Day 727: I Know This Much Is True

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Cover for I Know This Much Is TrueI have only read one other book by Wally Lamb, the more recent The Hour I First Believed, and when I began reading I Know This Much Is True, it was like deja vu all over again. In a very long novel, crass, belligerent, macho protagonist with anger issues ignores his own problems in attempting to cope with a family member with serious mental health difficulties.

In this case, Dominick Tempesta has a twin brother Thomas who is a paranoid schizophreniac. Thomas has seemed to do very well lately, so Dominick is shattered when Thomas goes to the public library one day and chops off his own hand in an effort to halt Operation Desert Storm. When Thomas is sent to Hatch, the high-security facility for the most dangerous patients, instead of Settle, where he usually goes, Dominick is convinced there is some mistake. His misgivings are confirmed when Dominick himself is severely beaten by one of Hatch’s security guards while he’s trying to get someone to call Thomas’ doctor. He begins trying to get Thomas out of there.

In his efforts, he meets with Thomas’ social worker Ms. Scheffer and with Dr. Patel, one of the therapists who is supposed to evaluate Thomas. Dr. Patel asks Dominick to discuss his and Thomas’ past with her so that she can gain more insight about Thomas. But eventually she begins treating Dominick.

So, the present-day chapters of the novel, set in the early 90s, are interspersed with chapters describing incidents from Dominick’s childhood and adolescence. These incidents include upbringing by a mild-mannered mother and abusive stepfather Ray, Dominick’s constant curiosity about the identity of his real father, Dominick’s jealousy at their mother’s favoritism for Thomas.

In the end, you get to understand and feel for Dominick, if not actively like him. His insight about himself is helped along by finding a manuscript written by his grandfather, another similarity with his other novel. This novel explores issues such as bullying and abuse, mental illness, the way Americans raise boys, the closeness of twins, the way our own history flows from the history of our parents.

As with the other book, I liked it well enough but perhaps not well enough to subject myself to another 1000 pages of Wally Lamb.

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Day 726: The Other Daughter

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Cover for The Other DaughterRachel Woodley has been working in France as a governess when she receives a telegram informing her that her mother is ill. Although she returns home immediately, the telegram was delayed, and she finds her mother dead, the funeral over, and the landlord giving her two weeks to vacate her home.

While she is going through her mother’s things, she finds a recent newspaper photo of the Earl of Ardmore with his daughter, Lady Olivia Standish. The Earl looks exactly like her father would have looked had he not died on a botanical expedition when she was four. But it’s not just a resemblance. He is the same man, with the same scar on his face.

Rachel goes to Oxford to see her Cousin David, who she’s sure would know the truth. David explains that her father was the second son and that he and her mother were forced to part after her father’s older brother died and her father became heir to the estate.

Rachel is furious to hear that her father left them, that she has been lied to, and that she is illegitimate. The thought of all the times she missed her father also makes her angry. She is expressing her displeasure when they are interrupted by Simon Montfort, Cousin David’s neighbor in rooms. He takes Rachel away to calm her down.

link to NetgalleyAlthough Simon is a social columnist for the Daily Yell, he promises to keep private what he has overheard. Soon, he is helping her get an opportunity to meet her father. After a makeover of a new haircut and his sister’s fashionable clothes, he lends her his mother’s apartment and presents her to young London society as the chic Vera Merton, his cousin. Rachel is not entirely sure of her own motives but is soon positive that Simon is doing this for his own purposes, especially when she learns her sister Olivia was once his fiancée.

This novel is sheer frivolity, set as it is in the 1920s among the wild young things. It is certainly a bit predictable—soon we guess Rachel will end up with either her sister’s current fiancé or her previous one. But it has lots of snappy dialogue and enough twists to keep things interesting. Although I’m not generally fond of this genre, I enjoyed The Other Daughter.

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Day 725: The Warden

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Cover for The WardenThe Warden was the first of Anthony Trollope’s Barchester novels, inspired by a setting and a series of Church of England preferment scandals. A chronicler of 19th century life, Trollope was interested in the intersections between practical and emotional considerations. He was a prolific writer known for complex, realistic novels.

The main character of The Warden is Mr. Harding, a kindly, well-meaning canon who is warden of a charitable hospital, sort of a retirement home for poor old men. For his care of the twelve old men’s spiritual well-being, he receives a salary of £800 a year. It is a position that involves little work and also includes a comfortable house, where he lives with his younger daughter Eleanor.

John Bold has been a friend of this house since a young boy, and Eleanor’s friends are expecting to hear of their engagement. John is a wealthy young man who doesn’t have to work for a living, so he has turned his attentions to reform. After a preferment scandal in another town, he decides to look into the will of the man who endowed the hospital. He finds that the pay of the warden has increased 25 times since the endowment 400 years ago, while the residents’ stipends have not increased, although of course the cost of their food and lodging and medical care has increased and is taken care of by the trust. In fact, the only increase the residents have had has come out of Mr. Harding’s own pocket.

Despite his sister’s advice, instead of taking this issue up with the church or the trust, John Bold brings a lawsuit on behalf of the hospital residents and takes the issue to The Jupiter, a powerful newspaper. His lawyer gets most of the elderly residents to sign a petition, rashly promising them £100 a year each. (Note how well the math works here. Even if they took all of Mr. Hardings’ salary, they wouldn’t have enough money to pay each of the residents £100 a year.)

It is Mr. Hardings’ reaction that forms the core of the novel, for he is not interested, like the lawyers and his son-in-law the archbishop, in whether the case will be won or lost but in whether the plaintiff’s point is morally correct. Although he has never given his position any thought, in fact is simply an employee of the trust, he is concerned that the intent of the original will might have been that the recipients of the charity should receive a larger share of it.

Except for his mild-mannered friend, the bishop, he cannot find anyone who will even enter into a discussion with him on this topic. And the bishop is completely dominated by his son, the archbishop Dr. Grantly. Dr. Grantly pushes aside Mr. Hardings’ concerns, which he considers weak, disregarding his wife’s ascerbic comments on how poorly he is handling her father. Soon, a newspaper article has appeared that makes poor Mr. Harding look greedy and grasping.

Not only is Trollope interested in exploring the differences between the reactions of Mr. Hardy, high-minded and feeling, and the lawyers and Dr. Grantly, all business and practicality, but he is also interested in the ramifications of reform. Although he shows there is corruption, this corruption is more of the institutional kind that has evolved over time. No one is purposefully trying to cheat anyone. On the other hand, he wants to point out that the alternatives to these entrenched systems might actually be worse.

We can predict that Mr. Harding ends up financially worse off than he started but that the hospital inhabitants do, too. Trollope’s first Barsetshire novel is quiet and slyly ironic. Trollope is not as often read these days, but he is certainly worth reading.

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Day 724: & Sons

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Cover for & Sons& Sons is a novel about fathers and sons, but it is really most about sons and the effect on them of their father’s actions. It is also about the fate of a lifelong friendship.

The friendship seems to be the catalyst for events. Charles Topping has died, and his funeral is packed with people waiting to see his best friend, the reclusive novelist A. N. Dyer, give the eulogy. Dyer is noted for several excellent books, but Ampersand has become a classic about prep school life.

At the funeral, though, it becomes clear that Andrew Dyer himself isn’t quite all there. During the eulogy, he becomes upset about the whereabouts of his young son Andy and has to be removed from the podium.

The story is told by a narrator who is not at all trustworthy, Charles Toppings’ son Philip. When Andrew Dyer meets him at the funeral and finds he has split from his wife, he kindly invites him to stay.

This suits Philip, who grows more malevolent as we get to know him. He is on hand a few weeks later when the Dyers reunite at their father’s request to discuss something important. He can be there to eavesdrop and look through old papers, but generally he cannot possibly be privy to all the details of the story he tells.

Andrew Dyer has been estranged from his ex-wife and two sons since the family learned about the existence of his third son, Andy. Andy is now seventeen. Andrew has tried to avoid neglecting him, as he did his two other sons, and do a better job of bringing him up. But Andrew knows he is nearing the end and is afraid Andy will be alone. He fears Andy is just as messed up as the other sons, only in a different way. Andrew has formed another preoccupation about Andy that shows how divorced he is from reality.

Andrew’s oldest son Richard is an ex-drug addict who has stabilized his life with great difficulty. He is now a drug counselor and has a wife and two teen children. The other son Jamie is a documentary filmmaker whose films for years have dwelt on the darkest of subjects. Philip Topping has a grudge against both of them for the teasing he received as a child.

The novel is told using letters between Andrew and Charlie, passages from Ampersand, and other artifacts from Andrew’s life, as well as Philip’s testimony. We find Andrew feverishly manufacturing an “original draft” of Ampersand because he burned up the original manuscript in disgust at what he did to his old friend Charles in fiction. Now he needs one to leave with his papers.

I waited to write my review for a few days after I finished the book, and I’m still not sure how much I enjoyed the novel. It is well written and absorbing, and it provides a lot to think about.

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Day 723: Greenbanks

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Cover for GreenbanksBest Book of the Week!
This novel begins with a large family Christmas dinner at Greenbanks, the home of Robert and Louise Ashton. It is around 1910. Louise is in her late middle age, a quiet, kind woman who delights in her housekeeping skills and her garden. Her husband, a serial philanderer, has proved a source of pain and humiliation, but she has tried to live it down.

Although the Ashtons are grandparents, three of their grown children live at home. Jim works at the family business, allowing his father to devote little time to it. Charles also purportedly works there, but he prefers to spend time fiddling with inventions, tinkling the piano, and entertaining his adoring mother. Laura is just about to engage herself to Cecil Bradfield. Rachel, the five-year-old daughter of Letty and Ambrose, is Louise’s favorite grandchild.

Robert soon dies in embarrassing circumstances. But even though the novel follows the fortunes of the family over roughly 15 years, it concentrates on the relationship between Louise and Rachel. Rachel, with a self-absorbed mother and an officious father, loves spending as much time as possible at Greenbanks with her grandmother.

The novel has overtones that are feminist for the time, as Rachel finds she has a gift for scholarship. Her father’s rigid and old-fashioned ideas about the place of an education in the lives of young women cost her a scholarship at Oxford, but she manages to continue her education despite him.

Inside cover
The cover at the top is really plain, but for some reason Amazon shows this picture, which is actually the inside of the cover!

One source of disagreement in the family is Louise’s choice of companion. Louise always felt sorry for Kate Barlow when she was a child and tried to include her in family activities. When Kate was a young woman, it was rumored she became pregnant by a married man and had his child, then was thrown off by her parents. Louise meets her in town one day and begins a correspondence with the reluctant woman. After Charles leaves for South Africa and her other two children marry, she invites Kate to become her companion. But Kate never really accepts Louise’s kindness.

The story of the Ashtons is told in spare, matter-of-fact prose that makes no attempt to influence the reader. Many of the characters are flawed and some are unlikable, but there are no heroes and villains here, just a set of ordinary middle-class people. It’s difficult, then, to explain why I so much enjoyed reading this novel. Whipple is a master of style and shows us her characters in the fullness of their lives.

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Day 722: The Narrow Road to the Deep North

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Cover for The Narrow Road to the Deep NorthDon’t expect good cheer and humor from The Narrow Road to the Deep North. It is the often harrowing novel based on the experiences of Richard Flanagan’s father as a POW during World War II, one of the hundreds of thousands of Australian soldiers forced to build a railroad through Burma with not much more than their bare hands. A much-sanitized version of this story was the basis for The Bridge on the River Kwai.

Dorrigo Evans is the main character of the novel, a surgeon who ends up being in charge of the prisoners simply by virtue of not having died. We meet him first as an older man, one of Australia’s greatest war heroes, feeling no self-worth, unhappily married, and unfaithful to his wife. The novel moves back and forth in time between the days when he is waiting to be shipped overseas at the beginning of the war until his death years later. In the summer before he went to war, we learn, he fell madly in love and had an affair with his uncle’s young wife Amy.

I think it is interesting that the New York Times reviewer thought this affair was a huge flaw in the novel while the Washington Post reviewer thought it was beautiful. I agree with neither of them (although I lean more toward the Times reviewer’s opinion) but think the Times reviewer was off base in blaming the affair for keeping Dorrigo from pulling his life together after the war. It wasn’t the affair at all but the memory of the decisions Evans was forced to make during the war. At one point, he must decide whether to try to save Darky Gardiner an undeserved beating or try to save another man’s leg. Both die, and the later revelation of Darky’s true identity makes this more painful. At another point Dorrigo is made to decide which of his starving, disease-ridden men must march 100 miles north of the camp. He picks the men with boots, reasoning they might have a chance of making it alive.

Occasionally, we see the thoughts of the men’s captors, the Japanese officers or Korean guards. In all his life after, only for a moment does the Japanese Major Nakamura have the slightest doubt of his behavior during the war. To him, the Australian soldiers had shamed themselves by surrendering and were being given a chance to redeem themselves by serving the Emperor. We occasionally also get glimpses of the brutality of mind that characterizes the Japanese military.

Whether you like this book or not, it is not one you will soon forget. This novel won the Booker Prize last year. Although I preferred several of the other short- and long-listed books for the prize, I still found it compelling reading.

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Day 721: Death in Brittany

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Cover for Death in BrittanyI selected this book just because of its setting, and it certainly makes an effort to impart the scenery and atmosphere of Brittany.

Commissaire Georges Dupin is originally Parisian, but he is enjoying his relocation to Brittany. He is sitting in a cafe with his morning coffee when he is summoned to Pont-Aven, where the 90-year-old owner of the Central Hotel was stabbed to death in the bar. It was Pierre-Louis Pennec’s habit to spend the evening there, sometimes with other people, sometimes alone. The death happened after the restaurant was closed.

No one at the hotel reports anything unusual. Pennec’s life revolved around the hotel, which had been in the family for generations. His grandmother had helped build Pont-Aven’s reputation as an artists’ haven by supporting artists, the most famous of whom was Gaugain. Copies of their paintings hang throughout the restaurant. The only unusual thing Dupin and his team can discover is that Pennec was told that week that he would not live long.

Under suspicion are Pennec’s son and daughter-in-law, but they seem to have no motive. Also under suspicion is Pennec’s estranged half-brother.

The night after the murder someone breaks into the restaurant. But to all appearances, nothing was taken or has changed.

link to NetgalleyI was reading an advance copy and was at first put off by the writing, which was not stellar, particularly overuse of the word “very.” But these problems may be resolved in the published version. One thing Bannelec attempts is to illustrate the beauties of Brittany. Most of this material was interesting, and I appreciated the effort, even though sometimes the novel reads like a travel guide. But I have criticized other novels for not providing a sense of the location, and this one certainly attempts to do so.

The characters aren’t particularly distinctive. I kept confusing two of Dupin’s inspectors and several of the suspects. So, overall, I would rate this novel as just average.

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Day 720: Galway Bay

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Cover for Galway BayGalway Bay is fiction based on the stories of Mary Pat Kelly’s great-great grandmother about leaving Ireland in the first half of the 19th century to come to America. The novel covers a lot of ground—the iniquities of Ireland’s Anglo-Irish landlords, the Great Famine, early Chicago, the American Civil War, the Fenian Brotherhood—and ends with the Chicago World’s Fair.

Honora Keeley is a young girl living in a fishing village on Galway Bay when she meets Michael Kelly and they fall in love at first sight. They want to marry, but they have to convince Honora’s family, because Michael owns nothing but his horse. However, he earns enough to marry by winning a horse race in Galway.

Honora’s sister Maire, who was married the day Honora met Michael, is soon a widow after her husband dies in a fishing accident. On Honora’s wedding night, Maire saves Honora from the landlord’s droit du seigneur by volunteering in her stead. I’ll say something about this later.

Michael is no fisherman. Honora and Michael have a tough enough time of it farming but are making out okay when the potato blight hits. The behavior of the landlords and the British government during this time is shameful, and Kelly depicts it vividly. After several years of the blight and other misfortunes, Honora finally is able to convince Michael to leave for America, to Chicago, where his outlawed brother Patrick is said to reside.

Although this novel has a fairly good story, there is something about the narrative style that bothered me. It is told in first person, but in a modern style that is not convincing. Many things happen, but I didn’t ever feel as if I understood much about the characters’ personalities. Especially early on, when we are getting to know the main characters, often opportunities for revealing dialogue turn into storytelling episodes, where we hear another Irish legend. Everyone has one or two identifying characteristics, but they don’t feel like real people. I think the novel may have been more successful in the third person.

Finally, I was highly skeptical of whether droit du seigneur would have occurred in the 19th century, as it is usually associated with Medieval times. I’m sure this event is based on family legend, but I think Kelly could have treated this one with a little skepticism, especially as the lord’s behavior is abetted by a priest. I attempted some research on the topic and was surprised to find a lot of discussion about whether it was ever actually practiced at all. But with one exception, the references were to Medieval mainland Europe, not the British Isles. That exception was a Facebook page about Ireland, but I was unable to find the actual reference on the page to see if it cited any sources. I have read several history books about Ireland and took a graduate course in Irish history, and I have never heard anything about this, although the other abuses are well known. (I have since found one source for this alleged practice, Arthur Young, the author of a book called Tour of Ireland in 1780, who stated it was commonly practiced in rural Ireland. He is listed in Wikipedia as an agriculturalist who traveled to observe agricultural practices. Still, with this little information, we have no idea if his statement is based on rumor or fact, and this report is 50 years or so before the time of this novel.)

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