Review 2684: Wolfe Island

For quite a while, I wasn’t sure whether Wolfe Island is a contemporary novel or a dystopian one set in the near future. Eventually, it became clear that it is dystopian. It was published in 2019, but we are so much nearer now to its reality that it’s scary.

Kitty Hawke has lived on Wolfe Island in Chesapeake Bay almost all her life. It was once thriving, the home of watermen and their families and summer tourists. Now, with the rising waters, she is the only person left. She is an artist who makes sculptures out of found objects, and her only company is her wolf-dog Girl. All the houses on the island but hers are ruins.

Kitty tried to live off the island when she married Hart, but away from the marshes she couldn’t create, and she felt like an outsider. Once her daughter Claudie was a teenager, she left her family to return to the island, causing a break with Claudie.

During a storm, some people arrive on the island, three teenagers—two boys and a girl—and a little girl. Kitty recognizes the teenage girl as one who asked her questions when a school field trip came to the island. It turns out, she is Kitty’s granddaughter Cat, whom Kitty has never met. With her are her boyfriend Josh and Luis, a Hispanic young man, and his little sister Alejandra. Cat explains that she and Josh illegally drive people north, but they need to lie low for a while.

Luis and Alejandra are illegal aliens. Their father disappeared and their mother has been arrested. They are trying to find their mother, in a climate where ordinary citizens are challenging people to produce their papers and men are running around shooting anyone who looks foreign. Rising waters have ruined the soil of many farms, places are abandoned, and people are flocking north.

The young people move into a nearby house, and they stay there for several months while Cat is pregnant and eventually has the baby. But soon afterward, it becomes clear that someone has found them.

This is a really engaging and occasionally exciting novel. I’m having to eat my words about being sick of dystopian novels, as two of the best novels I read lately are dystopian, and this is one of them.

Related Posts

Prophet Song

Greenwood

Salt Creek

Day 1199: Salt Creek

Cover for Salt CreekBest of Five!
Ten years after she left Australia in 1862, Hester Finch recollects the seven years her family spent in the Coorong, at Salt Creek, southeast of Adelaide. Her father brought the family there after all of his other business ventures had failed.

Originally from genteel stock, Mrs. Finch is appalled by the rusticity of the station, as are her children. Mrs. Finch, who moved to Australia for the sake of her husband, is depressed and apathetic, so Hester, the oldest girl, must take her place doing the housework and educating the younger children. Mr. Finch considers himself a godly man who must do his duty by bringing the natives to Christianity, so they take in a mixed race boy named Tully.

Life is difficult, and it slowly gets worse. Although Hester falls in love with Charles, a young artist doing a survey of the area with his father, she decides that she will never allow her fate to be determined by another.

As Hester tries to figure out a way to leave Salt Creek without abandoning her younger brothers and sisters, events occur that make the family understand the kind of man their father is.

Some readers may need patience for the beginning of this novel, as it is mostly setting the stage for events to come. I found the plaintive tone of the novel at first a little depressing. However, just before the halfway point, events get going, and the novel becomes absolutely gripping.

Although Treloar states that the novel is based very loosely on her family’s beginnings, the characters in the novel are completely fictional except for four of them. Those characters make up a subplot that involves an actual murder.

I felt the novel lacked descriptions that would give ideas of the appearance of the place (references are made to its beauty, but I was unable to form a mental picture), but the daily existence of the characters is fully realized. This is at times a harrowing read for my Walter Scott Prize project, but it is certainly worth it.

Related Posts

The Orchardist

Rush, Oh!

All the Birds, Singing