Tag: Classics Club

Day 515: Robinson Crusoe

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Cover for Robinson Crusoe Here I am with my third review for the Classics Club. Robinson Crusoe is a difficult novel for the modern reader. It is one of the earliest novels and as such lacks some of the characteristics we associate with the form. It has no chapters—just a few breaks here and there—little dialogue, minimal characterization, and a primitive plot structure. If you think of the novel as a children’s story, you are wrong (although when I was looking for a cover for this article, I saw that it is marketed as such).

In fact, the story that has made several exciting movies is related in a mundane manner with little notion of building suspense and would probably bore most kids silly. Instead, Crusoe’s novel is an expression of the importance of self-reliance and an assertion of Defoe’s religious faith.

The story is familiar, although I was surprised by just how much happens before the famous shipwreck and after the rescue. As a young man, Robinson Crusoe is in a position where he could live a good life at home. His father urges him to be content, but he determines to be a sailor. He makes several voyages, ending in Brazil, where he accumulates property and an estate. But he is not satisfied to stay at home. He takes on an errand from neighbors to travel back to Europe for business, and that is when he is shipwrecked.

The rest of the novel is about his efforts to survive and make himself a home, his religious musings, and (after years of being alone) his encounters with other people. As I mentioned before, none of the characters are fully realized. In fact, aside from Crusoe, only Friday even has a name. Everyone else is just called by his station. (I say “his,” because there are no female characters.)

Modern readers may also have problems with such issues as racism or sexism in the novel (sexism only in the sense that Defoe ignores women—he mentions a few, but they are clearly unimportant). I don’t think that works should be judged outside the standards of their time, though. By the standards of his own time, Crusoe probably treats Friday pretty well.

The only other novel I have read by Defoe is Moll Flanders, which has the advantage of being bawdy. I think the way to approach this novel is not as an adventure story but as an example of an early novel and as a story about self-reliance.

Day 512: Troubles

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Cover for TroublesBest Book of the Week!
It is the summer of 1919. Major Brendan Archer has just left the hospital after his experiences in the trenches of France. When on leave in 1916, he met Angela Spencer. Although he has no recollection of having asked her to marry him, she has ever since then written him exhaustive letters signed “Your loving fiancée.” Determined to find out if he is engaged, the Major travels to the Majestic, Angela’s family hotel in County Wicklow, Ireland.

Troubles is about the decline of the once powerful Anglo-Irish aristocracy. Nothing symbolizes this decline quite as effectively as the state of the Majestic. Once a grand resort hotel, the Majestic is now the crumbling permanent home for a handful of old ladies who knew it from their heyday.

The Palm Court is so overgrown that it gets more and more difficult to find the chairs. No staff is visible when Archer checks in, and he is finally vaguely shown around by Ripon, Angela’s brother, who urges him to pick a room. When Archer retires, he finds his bed has no sheets, and his investigation of a sickly smell leads to the discovery of a sheep’s head in a pot in his room. Most frustrating, though, is that he can find no opportunity to speak to Angela, who shortly after his arrival shuts herself up in her room.

Major Archer soon finds himself drawn into the activities and personalities of the household. Angela’s father Edward seems unconcerned about the increasing decrepitude of the house. He occupies himself with projects such as raising piglets in the squash court or conducting bizarre experiments in “biological research.” He is most concerned with preventing Ripon from marrying the daughter of a merchant, whom Ripon has made pregnant. Edward’s objection? She is Catholic.

It is the time leading up to the partition of Ireland, with events that 40 years later will result in The Troubles. To Edward’s way of thinking, along with most of his class, those who want independence from Britain are nothing but hooligans. He refuses to recognize that his impoverished and desperate tenants have legitimate grievances.

The growing sense of dissolution both in Ireland and—periodically interjected by newspaper articles—in other parts of the British Empire keeps the novel from being simply a comedy such as Cold Comfort Farm. That, and Farrell’s writing style of cool and precise satire. As poor Major Archer bumbles in a well-meaning way through the political briars and Edward becomes more detached from reality, the Majestic slides perceptibly into ruin.

This is another book from my Classics Club list.

Day 496: My First Classics Club Review! The Long Ships

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Cover for The Long ShipsBest Book of the Week!
Today I’m posting my first review for The Classics Club, the one chosen for me by the Classics Club Spin #5!  The Long Ships is a great start to the Classics Club for me. I found it to be a rousing adventure story full of deadpan humor.

This book is the result of Bengtsson’s desire to write a realistic novel about the Vikings. A poet, Bengtsson also wrote essays and a biography of Charles XII, but he became more widely known for The Long Ships.

His protagonist Orm Tostesson is only a boy when the novel begins. Orm is eager to go a-viking to Ireland with his father and older brother, but his mother tends to be protective of him, so he stays home. Shortly after the men leave, he attempts to stop some sheep stealing on the part of a group of Vikings from Lister and is kidnapped by them. The Vikings soon find him an able and intelligent companion, so he becomes part of their crew rather than being kept a slave.

In the course of their adventures down the western coast of Europe, they are initially successful but eventually are captured and sold as galley slaves. In return for a service they performed for a Jew from Córdoba, they are freed to serve as bodyguards for lord Almansur, the regent and imprisoner of the young Caliph of Córdoba. There they serve for years until circumstances force them to flee for home.

This voyage is the first of three related in the novel, during which “Red” Orm meets his bride to be, loses her when his best friend Toke steals her father’s concubine, goes a-viking to England to try to retrieve her from English priests, and many years later travels down the Dnieper to bring back a stash of hidden gold. Even when he is settled at home, he is involved in tiffs with his neighbors, attempts to murder him on the orders of the evil King Sven, visits from unusual acquaintances, rowdy celebrations, and a Thing, a convocation of various groups of Vikings for settling their differences.

There is plenty of action in this novel, but what I find most charming are its air of insouciance and its ongoing (although somewhat grisly) humor. It has a sense of playfulness, especially about the differences between the Norsemen’s old religion, Christianity, and Islam, to which Orm and his fellows are temporarily forced to convert. Take, for example, this passage from the prologue, about the arrival of the shaven men, or priests, in Skania:

They had many strange tales to relate, and at first people were curious and listened to them eagerly, and women found it pleasant to be baptized by these foreigners and to be presented with a white shift. Before long, however, the foreigners began to run short of the shifts, and people wearied of their sermons, finding them tedious and their matter doubtful . . . . So then there was something of a decline in conversions, and the shaven men, who talked incessantly of peace and were above all very violent in their denunciation of the gods, were one by one seized by devout persons and were hung up on sacred ash trees and shot at with arrows, and offered to the birds of Odin.

To give you another idea of the humor in this novel, a Viking tells a story of a wedding that broke up into a fight. When the bride sees the groom’s friends beating up one of her relatives, she hits the groom with a torch, which starts his hair on fire, beginning another fire in which 11 people are killed. Everyone agrees that it was the best wedding they ever attended.

The story of Red Orm is told in a detached manner but by a truly talented storyteller. It is full of sly humor and observations of human folly. I really enjoyed it.

My Classics Club List

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Cover for The Long ShipsIt’s a coincidence that I picked this book cover to illustrate my short classics list for the Classics Spin 5, because this book is the one selected for me to read as part of the spin! Having committed to that much, I decided I might as well join the Classics Club. In the Classics Club, you select your own list of 50 or more books and a date by which you decide to have read them all, within five years.

Since I am posting this list today, my deadline date is February 12, 2019.

Here is my proposed list, also located permanently under my About menu.

Early Classics

  • Beowulf (Seamus Heaney translation)

16th Century

  • Henry VI Pt I by William Shakespeare (1591)
  • Henry VI Pt. II by William Shakespeare (1596-1599)
  • Henry VI Pt. III by William Shakespeare (1591)

17th Century

  • Don Quixote by Miguel Cervantes (1605 and 1615)

18th Century

  • Robinson Crusoe by Daniel Defoe (1719)
  • The Vicar of Wakefield by Oliver Goldsmith (1761-1762)

19th Century

  • The Moonstone by Wilkie Collins (1868)
  • Bleak House by Charles Dickens (1852-1853)
  • Our Mutual Friend by Charles Dickens (1864-1865)
  • The Idiot by Fyodor Dostoevsky (1868-1869)
  • Queen Margot by Alexandre Dumas (1845)
  • Middlemarch by George Eliot (1871-1872)
  • Far from the Madding Crowd by Thomas Hardy (1874)
  • The Perpetual Curate by Margaret Oliphant (1864)
  • The Scottish Chiefs by Jane Porter (1810)
  • Vanity Fair by William Makepeace Thackeray (1848)

20th Century

  • Things Fall Apart by Chinua Achebe (1958)
  • The Long Ships by Frans G. Bengtsson (1941 and 1945)
  • Sisters by a River by Barbara Comyns Carr (1947)
  • O Pioneers! by Willa Cather (1913)
  • The Hours by Michael Cunningham (1998)
  • Rebecca by Daphne du Maurier (1938)
  • Troubles by J. G. Farrell (1970)
  • Light in August by William Faulkner (1932)
  • Selected Poems by Robert Frost (1934)
  • Herland by Charlotte Perkins Gilman (1915)
  • Goodbye to All That by Robert Graves (1929)
  • Their Eyes Were Watching God by Zora Neale Hurston (1937)
  • Brave New World by Aldous Huxley (1932)
  • The Remains of the Day by Kazuo Ishiguro (1989)
  • Snow Country by Yasunari Kawabata (1956)
  • Troy Chimneys by Margaret Kennedy (1953)
  • The Call of the Wild by Jack London (1903)
  • Death in Venice by Thomas Mann (1912)
  • Selected Poems by Edna St. Vincent Millay (1992)
  • Beloved by Toni Morrison (1987)
  • The Beggar Maid by Alice Munro (1978)
  • Ada by Vladimir Nabokov (1969)
  • That Lady by Kate O’Brien (1946)
  • Giants in the Earth by A. E. Rolvaag (1924-1925)
  • A Wreath of Roses by Elizabeth Taylor (1949)
  • The True Heart by Sylvia Townsend Warner (1929)
  • The Age of Innocence by Edith Wharton (1920)
  • Summer by Edith Wharton (1917)
  • Greenbanks by Dorothy Whipple (1923)
  • Night by Elie Wiesel (1958)
  • Stoner by John Williams (1965)

21st Century

  • The Broken Road by Patrick Leigh Fermor (2013)
  • The Known World by Edward P. Jones (2003)

My Classics List

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I am following my friend Cecilia’s lead and participating in the Classics Spin. It sounds like fun. It isn’t clear to me if you have to be a member of the Classics Club or not, but anyway, here goes. I have to make my own list of 20 classics, and then each month the club will arbitrarily pick a number, and I have to read and review that book that month. Sounds like fun! Most of these are books I haven’t read, although there are a few I want to reread in the near future. Here is my list, in no particular order.

  1. Cover for The Long ShipsThe Remains of the Day by Kazuo Ishiguro
  2. Summer by Edith Wharton
  3. The Call of the Wild by Jack London
  4. Stoner by John Williams
  5. Middlemarch by George Eliot
  6. The Known World by Edward P. Jones
  7. O Pioneers! by Willa Cather
  8. Bleak House by Charles Dickens
  9. Things Fall Apart by Chinua Achebe
  10. Greenbanks by Dorothy Whipple
  11. Brave New World by Aldous Huxley
  12. The Scottish Chiefs by Jane Porter
  13. Robinson Crusoe by Daniel Defoe
  14. Beloved by Toni Morrison
  15. Light in August by William Faulkner
  16. Snow Country by Yasunari Kawabata
  17. The Idiot by Fyodor Dostoevsky
  18. The Beggar Maid by Alice Munro
  19. Their Eyes Were Watching God by Zora Neale Hurston
  20. The Long Ships by Frans G. Bengtsson