Day 124: Whose Body?

Cover for Whose BodyIt has been years since I read Whose Body? by the British writer from the Golden Age of Mysteries, Dorothy L. Sayers. Unfortunately, as soon as I saw the murderer’s name, I remembered who did it, so I was not able to judge how difficult it was to guess.

Mr. Thipps finds an unidentified body in his bathtub wearing nothing but a pair of pince-nez. The body bears a resemblance to a missing financier, but it is not him. Who is the dead man and how did the body get into the tub? Where is the missing financier? Is this one case or two? Of course, the police suspect Mr. Thipps. After Mr. Thipps’s mother asks him to help, Lord Peter Wimsey gets interested in the case and decides to find the answer to these questions in his inimitable way.

As always, Sayers is fine in characterization, much better than many of her Golden Age peers. Lord Peter is his usual apparently frivolous self. He and his man Bunter are fun. Lord Peter’s mother, the Dowager Duchess, is adorably ditzy. The plot is clever. However, as with many early mystery novels, it is overcomplicated and very unlikely. For people who haven’t read any Lord Peter books, I recommend Murder Must Advertise as a better starting place.

As a total side note, the cover I’m showing is not the one for the book I read, but is just one I found on Amazon. It occurs to me, why would they show the body of a woman when the victim is a man? This disconnect in publishing is always a mystery to me. One peek at the first few pages would have told the artist the sex of the body.

Day 121: Gone Girl

Cover for Gone GirlBest Book of the Week!

A lot of people are reading Gone Girl by Gillian Flynn, and no wonder! Usually, I would wait awhile to present another Flynn book after just having reviewed one last week, but I couldn’t wait to do this one! If you like dark, twisted plots, and great psychological thrillers with a smidgen of evil humor, this is the book for you.

Nick and Amy Dunne are having some marriage problems. When they met, they were both cool young Manhattanites. He was a magazine journalist and she a quiz writer and the model for a series of Amazing Amy children’s books written by her psychologist parents. Five years later, they have both lost their jobs and moved to a dying small town in Missouri to help his mother take care of his ailing father. With the rest of Amy’s money, Nick has bought a bar to keep himself and his twin sister Go busy. Their relationship has been deteriorating ever since.

On their fifth wedding anniversary, Amy disappears, leaving evidence of violence. Of course, Nick is the police’s prime suspect, and it doesn’t help that he hasn’t been altogether truthful with them. The public, galvanized by the Amazing Amy connection, almost immediately turns against him. The investigation turns up money problems and worse. Secrets are flushed out.

Most of the first part of the novel is narrated alternately by Nick and by diary entries written by Amy. Amy seems disingenuous and appealing, almost giddy, reminding me sometimes of Bridget Jones. Nick commits many lies of omission. Here’s a hint. Both Nick and Amy are liars.

Just when we think we know what’s next, the plot twists. The book is completely engrossing and very darkly funny, suspenseful and chilling. Think psychopath, but guessing who that person may be is just one of the book’s pleasures. In the reviews, I’ve seen several comparisons to Patricia Highsmith, and I think that’s about right.

Day 118: The Solitary House

Cover for The Solitary HouseBest Book of the Week!

I had an ambivalent reaction to The Solitary House, which is sort of a riff on Bleak House. It is not exactly a retelling of Dickens’s book. Although some story lines are re-interpreted, most of the Dickens characters appear in the background of the novel. My ambivalence is because Bleak House is one of my favorite Dickens novels, and I have not been happy with some of the retellings of classics that have appeared lately, particularly those that seem to miss the point of the original works. I am also a little dismayed by what Shepherd has done to some of my favorite Dickens characters. However, I find I have to admire the masterful way Shepherd has worked the threads of Dickens’s novel into such a different story. On the whole, almost despite myself, I am giving this novel a big recommendation for its originality.

Charles Maddox is a former detective for the London police force who left under undesirable circumstances. He is hired by Edward Tulkinghorn, a mysterious solicitor who has an evil reputation. A client of Tulkinghorn’s has been receiving threatening letters, and Maddox’s assignment is to find out who is sending them. Charles descends into the squalor of London to discover the author of the notes, but when he turns the information over to Tulkinghorn, the author of the notes is brutally murdered.

Thinking that this is not a coincidence, Charles begins investigating Tulkinghorn himself, as well as his client, Julius Cremorne. In doing so, he comes upon evidence of a serial killer. He also runs up against Inspector Bucket, his former police supervisor.

Charles’s story is written in a jokey third-person omniscient narration that often addresses the reader directly and is interlarded with many references to Dickens and some quotes from Shakespeare. Imagine a style that is like a postmodern Dickens. This narration is interleaved with the first-person narrative of Hester, seemingly the same quiet, loving, capable Esther Somerset of Bleak House. It is not until the end of the novel that these two stories merge horribly together.

Ultimately, I am coming down on the side of strong admiration for this book. It is completely absorbing and inventive, well written and literate, and actually convincing as a twisted alternate vision of Bleak House minus the case of Jarndyce vs. Jarndyce. It made me want to return to Bleak House, which I have not read recently, and dig out all the references. It is a gothic novel that becomes a serious creepfest, and you know how I love those.

I see that Shepherd has also riffed on Mansfield Park. As much as I am dreading what she will do to my beloved Jane Austen, I think I’m going to have to read it.

Day 115: Dark Places

Cover for Dark PlacesHappy Independence Day!

I just got a notice from Amazon that the latest Gillian Flynn book is finally shipping, so in celebration, I thought I’d post a review of a previous Flynn book. Gillian Flynn writes great, dark mysteries about women who have been severely damaged.

In Dark Places, Libby Day is the only surviving victim of a famous crime. When she was seven years old, her entire family was murdered, supposedly by her 15-year-old brother Ben. She survived by climbing out the bedroom window and hiding in the snow.

As an adult, she has been subsisting on the fringes of society, supported by donations made after the crime, sales of family memorabilia, and money from a book deal. But now she is almost completely broke and embittered, with no friends and her only relative serving a life sentence in prison. Although she is an unlikable character, a liar and manipulator, you somehow end up completely identifying with her.

The bizarre Kill Club contacts her. They are a group of amateur true crime buffs, and they want to hire her to investigate the murders. Most of them believe that the seven-year-old Libby lied in her testimony years ago and that Ben was wrongly convicted.

The true story of the murder is told partially in flashbacks, from the points of view of Libby’s mother and her brother Ben. As usual with Flynn, I found this book to be dark, enthralling, and perceptive.

Day 112: Fever of the Bone

Cover for Fever of the BloodVal McDermid is the author of an excellent series featuring Tony Hill, a troubled profiler. In Fever of the Bone, someone is luring teenagers over the Internet and murdering them.

Tony’s friend and colleague Inspector Carol Jordan’s new boss won’t allow her to employ Tony, so he goes off to Manchester to consult on a case. Later, two boys disappear in Bradfield. Neither Carol nor Tony know it, but they are both working on cases with the same killer.

Tony has also inherited some property from his father, whom he never met. He just wants to ignore the situation, but Carol thinks it’s important that he try to find out about his father.

As usual with a McDermid novel, the book introduces interesting characters and has an involving plot.

Day 108: The Cruel Stars of the Night

Cover for The Cruel Stars of the NightThe Cruel Stars of the Night is Kjell Eriksson’s second mystery featuring Ann Lindell but the first one I read. Although the series is labeled Ann Lindell mysteries, the novels actually feature an ensemble cast of characters and take awhile to develop the personalities of the team in the Uppsala Violent Crime Division.

The chapters in this novel alternate between the investigations of the Violent Crime Division into suspicious incidents involving old men and the thoughts and experiences of Laura Hindersten, whose father is missing. After awhile, having information not available to the investigators, you realize how the two narrations are linked, but the team takes longer to connect the dots.

One of the two suspicious deaths of elderly men is that of Petrus Blomgren. He wrote a suicide note, but he was murdered before he could kill himself. The police are sure that Laura Hindersten’s father, a professor and Petrarch scholar, will turn up, but she is convinced that something horrible has happened to him.

The novel makes for an interesting enough story, although the only fully developed character is that of the serial killer. I am interested in reading more, though, and getting to know Lindell and her coworkers Sammy Nilsson, Allan Fredericksson, and Stig Franklin, better.

Day 104: The Death of Sweet Mister

Cover for The Death of Sweet MisterAnother of Daniel Woodrell’s Ozark mysteries, The Death of Sweet Mister is grittier and more pessimistic than the previous Woodrell mystery I read, Winter’s Bone, and that is saying something.

The novel is set in the 1960’s. Shug Atkins is a lonely, overweight 13-year-old boy. His mother, Glenda, is a beautiful, promiscuous drunk who is married to Red, a brutal drug dealer who beats both of them and forces Shug to help steal drugs from sick people. Only Shug’s mother loves him and calls him Sweet Mister.

Glenda meets Jimmy Vin Pearce, a city man with a bright green Thunderbird who works as a cook in an upscale restaurant. The two begin sneaking around together with only Shug as witness. Eventually, Glenda decides to run away with him.

The novel is about the death of innocence, as Shug tries to cope with the demands of covering up his mother’s misdeeds and trying to reconcile his feelings about stealing from the helpless. As always with Woodrell, the book is beautifully and sparingly written. Your heart sinks as you follow Shug’s story.

Day 103: Dark Road to Darjeeling

Cover for Dark Road to DarjeelingMy interest in the Lady Julia Grey series by Deanna Raybourn waxes and wanes. Although it is unusual for me to like books that mix mystery and romance, I usually enjoy reading this series, but I enjoy some books more than others. The books have followed the relationship of Lady Julia Grey and Nicolas Brisbane–who solves crimes for a living and whose breeding makes him an unsuitable mate for Julia–since they first met when her husband was murdered. Now, after several books following the ups and downs of their relationship as they solve crimes and get each other into and out of danger, they are married.

In Dark Road to Darjeeling, Lady Julia and Brisbane have been persuaded to interrupt their honeymoon in the Mediterranean by Julia’s sister Portia, who is worried about her friend Jane. In a previous novel, Jane left Portia to be married, and she is now a widow on a tea plantation near Darjeeling. Portia has asked Julia and Brisbane to investigate the possible murder of Jane’s husband. Jane herself is obsessed by her own pregnancy and the mysterious death of her husband Freddy, who may have been murdered for his inheritance.

The Brisbanes take along part of her eccentric family, Portia and brother Plum. Upon arriving at the plantation, they get to know the potential suspects, including Freddie’s aunt, his cousin Harry, several neighboring families, and the mysterious White Rajah.

I was unable to guess the murderer but figured out which family the murderer belonged to. Although this series sometimes resorts to the typical conflict between romantic co-investigators about the danger of the job, a conflict that I find extremely tedious, the dynamic between Julia and Brisbane still holds my attention. If you are interested in this series, I recommend that you start with the first book, Silent in the Grave.

Day 102: Who Murdered Chaucer? A Medieval Mystery

Cover to Who Murdered ChaucerIt is an accepted interpretation of history that Richard II was a weak, dissolute ruler who was hated by the English people. But Who Murdered Chaucer? A Medieval Mystery makes a plausible case for the truth having been rewritten by the victors after Richard was deposed.

The version of events that has been accepted for centuries is that Henry IV saved the English kingdom by overthrowing the corrupt Richard II at the urging of the populace. Authors Terry Jones, Robert Yeager, Alan Fletcher, Juliette Dor, and Terry Dolan provide plausible evidence that Richard was neither unpopular nor weak, but that he was a relatively enlightened monarch–a patron of the arts and an advocate for the new fashion of authors writing in their own languages instead of in Latin–and that he permitted criticism of the church.

However, his rule was periodically threatened by several of the more conservative members of nobility and the church, including especially Thomas Arundel, the younger brother of the Earl of Arundel. Richard eventually had to banish some of them, including Arundel, and others were killed. The end of Richard II’s reign actually came later when he felt secure enough to travel to Ireland.

As the result of a proposed duel, Richard also banished Henry of Bolingbroke, the son of John of Gaunt. Henry was considered the consumate knight and was admired throughout the kingdom. Richard seemed to be fond of him and probably considered him his heir. Henry’s dispute with Thomas de Mowbray resulted in charges of treason, and they were both banished. Henry was banished for 10 years, but Jones et al. find plausible indications that Richard had an agreement to allow Henry back early. One was that Richard initially did not take Henry’s property, as was usual.

But Henry met with Arundel on his European travels, despite strict injunctions not to have dealings with him. The two plotted to overthrow Richard, attacking England when he was away in Ireland with his army. Henry won and became Henry IV, treating Richard shamefully. No one was sure what happened to him, except that he was dead. (Henry’s own son, after he became Henry V, had Richard’s bones brought to Westminster to be buried.)

The book shows that Henry relentlessly rooted out records that were approving of Richard, even implicitly, or that were negative to himself. He assiduously promoted propaganda alleging that Richard was hated, weak, and dissolute. He gave Arundel free reign, as Archbishop of Canterbury, to burn heretics for the first time in England and to set his own criteria for judging heretics. In short, he instituted a reign of terror.

What does this have to do with Chaucer? This shift in power left him very vulnerable. His works under Richard II had criticized the very things about the church that Arundel considered to be heresy. Chaucer disappears from the historical record right around 1400, about a year after Richard was deposed.

The book makes a shakier case that Arundel either caused Chaucer’s death, possibly in imprisonment, or paid to have him killed. There is no evidence of this, of course; the authors’ conclusions are drawn from things that happened to other writers, from some vague accounting records, and from hazy interpretations of some of Chaucer’s work. Although I feel that they have certainly pointed toward some possibilities, even they admit that it is unlikely anyone will know the truth.

The book is easy to follow and amusing at times. It is beautifully illustrated with pictures from illuminated manuscripts. The political and historical theories about Richard’s and Henry’s reigns are very interesting. However, I believe the book falls off a bit at the end when it settles down to examining the story of Chaucer’s end, especially when it resorts to interpreting Chaucer’s poetry.

Day 98: The Poison Tree

Cover for The Poison TreeWhat starts out as a seemingly ordinary novel about a young woman who makes a fascinating, exotic new friend builds slowly to the macabre in The Poison Tree by Erin Kelly. This is not a traditional mystery, but more the foreboding story of how several characters’ lives are changed irrevocably by the incidents of a careless summer in 1993.

In a story that begins ten years before the novel’s present, Karen Clarke is a naive but high-achieving linguistics student who is soon to graduate from a college in London. Her academic success has more to do with a natural ability to learn languages than application, and she finds herself unable to decide what to do with her life. After being very focused for years, she is inclined to let her near-term future be decided by fate.

One afternoon near the end of the term she meets the flamboyant, charismatic Biba Capel and is immediately captivated by her and drawn into her circle. Biba lives in a sprawling, ramshackle house with her brother Rex and other assorted people, and they spend most of their time partying.

The novel’s present day begins with Karen picking up her husband, Rex Capel, from prison, where he has served 10 years for murder. With her is their ten-year-old daughter Alice. Karen has been supporting her small family, economically and emotionally, for years, and knows she must continue to do so, as Rex will find it difficult to get work. She is very protective of Rex and Alice and afraid their new life will be ruined if people learn about their past.

How Karen goes from the carefree life she adopts that summer—which she spends with a bunch of irresponsible young people partying all night and sleeping all day—to the fearful present involves the Capels’ tragic history. As she learns about this history and learns more about her friend, she is drawn into tragedy.

Well written and absorbing, the book slowly builds from normalcy to a sense of dread.