Review 2587: Luckier Than Most

Luckier Than Most is an autobiography by David Tomlinson, the stage and screen actor. Although I felt handicapped as an American reading this because I wasn’t familiar with many of the names he mentioned, I found it a pleasant read, and Tomlinson comes across as a good and patient person. Americans are probably most familiar with his comic work for Disney Studios, particularly in Mary Poppins or Bedknobs and Broomsticks. Although often a comic performer, he had serious stage roles as well.

Although some of his theater stories are interesting (and I noted that he rarely said a bad thing about anyone and was just as likely to say nice things about a crew member or understudy as he is about a star), I found most interesting his recollections of his childhood. Although fond of his mother, he and his brothers were terrified of their father, who was not affectionate and had a terrible temper. His father disliked David and told him he wasn’t going to amount to anything. He was hiding a big secret, hinted at from near the beginning of the book but not hard to guess, even though David and his brothers didn’t discover it until they were adults.

Later on, with David’s success and again with his discovery to CST (what the brothers called their father) that they knew his secret, David’s relationship to his father improved. CST even admitted that he had misjudged him.

The book is also interesting because of its light, well-intentioned stories about well-known figures. It was surprising, for example, to learn that Peter Sellers needed people around him all the times because he was an insomniac and had no hobbies or other resources for his spare time. The only person Tomlinson said anything negative about was the actor Jack Lord, who played in the original Hawaii Five-O.

If you want a book that dishes the dirt, this isn’t it, but if you want a nice, light read, it is.

I received this book from the publisher in exchange for a free and fair review.

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Day 924: Ballet Shoes

Cover for Ballet ShoesNoel Streatfeild was a writer of popular children’s books in the 1930’s. Her first novel, Ballet Shoes, was so popular that the U.S. publishers renamed several of her subsequent books to include the word “shoes,” even though they were not series books.

Ballet Shoes is about three girls, all adopted by Great Uncle Matthew, called Gum. Gum is a fossil hunter, but when his house becomes too full of fossils, his great-niece Sylvia’s nanny makes him give them away to a museum. Gum goes off on another fossil-hunting trip but brings back a baby instead, the unidentified survivor of a shipwreck. Over the course of five years, he brings back two more. These are Pauline, Petrova, and Posy, and he gives them the last name of Fossil.

Gum goes off on another trip, leaving Sylvia and the cook and nanny in charge. Sylvia does her best to bring up the girls, although she is only ten years older than Pauline. But Gum doesn’t return, and the money begins to run out. Sylvia is forced to remove the girls from school and try to teach them herself. Finally, she must take in boarders.

Sylvia is lucky in her boarders, because soon they are all involved in the girls’ education. Two retired university professors undertake to teach the girls at no cost, and Theo, who teaches ballet, gets them enrollment in the Children’s Academy of Dancing and Stage Training, which prepares children for a career in the arts.

At 11, Pauline shows promise as an actress, and none of them have any doubt that Posy will be a famous ballerina. Only Petrova does not feel any particular aptitude, except for her interests in motors and flying, and she is most happy on Sundays, when boarder Mr. Simpson lets her work in his garage.

The rest of the novel follows the girls’ careers as they struggle to make enough money to support themselves and study dancing and theatre.

Ballet Shoes is not a classic because of its writing style or literary attainment, at least in my opinion. The writing is workmanlike, and the narrative arc lacks the highs and lows of other classics. Instead, it is a classic because of Streatfeild’s knowledge of the arts and the details about classes and stage productions. I think this novel would be fascinating for any child interested in the arts, especially ballet. And the plot about the four orphans trying to make it in a difficult world should appeal to most other imaginative children.

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