Day 693: Fallout

Cover for FalloutMost of Fallout is told as a flashback, but the opening section is very short, so we can say we really encounter Luke Kanowski in 1961, when he is 14. He has busted his mother out of the mental asylum where she’s lived since he was five to take her to visit the art museum in London. The expedition is not a success, but while they are being questioned by a security guard, Nina Hollings notices them.

Nina is with her mother Marianne, a selfish woman who hands her off to her sister Mat when Nina is in her way but reclaims her before she can gain any stability. Later, she does other things to sabotage Nina’s self-confidence. Marianne works sporadically as an actress.

Luke is a young adult when he meets Paul Driscoll and Leigh Radley. He has been working at a mill, but shortly after he meets the two, he decides his life is harmful to him. Luke feels immediate friendship for Leigh and Paul and has soon moved to London. There the three of them work together with a few others to open a new theater.

Leigh has fallen immediately in love with Luke, but Luke is busy seducing practically every woman he meets, so Leigh becomes Paul’s girlfriend. Leigh’s father was unfaithful to her mother, so Leigh decides to stick with the man she feels is safe.

Then Luke meets Nina, who her mother has essentially pimped out to Tony Moore, a theatrical producer. Tony and Nina are soon married, Nina naively not realizing that Tony is using her as his beard. That is, she doesn’t realize until she finds him with two waiters during a party.

Luke’s first play is being produced as he and Nina begin an affair. This affair and the things Luke is willing to do to try to “save” Nina have repercussions for several people.

This novel is completely different from Jones’ The Uninvited Guests, which I enjoyed more. Although I was compelled to read the novel, I really don’t enjoy fiction where men betray themselves for a woman, or vice versa. Usually, the woman in these novels is bad. Nina isn’t, but she is weak and selfish and eventually asks Luke to betray his friends and his art.

Finally, I feel as if the ending of the novel is unrealistically hopeful and pat, when I think of the wreckage that has gone before. The background of the theater and play production with a bit about the politics of theatre is very interesting, though.

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Day 101: The Uninvited Guests

Cover for The Uninvited GuestsThe Uninvited Guests is a delightfully original novel. At first it seems to be an Edwardian family social comedy that reminds me of the light, eccentric novels written by Stella Gibbons or Dodie Smith, but then it takes a turn toward the bizarre.

The Torrington-Swifts live in a large, ramshackle house that is at risk because they can’t afford it. The grown children, Emerald and Clovis, make a show of resenting Edward, their kind, patient, one-armed stepfather. Clovis is sulky and irritable, while Emerald is more likeable. Charlotte, their mother, is selfish and used to being cossetted. Smudge, the youngest girl, is used to being ignored.

It is Emerald’s 20th birthday, and the family is preparing for guests and a party, but Edward must miss the party because he has to travel to Manchester to try to borrow money to save the house. The guests are settling in and a storm is building when other people begin to arrive. A horrendous train accident has occurred a few miles away, and the railroad has sent the passengers to the house for shelter. Among them is an odd character in a red waistcoat who insists upon inserting himself into the birthday party.

Here is where the story begins its strange turn as the party gets odder and odder.

The novel is extremely well written and completely captivating, with a touch of the bizarre.