluctant to say this for fear it will be misconstrued, but at least five characters are fretting about their sexuality. These characters are lesbians, but I don’t enjoy this kind of emphasis in heterosexual literature either.

I am a big fan of the Tony Hill/Carol Jordan books, and I also like the Kate Brannigan series by McDermid. I know she has a Lindsay Gordon series, but I don’t think I have read any of those. McDermid has written some of the best stand-alone thrillers I have ever read, particularly A Place of Execution. I was disappointed not to enjoy this novel as much.

Day 211: Affinity

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Cover for AffinitySarah Waters is great at constructing compelling plots and characters who fascinate even if you dislike them. In Affinity, Margaret Prior begins visiting the woman’s ward of Millbank Prison as a volunteer in an effort to become more active after a year of depression. As with many Victorian charities, the point of this volunteer work is to set the inmates the example of a proper upper-class woman and to make sure they have religious training. Margaret is despondent because her father treated her like an equal and employed her as his assistant, but with her father’s death, she is left with a mother who apparently despises her and with no work or purpose.

Margaret becomes fascinated with a prisoner named Selina Dawes, a spiritualist found guilty of complicity in her sponsor’s death as well as fraud and assault. Although initially skeptical of Selina’s abilities, Margaret begins to experience strange, unexplainable events. Not only does she become convinced of Selina’s powers, but she believes she is innocent.

As Margaret’s obsession grows, she devises a daring escape plan for Selina.

Waters’ depiction of London in Victorian times is convincing, and the atmosphere of the novel is grim and foreboding. Although I was not at all sympathetic to Margaret, I was engrossed by the story and particularly interested in the explanation, if there was any, for the apparently psychic phenomena in the novel.