Review 2114: Lost Hearts in Italy

~ whatmeread ~ 2 Comments

I absolutely loved Andrea Lee’s Red Island House—in fact, it was on my Best of the Year list this last year—but I think I would have liked Lost Hearts in Italy better if I hadn’t read the other book first. I make this comment because Lee seems to be rehashing the same story except the Red Island House also dealt with other themes.

In Red Island House, a young, beautiful American mixed race academic is married to an older, uneducated, self-made wealthy Italian businessman, a marriage that seemed to me inexplicable. In Lost Hearts in Italy, a young, beautiful American mixed race journalist meets an older, uneducated, self-made Italian billionaire when she is on her way to join her young, beautiful nice husband who loves her in their new home in Rome. Mira doesn’t even seem attracted to Zenin (she calls him by his last name as the heroine of Red Island House calls her husband), but eventually she begins having an affair with him, one that (this is no spoiler—it’s clear from the beginning) spoils her marriage with Nick. The novel moves backward and forward in time between 1986 and 2005, examining the lasting repercussions of Mira’s actions.

The only difference I can see between Zenin and Senna of Red Island House is that Zenin is tall and Senna is short. Lee is obviously obsessed by this relationship. Although she is an excellent writer, I think Red Island House, with its themes of identity, colonialism and the responsibility of the rich to the poor, has more to offer than just a dissection of this relationship. In Lost Hearts in Italy, Mira is like a moth drawn to a flame except she knows she is doing something against her own nature. My question was, then why did she do it? Zenin is not an attractive character at all. It’s inexplicable.

Related Posts

Red Island House

Ties

Siracusa

Review 2113: The Clockwork Girl

~ whatmeread ~ 2 Comments

I liked Mazzola’s The Story Keeper well enough to try another book by her. This one looked interesting.

In 18th century Paris, Madeleine was forced into prostitution at a young age by her mother and so badly scarred by a customer that she now works in the brothel as a maid. She is determined to escape with her nephew, which is one reason she reluctantly agrees to spy for the police on the household of Dr. Reinhart. She is supposed to find out what he is working on, but once installed there, she finds it difficult to learn anything. Something about Reinhart seems off, but he locks up his secrets. However, his interest is in anatomy and he makes elaborate wind-up animals.

A second narrator, Véronique, is Reinhart’s daughter, newly returned from being raised in a convent. Her father has promised to train her in his work, but time passes and he works only with Doctor LeFevre on some project for the King.

Madeleine hears rumors that children are disappearing off the streets and worries about her nephew.

A third narrator is Madame de Pompadour, who is afraid she is losing the King’s affection and worried about what he is up to.

This novel is fast-paced and eventually gets very creepy, but there are some unlikely aspects about it, especially how neatly everything is resolved. Still, it certainly kept my attention.

Related Posts

The Story Keeper

Little

Pure

Review 2112: The Creak on the Stairs

~ whatmeread ~ 3 Comments

Chief Investigating Officer Elma, who has been with the police in Rejkyavik, moves back to her home town of Akranes after an end to a long relationship. Almost as soon as she arrives, there’s an unusual death—a woman’s body is found in the sea by an old lighthouse. Suicide and accident seem ruled out because the body was dragged there from the parking lot.

The body is identified as Elisabet Hölludóttir, a woman who had lived in Akranes as a child but was said to hate it. The investigators have difficulty finding out much about her, and even her husband seems to know little about her past.

The team’s investigation of the present doesn’t seem to be going anywhere, but Elma becomes convinced that the murder has to do with Elisabet’s past. Her boss, Hörþur, doesn’t agree.

I am fairly sure The Creak on the Stairs is Ægisdóttir’s first book, and in some ways it shows. I found Hörþur’s behavior at times unbelievable, for example. Ægisdóttir seems to be trying to depict him as lackadaisical and too close to the community bigwigs, but in a country where murder is so unusual, there’s no way he would tell his staff to hold their progress reports until the next day because he needs to make a phone call or that he would go home early. Also, a woman refuses to go to the town where she was a child and then is found dead there. Of course the murder has to do with her past. It took them too long to get there.

Other than that, I found the novel interesting enough and liked the heroine. A surprise at the end of the novel made me think Elma was getting interested in her partner too soon, though.

Related Posts

Gallows Rock

Last Rituals

The Mist

Reading Thirkell’s Barsetshire Series in Order: #21 Happy Returns + #20 The Duke’s Daughter Wrap-Up

~ whatmeread ~ 4 Comments
Cover for Happy Returns

Since I know that at least one person who had been reading along was no longer able to find reasonably priced copies of the books, I got a lot more comments on the last book than I expected. I hope that happy situation continues. Anyway, my thanks to the following people who participated in discussing The Duke’s Daughter:

  • Liz Dexter
  • Penelope Gough

The next book is Happy Returns, which I read all the way back in 2015 and don’t remember at all (except that someone is running for parliament). It’ll be interesting to me to see whether I view that book differently now that I am more familiar with the characters. I will be reviewing that book on Tuesday, February 28! Hope you will join me.

And here’s our little emblem.

Review 2111: #ThirkellBar! The Duke’s Daughter

~ whatmeread ~ 2 Comments

This entry in the Barsetshire series opens with characters’ realization that Lucy Adams is carrying a child, but then it jumps forward. Around about the same time, Tom Grantly meets the dreadful Geoffrey Harvey and begins to have doubts about his farm work. He has been happy working on Martin Leslie’s farm with Emmy Graham, but he doesn’t think there’s a career in it. So, he takes a job working for Harvey in the Red Tape and Sealing Wax Department. However, Harvey is known for making his underlings’ lives miserable, and within a year, Tom is ready to quit but doesn’t know how to explain to his father that he wants to change his career yet again.

Commander Cecil Waring has returned to the Priory to take up residence in his part of the house after taking in some shrapnel that the Navy doctors couldn’t find. It is floating around in his body and will either emerge or kill him. In the other part of the house, Philip White and his wife Leslie, Cecil’s sister, are having such success with their prep school that they are looking around for a bigger building.

Cecil meets Lady Cora Palliser, the Duke of Omnium’s daughter, and is much struck by her. However, he thinks she’s paying too much attention to Tom.

The new Lord Lufton makes everyone’s acquaintance. He is young, shy, and overwhelmed by his new responsibilities. He is also very kind and is at first attracted by Clarissa Graham until he sees her behaving rudely to Charles Belton.

Fans of the series may be pleased to find that this novel features the reappearance of almost every character who has ever appeared, with the added attraction of no less than four betrothals. Mrs. Morland, the author of a popular series of novels, always says they are all alike. Perhaps the Barsetshire novels are, too, but their charm is in finding out what happens to characters we know and in meeting new ones.

Related Posts

County Chronicle

The Old Bank House

Love Among the Ruins

Review 2110: Classic Club Spin Result! The Saga of Gösta Berling

~ whatmeread ~ 4 Comments

The Saga of Gösta Berling begins with the story of a young minister. He has been so depressed by his difficult job and his gloomy house in a remote region of Sweden that he has begun drinking, going so far as to miss some Sunday services. His parishioners have complained, so the bishop and other senior clergymen have come to his parish to attend Sunday service and dismiss him. However, that morning he is sober and gives a passionate and inspiring sermon. The clergymen question the parishioners and they suddenly have no complaints. So, the clergymen give the minister a talking-to and depart. The young minister is Gösta Berling, and now he resolves to reform, to stop drinking and dedicate his life to others. But then one of his old drinking buddies, who drove away with the clergymen, tells him they won’t bother him again. He has given them a terrifying sleigh ride to the station and then threatened them. Gösta knows they won’t believe he didn’t have a hand in it. So, off he goes to become a defrocked priest, a vagrant wandering in the wilderness.

This bit is typical of what we find in this episodic novel, situations apparently resolved for the good, only to end in some ironic twist. It is an unusual novel, and the only thing I can think of that it reminds me of is Peer Gynt, except that Peer Gynt didn’t seem to have good intentions.

Years later, we find Gösta at Ekeby, the home of the majoress. She has a sad past but for years now has ruled Ekeby and its iron mines and farms through having married the major. She has given free room and board, indeed a wing of her house, to 12 cavaliers, who are required to do nothing except enjoy themselves and raise hell. The only catch is that each year, one of them dies. Gösta is one of the cavaliers.

On Christmas Eve, a “black gentleman” emerges from the chimney during the cavaliers’ party and convinces them that everything wrong with their lives is the fault of the majoress, that she has made a pact with the devil to get power. He particularly convinces Gösta even though the majoress rescued him from poverty. They make a pact with him to have control of Ekeby for one year, and if one of them acts unlike a cavalier in that time, he will have all their souls. So, on Christmas Day the cavaliers drive the majoress out of her house to wander the countryside.

This event is only two or three chapters into the book, but by this time there had already been several episodes in which Gösta proved himself charismatic but mercurial and unreliable. I was getting disgusted with him and took a break from the novel.

But coming back to it, I began to appreciate Lagerlöf’s extravagant prose style and vivid descriptions. It’s clear that she loves the Värmland area of Sweden, which was her home and the setting of the novel. Plus, I got more involved in the action of the novel, which has the feel of stories of the past being told around a fire.

Still, I found Lagerlöf’s idea of a fitting ending as well as the religious overtones fairly off-putting. So, a so-so for Gösta. I read this novel for my Classics Club list.

Related Posts

Wolf Winter

The Long Ships

The Prisoner of Zenda

Review 2109: Orphans of the Carnival

~ whatmeread ~ 6 Comments

After reading Carol Birch’s Jamrach’s Menagerie, I had high expectations for Orphans of the Carnival, especially as it had in common the carnival setting. However, my reactions to this novel were much more mixed.

The subject of the novel is a woman who really existed, Julia Pastrana, a 19th century performer. Julia was more than a performer, though. She was a famous “freak” at a time when such shows were popular. She is described only here and there and in pieces so that we slowly get an idea of what she looked like, but she was labeled an ape-woman, among other names.

The novel opens as Julia has decided to take up a showman’s offer and leave her home in Mexico, where she works as a servant, to travel to New Orleans to work in a sideshow. But her hunger for travel and adventure is stifled, because her boss wants her to stay out of view except when she’s on exhibit, discouraging her from even walking around heavily veiled, as she usually does.

Julia eventually changes agents and quickly becomes world famous, being an accomplished performer and speaking several languages. But she yearns for a fulfilling private life.

The trouble is, Birch didn’t succeed in making Julia an interesting personality. This problem may be because she was a real person and Birch didn’t want to take too many liberties, but sometimes I want to say to authors, “Your characters aren’t inherently interesting even if you put them in interesting situations. You have to make them interesting.” Further, she doesn’t do much with the carnival setting.

Birch also uses at least one anachronism when she puts Julia in pantyhose. Pantyhose wasn’t actually invented until 1959 and was called “panty legs” at first. The term “pantyhose” didn’t become common until the mid-1960’s.

There is also a present-time story about a woman who fills her apartment with lots of odd objects she’s picked up. There seems to be no connection between the two story lines until the very end of the book. However, when they do link up, the connecting is haunting.

The end of the novel is very much the best part of the book, but otherwise I had trouble staying with it and read two other books in between starting and finishing it. This for me means I am having trouble concentrating on the one I’m reading.

Related Posts

Jamrach’s Menagerie

The Mermaid’s Child

The Wonder

11th Anniversary! Top Ten Books of the Year!

~ whatmeread ~ 12 Comments

It’s my 11th anniversary for this blog, and as is my habit, I am using it to post my top ten books of the year. This year’s books are all fiction, which isn’t unusual. What is unusual is that six of them are historical novels, and a few others are partially historical. Only one is set in the current time (the other nonhistorical novels in the recent past). Of the historical novels, most are set in the 20th century, but one each is set in the 16th, 17th, and 18th centuries. Five of the books are by women, five by men, and two involve the supernatural. Four books are set in the United States, two in Scotland, and one each in Australia, Madagascar, France, and an island in the Indian Ocean off what would become Australia.

This year’s choice was difficult, because I read some really good books, but here they are, in the order in which I posted the reviews:

Here’s wishing you a year of happy reading!

Review 2108: The Paris Apartment

~ whatmeread ~ 3 Comments

Jess needs to leave London quickly, so she calls her brother Ben in Paris and announces she is coming for a visit. He tells her it’s not a good time but ends up giving her instructions to his apartment.

All doesn’t go well for her travel plans, and she ends up arriving late. However, she can’t get Ben to buzz her in or raise him on her phone. She ends up following someone in and picking the lock to his apartment.

When Ben doesn’t appear the next morning, Jess begins asking about him. The neighbors, though, are hostile and unhelpful. The building itself is old and unusual, surrounding a courtyard with each apartment occupying a single floor. It seems much more expensive than Ben, a journalist, can afford. Moreover, in the apartment Jess has found a spot smelling strongly of bleach and a cat with blood on its fur.

I think I’ve read enough Lucy Foley. Her plots are puzzling enough, but her style gets old. All the books I’ve read by her are narrated the same way—in short chapters moving back and forth in time and changing narrators. Her style seemed unusual at first but it doesn’t change from book to book.

Related Posts

The Guest List

The Hunting Party

In a Dark, Dark Wood