Day 729: The Great Texas Wind Rush

Cover for The Great Texas Wind RushThe Great Texas Wind Rush is a history of the wind energy business written by Kate Galbraith and Asher Price, a couple of reporters. It begins with the building of wind turbines to pump water and then covers a few pioneers who tried to use turbines to produce electricity, with mixed results.

Finally, it follows the various attempts to do this as a business and the legislation that made it possible to make wind farming a serious business. These efforts finally culminated in the 2000’s with the establishment of many successful wind farms across Texas.

I have nothing against wind power. In fact, I am for green energy. But the book at times seems to be biased both for Texas and for wind power. I live in Texas, so I am used to the ridiculous pro-Texas bias that creeps into everything, but I felt that the cons of wind power were glossed over. The problems of migratory birds are mentioned, for example, several times, but there are no facts or figures even estimating the number of birds killed. This is disturbing, especially in discussions about wind farms off the coast, where there are many bird sanctuaries, including for the whooping crane, which already almost went extinct. And the admiring tone the book occasionally takes is not good journalism.

Books about business do not fall within my interests, and the only reason I read this one was because it was chosen for my book club. At first I found it more interesting than I expected, but eventually it seemed to become just one story after another about one company after another. I kept falling asleep. Unless you are really interested in wind power or business history, the book, although clearly written for a general audience, has limited appeal.

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Day 706: The Devil’s Backbone

Cover for The Devil's BackboneThe Devil’s Backbone is a western adventure tale related in an unsophisticated vernacular style in both first person and third person. It is an unusual novel but reminds me most of, perhaps, True Grit or The Adventures of Huckleberry Finn. The third person narrator is barely there but relates the first person story his father told him. The book is illustrated by Jack Unruh.

Papa, as the third-person narrator calls him, is a young boy growing up in the Texas Hill Country when his father Karl kills a horse after a dispute about it with his wife Amanda. Amanda saddles up her horse Precious with the concho-decorated saddle her father gave her and leaves. After Karl has gone off for a few days and returned, a neighbor, Miz Choat, arrives to tell Karl that she has promised Amanda to send the boys to school, so she takes Papa and his older brother Herman back with her. But after Herman has attended school awhile, he takes off.

Papa enjoys his time with the Choats, but after a few months his father arrives to take him back. At home he has installed another woman, Miss Gusa, who is pregnant.

Papa has clearly been brought home as a cheap source of labor. Eventually, Karl’s brutality makes Papa decide to leave and look for his Mama. On his journey he encounters outlaws, a dying Indian, a prematurely born baby, a family of Mexican migrant workers, and several loyal friends, including the cowboy Calley Pearsall.

I enjoyed this tale. At first, I thought it might become a series of tall tales, but nothing happens in it that seems wildly exaggerated. However, it does have the flavor of a folk tale. The only thing I found a little irritating was the double narration. We learn nothing at all about the narrator, so I don’t really see the purpose of that approach, which leads occasionally to such confusing constructions as “I said, Papa said.”

Although this novel may sound like children’s fiction, I don’t think I would recommend it for younger children because of some of the events. Older children would probably like it, as it has lots of adventure. Some of the subject matter may be inappropriate, however, as there are events such as murders and death in childbirth, so use your discretion. This book was a choice of my book club, all adults, and we all enjoyed it.

I have been on the Devil’s Backbone (pictured on the cover). These days it is a narrow two-lane highway across a ridge with spectacular views on each side. I heard it had been widened, but to think it was once so narrow is amazing.

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Day 436: The Son

Cover for The SonThe Son is the saga of a powerful Texas clan, the McCulloughs, from the points of view of three different generations of the family.

The action begins in 1849. Eli McCullough’s father has moved his family to a more remote area of Texas on the Pedernales River after the land grants of the original settlers in Matagorda were overturned by corruption and the connections of new arrivals. The Pedernales is a dangerous area, rife with Comanches.

Thirteen-year-old Eli has spent part of the day tracking and hunting game, but he is worried about the safety of his family with his father away. His older brother seems unconcerned, and his older sister and mother have spent the day drinking.

Late that night, the dogs awake the family as the cabin comes under attack by Comanches. Eli is ready to fight to the death, but his mother lets them in. Soon his mother and sister have been raped and murdered and he and his brother taken captive.

Eli’s story is exciting and will be revealed, but he obviously survives, because interleaved with his story we read the diaries of Eli’s son Peter over the course of several years. Eli’s experiences first with the Comanches and then with his efforts to protect his land southwest of San Antonio make him a ruthless man.

Peter is haunted by an incident that took place years ago, when a livestock theft resulted in the massacre of the McCullough’s neighbors, the Garcias, and the subsequent slaughter of almost every Mexican or Mexican-American in the area. Peter cannot get over the guilt and depression and sees it as a dark shadow in the corner of the room.

Closer to the present time, Jeanne McCullough, Peter’s 86-year-old granddaughter, has had some kind of accident. She is lying on the floor and thinks someone is in the room with her. As she lies there, she revisits scenes from her life. She knew her great-grandfather, Colonel Eli McCullough, but never her grandfather Peter, whom the family refers to as “The Great Disgrace.” As a young girl she agreed with the Colonel that her father Charles was a fool who mismanaged the ranch. After her father’s untimely death, she took over the ranch, eventually focusing on the oil business. Although the family has been made fabulously wealthy by her efforts, she has fought blatant sexism from her peers and sacrificed her family relationships to business.

The novel explores the tumultuous history of a hard family, moving back and forth in time and eventually revealing the secrets of this powerful dynasty. In doing so, it tells the history of Texas during the difficult times of the Republic of Texas, the vicissitudes of the Civil War, the viciousness of the range wars, and the fluctuations of the oil booms and busts. It is bold, sometimes violent, sprawling, and compelling reading.

Day 310: The Killer Inside Me

Cover for The Killer Inside MeJim Thompson’s classic noir thriller The Killer Inside Me was one I had never read, so I picked it up out of curiosity. Normally, I am not drawn to classic noir, even though I like a crime novel that is dark. This brief novel easily kept my attention, though.

Lou Ford is a deputy sheriff in a small Texas town. He projects the image of a jovial good guy, maybe even a little stupid, who continually spouts clichés. But he has actually been hiding his sociopathic tendencies for years.

Ford begins a sadomasochistic relationship with Joyce Lakeland, a prostitute. He sees a way to use his relationship with Joyce to get revenge for his brother’s death. As a teenager Ford sexually abused a little girl, and his foster brother Mike took the blame. After he got out of jail, Mike died in a construction accident, and Ford has blamed the local owner of the construction company for Mike’s death.

Ford and Joyce begin blackmailing the owner of the construction company in return for keeping his son’s affair with Joyce secret. Then Ford sees a way to take it all one step further. Of course, things don’t always go as planned.

As in reading Patricia Highsmith’s Ripley novels, a large part of the fascination of this disturbing book lies in wondering how Ford is going to get out of one fix after another. Thompson’s writing is deft and tight. You will be glued to the page, even if you don’t like noir.