Review 2646: #NovNov25! The Sweet Dove Died

It’s November, so it’s time for another yearly event, Novellas in November. I’ll start out this post with a recap of the novella reading I did during the year and finish with my first review. Since the beginning of the year, I’ve been tagging books with the word “novella” so that I don’t have to look at the page count for each. I think that since last year’s event, I have read quite a few more novellas than usual, and at least two that I read about during the event.

Novellas Read So Far This Year

Here are the novellas I have read up to this point, not counting the ones I am reviewing for this event, 20 of them!

I know that some people are counting short nonfiction, but I am not, and anyway, that would only add one more book to this list.

My Review

I decided to include this book as the first one for Novellas in November even though it is a few pages too long at 210. It is a book that wasn’t published for some years after it was written, during a time when Pym was considered past her prime before being rediscovered, and in its subtle way, it’s a little darker than she is known for.

Humphrey Boyce and his nephew James meet Leonora Eyre at a book auction when she nearly faints after a successful bid. Leonora is an elegant woman of a certain age, the kind then considered fragile. (I don’t think we have any of those anymore.) She is single and can be cold, and she is definitely snobbish, but then so are James and Humphrey. Both James and Humphrey are attracted to her, but although she is closer in age to Humphrey, who is in his 60s, she prefers James, in his 20s. (We know Leonora is “of a certain age,” but exactly how old is hard to say. Middle age came earlier even as recently as the 1960s.)

James is comfortable with Leonora, but there is no hint that he feels romantic about her, whereas when Leonora learns he has a girlfriend in the country, Phoebe, she sets to work to drive her away. While he is on a buying trip in Europe, she boots out her old lady tenant and moves his things into the attic apartment in her house, even taking some of them to decorate her own rooms. But he returns with an even more dangerous friend, an American named Ned. In the meantime, Humphrey is competing with James.

James is sweet-tempered and naïve, so he worries about hurting Leonora’s feelings, but she seems to me like an attractive spider. It’s ironic that she disdains her friend Meg for a similar relationship with a young gay man named Colin.

This novel is insightful into human behavior and slightly biting. It contrasts the new behaviors and mores of the young with the much more formal manners of the older characters. In fact, from the first few sentences, when stodgy Humphrey remarks that a book sale is no place for a lady, I wondered if I was in 1867 instead of 1967.

I received this novel from the publisher in exchange for a free and fair review.

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Novellas in November: Planning Post

In a month, Novellas in November is starting up again, hosted by Cathy of 746 Books and Beck of Bookish Beck. Last year, I think I just plunged into Novellas in November by reading a bunch of novellas, but this year, I see Beck has already launched a Linky for planning posts. (Maybe they did this last year, too, and I just didn’t notice.) So, here I am throwing together a planning post.

I tend to read well before I publish unless something unexpected comes up, so I have already started reading for this event. Aside from a general post about what novellas I’ve read through the year, I have so far read two novellas that I will review in November, and I plan to read five more.

Here are the ones I have finished with a brief description:

  • The Sweet Dove Died by Barbara Pym: a woman of a certain age becomes a little too close with a much younger man.
  • Seascraper by Benjamin Wood: a young man is the only person left carrying on a traditional way of shrimping when he meets a film maker.

The novellas I haven’t read yet but plan to review in November are

  • The Buddha in the Attic by Julie Otsuka: in the early 19th century, a group of women are brought from Japan as “picture brides.”
  • For Thy Great Pain Have Mercy on My Little Pain by Victoria Mackenzie: two women meet in 1413 Norwich, one of whom has visions considered heretical.
  • Hex by Jenni Fagan: In 1591, Geillis Duncan, a convicted witch, receives a visit from a mysterious woman.
  • A Pale View of the Hills by Kazuo Ishiguro: a Japanese woman relives the events at the end of World War II.
  • Why Did I Ever by Mary Robinson: a woman is barely keeping it under control in this dark comedy.

Review 2613: The Bloater

I was so taken by Rosemary Tonks’ The Halt During the Chase that I looked for more by her. I found The Bloater.

Min is a married sound engineer whose husband is seldom home. She occupies herself with witty, frivolous conversations with her girlfriends and flirtations with her admirers. She has one admirer she finds disturbing, though, a large opera singer whom she finds disgusting and attractive at the same time. She talks endlessly with her other friends about whether she wants an affair with him, whom she refers to as the Bloater.

This novella is crammed with witty, sometimes cruel dialogue. It moves along very quickly and is beautifully written. At times, I wondered if Min really wanted to have an affair with anyone—or maybe she does.

When I was reading about this book, I learned that Tonks gave up a successful career and retreated into isolation. You would hardly believe this of the creator of such witty, vibrant characters.

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Review 2594: Clear

I have read some excellent novellas lately, a form I don’t usually choose. That makes me glad I participated in Novellas in November last year. I think I read about this book during that event.

John Ferguson is a 19th century Scottish minister on a difficult mission. Because of the breakup of the Scottish church, in which he participated, he has left his church to join the Free Church and is thus unemployed, no new churches having actually been established. He and his wife are entirely without money, and he doesn’t want to borrow from his brother-in-law, so he takes a job of surveying a small island in the far north of Scotland for clearance. The island only has one inhabitant, who will be forced to leave, and part of John’s job is to tell him.

On the island, Ivar has been alone for many years. The rest of his family left years before, because the island couldn’t support them anymore after foolish decisions by the owner. Ivar thought it could support him, and the factor hasn’t even stopped by to collect rent in years. He lives with a goat, an old horse, a blind cow, and some chickens.

When John arrives, he promptly falls off a cliff and is badly injured. Ivar finds him and takes care of him. They don’t speak a word of each other’s language, but they begin to like each other. John, though, can’t bring himself to try to explain why he’s there.

In the meantime, Mary hears about other clearances being done by John’s employer that disturb her. She decides to go get John.

This is a little gem of a book with a surprising ending. In its few pages, it pulls you totally into the story. It’s a keeper.

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Review 2578: Catherine the Ghost

I took a break from reading A Short HIstory of Nearly Everything to read this novella. After putting it on my list, I had forgotten that it was based on Wuthering Heights. If you’ve read that book, you should be okay, but otherwise Catherine the Ghost may be hard to follow.

Like Wuthering Heights, Catherine the Ghost begins with the arrival to the house of Mr. Lockwood, who is stranded and spends the night in Catherine’s bedroom. The ghost Catherine demands to be let in.

The novella begins there but goes forward with glimpses into the past instead of the other way around. It focuses on Catherine’s haunting of Heathcliff and ends at about the same place as the original novel. The ghost is one narrator.

The other narrator is the other Catherine, Catherine the ghost’s daughter, who was tricked into marrying Linton, her cousin, the son of Heathcliff’s enemy, Hindley.

Koja’s style of writing is poetical and unusual, as she frequently uses sentence fragments. However, it is easy to follow. This is a haunting novella. I liked it a lot.

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Review 2338: My Death

The unnamed narrator of My Death is a novelist who has been unable to write since her husband died a year ago. She has been isolated in a house in the west of Scotland. She decides to try biography instead and chooses the figure of Helen Ralston, whose accomplishments as an artist and writer were overshadowed by her tumultuous affair with her mentor, W. E. Logan, another artist.

When she begins to look into the subject, she finds that all of Ralston’s books are out of print but Logan’s are not. However, Ralston is in her 90s and eager to meet her and share her journals and photos. The narrator is struck with unease, however, when she sees a painting by Ralston entitled My Death, a supposed landscape of an island that is really a painting of the artist’s most intimate parts. As she continues her research, she keeps finding odd echoes of her own life.

This novella is described as gothic, but I wouldn’t exactly call it that, although it is unsettling and weird. Important to Tuttle is the theme of, as the Introduction by Amy Gentry puts it, “the erasure of women’s authorship by men.” That is certainly at work here, as she based some of the details of Ralson’s life on that of Laura Riding, an American poet and lover of Robert Graves, who accused Graves of stealing material.

This is an involving story that at first seems straightforward but gets odder and odder. I found it fascinating. Tuttle is in general a science fiction writer, but despite that I may look for more by her.

I received this book from the publishers in exchange for a free and fair review.

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