Tag: London

Day 299: Moriarty

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Cover for MoriartyI thought the idea of a novel written from the point of view of Sherlock Holmes’ nemesis, Professor James Moriarty, was an interesting one, but since I always found the Moriarty plot tedious, I now wonder why I thought so. When I opened the book cover to find that John Gardner is the author of many, many series novels and Moriarty is one of them, I was further dismayed, not generally being a fan of series writing (although I have a small number of favorites) and being even more skeptical of someone who writes many different series. Moreover, don’t be mislead into thinking this is a Sherlock Holmes mystery–this novel is missing Sherlock Holmes entirely and it isn’t really a mystery.

The novel opens with two introductions, both putting forward the pretense that the novel  is based on newly discovered diaries of Moriarty, which cannot be reproduced because of their vile content. I suspect the truth is that Gardner found himself unable to sustain a convincing 19th century writing style, this hunch seeming to be confirmed by the modern writing style of the book and the dialogue.

The plot concerns Moriarty’s attempts to re-form his criminal empire after an absence of several years following the Reichenbach Falls incident, in which, if you’ll remember, Conan Doyle attempted to kill off both Holmes and Moriarty. In Moriarty’s absence, other criminals have taken over his various enterprises.

Although not badly written, the novel completely failed to capture me. I was not interested in any of the characters and in fact thought they made unconvincing and boring criminals. One incident early in the book that is artificially spun out by going back and forth in time and place is confusing, and such a device seems totally unnecessary.

All in all, I found the novel tedious and only finished about a third of it before quitting.

Day 289: Birds of a Feather

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Cover for Birds of a FeatherMaisie Dobbs is a “psychologist and investigator” solving cases in post World War I London. Birds of a Feather is the second book in the series by Jacqueline Winspear. Maisie’s background is unique, in that she is a former serving girl who was taken up by a mentor, educated, and trained in some unusual techniques to use in her investigations.

Maisie accepts the case of a wealthy owner of grocery stores, Joseph Waite, to find his daughter Charlotte, who is in her 30’s, and return her home. As Maisie investigates the case by locating Charlotte’s friends, they begin dying. At each crime scene, a white feather is left. White feathers were traditionally given to young men during World War I to shame them into enlisting, as they are a symbol of cowardice.

I read the first book in this series, Maisie Dobbs, and was not enthralled with it, so I only read this novel because it was chosen for my book club. I finally decided that I like the book a little, but it certainly has its flaws. Winspear is not very good at delineating Maisie’s character, I feel. Maisie also speaks surprisingly modern American English for a British woman in the 1930’s.

The biggest problem I have with Maisie, though, is that the unusual skills she has picked up to use in her investigations are far too New Agey to be convincing for a character in the 1930’s. It does not help my enjoyment of the novel, I fear, that I find many New Age ideas irritating.

In addition, it makes no sense to me at all that no one seems surprised to find the detective is a young woman. Even in P. D. James’ classic An Unsuitable Job for a Woman, written in 1972, characters express surprise to find a woman in that role. All-in-all, this makes too many anachronisms in the series to suit me.

Finally, I know this is a silly quibble, but I feel that Winspear spends too much time describing Maisie’s clothes.

Day 261: Blue Monday

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Cover for Blue MondayI never read Nicci French before and was at first irritated by Blue Monday because the reader is introduced to several characters, using a shifting third-person limited narration, without understanding who they are or why they’re important. Eventually, though, I was able to fasten on Frieda Klein as the main character.

The novel begins in 1985, with nine-year-old Rosie going home from school, followed by her five-year-old sister Joanna. Rosie takes her eyes off Joanna briefly, and the little girl is gone.

Twenty-two years later, a little boy, Matthew Faraday, disappears on his way home from school after his mother is late picking him up. Although at first the crimes don’t seem to be connected, Detective Chief Inspector Karlssen thinks they may be.

Psychiatrist Frieda Klein has recently taken on a new patient, Alan Dekker, who claims to be having such troubling obsessions that he can’t sleep or function correctly. They are about having a son, a boy he can play ball with. He is unable to have children but he doesn’t want to adopt. He obsessively wants a son, one who looks like him as a boy–exactly like the missing Matthew Faraday.

Confidentiality laws apparently not being exactly the same in England as they are in the states, after some soul searching, Frieda feels she must go to the police. Karlssen is impatient with her until she tells him that Alan had these feelings once before about having a daughter but they went away–just around the time of Joanna’s disappearance.

This psychological thriller, which is the first in a series, turns out to have a couple of twists I have never before encountered, so proved to be very interesting. Frieda is an unusual heroine, a cold, analytical person who roams the streets of London at night because of insomnia. I think it would be well worth it to continue reading books in this series.

Day 221: The Postmistress

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Cover for The PostmistressIn The Postmistress, Frankie Bard is a radio reporter working with Edward R. Murrow in London at the beginning of World War II. She meets an American doctor during the Blitz who has left his new wife at home to come help in London, inspired by Frankie’s broadcasts. He gives her a letter for his wife right before he is hit by a car and killed.

Instead of mailing the letter, Frankie carries it around Europe for three months while she interviews Jews who are fleeing their countries. All that time, the wife, Emma Trask, doesn’t hear from her husband and is not notified of his death. Frankie also witnesses the murders of innocent people by Nazis and never reports them. She just goes home.

In the doctor’s small Massachusetts home town, the postmistress is Iris James. She doesn’t seem to be that important a character, although the book surrounds her with this great mystique that she is the center of the village because she knows all its secrets. What she actually does is withhold a letter to Emma from Dr. Trask’s landlady saying that he has disappeared, and she does this because Emma is pregnant.

I felt this book was entirely frustrating, because I found the characters’ actions inexplicable. What kind of person carries a letter for someone else around in her pocket for three months without mailing it? What kind of reporter witnesses the deaths of innocent people and doesn’t tell anyone about them? A postmistress who withholds a letter from its recipient is disobeying federal law, and I suggest that the upright, responsible Iris wouldn’t think of doing that, let alone reading the letter in the first place. And who would decide it is better for a wife to be left in limbo for years? Trask has already deserted her for the war with very little explanation, which is traumatic enough.

Everything pivotal in this novel seems like a contrivance to me. In addition, the novel that is supposed to be about the postmistress gets hijacked by the reporter, whose actions throughout are irrational. I also feel as though too little attention is paid to the details of life during the war. Frankie’s journey to the continent during the height of German occupation seems to be completed with very little difficulty, and in record time. One reader on Amazon points out that Frankie and her London roommate Harriet have a refrigerator in the room, even though they were uncommon in England in the 1940’s. In other respects, the characters seem oddly untouched by the war. Although Sarah Blake wrote another novel that I enjoyed very much, Grange House, I cannot recommend The Postmistress.

Day 211: Affinity

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Cover for AffinitySarah Waters is great at constructing compelling plots and characters who fascinate even if you dislike them. In Affinity, Margaret Prior begins visiting the woman’s ward of Millbank Prison as a volunteer in an effort to become more active after a year of depression. As with many Victorian charities, the point of this volunteer work is to set the inmates the example of a proper upper-class woman and to make sure they have religious training. Margaret is despondent because her father treated her like an equal and employed her as his assistant, but with her father’s death, she is left with a mother who apparently despises her and with no work or purpose.

Margaret becomes fascinated with a prisoner named Selina Dawes, a spiritualist found guilty of complicity in her sponsor’s death as well as fraud and assault. Although initially skeptical of Selina’s abilities, Margaret begins to experience strange, unexplainable events. Not only does she become convinced of Selina’s powers, but she believes she is innocent.

As Margaret’s obsession grows, she devises a daring escape plan for Selina.

Waters’ depiction of London in Victorian times is convincing, and the atmosphere of the novel is grim and foreboding. Although I was not at all sympathetic to Margaret, I was engrossed by the story and particularly interested in the explanation, if there was any, for the apparently psychic phenomena in the novel.

Day 205: The Journal of Mrs. Pepys

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Cover for The Journal of Mrs. PepysI began reading Samuel Pepys’ famous diaries years ago, but found it difficult to understand many of the oblique references to events of the time and found many of the entries very trivial. There was also a whole lot of drinking going on. However, I thought I’d give the fictional journal of his wife a try by reading The Journal of Mrs. Pepys: Portrait of a Marriage by Sara George.

The journal follows the course of the Pepys’ marriage and their rise in prosperity. George was careful to follow closely the events related in Samuel Pepys’ diary, which somewhat hampers the plot. The novel looks at these events from the point of view of Elizabeth Pepys, particularly how she reacts to her husband’s frequent absences and philandering.

The novel provides an interesting insight into the events leading up to and during the Restoration–particularly the eagerness with which the populous welcomes Charles II to the throne and the rapidity with which they tire of the court’s profligacy and debauchery.

Also of interest are some of the customs observed. I was intrigued by how freely the Pepyses behaved with their servants, treating them as if they were friends and then getting into spats with them for taking liberties. Also of interest were some of the social behaviors, like the celebration of Valentines Day, where women picked their valentines, who then had to buy them expensive gifts. And then there were the freedoms of male friends to walk up into ladies’ bedrooms or of both sexes to share bedrooms on a trip away from home without any indication of scandal.

Written mostly in modern English, the novel manages a fine balancing act between understandability and the correct use of outdated terms or terms that have changed their meanings with time.

Although I found the novel interesting enough, by nature of the concept, it could not follow the traditional plot structure of a series of building climaxes. There is a climax at the end, but generally the novel stays fairly level.

Day 194: Burning Bright

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Cover for Burning BrightI’m afraid I cannot read any book by Tracy Chevalier without thinking of the purity of the character she created in Girl with a Pearl Earring. Unfortunately, I haven’t read a book by her that was as good, but I keep hoping for one.

In Burning Bright, set in 18th century London, Jem Kellaway, a young lad from the country, moves with his family into Lambeth. They settle into a row house owned by Kellaway’s new employer, next door to the poet and artist William Blake and his wife.

Jem befriends a London street urchin named Maggie Butterfield, and they spend some time with the Blakes. These two children are meant to represent Blake’s ideas of innocence and experience.

Jem’s father has taken a carpentry job with Astley’s Circus. Unfortunately, Jem’s sister Maisie soon attracts the eye of John Astley, the rapscallion son of the circus owner.

Most of the action of the novel centers around the unease generated in England by the French Revolution. Blake’s unusual publications have made him appear to be seditious, and he and his family are threatened as the hysteria rises.

Unfortunately, the characters and story are not very interesting, and William Blake is almost incidental to the novel. The novel does nothing to make the mysterious Blake more understandable to us.

Day 188: The Nature of Monsters

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Cover for The Nature of MonstersClare Clark seems to be fascinated with shit. Her first book, The Great Stink, featured a mystery during the digging of the London sewer system, and it seemed to revel in descriptions of filth. The Nature of Monsters also spends a great deal of time describing the sanitary conditions of 18th century London.

The novel begins with a description of the 1666 Great Fire of London and the subsequent birth of a disfigured child. This opening is perplexing, and it takes you awhile to figure out the connection to the rest of the novel.

It is 1718, and Eliza Tally has essentially been sold by her mother to a wealthy man’s son, although they first perform a semi-legal marriage ceremony. When Eliza gets pregnant, her mother goes to the man’s father to negotiate a settlement. The results are not what she expects, as Eliza is sold into servitude in London as a maid for an apothecary, whom she thinks is supposed to rid her of her child. But he has other plans.

Eliza is trapped in a bizarre household. She is never allowed to see the apothecary. His wife, Mrs. Black, is intimidating and maintains an iron control over the household. The apothecary has a slimy assistant, and the only other servant is Mary, a mentally handicapped girl. The atmosphere of the house is dark and creepy.

Convinced that he is a scientist and that he is making scientific experiments, the apothecary believes that what a pregnant woman experiences determines the formation of her child. Since he has a handy pregnant woman in his house, he decides to use her for his experiments. Clark has written another disturbing but well-written and suspenseful novel.