Review 1781: Good Evening, Mrs. Craven: The Wartime Stories of Mollie Panter-Downes

A woman feels as if some evacuees have taken over her home. The Red Cross sewing party is enlivened by arguments between the good-natured Mrs. Peters and the bloodthirsty Mrs. Twistle. A woman bravely faces her husband’s deployment and then is devastated to find he hasn’t left yet and she has to face it all over again. A couple finally gets rid of their evacuees only to have an acquaintance ask for room in their house. A man who has been working in a ministry feels guilty about not joining up.

These are a few of the stories about ordinary people during World War II that Mollie Panter-Downes published in the New Yorker. They are slice-of-life stories, although most of them have an upper-class perspective, of changing social conditions, of changes in everyday life, of people keeping a stiff upper lip.

I was surprised to learn from the Afterword that Panter-Downes, a prolific British journalist, short story writer, and novelist, was much better known in the United States than in Britain because she published almost everything in the New Yorker. So, even though she wrote hundreds of short stories, her legacy was almost lost in her native country.

Ordered by when they were written, this collection provides an insightful look, beautifully written, at the lives of ordinary people during the war.

One Fine Day

My Husband Simon

To Bed with Grand Music

Review 1778: #ThirkellBar! The Brandons

Although I know the season is busy, I hope some others of you joined me in reading The Brandons for Reading Thirkell’s Barsetshire Series in Order.

Mrs. Brandon attributes her good temper and blooming if languid looks to having been many years a widow. She also likes to imply that she was unhappily married even though she had just started to be bored by her husband when he died. Whatever the reason, she is charming and captivating enough to make men fall devotedly in love with her, including the vicar, Mr. Miller, and his pupil, Mr. Grant, who is the same age as her son Francis.

Mrs. Brandon’s elderly aunt by marriage, Miss Brandon, has been holding the bequest of her money and hideous house over Francis’s head for years, hinting when she is displeased—which is almost always—that she will leave it to someone else. Francis doesn’t want it, but when she summons them all to her house, Mrs. Brandon feels that they must go. There she finds that Miss Brandon has been ill and is actively mistreating her companion, Miss Morris.

At her house they also find Mr. Grant, who it turns out is a cousin in the same situation as Francis, alternately promised and denied a legacy that he doesn’t want. Part of the novel deals with what happens when Miss Brandon dies.

Thirkell is brilliant at describing the silliness of infatuations, and here she does not spare Mrs. Brandon’s admirers. A delight of this book is its conversations, especially those involving such eccentric characters as Mrs. Grant, Mr. Grant’s mother, who patronizes others about her life in Italy and constantly embarrasses her son with her lack of manners and clanking jewelry. Some favorites reappear in this novel, including Mrs. Morland and Tony, Lydia Keith, and Noel Morton.

Thirkell continues to entertain us with her witty and charming novels.

Pomfret Towers

Summer Half

August Folly

Review 1767: Classics Club Spin! A Town Like Alice

Best of Ten!

I haven’t ever read anything by Nevil Shute, so I decided to put A Town Like Alice on my Classics Club list, and then it was chosen for the latest spin. I’m glad I chose it for my list, because it’s a really good book, hard to categorize—part war story, part love story, part adventure story, about brave and resourceful people and challenges faced. I loved it.

The novel is narrated by Noel Strachan, an elderly solicitor, who finds himself the trustee for a young woman named Jean Paget. After they befriend each other, Jean confides to him that during World War II she was in Malaya when she and a group of women and children were taken prisoner by the Japanese. Since the Japanese didn’t know what to do with them, they were marched hundreds of miles back and forth over the Malay peninsula. Half of them died until Jean made a deal with a village headman that he would allow them to stay there if they helped with the rice harvest. During the time they were wandering, an Australian POW who was driving trucks for the Japanese tried to steal food for them and was crucified by the Japanese. Jean decides to use part of her legacy to dig a well in the Malayan village to thank them for helping.

While in Malaya, Jean learns that the Australian man, Joe Harman, did not die as she thought. She decides to go to Australia to try to find him. As fate would have it, however, he comes to Strachan’s office in London looking for Jean, having learned that she was single after thinking all this time that she was married.

About half the novel is about the couple finding each other, but then Jean sees the nearby town to the remote station where Joe works. She learns that the girls won’t stay in town because there is nothing there for them, and Joe can’t keep men on the station because there are no girls. The resourceful Jean decides that if she can’t bear to live in the town, something must be done to improve it.

It’s easy to see why this novel is so beloved, although caution—there is incidental racism that reflects the times. That being said, I found this novel deeply satisfying—engrossing, touching, full of life and spirit.

The Narrow Road to the Deep North

My Brilliant Career

Salt Creek

Review 1766: China Court

Old Mrs. Quin dies, leaving her beloved house, China Court, dilapidated from lack of money and her even more beloved garden tended only in a few places. Her descendants gather, assuming the house and contents will have to be sold to pay for the taxes and the leftover money divided. Among them is Tracy, her only grandchild, who loved the house as a child but was taken away by her mother to lead a wandering existence. Mrs. Quin’s children are indignant about the presence of Peter St. Omer, who abandoned an aimless life four years ago to work the estate farm at Mrs. Quin’s encouragement.

When the will is read, there is a surprise for all, as Mrs. Quin has left the house to Tracy and the farm to Peter with an unusual proviso. But can they find the money to save the properties?

China Court was the novel I chose to read for Rumer Godden Week, hosted by Brona at This Reading Life. With a great deal of fluidity, it tells the story of the lives of several generations of Quins in their home of China Court. It moves back and forth among generations, the shifts triggered by an object or a smell, as it tells what happened to the family—the smart girl denied an education because of her sex, the wife madly in love whose husband was unfaithful at the first opportunity, the girl in love with one brother who married another.

Godden does this skillfully, inserting the seeds of the stories into the first chapter so that readers want to find out about them. She structures the novel by dividing it up like a book of hours, beginning each chapter with a description of the page of that hour from a specific book. I was perplexed about the reason for this device, but all is eventually made clear.

Godden uses a similar technique in A Fugue in Time (written in 1945) but less successfully there, I think. In this novel I became very involved in the stories of some of the characters and the fate of the house. Godden has perfected this approach to fiction by the time she published this book in 1961.

A Fugue in Time

The Lady and the Unicorn

A Harp in Lowndes Square

Review 1761: #ThirkellBar! Pomfret Towers

Cover for Pomfret Towers

It’s time to talk about the sixth book in Angela Thirkell’s Barsetshire series, Pomfret Towers. Who read it and what did you think?

This novel is another one that I reviewed several years ago, so I will not repeat the plot synopsis and review but simply supply a link to the original review.

What struck me this time around was how sweet a story this is, with Thirkell creating characters we like tremendously but not forgetting a couple we can dislike. Yet, she’s subtle about all of this and shows a little sympathy for one of the most irritating characters.

Little Alice, so young and shy, is both a sympathetic character and one who provides some good-natured comedy. For example, her reaction to being invited to Pomfret Towers for the weekend—a terrifying prospect—is to hope the house burns down overnight before she has to go. She is silly and adolescent in her attachment to the odious Julian Rivers and very brave when she finally sees through him.

On the other side is Mrs. Rivers, so full of herself as a Writer of popular novels that sound dreadful, so managing in a house where she is not the hostess, and so irritating in her attempts to throw together her daughter Phoebe and the mild-mannered Gillie Foster, the heir to the earldom. But when she is humiliated by her son at the end of the novel, Thirkell deftly makes us feel sorry for her (but not for Julian).

I liked practically everyone in this novel, even Lord Pomfret, known for his rudeness. Another charming novel by Thirkell.

Summer Half

August Folly

The Demon in the House

Review 1757: To Bed with Grand Music

To Bed with Grand Music opens with Deborah Robertson in bed with her husband Graham swearing perfect fidelity before his deployment to Cairo during World War II. Graham more honestly doesn’t promise that but says he won’t sleep with anyone that matters. At first, Deborah contents herself at home, but when, in her boredom, she begins snapping at her little son, Timmy, her mother suggests she get a job.

Her mother is thinking about a job nearby in Winchester, but Deborah makes arrangements to visit a friend in London, Madeleine, and see about a job there. Intending to go home on the evening train, she ends up getting drunk and spending the night with a man.

Shocked at herself, Deborah is determined to stay home, but she has a talent for convincing herself that what she wants to do is right, so it’s not too long before she turns down a job in Winchester only to take a lower-paying one in London. From there, she begins a career of connecting with men of increasingly higher rank.

Deborah is definitely an antihero. She starts out selfish and nervous and becomes deceitful, amoral, and avaricious as she goes on. Her faint motherly instincts become almost nonexistent. This is an insightful, sardonic character study of a particular type of woman.

The Victorian Chaise-Longue

A Fugue in Time

Vanity Fair

Review 1755: The Snow-Woman

For nearly half a century, Maude Barrington has been grieving for her three brothers who died in World War I. To the rest of the world she has been cold, letting friendships fall away, living with just her maid Millie, and having just a few neighbor acquaintances.

Then one day, an old frenemy, Lionel Crozier, invites himself to tea. Thinking of him as malicious, Maude doesn’t know what to expect but is not surprised when he arrives with a hugely pregnant young woman from a lower class named Teddie Parker. Soon, the girl begins to give birth on Maude’s couch.

Once Teddie has been dispatched to the hospital, Lionel tells Maude he wants her to come to France, where an old friend, Charles, a famous expert on modern art, is dying. Although Maude has done nothing for years, she agrees to go, and thus begins a kind of opening up, where she reconciles with old friends.

This experience continues when she arrives home and gets more involved, through Millie, with Teddie and her family. The result is the revelation of long-held secrets and a new life for Maude.

Although I wondered why Maude wasn’t curious about how Lionel knew Teddie or why he would have brought her to Maude’s house, and although I also wondered at some point where the novel was going, it turned out to be thoroughly satisfying and heart-warming. Another win for Gibbons.

The Woods in Winter

A Pink Front Door

Nightingale Wood

Review 1747: Cromartie vs. the God Shiva

In its Afterword, Rumer Godden calls Cromartie vs. the God Shiva a twin to Coromandel Sea Change. It is partially set in the same location, the Patna Hotel on the Coromandel Sea, and has some of the same characters. When I realized this, I was excited, because I loved that book.

Michael Dean is chosen by his law firm to represent the government of India against Mr. Cromartie, a Canadian art dealer who is alleged to have purchased a stolen statue of the God Shiva worth a quarter of a million dollars. The statue was purchased from him, but now he is suing for money, so the government has to prove it was stolen.

Michael travels to the hotel. The statue was originally found when the hotel was built, so the owner made a shrine for it in the hotel ballroom. A noted archaeologist, Dr. Ellen Webster, had examined it several years before and told Auntie Sanni, the hotel manager, that it was valuable. A few years later, she realized it had been substituted for a good fake. When Michael questions the employees about it, they are all oddly evasive, and Auntie Sanni advises him to leave it alone. Dr. Webster arrives with her yearly tour group, and Michael falls in love at first sight with her assistant, Artemis.

This novel is a peculiar mixture. It evokes the flavors and smells of the village as do most of Godden’s India-set novels, but it turns into more of a mystery story. I don’t think it is quite as successful as some of her others, although it was nice to return to the Coromandel Sea. I believe this is my last book in my project to read Rumer Godden’s India novels.

Related Posts

Coromandel Sea Change

The Lady and the Unicorn

The Peacock Spring

Review 1745: #ThirkellBar! Summer Half

It’s time for Summer Half, the fifth book in Angela Thirkell’s Barsetshire series. Readers may or may not be excited to learn that this is another book with Tony Morland, now about 14 years old, as a character.

Colin Keith’s father wants him to read law, and Colin likes it, but he feels guilty not earning his own keep at the ripe age of 22. So, he meets with Mr. Birkett, the headmaster of Southbridge school, and arranges to take a job with him. Then he learns that his father has arranged a place for him in the chambers of Noel Merton. The timing is fine, though, for Colin to work the summer half at Southbridge and start in chambers in the fall.

(As a side note, I saw that Colin’s older brother is a young lawyer named Robert who makes a few brief appearances. Is he going to turn into the mysterious figure Sir Robert who is mentioned but does not appear in several novels later on and finally turns up in Enter Sir Robert? I guess only time will tell. My curiosity is piqued.)

Colin’s immediate coworkers are Everard Carter, the master of his house, and Philip Winter, who unfortunately is engaged to Rose Birkett, a beautiful but selfish nitwit. At the last minute, Colin is given a class that Philip wanted to teach, so Philip isn’t disposed to welcome him. Also, he is jealous, and Rose flirts with any man who comes near her.

It is the volatile relationship between Philip and Rose that occupies much of this novel, as well as the hijinks of the boys. However, Carter is also smitten, by Colin’s sister Kate, but he thinks she prefers Noel Merton. Making an appearance for the first time is Colin’s other sister, Lydia, a loud, bouncing 16-year-old, who I believe is a major character in Cheerfulness Breaks In, one of my favorites in this series.

Although some of the school talk went over my head, this is another delightful entrant in the series. It gives us in Rose someone we can heartily dislike only to feel a little more nuanced toward her at the end. Meanwhile, all the other characters are eminently likable.

Who read Summer Half? What did you think?

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The Demon in the House

High Rising

Enter Sir Robert

Review 1738: #1976 Club! Lady Oracle

My final choice for the 1976 Club is this early novel by Margaret Atwood, her third. Up until now, the earliest novel I’ve read by her is The Handmaid’s Tale, published nine years later. Although her novels have mostly been totally unlike each other except for frequent forays into dystopia, Lady Oracle was surprising to me. For the most part, it is quite a silly romp.

When we first meet Joan, she has faked her own death and run away from her life to make a new start in Italy. Over the course of the novel, we learn why.

Joan grows up with a distant and disapproving mother and a mostly absent and ineffectual father. Her mother focuses on her weight, though, so as she gets older, Joan changes from trying to please her mother to defiantly trying to get fatter. It takes the death of her beloved aunt to bring her down to a normal size, because if she loses weight, she’ll inherit enough money to run away from Toronto to London. However, she is thereafter haunted by the spirit of the fat lady.

As a naïve teenager in London, she gets involved in the first of a series of odd relationships characterized by her eagerness to please—first an impoverished Polish Count to whom she loses her virginity simply because she doesn’t know what to do in an embarrassing situation; then her husband, a fervent and ascetic believer in some cause, if only he could figure out which one; then the Royal Porcupine, an artist who offers a bit of romance, albeit on the shabby side. All the while, she is hiding two secrets—that she used to be hugely fat and that she writes trashy romance novels for a living. To hide her past, she accumulates complex lies. However, her secrets are threatened when she almost inadvertently writes a best-selling book of poetry.

By and large, I enjoyed this novel, which gets more and more complicated as it goes along, and sillier and sillier. I was deeply disappointed in the ending, which read to me as if Atwood just got tired of writing the novel and wanted to get it over with. Although Joan seems to be finally developing some self-esteem by the last chapters, everything is left up in the air, and I fear she is doomed to repeat her past.

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Hag-Seed

Alias Grace

The Heart Goes Last