The Best Book for this period is The Widow of Bath by Margot Bennett!
Best of Ten!
Category: books
WWW Wednesday
It’s the first Wednesday of the month, so it’s time for WWW Wednesday, an idea I borrowed from David Chazan, The Chocolate Lady, who borrowed it from someone else. For this feature, I report
- What I am reading now
- What I just finished reading
- What I intend to read next
This is something you can participate in, too, if you want, by leaving comments about what you’ve been reading or plan to read.
What I am reading now
I just started Long Island, Colm Tóibín’s sequel to Brooklyn, which picks up 20 years later. It’s been a year or so since I read Brooklyn, and I find myself struggling to remember where it left off, but so far I am enjoying it. I just started it yesterday. Eilis is now a mother of two, living on Long Island in the same street as her husband’s Italian family, and right away she finds out something disturbing.
What I just finished reading
I just finished the fourth book in Ellis Peters’ Cadfael series, Saint Peter’s Fair. I am enjoying this series, particularly because of the characters and the time setting, as I have read about this period before. The series is definitely getting more political, but we’ll just see where it goes.
What I will read next
Sometimes I change my mind at the last minute, and this time, when I was looking through my pile of books to read, I picked out The Western Wind by Samantha Harvey, only to realize that I read it some time ago for my Walter Scott project and somehow picked up a copy of it later. So, I went back to the shelf and picked out Shakespeare: The Man Who Pays the Rent by Judy Dench. I was in Ashland, Oregon, two years ago for the Oregon Shakespeare Festival and picked up this book at the town’s excellent bookstore. It has finally worked its way to the top of the pile, and it’s about time I read it.
So, what about you? What’s going on with your reading?
Review 2620: The Librarian
In the 1950s, Sylvia Blackwell arrives in the town of East Mole to take on the job of children’s librarian. She finds no fault with the dingy, musty cottage her landlady shows her. She is excited to start her new job and life.
Although she and her boss seem to dislike each other on sight, she fits into the town fairly quickly, reorganizing and making improvements to the library, making friends with her neighbors, all but one, and tutoring her landlady’s granddaughter, Lizzy, for the 11+ exams with the help of her whip-smart, eleven-year-old neighbor, Sam.
By and large, she is a creature of good will, happy to help the children learn and become interested in books. And she is succeeding but has not reckoned with the effects of envy and ill-will. And she makes the mistake of falling in love with a married man.
I thought at first that this book was going to be a standard romance, but it deals with some more complex issues. I was interested in the story and ultimately found it somewhat touching. I felt, though, that Part Two, the last 40 pages, was a little too concerned with trying to tie up every little loose end and takes too long to do it.
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Review 2619: Literary Wives! Novel About My Wife
Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.
Be sure to read the reviews and comments of the other wives!
- Becky of Aidanvale
- Kate of booksaremyfavoriteandbest
- Naomi of Consumed By Ink
- Rebecca of Bookish Beck
My Review
We learn that Tom’s wife Ann is dead, but we don’t know the cause for some time. Tom looks backward and forward along the length of their marriage trying to figure things out. Occasionally, there are scenes from a book manuscript he’s writing in which he tries to guess what happened in Fiji the weekend they got married.
Tom is a script writer, and Ann makes models of cancer patients’ body parts at a hospital. Feeling as if things are going well financially, they have bought a house in Hackney with a lot more space than in their flat. They love it, but when Tom’s job writing a script falls through because the producer leaves the field, he begins having trouble finding another job.
Ann comes home from work one day and tells Tom that she saw her stalker at work. Tom didn’t know she had a stalker, but she says she has spotted him in various places.
Ann is Australian, but she has lost her accent and doesn’t want to talk about her past. She also has a history with drugs that she doesn’t seem as secretive about.
It’s hard to explain what this book is about without giving away too much, although the blurb just goes ahead and gives away a major plot point. Let’s just say that the tension level rises as Ann becomes pregnant, Tom still can’t find a job, and Ann’s behavior becomes manic at times. Ann has secrets, but she’s not telling.
Without being a thriller but more an intense examination of a relationship, Perkins’ book skillfully builds up quite a bit of suspense. It liked it a lot.
What does this book say about wives or about the experience of being a wife?
The relationship described here is so complex that it’s hard to answer that question. Or maybe Ann is complex and unknowable. At first, I was annoyed at this couple and their dismissive attitude to many people and things, but after a while I began to like them. Still, Tom doesn’t seem to notice that Ann’s behavior is getting more bizarre, that she keeps going after ant infestations, for example, when Tom doesn’t see any ants or staying up all night rearranging things into weird configurations. In the meantime, he is both spending money and worrying about debt. Both of them seem to be subject to compulsive behaviors.
Secrets seem to be a big problem. Although the two love each other, they both keep their secrets—Ann about her life in Australia and the events in Fiji, Tom about the state of his work, and the level of their debt. The culmination comes when she finds out the truth about another secret he’s keeping.
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If I Gave the Award
With my review of English Magic, I have completed reading the shortlist of the 2022 James Tait Black Fiction Prize. That means it’s time for my feature, where I decide whether the judges got it right. This year is particularly difficult for me, because none of the books really clicked with me.
I’ll start with the winner, A Shock by Keith Ridgway. In my review, I quoted its pretentious back cover: “a rondel of interlocking stories . . . both deracinated and potent with place, druggy but shot through with a terrifying penetration of reality.” I reviewed this book two years ago, and frankly, I can’t remember a thing about it. It is a collection of short stories that I did not find engaging, centered around a pub.
English Magic by Uschi Gatward is another collection of short stories. I found it a mixed bag, although all of its details are minutely observed. Again, I didn’t connect with many of the stories, several of which were about political activism. Unlike A Shock, they didn’t seem to have any common themes or settings.
Libertie by Kaitlyn Greenidge would seem to be more my style, about a black young woman in pre-Civil War Brooklyn whose mother wants her to become a doctor. However, Libertie behaves like a spoiled modern young woman, and one of my pet peeves is a historical novel that has its characters behave out of their time. Libertie makes one bad decision after another, wasting her opportunities.
That leaves Memorial by Bryan Washington, about the relationship between two gay young men, one a black American and one Japanese, and their relationships to their families. Although its humor went over my head and I don’t like explicit sex, I found it perceptive and sometimes touching.
I am winding up this project, and I think I only have three books to read for the 2021 shortlist. My library hasn’t had any of them.
Review 2618: English Magic
I read English Magic for my James Tait Black prize project, which I have been trying to wrap up—or let’s say intending to wrap up but not doing much about it. The book is a slim volume of 12 short stories.
Repeat readers of my blog may know that I sometimes have problems with short stories. Generally, this is because if I am enjoying something, I want it to last. I had problems with some of these stories for other reasons.
“The Clinic” is a mysterious story. It seems to be set in a dystopian future. A couple has a baby who is very advanced, and they are trying to hide that from the clinic at which they apparently have mandatory visits. Their plan is to run away and hide somewhere in the woods. I think this story was intentionally written to leave readers with lots of unanswered questions, but I found it frustrating, and I can handle a lot of ambiguity.
“My Brother Is Back” continues the air of mystery. It’s about a Muslim being returned to England after years of imprisonment in the U. S. It’s written like a snapshot of time.
I stopped reading “Oh Whistle And” because of its style. It’s a fairly long story written in snippets of reports about surveillance of unions and socialists and about whistle blowing, mentioning Edward Snowden. All the characters, if you can call them that, are referred to by single letters of the alphabet. I lost track of who was who almost immediately, and the snippets were driving me crazy.
And skipping way ahead, Gatward uses almost the same approach for “Lammas,” except the snippets are pieces of conversations. This story is about a man’s long life in activism. It was difficult for me to track what I took to be real events, but I think it went back and forth in time. I finished this story.
“Beltane” is a slightly surreal story about a couple who join a Beltane ceremony, and related to that is the story “Samhain,” about a woman’s unique way to celebrate Halloween. Or is it a sinister way? I found both stories interesting.
“The Bird” is about a bird trapped in a couple’s chimney. Both it and “On Margate Sands” are vivid snapshots again, just capturing small events.
I won’t cover all the stories, but I will mention two that feature the same character. In “Lurve,” Ollie is an artist, not a successful one, who hangs out with Lottie and Jeanie, two party girls, and occasionally writes art reviews. He and his friends live in squalor. He is in love with Jeanie, but she doesn’t care.
We meet Ollie again in “Backgammon,” in which he is hanging out with his old girlfriend Ria. Ria used to be an addict, but she is getting her act together. Ollie is not an addict, but he realizes his act is not together.
Overall, I felt indifferent to many of the stories, although they are minutely observed and well written. I’m guessing the title is ironically intended.
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Review 2617: James
I read James for both my Booker Prize project and my Pulitzer Prize project, which it won. As most people know by now, it is a retelling of Twain’s Huckleberry Finn from the point of view of the slave Jim.
Aside from generally following the plot of the original novel about halfway, James lives in a world that is much more violent than Huck Finn ever had a clue about. Everett has taken a liberty and placed the novel in the 1860s instead of the 1830s or 40s, when the original is set. He also uses a striking conceit: when among themselves the black characters speak more correctly—and sometimes with erudition—than most of the white characters.
Jim—or James, as he prefers to be called—hears that Judge Thatcher is going to sell him away from his wife and daughter, so he escapes and hides on a small island on the Mississippi. Unfortunately for him, Huck Finn has heard that his dreaded father is in town, so he fakes his own death and runs away, ending up on the same island. James realizes right away that he will be blamed for Huck’s “death.”
The two stick together and encounter what Huck thinks of as adventures and James knows to be deadly peril. After all, a slave is lynched later in the book for being suspected of stealing the nub of a pencil from his master. That he did steal it to give to James is beside the point.
The book follows the same basic outlines as Huckleberry Finn until James gets away from the Duke and the Dauphin, but all of the situations are much more deadly. Eventually, James’s inner anger is set aflame.
Everett’s books are witty, but they are also very angry. And he has some surprises for us.
This novel is fast moving and really interesting. It shows facets of the “institution” of slavery in all its ugliness.
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Review 2616: The Stone Door
Leonora Carrington was a surrealist painter (that’s her work on the cover) and obviously also a surrealist writer. I first encountered her when I read Down Below, her memoir about her escape from Nazi-occupied France across the Pyrenees to Spain while she was hallucinating from mental illness. That book was hallucinatory for certain, but The Stone Door is even more so.
I don’t think I can describe the plot, if there is one, but it involves several groups of people, a lot of symbolism, a series of bizarre fairy-tale-like stories, and attempts to open a stone door. Gabriel Weisz Carrington, the author’s son, doesn’t attempt to provide a synopsis in the introduction, just mentions scenes in it and quotes from it. There is an afterword by Anna Watz that analyzes it, but trying to read that analysis made me tired.
Frankly, if this hadn’t been a very short book, I wouldn’t have finished. It was difficult to follow and meant very little to me.
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Review 2615: The Widow of Bath
Hugh Everton is traveling around English seaside towns reviewing hotels and restaurants for a travel company when he meets an old flame, Lucy Bath, the glamorous wife of a judge. Hugh is immediately afraid, but we don’t understand why until later. Lucy is with an entourage, and when they all decide to return to her home, she invites Hugh, and he goes.
One of the men Hugh thinks he recognizes as a guy named Ronson, but Ronson is introduced as Atkinson. The judge, who has been looking for his missing dog, takes Hugh aside and seems to be intending to confide in him but changes his mind. He goes up early to bed.
The others are playing cards when they hear a shot, followed by a yelp from a dog. Lucy goes upstairs to investigate. When she doesn’t immediately return, Atkinson goes up, accompanied by Hugh. They find the judge dead with a hole in his head and no gun to be found.
When they try to call the police, the phone is dead, so Atkinson drives off to the police station. Hugh goes out to look for the dog and nearly catches a woman in the garden. He finds the dog with a broken leg. Soon Inspector Leigh arrives, but the body is gone.
Everton has found the entire evening to have a menacing undercurrent. However, he has had bad experiences with the police, so he is not as forthright as he could have been.
I hadn’t heard of Margot Bennett before reading Someone from the Past, but I think she has been seriously underrated to have almost disappeared from our knowledge. This novel has an interesting noirish plot with strong characterization and witty dialogue. Bennett moved away from crime fiction to writing for television after writing only a few books. I think that’s a shame.
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Review 2614: Monk’s Hood
It is autumn 1138, during the war known as the Anarchy. Although King Stephen’s army has withdrawn from Shrewsbury, he is now in control of the area. Abbot Heribert has been recalled to a conference to justify his tenure as abbot. As he didn’t support King Stephen, he does not expect to remain in that position. However, Prior Robert clearly anticipates stepping into his shoes, so most of the monks are depressed.
Because Abbot Heribert has been recalled, he doesn’t feel it would be right to ratify some outstanding agreements before he leaves. One of these is that of Master Bonel, who wants to donate his estate in exchange for lifelong housing and support for himself and his wife at the abbey.
Cadfael takes one of his mixtures to treat an elderly monk with rheumatism. There he meets a young Welsh kinsman of the monk, Meurig, who has been applying some of the mixture to the old man. Cadfael checks that Meurig has been warned to wash his hands and not touch his face before that, as the mixture contains a strong poison, monk’s hood.
Later, Cadfael is urgently summoned to the bedside of Master Bonel, who has been taken ill after dinner. Cadfael recognizes the symptoms of poisoning right away, and by his own embrocation. In the house are Bonel’s wife, Richildi, whom Cadfael recognizes as his old sweethheart; Richildi’s son Edwin by her first marriage; Edwy, Edwin’s lookalike nephew; Aldith, the servant girl related to Richildi; and Meurig, who apprenticed as a carpenter with Richildi’s first husband, whose brother has apprenticed Edwin.
Edwin has been estranged from the household because Master Bonel thinks he spends too much time with lower elements (i. e., Edwin’s relatives). And in fact, Bonel was entering into the agreement with the abbey to disinherit Edwin. He had come to dinner to try to reconcile with Master Bonel, but Bonel began berating him and was trying to make him kneel for forgiveness. Instead, Edwin stormed out. To the sergeant, though, this is enough proof that Edwin is the murderer. Cadfael, who has met both boys, Edwin and Edwy, doesn’t think Edwin did it, but Edwin has fled. Cadfael, helped by his new assistant, Mark, decides to investigate.
I didn’t find this mystery very difficult to solve, but I am liking Cadfael more and more, and Peters has created some vivid characters.
What? Me Read? 