Day 719: To Rise Again at a Decent Hour

Cover for To Rise Again at a Decent HourThe descriptions I’ve read of this book in reviews and on the cover don’t really do a good job of conveying what it is like, and I’m afraid mine won’t be any better. Still, I’ll give it a try.

Paul O’Rourke is a rather neurotic New Yorker, a middle-aged dentist who loves the Red Sox. He wants to belong to something so badly that his desire has messed up his two most significant relationships. Each time, he has fallen madly for his girlfriend’s family—the first a close-knit Catholic family whom he offended by announcing he was an atheist, the second a close-knit Jewish family he tried to impress by his research into the Holocaust.

Paul feels he needs to engage more with life but instead engages less. He records and watches baseball games and eats take-out and does little else except worry about how little his patients floss. At least, that’s all he’s done since he and Connie, his office manager, broke up.

Although Paul texts, he does not use other Internet technology, so he is surprised when someone puts up a web site for his dental practice. He immediately contacts the designers of the site and asks them to take it down. Soon, someone is posting odd messages about a group called Ulm on the site and has also started a Facebook page and Twitter feed in his name.

Rather than simply working through a lawyer, Paul engages with this other “Paul” in long philosophical arguments by text. Soon Paul’s other self is trying to get him to visit his “homeland” in the Negev desert.

This novel creates a distinct personality in Paul as well as a fair amount of humor. I enjoyed it even though I thought many of the discussions were gratuitous and the plot a bit whacky.

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Day 718: A God in Ruins

Cover for A God in RuinsBest Book of the Week!
In my opinion, Kate Atkinson’s Life After Life was absolutely the best book I read in 2013. It is the story of Ursula Todd, who dies and comes back to life until she accomplishes her goals. A God in Ruins is about her beloved brother Teddy. Atkinson describes it as a companion piece rather than a sequel.

Like Life After Life, Teddy’s story dwells on the effects on his life of World War II, during which Teddy is an RAF bomber pilot. Although the novel covers his entire life in a nonsequential, rambling order, clearly the events of the war are a major focus to which he keeps returning.

During the war he makes himself a promise that if he lives through it, he will always be kind. And he is, to his sisters, his matter-of-fact scientist wife, and his unlikable daughter Viola. When his daughter fails spectacularly at child-rearing, his home is a harbor for his two grandchildren.

Although Teddy does not have Ursula’s ability to shape her own future, during the war he flies so many missions without being killed that his comrades deem him invincible. And in later life his daughter comes to fear he will live forever.

I can’t explain why A God in Ruins is such a wonderful follow-up to Life After Life without giving too much away. Its focus is on the bombing campaign against Germany, and it explores the ethical issues of that campaign, which killed many German civilians. It also shows the waste of the  young men sent to pursue it, sometimes in conditions almost guaranteeing they won’t return. And the terror of these young men.

Atkinson is deft in her depiction of believable characters and is also a beautiful, inventive writer. It’s quite possible that A God in Ruins may be my favorite book of 2015.

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Day 717: Wildfire at Midnight

Cover for Wildfire at MidnightGianetta Drury is more sophisticated than the usual Mary Stewart heroine. She is a model and the ex-wife of a writer. It is 1953 and London is filling up for Queen Elizabeth’s Coronation when Gianetta’s boss suggests she take a holiday and get some rest. At the suggestion of her parents, she travels to a hotel on the Isle of Skye. (It is because of this book that I formed a life-long desire to see the Isle of Skye, as yet unmet.)

Gianetta has only been at the hotel a few hours when she makes two horrifying discoveries. One is that her ex-husband Nicholas is staying at the hotel. The other is that a local girl was recently murdered on one of the mountains, her body found across a bonfire like a sacrifice. She is said to have been meeting a man from the hotel.

All of the men currently staying at the hotel were there at the time of the murder except for movie star Marcia Maling’s chauffeur. Mr. and Mrs. Hartley Corrigan are vacationing with Alastair Braine, an old friend of Gianetta’s, here for the fishing. Colonel Cowdray-Simpson, also a fisherman, would seem to be too old to be a suspect. The famous mountaineer Rodney Beagle is there, climbing during the day and listening nightly to the radio broadcasts about Edmund Hillary’s expedition on Everest. And there is also a bouncy travel writer named Hubert Hay, who is researching his next book, Sauntering Through Skye. The handsome Roderick Grant is also a climber, and he quickly shows a liking for Gianetta. And then there’s Nicholas. Unfortunately, none of the men have an alibi for the murder.

Very soon two other visitors to the hotel have vanished, two women who went climbing on Garsven, the same mountain where the girl was found. They were seen from afar climbing with a third person, yet everyone else has returned to the hotel. To her horror, Gianetta is also aware of some information that seems to implicate Nicholas. She begins struggling with understanding where her loyalties lie.

Wildfire at Midnight is atmospheric and suspenseful. Stewart was a wonderful writer, known for her evocative descriptions of exotic locales and for her engaging characters. I come back to her books for light reading again and again.

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Day 716: The Siege of Krishnapur

Cover for The Siege of KrishnapurThe Siege of Krishnapur, the second in J.G. Farrell’s trilogy about the British Empire, is a novel of ideas, full of the mordant humor and irony that characterizes the first book, Troubles. Farrell based his novel on the true-life 1857 siege of Lucknow, during which British residents held out for five months against attacks from Indian sepoys.

As author Pankaj Mishra explains in the introduction, this siege and similar incidents generated at the time a popular romantic genre of fiction, wherein two young English people meet in India just before the rebellion and bravely withstand privation to prevail in the end. In The Siege of Krishnapur, Farrell is among other things satirizing this genre.

George Fleury arrives in Calcutta with his sister Miriam just before news of the first sepoy rebellions. Like Farrell’s protagonist of Troubles, Fleury is an unformed young man, and worse, he tends to the pedantic. He is inclined to the romantic and likes to lecture about the supremacy of feelings and ideas over the new plethora of objects and inventions resulting from the current Industrial Revolution.

In Calcutta, Fleury and Miriam meet another brother and sister, Harry and Louise Dunstable, offspring of one of Krishnapur’s doctors. Harry is a young lieutenant, and Louise is thought to be the prettiest (English) girl in India. Fleury is taken by her, but she spends her time flirting with the young soldiers.

Once the young people reach Krishnapur, it is not long before the rumors of trouble turn into reality. The Collector, who is in charge of the district, has been paying attention, though. The others have been ridiculing him for surrounding the Residency with trenches and sending his wife home to England.

The Collector can’t quite comprehend why the natives would want to attack the British, who in his mind are bringing them the wonderful benefits of civilization. He himself attended the Great Exhibition and has filled his house with some of the marvels exhibited there, including electroplated busts of some of the great poets. (Shakespeare’s head turns out later to make a great cannonball; Keats’ does not.)

Once the British are under attack, there are thrilling yet funny descriptions of the fighting, bravely and innovatively conducted by Harry and the other soldiers, who have limited resources, and incompetently assisted by Fleury. Fleury is continually arming himself with some bulky and impractical weapon. Inside the Residency, the British begin by maintaining strict social levels and having tea parties. Once Fleury and Harry have rescued Lucy, a suicidal fallen woman, from her bungalow outside the compound, the other ladies are horrified at having to share quarters with her, even though they are sleeping on billiard tables.

Many vibrant characters inhabit this novel. The Padre is an Anglican clergyman who endlessly tries to convert his flock’s thoughts into more pious channels, haranging them even in the midst of battle. Dr. Dunstable is so incensed by the more modern treatments of his rival, Dr. McNab, that he challenges him to verbal debates and eventually gets himself killed trying to prove Dr. McNab is wrong about the cause and treatment of cholera. Even when Dr. Dunstable’s death proves Dr. McNab is right, the supposedly rational and enlightened British still somehow believe he is wrong. The Magistrate is so interested in phrenology that he shocks everyone by feeling the back of Lucy’s head to determine its amativeness and is slapped for it.

As conditions in the Residency deteriorate, the true nature of the British rulers of India emerges, petty, jingoistic, and chauvinistic, caring little for the natives, who do not appear much in the novel except as servants or attackers. In one revealing speech, an opium grower rejoices at how much money has been made by forcing the Indians to grow opium and then using it to addict the Chinese. In fact, it was just at this time that the 8th Earl of Elgin stopped to hear about the rebellion in northern India while he was on his way to China to force the Chinese emperor to admit British opium dealers.

The novel tells a great story, while still being full of wit and philosophy.

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Something a Little Different: The Walter Scott Prize

Logo for Walter Scott PrizeI am stealing an idea from Helen of She Reads Novels, who has a page devoted to the Walter Scott Prize for Historical Fiction. She is attempting to read all of the novels nominated for the prize since 2010. Since I am always looking for good historical fiction and I have already read several of the nominees and winners, I thought I would try to do the same. You can find more information about the prize on the Walter Scott Prize website. The prize for 2015 will be announced this coming Saturday, June 13, so that is also exciting.

Here are the lists of nominees, showing the winners in bold. I have linked to my existing reviews, and I am also including links to Helen’s reviews. I have also added this list as a page under my About menu so that it is easy to find, and will continue to update the links on that page as I finish the books.

Cover for Wolf Hall2010

Sacred Hearts by Sarah Dunant
The Quickening Maze by Adam Foulds
Lustrum by Robert Harris
Wolf Hall by Hillary Mantel (My review) (She Reads Novels review)
The Glass Room by Simon Mawer
Stone’s Fall by Iain Pears (My review) (She Reads Novels review)
Hodd by Adam Thorpe

Cover for The Thousand Autumns of Jacob De Zoet2011

The Long Song by Andrea Levy (She Reads Novels review)
C by Thomas McCarthy
The Thousand Autumns of Jacob de Zoet by David Mitchell (My review)
Ghost Light by Joseph O’Connor (She Reads Novels review)
Heartstone by C. J. Sansome
To Kill a Tsar by Andrew Williams

2012

On Canaan’s Side by Sebastian Barry (She Reads Novels review)
The Sisters Brothers by Patrick deWitt (She Reads Novels review)
Half-Blood Blues by Esi Edugyan
The Stranger’s Child by Alan Hollinghurst
Pure by Andrew Miller (She Reads Novels review)

Cover of Bring Up the Bodies2013

Toby’s Room by Pat Barker
The Garden of Evening Mists by Tan Twan Eng (She Reads Novels review)
The Daughters of Mars by Thomas Kenneally (My review) (She Reads Novels review)
Bring Up the Bodies by Hilary Mantel (My review) (She Reads Novels review)
The Streets by Anthony Quinn (She Reads Novels review)
Merivel: A Man of His Time by Rose Tremain

Cover for Life After Life2014

Life After Life by Kate Atkinson (My review) (She Reads Novels review)
The Luminaries by Eleanor Catton (My review)
Harvest by Jim Crace (My review) (She Reads Novels review)
Fair Helen by Andrew Greig (She Reads Novels review)
An Officer and a Spy by Robert Harris (She Reads Novels review)
The Promise by Ann Weisgarber

Cover for Viper Wine2015

Zone of Interest by Martin Amis
The Lie by Helen Dunmore (She Reads Novels review)
Viper Wine by Hermione Eyre (My review)
In the Wolf’s Mouth by Adam Foulds
Arctic Summer by Damon Galgut
A God in Every Stone by Kamila Shamsie
The Ten Thousand Things by John Spurling

Day 715: Lark

Cover for LarkJust an aside to start. When I was in high school, I had a job at the public library. There I discovered lots of authors I may not have come across elsewhere, and one of them was a writer of books for teens and preteens who specialized in historical novels featuring likable, feisty heroines. I read every one the library had.

Years later, I would try to remember who this author was to see if I could find some of her books and discover whether I still liked them as much. But all I could remember was she had a relatively common name that started with W. I searched Amazon for children’s books with authors beginning with a W. There are a lot of them. Then one day just awhile ago, a word popped into my head, “Lark.” A Google query accomplished the rest. I found a wonderful page on a site specializing in children’s books called “Stump the Bookseller” where you could ask exactly that kind of question, and more than one person asking about the author of a historical novel with a character named Lark. The author was Sally Watson. A little more searching found she is back in print.

* * *

Elizabeth Lennox has not been called by her nickname of Lark since her Uncle Jeremiah came and took her away from her family. He always thought she would make a good wife for her cousin Will-of-God if she was just raised correctly. Since he is one of Oliver Cromwell’s officers and Lark’s father was away fighting with the Royalists, he could do what he wanted. So, he took Lark away and she has been living miserably in a Puritan household ever since. She has no desire to marry Will-of-God, whom she dislikes. She deliberately tries to appear young so that her uncle won’t realize how close she is to being marriageable.

Lark has had nowhere else to go, since her family had to leave for the continent after their property was confiscated. But one day she receives word from her sister up in Scotland, so she decides to go there, not realizing how far away the Highlands are from southern England. She sneaks out of the house in the middle of the night and sets off.

James Trelawney is a young Royalist who disguises himself as a Roundhead to run errands and pass messages in the interests of Charles II. He comes along as Lark is being accosted by a Puritan man after singing a Cavalier song on the road. James takes her for a child, for she looks much younger than her thirteen years. After tossing the Puritan into the river, he reluctantly agrees to take her north, but only because she seems to be too young to leave on her own and she won’t tell him who she is. The two of them have adventures involving intrigue, capture, travels with gypsies, and other exciting incidents.

When I reread a children’s or young adult book, I try to evaluate how interesing it is for both the adult and the intended audience. I don’t think Lark has as much to offer an adult as some of the old classics I’ve reread recently, such as The Secret Garden or Anne of Green Gables. However, I did enjoy it as a bit of light reading. It is written for girls around ten to thirteen or fourteen years old. Although I loved it as a sixteen-year-old, older teens today may be a bit too sophisticated for it. I’m not sure. Still, it has plenty to recommend it, a good background in the history and a pleasant way of presenting it—through James’ confusion about his own loyalties—adventure, humor, and light romance. It is much more innocent than many of today’s books for teens, but that’s not necessarily a bad thing.

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Day 714: Rubbernecker

Cover for RubberneckerBelinda Bauer has stepped away from the locale of her first three thrillers, set in Shipcott on the atmospheric moors of Exmoor. Rubbernecker is a departure both in locality and tone, set in Cardiff and showing a bit of humor now and then.

Patrick is a young man with Aspergers. He is not as functional as he probably could be, especially with his people skills, having apparently received no help for his condition from anyone, including his apathetic and alcoholic mother. Patrick has been obsessed since he was a small boy by the death of his father, the patient and caring parent. He doesn’t really understand what killed his father, and above all he wants to understand things. So, he is enrolled in anatomy classes at Cardiff University.

Another character we follow at the beginning of the novel is Sam, a coma patient. Sam has begun to emerge from his coma but can’t speak. However, he first awakens just in time to see a man dressed like a doctor murder the man next to him. As Sam frantically tries to communicate, he begins to fear for his own life.

At first, we don’t know how these stories connect or even their relative time frames. We wonder if we should see anything sinister in Patrick’s obsessions.

link to NetgalleyThe novel provides us a few glimpses of humor as Patrick tries to navigate the world of roommates and anatomy class teams and his peers try to understand him. The novel is well-written and involving, but I think I prefer the black aura overhanging Bauer’s earlier efforts. There is plenty of action going on in Rubbernecker, but it is lacking the atmosphere and absolute terror of the previous novels.

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Day 713: Salem Chapel

Cover for Salem ChapelBest Book of the Week!
Because of the order the books were listed in on Wikipedia, I thought that Salem Chapel was the first of Margaret Oliphant’s Chronicles of Carlingford. However, the introduction to the book says it is the second. When I started to read it, I thought it was going to be, like Miss Marjoribanks, a light satire on society, only a different level of society. But it is much more dramatic than that.

Arthur Vincent proudly takes up his first clergy position as the Dissenting vicar of Salem Chapel at Carlingford. He is an educated gentleman of some ability, and he is certain he will soon be an accepted member of the best Carlingford society. But he receives a shock when he meets his congregation of buttermen, poulterers, and greengrocers and their wives. He soon finds, too, that he is expected to bend to their wishes, as they pay his salary.

Arthur is a proud young man of good family, and this doesn’t sit well with him. Still, he makes an impression with his first sermon and dutifully goes about his business until he is struck by the sight of the beautiful, young Dowager Lady Western. Although a mutual acquaintance tries to warn him not to make anything of her warm manner to him, as she is like that with everyone, he doesn’t pay attention. Soon, he is informed that his parishioners are displeased. He has been seen paying a call in Grange Lane, the home of the upper-class residents of Carlingford (and setting of Miss Marjoribanks), who all attend St. Roque’s.

Arthur has also made the acquaintance of a less prosperous woman, Mrs. Hilyard, an impoverished gentlewoman who takes in sewing. Mrs. Hilyard is an odd and unfortunate woman, and it is a favor she asks of Arthur and his family that drives the larger actions of the plot.

Up until the major events are set in motion, I found the book amusing, as when Arthur, moonstruck by the sight of Lady Western, spends an entire week daydreaming about her. His congregation interprets this lack of activity as a scholarly application to his sermon and is impressed.

This novel contains wonderful characters who can be a bit Dickensian, like the well-meaning butterman Deacon Tozer or the disturbing Mrs. Hilyard, who reminds me a bit of Rose Dartle in David Copperfield. From humor, the novel soon takes a more serious turn.

The introduction to this novel says that once Mrs. Oliphant was one of the most well-regarded of the Victorian novelists, but she is now nearly forgotten. I have found the two of her novels I’ve read to be very entertaining. I think she reminds me, with a delicate touch, more of Jane Austen than any other writer I’ve encountered, and some of the events of Salem Chapel are remindful of Pride and Prejudice. I can only hope that more people will decide to read the works of Margaret Oliphant.

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Day 712: Literary Wives: My Father’s Wives

Cover for My Father's WivesToday is another Literary Wives discussion about the book My Father’s Wives by Mike Greenburg.

Be sure to read the reviews and comments of the other wives! If you have read the book, please participate by leaving comments on any of our blogs.

* * *

If there is such at thing as a male equivalent for chick lit, My Father’s Wives fits in the genre. Take a similar focus on romance and family, keep the background of wealth and focus on expensive brand names, replace shopping with basketball and witty dialogue with earnestness. Mix in a bunch of underdeveloped characters that readers don’t care about. Make it light as a feather despite themes that could be heavy and also make it thoroughly predictable. There you have it. This genre can even have a similarly rhyming name, but it would be rude to say it.

Jonathan Sweetwater has led a privileged existence. He is the son of a U.S. senator. He has a job as a banker that he enjoys, and he has been taken under the wing of the CEO because of a mutual love of basketball. He is happily married with two kids that he loves.

One day before he is due to leave for a business trip, he decides to come home early from work and sees what he thinks is evidence that his wife Claire is having an affair. I’m not giving away anything here. This happens almost at the beginning of the book.

Instead of simply walking into the room or, failing that, asking his wife about what he saw, Jonathan hires a private detective. This is what movie reviewers call the lame-brained plot, the plot that continues when the problem could be cleared up with a few sentences. If he had behaved at all rationally, there would be no story, however. By the way, this detective’s shenaningans, supposedly an effort to protect his client’s anonymity, are ridiculous.

Then for some reason, Jonathan decides he really needs to find out about his father, from whom he and his mother have been estranged since he was 9. I would call this the McGuffin if it had any other purpose than making the book a little longer. To do this, he tracks down all six of his father’s wives, doing so while pretending to be on business trips.

I felt the premise behind this novel, although not unlikely, didn’t really relate well to its trigger. That is, why would thinking his wife was having an affair make him run out to find out about his father? The people in the novel are very thinly characterized, even Jonathan. We know, for example, that he’s supposed to be destroyed by his discovery, but we don’t feel it. In any case, I think we all know that there will be some explanation for Claire’s apparent infidelity.

I would also like to mention the choices in this novel and the lack of a sense that some of the choices are not ethical or moral. Jonathan sees nothing wrong with hunting up his father’s wives while he’s pretending to work. His boss behaves more like a mafia don than a CEO, and if he was really spending his nights with cocaine-sniffing models, he wouldn’t take an employee along. In any case, that relationship is inexplicable and unlikely. Claire does one questionable thing that is unexplained, and I cannot say more about it.

What does the book say about wives or the experience of being a wife? In what way does the woman define “wife”—or in what way is she defined by “wife”?

Although there are a lot of wives in this book, I don’t think we learn much about them. We don’t even see that much of Claire. Her role seems to be very conventional—to be a good suburban wife and mother. She is warm and someone Jonathan feels comfortable with.

Literary Wives logoOf Percy Sweetwater’s six wives, we learn that he left each one for not being perfect. Jonathan’s mother is intelligent, educated, and cultured, but she doesn’t worship Percy, so he leaves her for Christine, who does. But he soon tires of Christine for her lack of the qualities he admires in his first wife. Next, he marries Elizabeth, a doctor, for her intelligence. He continues on, always marrying his current wife’s opposite. But we barely learn anything about them except their jobs. I don’t think we can gain much of a coherent view from this novel of how the author views wives. Clearly Percy views a wife as someone who has to meet all his needs for admiration, intelligence, charm, and beauty, but just as clearly, that is not Jonathan’s view of a wife. What is his view? That’s not clear. Maybe a companion.

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