Day 796: Slade House

Cover for Slade HouseBest Book of the Week!
I haven’t read any ghost stories lately, so David Mitchell’s Slade House will have to do for a first nod to Halloween. Fans of Mitchell know to expect something unusual from his work, and Slade House is no exception. This novel features a series of characters over five decades all about to set foot in the mysterious Slade House.

Nathan Bishop, a nerdy teenager perhaps on the autism spectrum, is on his way with his mother down Slade Alley looking for Slade House. In the alley they meet a workman and ask him directions. He has never heard of it. They find the small iron gate leading into the gardens, and the workman is the last person ever to see them.

Nathan has taken a little of his mother’s Valium, so he thinks the drug is affecting his vision when the scenery in the Slade House garden fades. But something more sinister is happening while his mother is in the house attending a concert.

It’s difficult to say much more about this novel without revealing too much. Suffice it to say that people are in peril and the suspense builds accordingly. The book is divided into six sections, beginning in 1979, with each one set nine years further on. Each time a person is drawn into the house, never to be seen again.

link to NetgalleyReaders of Mitchell will pay attention in the last section when the name Marinus is mentioned, for they know that a few of the same characters appear in his books, sort of. Let us say that characters with the same names appear in his books. Slade House continues the complex story of horologists that came to the fore in The Bone Clocks.

As usual with Mitchell’s books, Slade House reflects exciting writing, a complex back story, a large creep factor, and a battle between good and evil. What more could you want?

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Day 784: The Heart Goes Last

Cover for The Heart Goes LastStan and Charmaine are living in their car. They used to live a comfortable middle-class life, but the downturn was worst in the Northeast and both of them lost their jobs and then their home. There has been a breakdown in society. The streets are dangerous and normal services are defunct.

Charmaine has been earning a bit as a waitress in a bar, and Stan has been looking for work. He is even forced to go to his shady brother Colin for help when it has always been the other way around. Colin offers him a job, but Stan decides to wait a while, knowing that the job is likely to be illegal.

On the TV at the bar, Charmain sees an ad for the Positron Project, which offers employment and housing. When Stan and Charmain attend an introductory session, they’re not told very much except that if they return, they will not be allowed to leave. They must be ready to commit to the project.

Stan and Charmaine decide to give up their freedom for stability, even though Colin warns them not to go there. When they commit to the project, they find that the whole community is built around a prison. To create enough work around the prison, the staff must alternate one month inside the prison as inmates, one month out, sharing their house with another couple that is in when they are out.

This situation doesn’t seem to disturb them, and they continue on for a year. Then Charmaine becomes romantically involved with their male alternate, who calls himself Max. This relationship eventually leads to discoveries about the true nature of the project.

link to NetgalleyThe Heart Goes Last allows Atwood full rein of her acerbic sense of humor and biting satire. It is reminiscent of the darker excesses of the Maddaddam trilogy but without any very sympathetic characters. Instead, it gets progressively more absurd as it continues. Its references to the current political climate are obvious. Although I found this novel entertaining, I did not enjoy it as much as I have some of Atwood’s other novels.

Note: Caroline of Rosemary and Reading Glasses has written this fascinating post comparing this novel to Milton’s Paradise Lost.

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Day 751: The Martian Chronicles

Cover for The Martian ChroniclesThe Martian Chronicles is an odd collection of stories about the colonization of Mars by Earth. The stories begin with an almost comic book feel, which continues with many of them, even though the message is ultimately serious, about the destructiveness of American culture. (Only Americans come to Mars.)

As with many futuristic stories, Bradbury doesn’t get it quite right, rendering them dated in these times. The stories take place beginning in 1999 and continuing for about 30 years, yet many features of the tales reflect the 50’s, when the stories were written. Of course, even the notion that Mars would be habitable for humans without space suits is a funny one for us today. Most shockingly, there is a story about all the black people leaving Southern towns for Mars, supposedly set in 2009, that is queasily stereotypical, both of the Southern whites and the African-Americans, even for the 50’s. And having shown the African-American people a modicum of sympathy in that story, Bradbury never mentions them again.

The stories begin with a series of expeditions to Mars, where the exploratory forces are killed by Martians, not because the Martians fear invasion but just sort of accidentally. The first human to Mars is murdered by a Martian in jealousy over his wife, whom the human hasn’t actually met. In fact, the Martians don’t even realize they’re being invaded. They are telepathic, but their telepathy doesn’t seem to extend to figuring out what’s going on and what a danger these people are. By the fourth story, most of the Martians have been wiped out by disease brought by the Americans. When they appear, though, the Martians seem to be residents of superior civilization to ours.

Overall, my impression of the stories is ambiguous. In many ways they seem childish, although all together they convey a powerful message. In one story that seems to be a frank indictment of McCarthyism, a wealthy man whose library on Earth was burned by government forces who have proscribed all works that aren’t realistic comes to Mars to build his own House of Usher. When government officials come to destroy it for the same reason they destroyed his library on Earth, he gets his revenge and honors Poe at the same time. It struck me that in the frontier environment Bradbury depicts, the government forces wouldn’t be that strong or present (or they would control everything, and there would be no frontier environment).

The stories are beautifully written, especially the descriptions of Martian cities and landscapes. I just think that Bradbury has more to offer us in other works, as classic as this one is. Try Fahrenheit 451 or Dandelion Wine instead.

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Day 745: The Buried Giant

Cover for The Buried GiantI thought from what I read about The Buried Giant that it was a historical novel set in the days after the Romans left Britain. But it is really a fable or a fantasy novel or both.

Axl and his wife Beatrice are an old British couple who decide to go on a journey. They have recently become aware that their memories of the past are poor, as are everyone’s, but they vaguely remember they have a son. Years ago, their son moved to another village, and Beatrice has been wanting to visit him. Finally, they decide to go.

Beatrice has difficulty remembering the way to their first stop, a Saxon village she has visited before, but they find it by evening. The village is disturbed and possibly dangerous for the visiting Britons. A boy was taken by an ogre, but a strange warrior has brought him back. The villagers have seen a bite on the boy and want to kill him. But the warrior saves the boy, named Edwin. Once Axl and Beatrice leave the village the next day, they find themselves traveling with Edwin and the warrior Wistan.

This novel features ogres, pixies, treacherous monks, a British lord on the lookout for the Saxon warrior, an Arthurian knight, and finally a dragon whose breath has made everyone forget the past. It is about reconciliation, memory, aging, and death. As a fable, it doesn’t really characterize its protagonists; they are more like symbols. As such I wasn’t really compelled by the story.

In addition, a history class I have been taking recently indicates that it is unlikely any Britons would have been mixing freely with Saxons at this time. By the time the Anglos and Saxons began settling England in earnest, all the Britons had been pushed off to far western England and Cornwall. Although this novel does not really mention which part of England they are in, I understand that Britons did not tend to mix with the Angles and Saxons.

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Day 684: Ella Minnow Pea

Cover for Ella Minnow PeaEven though I enjoyed Mark Dunn’s unusual novel Under the Harrow, I avoided Ella Minnow Pea for some time because it sounded too gimmicky. When I finally read it, I found it mildly entertaining, but yes gimmicky, although I can see why it would amuse those with a different sense of humor than mine.

Ella Minnow Pea is a 17-year-old girl living on a fictional island off the coast of South Carolina that is not part of the United States. This island, called Nollop, is named after Nevin Nollop, the supposed author of “The quick brown fox jumped over the lazy dog.” Nollop is the island’s most eminent native son, and there is a cenotaph containing the sentence in the middle of Nollopton.

This epistolary novel opens with a letter from Ella to her cousin Tassie in Nollopville, in which she relates that the letter z fell off the cenotaph. Soon, the island council announces that the spirit of Nollop has used this way to send the message that the letter z must be removed from all island correspondence and speech. Violation of this statute is punished severely with a third occurrence resulting in banishment. The libraries are soon closed, because no books exist without the letter z. A rebellious youth is banished almost immediately. Conveniently, the procedures for running the government are destroyed, including those for recalling the council, because they contain the banned letter. People make mistakes and are punished or banished. The radio station eventually shuts down and the newspaper struggles, because it is too difficult to avoid the letter.

Then another letter falls, then another.

It is mildly amusing to see how the characters get around the problem of the disappearing letters in their correspondence. Of course, the novel is a statement about tyranny and freedom of expression.

Dunn’s latest novel Ibid, a novel written entirely in footnotes, has good reviews for its originality. Another gimmick, and I’m not sure I’ll try it. Dunn’s interests seem to lie in inventing isolated imaginary places where over-elaborate speech is common, along with made-up words, and where the government can’t be trusted.

Have you read Ibid? What did you think of it?

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Day 637: The Quick

Cover for The QuickAt first, The Quick seems like a straightforward historical novel about a young writer in 19th century London. But it has a twist. To be honest, if I’d known what the twist was beforehand, I probably wouldn’t have chosen this novel to read, because frankly, I’m tired of this subject. That said, I’m glad I read the book, because it is absorbing, well written, and quite suspenseful.

James and Charlotte Norbury grow up neglected in a rambling house in Yorkshire. Their father rarely comes near them after their mother dies and seems to forget they might need attention or tutors or governesses. So, while the two children run wild, it is the older Charlotte who takes care of James and teaches him to read.

After their father’s death, James goes away to school while Charlotte stays in the care of Mrs. Chickering, an elderly relative. James eventually moves to London to try being a writer, but he is not wealthy and has difficulties finding acceptable lodgings he can afford. An acquaintance introduces him to Christopher Paige, a young aristocrat looking for someone to share his rooms. Although the more austere and shy James does not envy Paige’s life of frivolity, he slowly begins to realize that Paige is his first friend—then that he is more than a friend.

One night, though, a terrible event takes place. Christopher Paige is killed and James disappears. When James does not appear at Mrs. Chickering’s funeral, Charlotte travels to London to find him.

In London, Charlotte’s inquiries attract the attention of the members of a powerful and mysterious club, the Aegolius. There has been an unexpected event at the club, and other people are looking for James. Soon, Charlotte finds herself involved with a secret substrata of the city.

Owen depicts a wonderfully atmospheric London. Although I was at first disappointed with the direction the story took, I still was unable to put this book down.

Day 622: Under the Harrow

Cover for Under the HarrowBest Book of the Week!
Under the Harrow is an unusual and imaginative novel. It is described in some write-ups as if Charles Dickens had written a modern thriller, and that description does give a sense of the novel.

Dingley Dell is a hidden valley occupied by about 11,000 people who have never been out of it. Their history relates that their ancestors were deserted as children in an orphanage during a terrible plague in 1890. With the only books available to them an old encyclopedia, the Bible, and the complete works of Charles Dickens, they have invented for themselves a very Dickensian environment, not omitting some of its evils, like a workhouse, a huge separation between classes, and a government by a privileged few. Only a few people have ever left the valley to see what is outside, and only a very few of them ever returned. Those few were promptly clapped into the madhouse, victims of a terrible mental illness.

Frederick Trimmers has lately suffered from some misgivings about the state of the dell. He is a writer for a muck-raking newspaper who sees much to improve in the dell. Lately, though, he has more personal problems. His troublesome nephew Newton, sent off by his parents to school, has run off from the dell. Newton’s father Gus soon goes after him. While they are having unexpected adventures outside, Frederick is learning disturbing things about the existence and history of the dell. Soon he begins to believe that the entire valley is in danger.

Dunn is having some fun with us while building up a fair amount of suspense. The novel is narrated in a sort of über-Victorian English. The inhabitants of the dell have almost all taken some of the silliest names from Dickens, and many of them remind us of his oddest characters. And in a moment of major action, he offhandedly remarks that the farmer in the dell purposefully left the cheese standing alone. That will give you a little idea of what you have in store, although he doesn’t overdo it. It’s about what you must expect from an author known for a novel where letters disappear one at a time from the text or another written entirely in footnotes.

There is a conspiracy, of course, and if I have a complaint, it’s about the unbelievable extent of the conspiracy and the unlikelihood, given how big Dunn makes it, that everything would come out okay. Still, I give this novel high marks for its originality and its ability to capture and hold my attention.

Day 613: Brave New World

Cover for Brave New WorldIt has been many years since I first read Brave New World, and I didn’t remember very much at all of this acid dystopian novel. It takes a bitter, satiric look into the future from 1931, and like the best of futuristic novels, is somewhat prophetic.

Bernard Marx is an unusual misfit in a society structured around the contentment of its people, or contentment as is rigidly defined there. Family units no longer exist. Society is strictly tiered. Everyone is artificially born, and the lower castes are cloned in multiples. Each caste is conditioned chemically and psychologically from before birth to be content with its lot, the mental and physical abilities of the lower castes chemically limited.

Everything is designed around productivity and consumption. People spend their leisure hours in pursuit of pleasure and get their daily dose of the drug soma. The arts are obsolete, supplanted by a very limited science.

At first it seems as though the discontented Bernard will be the hero of this novel, but there actually is none. He likes Lenina Crowne but is afraid to approach her for fear of being rejected. Lenina is a bit attracted to Bernard and is getting flak from her friends for being too exclusive of late, for there is no concept of faithfulness in this society: “everyone belongs to everyone.” So, she agrees to go with Bernard on a trip to New Mexico to view the savages—remnants of society, apparently American natives, who have not been civilized and live within a barbed wire reservation.

Lenina is too conventional a girl to enjoy this trip, horrified by the dirt and squalor of life that is not antiseptic. But Bernard, who has heard his boss’s story of a lost girlfriend in New Mexico years ago, is intrigued to find this woman, Linda, and her son John, actually born of his parent. John is an outcast of his culture, because he is the son of a woman considered a whore for behavior her own culture believes is normal. He has educated himself from Shakespeare’s complete works. Bernard gets permission to bring Linda and John back to London, setting in train unforeseen consequences.

Huxley apparently firmly believed that future societies would be controlled by drugs and psychological conditioning. It is his interest in cloning and the power of propaganda that strikes more modern readers. I’m willing to bet he paid attention to the then-current theories of eugenics that were particularly popular in England and Germany. His choice of Henry Ford as a godlike image for that society is telling not only for Ford’s invention of the assembly lines, clearly a model for Huxley’s vision of the Central London Hatchery and Conditioning Centre, but also for Ford’s own interest in eugenics.

I couldn’t help comparing Huxley’s vision of sexual freedom with that of Heinlein in Stranger in a Strange Land, a book I really hated. There are other similarities too, John the Savage almost standing in for Heinlein’s alien-born Messiah, only finally shunning what he views as an immoral society rather than trying to start a religion. I think Huxley’s ideas are much more insightful, though.

That being said, I enjoyed this re-read only moderately. I appreciate Huxley’s deadpan humor, but a late section of the book, where Mustafa Mond explains his choices in life, is a bit too much like a sort of reverse didacticism, by which I mean that Huxley is not trying to make us agree with him, but trying to show us what is wrong with Mond’s ideas (or maybe I’m wrong—I believe Huxley thought that such controls over society were inevitable). In any case, any kind of didacticism in a novel is a good thing to avoid. Still, reading this novel after such a long time was an interesting experience.

Day 611: The Book of Life

Cover for The Book of LifePerhaps I’m the last woman left in the country who doesn’t think it would be romantic to be in love with a tall, dark man who could suck my blood at any moment. In any case, although I first thought that Deborah Harkness’ All Souls Trilogy was refreshingly original, by the third book I was not as charmed by this complicated series.

In The Book of Life, Diana Bishop, a timewalker and special kind of witch called a weaver, and her vampire husband Matthew Clairmont have returned from the past where Diana was learning her skills. They have one of three missing pages from a manuscript called Ashmole 782, or The Book of Life, and they are trying to find the others to reunite them with the book. It was Diana’s accidental retrieval of this book from the Bodleian Library that started all the action. Diana is also pregnant with Matthew’s children.

Matthew and Diana are in violation of the Covenant, an old agreement among witches, vampires, and daemons that they will not associate with each other. They think the Book of Life may provide information about the origins of the three creature races and even help Matthew with his research into a deadly vampire disease called blood rage.

In addition, they are being pursued by Benjamin Clairmont, a crazed child of Matthew who wants Diana and her daughter.

Like the second book of the trilogy, The Book of Life seems rather scattered to me, with Diana and Matthew running here and there on their various quests. The spots in the plot that could be climactic can be a bit of a let-down, as, for example, we don’t even get to hear what Diana has to say to the Congregation when she finally presents the evidence she and Matthew have collected.

After reading the first two books, I wanted to see what happened, and I was fond of several of the characters. But I didn’t think the novel was romantic, nor do I have much use in general for the overprotective male partner.

Day 607: The Bone Clocks

Cover for The Bone ClocksBefore I get started on my review of The Bone Clocks, my friend Ariel of One Little Library has put together a survey on reader’s interests. If you would like to participate, please do.

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Best Book of the Week!
David Mitchell’s most recent book is another fascinating novel that reminds me a bit of his Cloud Atlas. It explores themes of temporality, life after death, and the human soul and ends in a near-future dystopian vision. Unlike Cloud Atlas, though, The Bone Clocks takes place completely within the course of one woman’s life.

The novel begins in 1984. Fifteen-year-old Holly Sykes has had a fight with her mom after staying out late with her 24-year-old boyfriend Vince. Determined to leave school and move in with Vince, she packs her things and goes, but not before being spotted by her seven-year-old brother Jacko.

She marches over to Vince’s, only to find him in bed with her best friend. Devastated, she flees her home town of Gravesend, not knowing where to go. Later that day, she meets Ed Brubeck, a boy from her school, who helps her find shelter for the night in a church. Taking the idea from a story he tells her, she decides to travel to a nearby island where he worked the summer before picking strawberries.

Holly heard voices when she was a child, and she called them the Radio People. But after her mother became worried about her, a Dr. Marinus stopped them simply by touching her forehead. Since then, her life has been perfectly normal.

But that afternoon several odd things happen. First, she thinks she sees Jacko go into a pedestrian tunnel ahead of her, but when she gets there, she can’t find him. Then a couple pick her up hitch-hiking and take her to their home for a meal. There some events occur that make it clear to readers that some kind of supernatural war is going on involving her. But Holly remembers nothing of this.

Holly goes on to work at the strawberry farm. But the second day, Ed arrives to tell her that Jacko has disappeared.

The narration continues in stories told by other characters, but Holly appears in all of them. In one, Hugo Lamb is a college student who seems to be genial and caring but is actually a sociopath who tries to lure his more wealthy friends into deals he will profit by and steals rare stamps from a senile old man. He meets Holly on a skiing trip in Switzerland and honestly falls in love with her. But fate and a mysterious group called the Anchorites have other plans for him.

We follow Holly through her life as she marries Ed, writes a book called The Radio People, and gets old. At each encounter, inexplicable things happen until Holly is pulled into a battle between the Anchorites and the Horologists.

David Mitchell is a master storyteller. Although I do not consider The Bone Clocks a masterpiece, as I do Cloud Atlas, it is almost as rewarding—at times comic, at times suspenseful. Mitchell likes to tease us, too, by repeating characters from book to book. In this case, Dr. Marinus also appears in his wonderful historical novel, The Thousand Autumns of Jacob De Zoet. Time spent with Mitchell is well spent.