Review 2277: Literary Wives! Hamnet

Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

My Review

Hamnet is a reread for me for Literary Wives, so if you would like to revisit my original review, including the synopsis of the plot, it’s at this link. Let me also comment that it was one of my Top Ten Books two years ago.

What does this book say about wives or about the experience of being a wife?

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There are several reasons why people assume that William Shakespeare’s marriage to Anne Hathaway (whom O’Farrell calls Agnes) was not a happy one. She was several years older than he and pregnant when they married; they lived apart most of the time; he left her his second-best bed (which is misunderstood). But Maggie O’Farrell chooses to take another point of view, that it was a love match.

The novel alternates chapters between the history of their relationship and their son Hamnet’s last days. Then it switches gears to show the aftermath of his death. By the way, Shakespeare is never mentioned by name.

In this novel, Agnes is a wise woman who knows all the healing herbs and can see into a person’s mind by grasping the muscle between their thumb and forefinger. She is thought to be strange and a witch. When she grasps Will’s hand for the first time, she sees vastness.

But Will has a hostile relationshp with his father and dreams of other things than being a glover. When he becomes depressed because he has no work, Agnes puts her head together with her brother Bartholomew, who suggests he be sent to London to sell gloves for his father. Will soon finds his element in London and plans to move the family there when he can afford it. But because of Judith’s poor health, the family can’t follow him there.

But the novel sticks at home, where he visits when he can, sometimes as long as a month—until Hamnet dies.

The novel depicts an Agnes otherworldly but confident in her relationship with Will until Hamlet’s death creates a break. Her grief is so excessive and he can’t bear to be reminded of his son, while she wants only to remember him.

This novel paints a moving depiction of grief and of how Shakespeare’s play eventually creates a mutual understanding. It’s a powerful novel, and there is probably a lot more to say about it, but I find myself unable to convey much more.

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Review 2194: The Marriage Portrait

Maggie O’Farrell’s latest novel is loosely based on the life of Lucrezia di Cosimo de Medici, who in 1560 at the age of 15 went to Ferrara to take up her married life with Alfonso II d’Este and was dead within a year, rumored to have been murdered by her husband. None of this is spoiler information. It’s explained before the novel begins.

At the beginning of the novel Lucrezia arrives at a remote country fortress with only her husband and some of his men. Her personal maids have been left behind. Lucrezia is sure her husband is going to murder her.

Then the novel returns to trace her childhood and young womanhood in the Medici family. There, she and her sisters are brought up entirely confined to a few rooms of the house and occasionally allowed outside. On the other hand, she has the example of her parents’ marriage, still loving, with both parents collaborating even in political decisions.

Lucrezia is not a favorite child. She has a core of resistance in her, and she prefers painting small, detailed pictures from nature to social pursuits. Fatefully, when she is ten, she briefly meets her older sister Maria’s fiancé, Alfonso II, heir to the Ferrara dukedom. When Maria dies before her marriage, Alfonso says he is open to taking Lucrezia instead, although she is only thirteen.

At fifteen, she marries Alfonso and travels with him to Ferrara to begin her marriage. At first, all seems well. His initial encounter with her was reassuring and he seems kind. Of course, she has to deal with knowing no one except her maid and not even understanding the servants’ dialect. Clothing and hair styles are different. And although she has much more freedom, she begins to learn that Alfonso’s ideas of marriage aren’t like her parents’. He wants her to obey him immediately no matter what he asks, and he doesn’t tell her what’s going on or want her to know anything. She appears to have no responsibilities, so she spends her time painting or socializing with his two sisters.

But slowly she learns that she only has one role in the family—to produce an heir. And Alfonso is known never to have fathered a child. Also, Alfonso is not as benign as he first appeared.

I found this novel absolutely fascinating with its convincing portrait of life in Renaissance Italy. The descriptions are detailed, and although Lucrezia is naïve, she is also a person who notices things. With growing dread, we observe her trying to make sense of this new world, with almost no preparation from her parents. As usual, O’Farrell is a deft writer who knows how to keep readers pinned to the page. I loved this one.

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Review 1775: My Lover’s Lover

At the beginning of My Lover’s Lover, I thought O’Farrell was writing an updated version of Rebecca, and indeed she references the movie early in the book. However, if she had that in mind at all, she moves away from it.

Lily meets Marcus at a party and feels an attraction to him. When he mentions that he needs a flat mate, she asks if she can take the room. However, when she goes to see it, she is surprised to find it still full of another woman’s possessions. She takes the room in the renovated Victorian warehouse with Marcus and his friend Aidan, but she becomes obsessed with Marcus’s old lover, Sinead. Although he refuses to talk about Sinead, Lily understands him to have told her Sinead is dead. Once Lily and Marcus become lovers, Sinead begins haunting her, appearing in the flat.

But Sinead isn’t dead. Once Lily finds that out, she goes to see her to ask her what happened. Then the story is told of the beginning and the end of their relationship.

This is another beautifully written, insightful tale by O’Farrell. Sadly, I think I have now read all her books. I’m going to have to wait for the next one to come out.

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Review 1746: The Hand That First Held Mine

Best of Ten!

It’s the mid-1950’s, and Lexie Sinclair has already made arrangements to leave her family home in Devon when she meets Innes Kent. He is a stylish magazine editor whose car has broken down on their road. When she tells him she is coming to London, he asks her to look him up. Instead, he looks her up.

Lexie takes up an exciting life as part of the Soho art scene. She and Innes are the loves of each other’s lives even though he is married. His wife has, however, taught her daughter Margo to hate Lexie even though she and Innes have been split up for years.

In present-day London, Elina and Ted have just had a baby. The birth was difficult, and Elina is having a hard time coping with the pressures of motherhood. At the same time, Ted, whose memory is notoriously poor, has begun having flashes of memory that do not correspond to what he understands of his life. Slowly, these two stories connect.

Maggie O’Farrell is always wonderful, I find, but this novel had me sobbing. It is beautiful and tragic as it explores the themes of motherhood and family secrets.

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Review 1633: The Distance Between Us

Jake, a Hong Kong Brit who has never been to Europe, is out with friends on Chinese New Year when they are caught in a crush. His girlfriend Melanie’s best friend is killed, and Melanie is gravely injured. Doctors say she will not live, so when she asks him to marry him, he reluctantly agrees even though he has only known her for four months. Of course, she does not die. The next thing he knows, he is in England staying at her parents’ house, and her mother is planning a formal ceremony for them. Having always wanted to find out about his Scottish father, he leaves for Scotland.

Stella’s too close relationship with her sister Nina is one she has to escape from sometimes. The roots of this lie in a horrible incident years ago. On one of her escapes, she takes a job at a hotel in Scotland.

This novel travels back and forth to relate incidents in both Jake and Stella’s lives and in the lives of their parents and grandparents. O’Farrell has a way with making you care about her characters as well as a gift for lyrical prose. This is another great book for her, and thus for her readers.

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Review 1627: Hamnet

Hamnet explores the impulses that went into the writing of Hamlet as well as important moments in the marriage of Anne Hathaway and William Shakespeare. It focuses on grief from the death of a beloved son.

The similarity in the name of Shakespeare’s son to that of his most famous protagonist is obvious, but I wasn’t aware until this book came out that they were essentially the same name. O’Farrell’s newest book parallels scenes from the beginning of Shakespeare’s relationship with Anne (called Agnes in the book) with the hours leading up to Hamnet’s death from bubonic plague. Then she deals with the aftermath.

At first, I wasn’t sure how much I liked all the invention going on, as O’Farrell depicts Agnes as a sort of wild child/wise woman. Then I reflected that little is known of the couple and that I was reading fiction, after all. I don’t like it when a fiction writer knowingly distorts the truth, but O’Farrell stuck fairly closely to the few known facts. The result I found extremely touching. I admit that my initial reluctance to buy in changed to my being completely rapt. This is a deft, sensitive story that concentrates mostly on Agnes’s feelings and reactions.

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Review 1536: The Vanishing Act of Esme Lennox

Best of Ten!
I’m late to discover Maggie O’Farrell, but better late than never. I’ve read a few books by her now, and she just keeps getting better and better.

Iris Lockhart is contacted by a mental hospital, which wants to find out if she can offer a home to her great aunt, Esme, who has been incarcerated there for more than 60 years. The problem is that Iris has never heard of Esme and believes her grandmother to be an only child.

Her mother now lives in Australia and has never heard of Esme, either. When Iris tries to discuss Esme with her grandmother, Katherine, who is suffering from Alzheimers, she gets a fractured response that implies Esme is her sister. In particular, she says, “She wouldn’t let go of the baby.”

Through third-person narration from Iris’s point of view, Esme’s stream of consciousness memories, and Katherine’s more fractured ones, we learn how it came to pass that vibrant and unconventional Esme was abandoned in the hospital from the age of 16. Iris is shocked to learn that Esme was incarcerated for such outrages as insisting on keeping her hair long and dancing in her dead mother’s clothes. She learns that at the time women could be committed on the signature of one doctor.

This is a shattering, sad story about a girl whose life is stolen because she doesn’t fit in. It is spellbinding as it draws you along to learn Esme’s story. This is also fascinating tale about how sisterly love turns to jealousy and anger.

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Review 1492: Instructions for a Heatwave

I’m really liking Maggie O’Farrell. I don’t know why it took me so long to try her.

In 1976 London, the country is experiencing a record-breaking heatwave. (Of course, those of us who have lived in Texas don’t think 90° F is that hot.) One morning, Gretta Riordan’s newly retired husband doesn’t return from his trip to the store. When her grown children go to the police, they find out he’s taken money from the bank account and say he is not, therefore, a missing person.

This event brings the rest of the family together for the first time in three years, which was when Aoife, the youngest sibling, left for New York after her sister, Monica, broke with her. Aoife still doesn’t understand the reason for the break.

Monica herself is not happy. After her first marriage, to Joe, broke up, she married Peter. Peter has two daughters who hate her. She hates the old house in Gloucester where she lives, in which Peter will allow her to change nothing.

Michael Francis loves his wife and children but feels his wife is becoming distant. It takes a while to find out why.

All, even Gretta, have secrets, which must come out before relationships can be healed.

O’Farrell writes luminous prose and understands the complexities of people. This is a lovely book.

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Review 1463: This Must Be the Place

Daniel Sullivan is about to leave Ireland for a business trip when he catches a segment of a radio broadcast more than 20 years old. He hears the voice of Nicola Janks, his old girlfriend. When he learns she died in 1986, the year he last saw her, he becomes obsessed with finding out what happened to her, fearing he was responsible for her death.

Unfortunately, he is unable to explain this concern to his wife, Claudette. Instead, she hears from his family about his erratic behavior. He is supposed to visit his 90-year-old father in Brooklyn but stays only a few minutes before abruptly leaving to visit his children from his first marriage.

These are the first events in a series that will change his life. But O’Farrell is interested in more than these events. In chapters ranging back and forth over 30 years and switching point of view among the characters, she tells about the lives of many of them, of Claudette, the reclusive ex-movie star; of Daniel; of Daniel’s children and Claudette’s children; of Daniel’s mother; even of some of the novel’s secondary characters.

I came late to O’Farrell and so far have only read two books by her, but I’ve enjoyed them immensely. She catches you with her complex plots but keeps you with her characterizations.

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Review 1346: After You’d Gone

Cover for After You'd GoneAlice Raike takes an unplanned trip from London to North Berwick to see her family. After she arrives, she sees something horrible that makes her return immediately to London. Later that evening, her mind in an uproar, she steps off a curb into oncoming traffic and ends up in the hospital in a coma.

In vignettes shifting in time and point of view, After You’d Gone tells the story of Alice’s life and of her family’s secrets. This novel is powerful, and it had me in tears by the end. O’Farrell slowly peels off layer after layer to reveal the truths of Alice’s life.

I don’t know what else I can say about this novel except I loved it.

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