Review 2664: The Bus on Thursday

Well, this is certainly a strange book. It has been billed as a horror novel, but I think that’s misleading.

Eleanor Millet begins her story, which is related as blog entries, in a bad place. She is recovering from breast cancer after a mastectomy. She has lost her boyfriend and her job and has had to return to live with her mother. She is angry and outspoken and pretty darn funny, but we notice right away that she has poor taste in friends and men.

Her description of the path her cancer diagnosis took grabbed me right away, because last year I was called back (which in itself is fairly terrifying) for first an ultrasound mammogram and then two, count ’em, two biopsies. Luckily, I was okay, but Eleanor was not.

Now Eleanor can perhaps turn her life around. She gets her dream job—a teaching position in a very small town in the Snowy Mountains. But already she seems to be behaving a little off-kilter.

Eleanor is urgently needed because the previous teacher, Miss Barker, has disappeared without a trace. The school staff are Eleanor and Glenda, the school secretary, and the school holds all of the town elementary and middle school students up to age 14, with one boy, Ryan, who seems suspiciously older. Glenda behaves as if Eleanor has committed a crime by taking Miss Barker’s place, and Eleanor’s home used to be Miss Barker’s and has a lot of locks on the doors.

Things start out strange, with people treating Eleanor in an oddly hostile way, and two people telling her that her cancer was her own fault. The local minister tells her she had cancer because she is possessed by a demon.

This is all very strange, but Eleanor’s reactions are over the top, and she almost immediately begins drinking too much, having an inappropriate relationship with one of her students’ guardians, and behaving inappropriately with her students. She starts having bizarre dreams and soon we’re wondering about her reliability as narrator, even her sanity.

I am a critic of book blurbs, and the one on the back of my book seems particularly misleading, speaking of a “portrait of recovery and self-discovery.” Things are a lot darker than that.

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Day 961: Rush Oh!

Cover for Rush Oh!Best Book of the Week!
Perhaps I am harping on this subject, but yet again a distinctive authorial voice has made for an outstanding novel. In this case, the voice is that of Mary Davidson, the 18-year-old daughter of a whaler in 1908, Eden, Australia. Mary is relating the events of the year from a distance of 30 years later.

At that time, some of the whaling in Australia was done from shore, the whalers rowing out to chase the whales. In this activity, the whalers of Eden were assisted by, amazingly, a group of killer whales, who behaved more or less like really rough sheepdogs, herding and battering the other whales. In the novel, the leader of the killer whales, Tom, summons the whalers when whales are in the bay by smacking his tail loudly, and the whalers at times attempt to call the killer whales by smacking their oars.

The story begins with the arrival of a young man hoping for a seat in one of the boats. He is John Beck, reputed to be an ex-Methodist minister. Beck very soon seems to be courting Mary, although he is inconsistent in his attentions. Also, there are some indications that he has not been strictly truthful about his past.

Mary’s father George is short on men and had a very bad whaling season the year before, when they caught not a single whale. Although George “Fearless” Davidson (an actual historical person) is highly esteemed in the region, the financial situation is dire, and he must accept this totally inexperienced man onto his second boat.

The novel is peppered with rampaging whaling scenes and descriptions of the whaling life. It is written in a sprightly, witty, and engaging tone that reflects the personality of naive young Mary. Although it documents a disappearing way of life, it is wonderfully entertaining, and I loved every minute of it.

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