After reading two pretty good domestic dramas by Celeste Ng, I wasn’t really prepared for a dystopian novel. Although I occasionally read dystopian fiction, it’s not really my thing. And this one gave me more trouble than most.
Bird is an 11-year-old biracial boy whose Chinese mother, a poet, disappeared from the lives of himself and his father years ago. They are living in difficult times because of PACT, a law that requires everyone to watch others for un-American activities and codifies racism against Asians, particularly those of Chinese ancestry. The historical record for many periods has been blacked out, and lots of books are banned. Bird’s mother Margaret’s poem has become a rallying cry for those against this system, especially against the removal of children from the care of parents deemed unsuitable. Bird doesn’t see that his father—demoted from a linguistic professor to a library book shelver presumably because of his marriage—has been trying to protect him by teaching him not to stand out.
After his best friend’s disappearance, Bird receives a message from his mother. He begins trying to remember her and eventually to find her.
My biggest problem with this book is its dual nature. Young adult novels, except really great ones, tend to have a certain style, and the first part of this novel is so much in that style, written from Bird’s point of view, that I finally googled it to see what genre it fell into. Then Bird finds his mother, and the next section is supposed to be Margaret telling Bird about her life. It is not written as dialogue, and there is a lot of information there that a mother would not tell her 11-year-old son. Okay, I get it—it’s her memories, but the novel keeps repeating that she’s continuing her story. And it’s way too long with too much extraneous information that’s inappropriate for this purpose. About her wild days? Her lovers? The bite marks she made on his father’s neck? Come on.
I was about 2/3 through the novel, but it lost me there. This was a DNF for me.
What? Me Read? 