Tag: 20th century

Day 902: Who Was Changed and Who Was Dead

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Cover for Who Was Changed and Who Was DeadWho Was Changed and Who Was Dead is another eccentric and original novel by Barbara Comyns. With its characters and plots, it contains more than a slight touch of the bizarre.

We meet the Willoweed family after the nearby river has flooded. Some of the family are wading on the lower floor of the house, and Ebin Willoweed has taken the girls out in the boat, from which they are observing the dead animals floating by.

The novel is almost entirely concerned with the Willoweeds. Ebin is a writer who lost his newspaper job years ago and hasn’t worked since. He lives in his mother’s ramshackle but enormous house with his three children, the entire household terrorized by his tyrannical mother.

The Willoweeds seem stuck in a monotonous existence. Ebin occupies some of his time by having an affair with the wife of the village baker. Emma, the oldest daughter, yearns for pretty clothes and shoes but has to be content with clumsy ones made in the village. Dennis and Hattie love playing in the river.

Then a mysterious malady strikes the village. People begin to run mad and commit suicide. No one knows who will die next.

Who Was Changed and Who Was Dead is narrated with the same innocent simplicity of Comyns’ other novels, which deal with similar grotesque situations and characters. It’s one of the things that makes them so readable, yet so eerie.

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Day 900: The Monogram Murders

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Cover for The Monogram MurdersThe Monogram Murders is the first Hercule Poirot mystery written since Agatha Christie’s death that was approved by her estate. It is written by the British thriller writer Sophie Hannah, whose books I have enjoyed. I was curious to see how authentic the novel seemed as a Christie mystery.

Hercule Poirot visits Pleasant’s Coffee House every Thursday night because he finds that its delicious coffee activates the little grey cells and he likes the astute observations of a waitress named Fee. One evening a regular patron comes in disturbed, behaving as if she fears for her life. When Poirot tries to convince her to confide in him or go to the police, she runs away. All Poirot can find out about her is that she works in some large house across town and her name is Jennie.

Hercule returns to his rooming house to confide in his fellow lodger, Mr. Catchpole, who works for Scotland Yard, but Catchpole is disturbed by having just attended the scene of a murder. Three people have been found dead at the exclusive Bloxham Hotel, and each had a monogrammed cufflink in his or her mouth.

Investigation soon finds that the two women victims, Harriet Sippel and Ida Gransbury, both lived in the small town of Great Holling. They traveled up separately to London and had rooms on different floors, but they both had tea with the third victim, Richard Negus, at 7:15 PM. They were all found dead in their rooms after 8 PM.

It soon becomes clear that the deaths have something to do with a tragedy years before in Great Holling, when lying rumors about the town’s vicar resulted in the loss of his reputation and the subsequent suicides of his wife and himself. The three dead were the couple’s biggest traducers, and a servant named Jennie Hobbs told the original lie. But who is the murderer? Some pieces don’t fit.

So, how does The Monogram Murders stack up against other Christie mysteries? It is certainly as complex as any other Poirot mystery and as difficult a puzzle. Hercule Poirot is very much himself. Catchpole is a suitably dense sidekick, a bit reminiscent of Mr. Watson in another series. The novel is engaging and interesting. The one distinctive characteristic of Christie’s novels that it lacks are her deft characterizations, her way of making readers be able to visualize them with just a few sentences. Still, this novel makes a fairly worthy entry into the series.

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Day 898: An Adventure

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Cover for An AdventureAn Adventure is the account by two English woman academics of a couple of supernatural events during a visit to Versailles, published under pseudonyms. The women had the first experience on August 10, 1901, and the second was experienced by one of the women alone the following year. The two women claimed not to have spoken together about the first event until three months later, when they agreed that the Petit Trianon, where the first event occurred, must be haunted. At that time, they decided to write down separate accounts of the incident.

The first section of the book is each woman’s account of the incident. On a visit to Paris, they went to Versailles and decided to stroll the grounds looking for the Petit Trianon, which was a favored place of Marie Antoinette. Although their accounts disagree in some respects, both women reported seeing the same landscape and layout of buildings and some of the same people dressed in antique costumes. One of the women saw a lady painting in a white dress. They also reported an oppressive atmosphere.

On a subsequent visit, “Frances Lamont” heard people speaking as if they were walking on a path nearby and music from the 18th century. Later, the women were unable to locate many of the places they had visited on the previous visits. These events led them to decide they had observed supernatural visits of Marie Antoinette and some of her servants and courtiers. They also learned that Petit Trianon was rumored to be haunted on August 10, which is the anniversary of a pivotal date in French revolutionary history.

The second section of the novel relates the discoveries that the women made. It describes the differences between the landscape of the area at the time of the event and in the 1780’s. It details the women’s research to explain the costumes of the people they saw and the events witnessed.

The final section of the book contains the women’s explanations of the events as a combination of memories in the mind of Marie Antoinette as she and her family were cooped up in a small room on the day of August 10, 1789.

The most interesting part of the book is the first section, containing the women’s accounts of the events. The section about their investigation is harder to follow and difficult to visualize. Subsequent reading I’ve done on the notorious event contained allegations that their sources validating some of the information they researched were questionable.

The final section seems much too suppositional for easy belief (if you can believe any of it) as well as repetitive, revisiting much of the information from the second section. Whether you believe something supernatural happened to these women or whether their memories were influenced in the time that elapsed after the event or even that they invented the whole (which does not seem to be a general assumption), this is a mildly interesting account that was controversial when published, even during a time that was credulous about the supernatural.

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Day 896: No Country

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Cover for No CountryA story about Irish immigrants to India seemed like an interesting change to me. But I decided not to finish this 500+-page book.

It begins in 1989 in upstate New York, where the bodies of a couple are found and their daughter is being questioned. The promise is that the novel will answer the question of who killed them or whether they committed suicide, but at least in the first 200 pages, after this brief opening, the book doesn’t return to the crime.

Instead, the story goes back in time to 1843 Ireland. There, we meet two boyhood friends, Brendan and Padraig. Through several unlooked-for occurrences, Padraig ends up on a ship to Bangladesh with every intention of returning immediately, while Brendan adopts Padraig’s illegitimate daughter Maeve and ends up fleeing the famine for Canada.

Everything about the Irish section of the novel seemed clichéd to me, and because Ray spends no time at all on characterization, we’re not especially interested in the characters. The point of view switches between characters, but they don’t have distinctive voices or personalities. Finally, there is no sense of place to the novel. So, I decided to stick it out until the novel moved to India, hoping that would change things.

In Calcutta in 1911, we meet Robert, Padraig’s Anglo-Indian grandson. I didn’t stay with Robert very long because I still didn’t feel very interested, and again there was no sense of place. It seems obvious that the couple who die in 1989 are going to find they are related in some unanticipated way, but by then the relationship will be so distant, it would hardly seem to matter.

In fact, the story seems to be one of unrelenting misery, but a misery so detached that we feel little empathy as we read the catalog of horrors experienced by Brendan and his family in Ireland and on the way to Canada. The novel is ambitious to tell the story of these families but in a way that didn’t capture me or make me want to invest the time to finish it. From reviews I’ve read, it just becomes more complex, one reviewer mentioning it needed a family tree. But that would probably give away the ending.

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Day 894: Everyone Brave Is Forgiven

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Cover for Everyone Brave Is ForgivenJust before I read Everyone Brave Is Forgiven, I began a couple of advance reading copies that were varying degrees of bad. I did not finish either one, but the characteristic that stood out most for me was that both were written without a shred of humor. That is not to imply that all books should be humorous, but humor certainly helps me enjoy a book.

So, as I seemed to be on a run of bad fiction, my hopes for Everyone Brave Is Forgiven were not high, even though I enjoyed Cleave’s previous Little Bee. Although I’ll sometimes read one delightful book after another, this was not one of those periods. Thank goodness, I found Cleave’s book not only interesting, but at times funny, at other times touching.

Cleave starts out with some information about his grandfather, who was stationed during World War II in Malta. He has used the relationship between his grandparents as a jumping-off point for his novel.

Mary North is a young socialite who wants to do something for the war. She envisions the war office sending her on some important mission, but she finds she has been assigned to be a school teacher. She enjoys teaching, but her methods are unorthodox. When her school is evacuated to the countryside, her headmistress decides they can do without her.

Tom Shaw isn’t really interested in going to war, but when the children in the school district he administers are evacuated, he starts wondering about his role. After his good friend Alistair Heath enlists, he tries to sign up but is found to be performing an essential job.

By then he has already met Mary, who comes to him asking for a class to teach. Although most of the children are gone, there are still some about, mostly kids who weren’t wanted by the people in the country. Finally, Tom lets her conduct a small class of children, mostly handicapped, and the American negro boy from her old class, Zachary.

Tom falls madly for Mary, who is bright, beautiful, and funny. Mary also cares for Tom, who although older and more steady is also more naive. When Alistair returns, already a bit damaged from the war, Tom and Mary arrange a double date with her friend Hilda. But it is clearly Mary that Alistair is struck by, and she with him. Still, she stays true to Tom.

Alistair is stationed on Malta, which was Britain’s sole air base in the Mediterranean for much of the war. Nothing much grows on it, though, and after it is blockaded, the soldiers starve.

link to NetgalleyWe like Tom, but it is clear from the first that Mary and Alistair are meant for each other. How they will end up together is one thread of this story, but it has others. It’s about racism in World War II, about how Mary comes to reassess some of her values, about the horrors of war.

The conversations and exchanges of letters in this novel are light and amusing. The themes of the novel are more serious, but it still fits in the category of light fiction. I really enjoyed this novel. Mary is a determined character, light in approach but trying to do the right thing, even if it seems eccentric to others. Alistair is fairly shattered by his war experiences but still amusing.

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Day 893: Classics Club Spin! A Wreath of Roses

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wreath-of-rosesToday is another Classics Club Spin, and the book that was chosen for me from my Classics Club list is A Wreath of Roses by Elizabeth Taylor. Compared to the other two books I’ve read by Elizabeth Taylor, this novel seems less blighted in its setting. It takes place in a countryside that is lushly described. But before we get there, a shocking event occurs in the railway station that foreshadows the atmosphere and events to come.

Camilla is on her way for her annual holiday, which she has spent for years with her closest friend Liz and Liz’s former governess, Frances. Frances has become a famous painter, and they stay with her in her home. But this year things are different. First, Camilla has met a man, Richard Elton, on the train. Although she ordinarily wouldn’t have even spoken to him, categorizing him as a certain type, the incident at the train station has shocked them both. Then, Liz has brought along her baby Henry. Liz’s marriage to Arthur, whom Camilla dislikes, has created distance between the two women, and Camilla isn’t interested in the baby. Finally, Frances is looking like an old woman. She has difficulty painting, and has radically changed her style.

But the focus of the novel is on Camilla’s relationship with Richard Elton. When we see him on his own, we realize he is a liar who has difficulty telling his own lies from the truth. He may also be dangerous. He has told Camilla stories about violent activities during the war, but they seem unlikely. And he keeps reading in the paper about the murder of a woman.

Camilla is both repelled by and attracted to Richard. At first, she agrees to see him only to irritate Liz, but then she begins to feel sorry for him. Also, she sees herself drawing ever closer to a sort of dried-up spinsterhood, while Liz is positively blooming in her fecundity.

Although some of Taylor’s other novels are depressing in their realism, A Wreath of Roses is much darker. It juxtaposes the heat and lushness of its country setting with Camilla’s feelings of sterility and the themes of murder and suicide. The novel is disturbing yet compelling.

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Day 891: Girl Waits with Gun

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Cover to Girl Waits with GunConstance, Norma, and Fleurette Kopp are driving their carriage into Paterson, New Jersey, one day when they are broadsided by an automobile driven by a wealthy man accompanied by a bunch of thugs. The men try to drive away but are stopped by the townspeople. The man turns out to be Henry Kaufman of Kaufman Silk Dying Company.

When Constance tries to collect $50 from him for repairs to their buggy, she and her family find themselves the victims of harassment. They receive threatening letters, bricks are thrown through the windows of their farmhouse at night, and men invade their property. Constance’s trip to the police gets no help from the prosecutor’s office, but Sheriff Heath teaches Constance and Norma how to shoot and sends deputies out to patrol the house.

The threats don’t stop, though. Instead, the attacks escalate and the women receive kidnapping threats against Fleurette, who is only 16.

In the meantime, Constance has met Lucy, a young dyer, who says she had a child by Kaufman. She said she sent the baby away with other children during a recent strike, and he is the only one who didn’t come back. She is sure Kaufman kidnapped him.

This novel is fun, exciting, and well written, with interesting characters, placed during a period when there was a lot of labor unrest in the Northeast. Constance is an engaging heroine. Although the plot involving Lucy is made up, the rest is based on a true case of the time, taken from newspaper articles from 1914. This novel makes truly enjoyable reading.

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Day 889: An Inquiry into Love and Death

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Cover for An Inquiry into Love and DeathFor light reading with a supernatural twist, I’m developing an affection for the novels of Simone St. James. Her romantic suspense novels are set in post-World War I England and feature spunky heroines who get embroiled in mystery, always with a supernatural element.

Jillian Leigh is an Oxford student in one of the few colleges for women. She is summoned away from her studies with news that her Uncle Toby has died. Her parents expect her to take care of his affairs, saying that her father is unable to leave his work in Paris.

Jillian hasn’t actually seen her uncle since her parents broke with him when she was 14, for reasons she does not know. The one thing she knows about him is embarrassing, that he worked as a ghost hunter. Other than that, she remembers him as a shy, quiet person who was kind to her.

She is appalled, however, to find she is expected to identify his body. He was staying in the seaside village of Rothewell, thought to be haunted by the ghost of a smuggler, when early one morning he fell off a cliff.

Jillian stays in the house where Toby lived, an isolated cottage nearest the activities of the purported ghost. Almost immediately, odd things begin happening. She finds things in odd places, a book in  the stove, for example. At night she hears what she thinks is a tree scratching her window, but in the daytime she sees there is no tree anywhere near it. Then Scotland Yard Inspector Drew Merriken arrives and tells her that Toby may have been murdered.

After reading a few of St. James’s novels, I have no doubt there will be a romance with the inspector, but her combination of ghost story and mystery is truly suspenseful. I found this to be another enjoyable romantic suspense novel.

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Day 888: Tinkers

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Cover for TinkersGeorge Crosby lies dying. He is an old man who retired and then became a clock repairman for 30 years. As he dies, he remembers the life of his father, who was a tinker—a traveling salesman of household items in the rural wilds of Maine—and an epileptic. In a way, of course, George also tinkers, with clocks.

This novel’s writing is truly astounding. Harding has a way of examining ideas and objects down to the bone. At other times, musings seem almost hallucinogenic. I wasn’t sure I understood the point of view, though. If all of the novel is from the point of view of George, as most reviews of the book seem to imply, how does he know what happened to Howard, his father—or is he imagining a life for his father?

To me, the novel seems to be about both men, in particular, about the circumstances that led to George being raised without his father. In the hard primitive life of backwoods Maine, George’s mother is resentful and cold. It is his father who is more considering and thoughtful, but a poor provider who might stop to weave pallets of grass instead of selling his goods. After a particularly bad epileptic attack, the only one witnessed by the Crosby children, George’s mother decides to have their father committed.

This novel was difficult for me to read, because I was so interested in some aspects of the plot that I glanced over some of the gorgeous prose or couldn’t concentrate on it (not my usual approach). The prose is the point of this book, however, and the meditations it evokes.

I believe this book is related to another book that also bought. I can’t remember if it is the sequel to the other book, or the other book is a sequel to it. I’ll be interested to see if reading both books enlightens me more.

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Day 886: Kill ‘Em and Leave: Searching for James Brown and the American Soul

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Cover for Kill 'Em and LeaveKill ‘Em and Leave is a difficult book to categorize—part biography, part music history, but what it most closely resembles in writing style and approach is a series of magazine articles on the subject of James Brown and his legacy. That is not meant as a criticism, and the book is written with energy and flair.

I do not know a lot about James Brown, and my general sense of his life may incorporate some of the information that McBride would be quick to point out as lies or exaggeration. But McBride is not setting out to whitewash, just to find the truth.

And the truth is hard to find. McBride tells us that Brown was secretive, not just about money and the details of his private life but about his real self. McBride is only able to find out fragments of the truth about Brown, because Brown let people make things up about him and was more interested in creating his own legend than in revealing himself. So, McBride pursues his subject by visiting the places where he lived and talking to old friends and employees.

McBride doesn’t want to focus on the drugs and the mistreatment of women and the scandal. He wants to explore Brown’s legacy to American music and to the people in his life, good and bad. The shocking handling of his estate, which was left in trust for the education of poor children and is being ransacked by a series of lawyers, is also a focus. The damage the suits have done to the reputations of the original trustees, including the imprisonment of his honest and innocent accountant, David Cannon, is a sin. But McBride makes clear that Brown was a bad employer, erratic, distrusting, tight, and more people than Cannon have taken a fall for him. And not one poor child has received a cent of his money.

link to NetgalleyThis is a fragmentary but fascinating portrait of a complex man. If you are interested in the issues of African-American life, the history of American music, the issues of legacy, corruption in the music business or in South Carolina politics, or simply in a well-told story—any of these will assure your enjoyment of this book.

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