Day 940: Passages in the Life of Mrs. Margaret Maitland, of Sunnyside

Cover for Passages in the LifeI have mentioned before that Margaret Oliphant was one of the most popular novelists of her time, but only a few of her novels are easily available except in print by demand. So, her complete works was one of the collections I selected from Delphi Classics in e-book form.

I decided to read the works in order of their appearance in the collection, and this novel is the first, published in 1849. Like the others I have read, it is a domestic novel, about events in the lives of ordinary people. It has a few light overtones of a more sensational genre, however.

Margaret Maitland is a spinster when she takes on the charge of raising a young orphan, Grace Maitland. Since her mother’s death, Grace has been in charge of an aunt, but Margaret’s friend thinks she will do better with Margaret, and Grace’s aunt has no objection. So, Margaret takes young Grace and frankly loves her at first sight. Grace lives happily at Mistress Maitland’s home of Sunnyside and spends a lot of her time with Margaret’s niece Mary and nephew Claud. Margaret’s brother Claud is a minister, and Margaret and her family are strict Scottish Presbyterians.

When Grace is a young woman, though, her aunt, Mrs. Lennox, demands that she return to live with her in Edinburgh. Grace does not have fond memories of Mrs. Lennox and does not want to go, but Margaret urges her toward obedience and hopes that things will be better for her than Grace expects. There have been rumors that Grace is an heiress, but no one at Sunnyside has put much store in them.

For some time, all we hear from Grace are her letters. Her family keeps her isolated from other people, never letting her attend events but telling others she is an invalid. When Claud, who is at school in Edinburgh, calls on her, he is first told she is not at home and later treated shamefully.

There is other drama closer to home, because Margaret’s niece Mary is being courted by Allan Elphinstone, young Lilliesleaf. His mother is looking higher for him than Mary, though, and encourages him to associate with the nearby gentry, where he gets into bad company. Mary won’t have him, therefore, and Margaret can only agree, for a similar situation in her youth brought her to her solitary state. Margaret thinks Allan can improve, though, and he sets out to try to do so. A subtitle on some editions of “Lilliesleaf” leads me to suppose that the plot about Mary and Allan was supposed to be the main story, but I was more interested in Grace’s predicament.

This is an enjoyable novel with likable characters, even though some of its attitudes seem very dated. One difficulty I had with it, though, is that it is written in Scots dialect. The narration by Mistress Maitland isn’t difficult to understand, but some of the country folk use expressions with which I am unfamiliar, so I think I missed most of the humor of the novel. In addition, this e-book was almost certainly machine read from an old manuscript and there are many mistakes, especially in words where old-style typography had ligatures, or connected letters. The combination of the dialect, which had words I didn’t understand, with the many typos made the text difficult. If you want to read this, you might try finding an old used book instead of an e-book or print on demand edition (which I assume would have the same problems).

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Day 895: Red Pottage

red-pottageBest Book of the Week!
Red Pottage is another find for me this year of a novel by a terrific classic author. I can include Mrs. Oliphant, Dorothy Whipple, and Julia Strachey in this list of classic authors I have not read before that I really enjoyed. My Doughty Library edition says the novel contains “every ingredient for a Victorian bestseller” and mentions wickedness and greed.

Hugh Scarlett has been having an affair with a married woman, Lady Newhaven. At first he thought he was in love with her, but now he has recognized her for who she is—a shallow and stupid beauty. He has already decided to break with her when he meets Rachel West at a party. At one glance he decides that Rachel is the woman to make a better man of him.

Rachel has also attracted the attention of Dick Vernon, a wine grower from Australia who is visiting his friends and family. Rachel likes him, but she is thinking of others.

Rachel has an unhappy past. Once the daughter of a wealthy man, she lost her fortune with her father’s death. For seven years she struggled to support herself, living in London’s East End and working as a typist. At that time, she fell deeply in love with an artist, Mr. Tristram, and was devastated when she realized he had no intention of marrying her. At the beginning of the novel, she has inherited another fortune and still believes herself in love with Mr. Tristram. Now that she has a fortune, though, she is looking like a much better prospect to him.

Another important character is Hester Gresley, an author who has been Rachel’s friend since childhood. Although Hester is better born than Rachel, her fortunes have suffered as Rachel’s have improved. She lives with her brother James, a rector who disregards her talent as a novelist and can only see his own point of view. James’s wife is jealous of Hester, and the children lovable but noisy. Hester finds herself unable to work during the daytime, so she stays up into the morning working, only to be accused by her sister-in-law of laziness.

Red Pottage is a story about morals and manners. That sounds boring, but it is quite satirical at times, while at other times it brought me to tears. The central conflict begins shortly after Hugh meets Rachel, when Lord Newhaven confronts him about Hugh’s affair with his wife. He makes Hugh a challenge, that they draw “lighters” (matches? straws?) and whoever draws the short one must take his own life within four months.

To complicate matters, Lady Newhaven eavesdrops on this conversation but does not learn who drew the short lighter. Then foolish, self-centered Lady Newhaven confides in Rachel, along with her assumption that if her husband dies, she will marry Hugh.

The story turned out just about how I thought it would, but I found the journey completely gripping. Another success from my Classics Club list!

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Day 890: Charlotte and Emily

Cover for Charlotte and EmilyI have read two of Jude Morgan’s literary biographical novels but never felt I was really seeing the true character of the subjects. However, with Charlotte and Emily, Morgan seems to have found his subject.

Charlotte and Emily covers most of the Brontës’ lives, from the time they were children until Charlotte marries Arthur Bell Nicholls. By that time, all the other Brontë siblings have died.

Charlotte is the main character of the novel, although it is occasionally told from the point of view of Anne. Emily remains distant from the reader, harder to know.

Much of the novel is concerned with the focus of the entire family on the future of brilliant Branwell, the only son. The girls are sent for schooling so that they can be teachers and earn money to help educate Branwell. Although Charlotte wonders if she can become a writer and even tries sending poetry to Southey, the poet laureate, she is discouraged by both Southey and her father.

Of course, Branwell never finds a vocation and instead becomes a wastrel. Charlotte and Anne work doggedly as teachers, although they hate it. Emily gets herself sent home both from school and work.

I have read biographies of the Brontës, but this novel is the first I’ve read that gave me a sense of what their lives may have been like. I found it completely absorbing. If you are a Brontë lover, this is a book for you.

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Day 844: Tess of the D’Urbervilles

Cover for Tess of the D'UrbervillesBest Book of the Week!
I love Thomas Hardy’s rural novels set in southwest England, and one of the highlights of a trip to England years ago was visiting his cottage in Dorset. My favorite of his novels has long been Tess of the D’Urbervilles, which I recently reread. I don’t mind admitting that in this reread, I was picturing scenes from Roman Polanski’s wonderful movie Tess, which follows the novel carefully and envisions it beautifully.

There is no doubt about it, Tess is a real tear-jerker, so if you prefer novels with happy endings, this is not the one for you. Still, in its own way, the novel ends hopefully.

The novel spans about five or six years, and we meet Tess as a naive young country girl attending a club dance. There she first sees a young man who will be important to her, Angel Clare, but he does not dance with her.

Hardy can be quite the fatalist, though, and Tess’ fate is sealed already, when her father John Durbeyfield meets a clergyman who dabbles in genealogy. Parson Tringham ironically addresses him as “Sir John” and tells him his family is the remains of the once-powerful D’Urbervilles. Her father immediately sets off to celebrate.

Tess’ foolish and feckless parents learn there is a rich old lady by the name of D’Urberville some counties away, so when Tess is partially responsible for the death of her father’s horse (because her father was too drunk to take the bees to town), they push her to go visit the old lady and claim kinship with her in hope of financial benefit. There she meets the charming wastrel Alec D’Urberville, who knows perfectly well they are not related, his family having bought the name and titles.

Tess gets a job from Mrs. D’Urberville as a poultry keeper, but Alec is always pursing her with his attentions. Tess finds these attentions unpleasant, but she is too naive to know what they mean or what she might fear.

Tess returns home with a past that is obvious to everyone and heartache ahead of her. Eventually, she gets another chance, as a dairymaid. There she meets Angel Clare, a gentleman studying to be a farmer, and finally falls deeply in love. But Angel is an idealist who has fantasized her into the embodiment of a pure child of nature. So, he is the last person to forgive her past.

Tess of the D’Urbervilles was a controversial book when it was published in 1891, because Hardy subtitled it “A Pure Woman.” This subtitle caused an uproar with the Victorians. Hardy’s message is strongly against the societal and religious laws that would condemn Tess.

Another aspect of the novel that I found more interesting this time through is that it depicts a rural way of life that is long gone. Although many of Hardy’s novels are rurally based, this one has more about the customs, work, and lifestyle as we follow Tess from one workplace to another than any of his novels except Far from the Madding Crowd. Tess’ father is a freeholder, a step up from a migrant farm worker, one whose family has leased the same land for generations. But when John Durbeyfield dies, the lease is up, and his widow and family are abruptly evicted so that the landlord can make room for someone who works for him. Such activities, Hardy makes clear, are the root cause of people migrating from the country to towns and cities, not that they were unsatisfied with country life.

Years after reading this novel last, I still became thoroughly engrossed in the story. It is a powerful one, poetically written, with gorgeous descriptions of the countryside and vivid imagery. I just love this novel.

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Day 839: Charles Dickens: A Life

Cover for Charles DickensCharles Dickens: A Life covers some of the same material as The Invisible Woman, Claire Tomalin’s excellent book about Dickens’ affair with Nelly Ternan, but it is broader in scope and provides more information about his life. Of course, The Invisible Woman was in a way ground-breaking, because it brought out into the open a relationship that was concealed for many years. In fact, the Dickens biography by Peter Ackroyd, which came out in 1991, the same year as The Invisible Woman, dismissed the affair as an improbability.

I much preferred this biography to Ackroyd’s. While Ackroyd practically falls all over himself telling us what a genius Dickens was, Tomalin is not afraid to examine the whole person, warts and all. Certainly, Dickens was charming, energetic, lots of fun for his friends, and the possessor of a serious social conscience. He was also one who ruthlessly cut ties to some friends and family, occasionally for trivial reasons; who treated his wife shamefully when he separated from her after 22 years of marriage (insisting, for example, that his children take his side and cut off ties to her); who made a young girl from a financially struggling family his mistress when he was more than twice her age. I feel that his fame was not good for him—that it gave him an inflated sense of his own importance and made him think he was infallible. Of course, he was probably the most famous person of his time. We have no modern equivalent.

Those interested in Dickens’ life and works will enjoy this biography. Dickens’ story is unique. He certainly had a difficult early life and worked hard for his success. He also started out as a much nicer person than the man he became, so during most of the book he is very likable. In fact, it’s easy to see why he was so loved by most of his friends and family. He was one of those charming people who are loved whether they deserve it or not. And in many ways, he did deserve it.

The book is extremely well written and very well researched, with more than 100 pages of notes and bibliography. Although more than 400 pages long (not counting the back matter), it moves along nicely and is entertaining. There are three insets of pictures and photos to illustrate the discussion along with a few interspersed drawings.

Just a small comment on my recurring theme of the quality of publishing. My copy of the book was bound upside down. Yes, the cover is on upside down, which I found rather disconcerting as I was always picking it up to read upside down. Unfortunately, I had it too long before opening it to return it for another copy.

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Day 825: The Cricket on the Hearth

Cover for The Cricket on the HearthA year ago I reviewed two of Charles Dickens’ Christmas stories at Christmas time, and since I have a book containing all of them, I thought I’d continue the tradition.

We first meet the Peerybingles in their home, made cheerful by a bustling wife and a cricket on the hearth. John Peerybingle is an honest carter, quite a few years older than his wife. They have a baby and a clumsy maid named Miss Slowboy.

The plot is simple. It is the eve of the marriage of Mr. Tackleton to a much younger bride, May. He comes to invite the Peerybingles to the wedding as an example of a happy May-December union. But the wedding is set for the couple’s anniversary, and they have plans to spend it alone. Still, they include May in a visit to the house of their friend Caleb Plummer and his blind daughter Bertha. An unexpected visitor is with them—a deaf old man who accepted a ride in John’s cart but seems to have nowhere to go.

Mr. Tackleton is not a nice man. He’s been a grasping employer and landlord to Caleb, and it is clear that May is reluctant to marry him. At a point in the evening, Mr. Tackleton takes John aside and shows him something that makes him think his wife has deceived him.

This story is not one of Dickens’ best. Its pleasures are in its scenes of idealized domestic happiness in the Peerybingle home. But since we can’t reconcile our first glimpses of the Peerybingles with any such betrayal as alleged, we’re not in much doubt that everything will turn out to be a misunderstanding. Most of the characters are mere sketches, the only ones even slightly developed are the Peerybingles and Caleb and Bertha Plummer.

Since I recently read Dickens’ biography, though, I was interested in his little fantasy about marriage, particularly it being between two people so disparate in age, years before his affair with Nelly Ternan but only a few years after his wife’s younger sister, Georgina, moved in to live with them.

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Day 818: The Making of a Marchioness

Cover for The Making of a MarchionessBest book of the week!
Although The Secret Garden was one of my favorite childhood books, I had no idea that Frances Hodgson Burnett also wrote novels for adults until I read a review of The Making of a Marchioness. The Preface points out that Polly references it in Love in a Cold Climate, but there Burnett’s name isn’t mentioned. In any case, I’m happy to report that it is a delightful novel.

The Making of a Marchioness combines a Cinderella story with a realistic description of an evolving marriage. It has been called “a romance between two unromantic people.” It also has a bit of peril mixed in.

Emily Fox-Seton is a woman in her 30’s of good birth but very poor. When her parents died, her more fortunate relatives made it clear they couldn’t be bothered with her. So, she has created a business of doing small tasks and running errands for her wealthy clients. She has the happy characteristic, though, of being a positive person who perceives kindness everywhere.

Lady Maria Bayne enjoys both Emily’s company and her utility, so she invites her to Mallowe for a house party in August, thinking Emily can help with the arrangements for her annual féte. Emily is delighted to leave the city in summer and soon becomes interested in the competition among three guests to snare Lord Walderhurst, a 50-year-old widower who is also a marquis. She finds herself rooting for Lady Agatha, a beautiful girl from a poor family that has several daughters to marry off.

Lord Walderhurst, though, likes the open expression in Emily’s eyes and her happy, busy ways. To Emily’s astonishment, he proposes, and she gladly accepts.

But that is only the beginning of the novel, about how gratitude and love can provoke love in its turn. Some piquancy is added by a plot development that puts Emily in danger from her husband’s heir, who has always considered Walderhurst’s vast estates as almost his.

This is a lovely novel that brought tears to my eyes. Its characters are prosaic but nice (except the heir). Even selfish Lady Maria is quite lovable. The writing is beautiful, and Emily’s story is touching.

By the way, a recent television adaptation of this novel, titled The Making of a Lady, follows the plot with some changes, but it wildly miscasts the two main characters, making them both younger and more attractive than they’re supposed to be in the novel. Still, I marginally enjoyed it.

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Day 779: The Quickening Maze

Cover for The Quickening MazeThe Quickening Maze is the first book I read purposefully because it’s one of the finalists for the Walter Scott Prize for Historical Fiction. By coincidence, I had already read half a dozen finalists and winners, and when I learned that Helen of She Reads Novels was trying to read them all, I decided to join her.

This novel is based on events in the life of the poet John Clare, known as the “peasant poet,” a man of rural background who was steeped in his natural surroundings. Unfortunately, Clare is having some mental problems and is staying in an asylum in Epping Forest. Nearby is Alfred Tennyson, whose brother Septimus also resides there.

John Clare seems to be doing well under the treatment of Dr. Matthew Allen. When we first meet him, his movements are relatively unrestrained and except for some confusion about a girl he knew named Mary, he seems sane enough. He is soon given a key to the gate so that he can walk in the forest.

Another patient important to the novel is Margaret, who is regularly transfixed by visions of angels and messages from god. At one point as Clare’s mental state deteriorates, he mistakes Margaret for his Mary.

Dr. Allen seems to have a gift for dealing with his patients during a time when mental health practices were deplorable. However, he also has a fascination with risk, and soon he is trying to talk his friends and the Tennysons into investing in his new invention, a machine for following the shape of furniture and carving additional pieces.

Hannah Allen at 17 has decided that Alfred Tennyson is the man she’d like to marry. She boldly begins seeking him out, not realizing that he is preoccupied with his brother and with grief over the death of a good friend.

Although this novel is more about the internal workings of some of the characters’ minds than its historical setting, it is beautifully written and atmospheric. I was interested in this narrow slice of history and curious to look at some of Clare’s poetry.

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Day 777: Barchester Towers

Cover for Barchester TowersBest Book of the Week!
As Trollope’s first book in his Chronicles of Barchester was about gentle Mr. Harding’s position as warden, it seems hardly possible that a good portion of Barchester Towers, the next in the series, would be about exactly the same subject. Yet, that is the case, and Trollope finds it to provide more food for satire and social commentary.

Several years have passed since the events of The Warden. The kindly old bishop, Dr. Grantly, is dying, attended by his son, the archdeacon, and his old friend Mr. Harding. Although the younger Dr. Grantly is certainly devoted to his father, he has hopes that he will be appointed to his father’s office, as he has been doing the work for years. However, just before his father dies, a new government comes in, and Dr. Proudie is appointed bishop.

The quarrels in this novel pit low church against high church, which is about all I understand about the religious issues. But all of the clergy in Barchester are high church, and Bishop Proudie is low. Bishop Proudie himself, a meek man, is not so much a problem, but he arrives with a wife who is determined to sit in on every meeting and meddle in diocese business, much to the shock of everyone else. In this she is assisted by Mr. Slope, the bishop’s own chaplain, selected by Mrs. Proudie. And an insinuating, unlikable Uriah Heepish character he is.

One of the first issues to come up for the bishop is the wardenship of the hospital for old men, which has sat vacant since Mr. Harding resigned. Bishop Proudie knows he must offer the position at its lowered salary to Mr. Harding, and Mr. Harding would enjoy returning to the house that was his home for so many years and taking up his old duties. But Mrs. Proudie wants anyone except the entrenched Barchester clergy, so she selects Mr. Quiverful, an impoverished curate with 14 children.

Under instruction from the bishop to offer the position to Mr. Harding, Mr. Slope does so by adding conditions to the position that he knows Mr. Harding will not accept and that Mr. Slope himself, or even the bishop, has no authority to request. Although Mr. Harding does not turn down the job outright, Mrs. Proudie then promises it to Mrs. Quiverful.

But Mr. Slope decides that he can run the bishopric himself if he can cut out Mrs. Proudie, so he and the bishop soon have a silent agreement to throw off the feminine yoke. They do so by offering the wardenship to Mr. Harding again. Mr. Slope has also found out that the beautiful widow, Mrs. Bold, is wealthy. He decides to marry her and feels that he won’t help his chances unless he assists her father, Mr. Harding, back into his position.

In the meantime, Mr. Slope is infatuated with Madeline Neroni, the crippled but beautiful married daughter of Dr. Stanhope. She herself is frankly toying with him and several other men, but she turns out to have some sympathy with Eleanor Bold. However, Madeline’s sister Charlotte Stanhope has decided that her impecunious brother Bertie must marry Eleanor for her money.

Barchester Towers affords another entertaining look at the political and social maneuvers underpinning this mostly religious community. It offers lifelike, engaging characters, plenty of humor, and an empathetic and perceptive view of Trollope’s own time. I enjoyed The Warden particularly because I sympathized with the upright Mr. Harding, but Barchester Towers offers more for our consideration and is an altogether more significant work.

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Day 725: The Warden

Cover for The WardenThe Warden was the first of Anthony Trollope’s Barchester novels, inspired by a setting and a series of Church of England preferment scandals. A chronicler of 19th century life, Trollope was interested in the intersections between practical and emotional considerations. He was a prolific writer known for complex, realistic novels.

The main character of The Warden is Mr. Harding, a kindly, well-meaning canon who is warden of a charitable hospital, sort of a retirement home for poor old men. For his care of the twelve old men’s spiritual well-being, he receives a salary of £800 a year. It is a position that involves little work and also includes a comfortable house, where he lives with his younger daughter Eleanor.

John Bold has been a friend of this house since a young boy, and Eleanor’s friends are expecting to hear of their engagement. John is a wealthy young man who doesn’t have to work for a living, so he has turned his attentions to reform. After a preferment scandal in another town, he decides to look into the will of the man who endowed the hospital. He finds that the pay of the warden has increased 25 times since the endowment 400 years ago, while the residents’ stipends have not increased, although of course the cost of their food and lodging and medical care has increased and is taken care of by the trust. In fact, the only increase the residents have had has come out of Mr. Harding’s own pocket.

Despite his sister’s advice, instead of taking this issue up with the church or the trust, John Bold brings a lawsuit on behalf of the hospital residents and takes the issue to The Jupiter, a powerful newspaper. His lawyer gets most of the elderly residents to sign a petition, rashly promising them £100 a year each. (Note how well the math works here. Even if they took all of Mr. Hardings’ salary, they wouldn’t have enough money to pay each of the residents £100 a year.)

It is Mr. Hardings’ reaction that forms the core of the novel, for he is not interested, like the lawyers and his son-in-law the archbishop, in whether the case will be won or lost but in whether the plaintiff’s point is morally correct. Although he has never given his position any thought, in fact is simply an employee of the trust, he is concerned that the intent of the original will might have been that the recipients of the charity should receive a larger share of it.

Except for his mild-mannered friend, the bishop, he cannot find anyone who will even enter into a discussion with him on this topic. And the bishop is completely dominated by his son, the archbishop Dr. Grantly. Dr. Grantly pushes aside Mr. Hardings’ concerns, which he considers weak, disregarding his wife’s ascerbic comments on how poorly he is handling her father. Soon, a newspaper article has appeared that makes poor Mr. Harding look greedy and grasping.

Not only is Trollope interested in exploring the differences between the reactions of Mr. Hardy, high-minded and feeling, and the lawyers and Dr. Grantly, all business and practicality, but he is also interested in the ramifications of reform. Although he shows there is corruption, this corruption is more of the institutional kind that has evolved over time. No one is purposefully trying to cheat anyone. On the other hand, he wants to point out that the alternatives to these entrenched systems might actually be worse.

We can predict that Mr. Harding ends up financially worse off than he started but that the hospital inhabitants do, too. Trollope’s first Barsetshire novel is quiet and slyly ironic. Trollope is not as often read these days, but he is certainly worth reading.

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