Tag: World War II

Day 116: 22 Britannia Road

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Cover for 22 Britannia RoadAlthough the subject matter of 22 Britannia Road should have been interesting, a major flaw of this novel by Amanda Hodgkinson is that I always feel removed from the actions and characters. This feeling of distance may be because we, the readers, are immediately thrust into their woes without first getting a chance to know them.

One minute they meet, the next minute they have a baby, the next he is off to war. The two main characters, Janusz and Sylvana, are natives of Poland before the invasion of the Nazis, but aside from knowing that, you wouldn’t believe that anything unusual is going on. Later, they are in Poland, fleeing, with the Nazis invading, but except for a few events, you wouldn’t know there was a war. It’s as though the author is unable to imagine what it might be like first to live in Poland when the war is building and worse to be there once the Nazis arrive.

The novel actually begins after the war, with Janusz waiting in England, where he has spent most of the war, for the arrival of Sylvana and their son Aurek from Poland. Later it tells the story of their meeting, courtship, marriage, and war through unconvincing flashbacks.

It also tells the story of their floundering marriage, which happens because they tell each other nothing. This post-war story is a little more realized than the story of their past.

I have some sympathy for Janusz at the beginning of the novel, when he is waiting for his family to arrive. He has obviously meticulously prepared for them and is hoping to give them a good life. But I think Sylvana is a stupid woman, who is cloyingly overprotective of Aurek. She is harboring a big secret, but I guessed it almost from the beginning.

Although I was mildly interested in the story of the novel, I felt it could have been done much better.

Day 110: Maus I

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Cover for MausMaus I is a graphic novel that is both about Art Spiegelman’s relationship with his father, Vladek, and about Vladek’s survival of the Holocaust. The characters are depicted as different types of animals–Jews are mice, Poles are pigs, Germans are cats, Americans are dogs, and Swedes are reindeer. Spiegelman explained in The Comics Journal (according to a reader review on Amazon.com) that his idea for using these animals is not entirely original but is extrapolated and expanded from the names the Germans called Poles and Jews.

In the novel, as Vladek tells Art the story of his experience during World War II, they also argue. The story is compelling, although the relationship between the two is less so. Vladek is difficult and eccentric, but Art seems childish and spoiled, with no patience or understanding for his father. However, the novel makes the point that he, too, was scarred by his father’s experiences.

I am not by any means an expert on graphic novels, having only read one other, which was the beautifully illustrated Britten and Brülightly. However, the art in Maus I is so primitive that I could not tell any of the characters of a single species apart except for their clothes. I suppose, though, that that in itself is a statement. Still, the art shows a strength of line and a simplicity that make it interesting.

Maus I is apparently intended for young adults, and as such, is probably a powerful educational piece. I think it is less successful for adults.

Day 105: This Side of the Sky

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Cover for This Side of the SkyThis Side of the Sky is Elyse Singleton’s novel about the friendship between two African-American women. It begins when the two are growing up in a small town in Mississippi during the 1930’s. Myraleen is a light-skinned beauty but sarcastic and stubborn, who sometimes tries to pass for white. Lilian is dark, more educated, quiet and hard-working.

The two girls become close friends, even though Lilian’s mother looks down on Myraleen. Eventually, they move away to Philadelphia where they get menial jobs. There they find more freedom but segregation that is more hidden. With still more ambition, they join the Women’s Army Corps towards the end of World War II, eventually ending up posted in London and then Paris.

Although the plot of this novel is sometimes interesting, the characters never seem to be real people. Each of them has only a few characteristics. Nor does the period setting seem particularly convincing except for the details of small town life in a poor, rural area. London during the war is not very well depicted, and Paris is barely depicted at all, as if the author has never been to either city. A few chapters from the point of view of Kellner, a German prisoner of war who is involved with Lilian, seem particularly unconvincing.

Overall, I felt this story should have been very interesting, but it was ultimately lacking in the kind of detail that would make it believable.

Day 69: The Information Officer

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Cover for The Information OfficerI really enjoyed Mark Mills’s book Amagansett from a few years ago and liked The Savage Garden. However, I did not find his third book, The Information Officer, as satisfying.

It is World War II during the siege of Malta. The British are trying to get their Spitfires to Malta to defend it, but in the meantime the strategic island is being heavily bombed. Major Max Chadwick’s job as information officer is to deliver updates to the local newspaper that are as positive as possible and figure out what is truth and what fiction.

Max’s good friend Freddy comes to him with information that someone is murdering Maltese dance hall girls, and there is evidence that the murderer is a British submariner. Freddy, a doctor, has already raised the problem with the high command and gotten nowhere, so Max decides to investigate. In the meantime, the murderer is plotting his moves.

The novel was interesting enough, with good descriptions of Malta and a fairly involving plot. However, I did not grow to care very much about the characters. I figured out the murderer, although not his motive, fairly easily.