Tag: classics

Review 1757: To Bed with Grand Music

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To Bed with Grand Music opens with Deborah Robertson in bed with her husband Graham swearing perfect fidelity before his deployment to Cairo during World War II. Graham more honestly doesn’t promise that but says he won’t sleep with anyone that matters. At first, Deborah contents herself at home, but when, in her boredom, she begins snapping at her little son, Timmy, her mother suggests she get a job.

Her mother is thinking about a job nearby in Winchester, but Deborah makes arrangements to visit a friend in London, Madeleine, and see about a job there. Intending to go home on the evening train, she ends up getting drunk and spending the night with a man.

Shocked at herself, Deborah is determined to stay home, but she has a talent for convincing herself that what she wants to do is right, so it’s not too long before she turns down a job in Winchester only to take a lower-paying one in London. From there, she begins a career of connecting with men of increasingly higher rank.

Deborah is definitely an antihero. She starts out selfish and nervous and becomes deceitful, amoral, and avaricious as she goes on. Her faint motherly instincts become almost nonexistent. This is an insightful, sardonic character study of a particular type of woman.

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Vanity Fair

Review 1755: The Snow-Woman

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For nearly half a century, Maude Barrington has been grieving for her three brothers who died in World War I. To the rest of the world she has been cold, letting friendships fall away, living with just her maid Millie, and having just a few neighbor acquaintances.

Then one day, an old frenemy, Lionel Crozier, invites himself to tea. Thinking of him as malicious, Maude doesn’t know what to expect but is not surprised when he arrives with a hugely pregnant young woman from a lower class named Teddie Parker. Soon, the girl begins to give birth on Maude’s couch.

Once Teddie has been dispatched to the hospital, Lionel tells Maude he wants her to come to France, where an old friend, Charles, a famous expert on modern art, is dying. Although Maude has done nothing for years, she agrees to go, and thus begins a kind of opening up, where she reconciles with old friends.

This experience continues when she arrives home and gets more involved, through Millie, with Teddie and her family. The result is the revelation of long-held secrets and a new life for Maude.

Although I wondered why Maude wasn’t curious about how Lionel knew Teddie or why he would have brought her to Maude’s house, and although I also wondered at some point where the novel was going, it turned out to be thoroughly satisfying and heart-warming. Another win for Gibbons.

The Woods in Winter

A Pink Front Door

Nightingale Wood

Review 1747: Cromartie vs. the God Shiva

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In its Afterword, Rumer Godden calls Cromartie vs. the God Shiva a twin to Coromandel Sea Change. It is partially set in the same location, the Patna Hotel on the Coromandel Sea, and has some of the same characters. When I realized this, I was excited, because I loved that book.

Michael Dean is chosen by his law firm to represent the government of India against Mr. Cromartie, a Canadian art dealer who is alleged to have purchased a stolen statue of the God Shiva worth a quarter of a million dollars. The statue was purchased from him, but now he is suing for money, so the government has to prove it was stolen.

Michael travels to the hotel. The statue was originally found when the hotel was built, so the owner made a shrine for it in the hotel ballroom. A noted archaeologist, Dr. Ellen Webster, had examined it several years before and told Auntie Sanni, the hotel manager, that it was valuable. A few years later, she realized it had been substituted for a good fake. When Michael questions the employees about it, they are all oddly evasive, and Auntie Sanni advises him to leave it alone. Dr. Webster arrives with her yearly tour group, and Michael falls in love at first sight with her assistant, Artemis.

This novel is a peculiar mixture. It evokes the flavors and smells of the village as do most of Godden’s India-set novels, but it turns into more of a mystery story. I don’t think it is quite as successful as some of her others, although it was nice to return to the Coromandel Sea. I believe this is my last book in my project to read Rumer Godden’s India novels.

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Review 1745: #ThirkellBar! Summer Half

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It’s time for Summer Half, the fifth book in Angela Thirkell’s Barsetshire series. Readers may or may not be excited to learn that this is another book with Tony Morland, now about 14 years old, as a character.

Colin Keith’s father wants him to read law, and Colin likes it, but he feels guilty not earning his own keep at the ripe age of 22. So, he meets with Mr. Birkett, the headmaster of Southbridge school, and arranges to take a job with him. Then he learns that his father has arranged a place for him in the chambers of Noel Merton. The timing is fine, though, for Colin to work the summer half at Southbridge and start in chambers in the fall.

(As a side note, I saw that Colin’s older brother is a young lawyer named Robert who makes a few brief appearances. Is he going to turn into the mysterious figure Sir Robert who is mentioned but does not appear in several novels later on and finally turns up in Enter Sir Robert? I guess only time will tell. My curiosity is piqued.)

Colin’s immediate coworkers are Everard Carter, the master of his house, and Philip Winter, who unfortunately is engaged to Rose Birkett, a beautiful but selfish nitwit. At the last minute, Colin is given a class that Philip wanted to teach, so Philip isn’t disposed to welcome him. Also, he is jealous, and Rose flirts with any man who comes near her.

It is the volatile relationship between Philip and Rose that occupies much of this novel, as well as the hijinks of the boys. However, Carter is also smitten, by Colin’s sister Kate, but he thinks she prefers Noel Merton. Making an appearance for the first time is Colin’s other sister, Lydia, a loud, bouncing 16-year-old, who I believe is a major character in Cheerfulness Breaks In, one of my favorites in this series.

Although some of the school talk went over my head, this is another delightful entrant in the series. It gives us in Rose someone we can heartily dislike only to feel a little more nuanced toward her at the end. Meanwhile, all the other characters are eminently likable.

Who read Summer Half? What did you think?

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Review 1738: #1976 Club! Lady Oracle

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My final choice for the 1976 Club is this early novel by Margaret Atwood, her third. Up until now, the earliest novel I’ve read by her is The Handmaid’s Tale, published nine years later. Although her novels have mostly been totally unlike each other except for frequent forays into dystopia, Lady Oracle was surprising to me. For the most part, it is quite a silly romp.

When we first meet Joan, she has faked her own death and run away from her life to make a new start in Italy. Over the course of the novel, we learn why.

Joan grows up with a distant and disapproving mother and a mostly absent and ineffectual father. Her mother focuses on her weight, though, so as she gets older, Joan changes from trying to please her mother to defiantly trying to get fatter. It takes the death of her beloved aunt to bring her down to a normal size, because if she loses weight, she’ll inherit enough money to run away from Toronto to London. However, she is thereafter haunted by the spirit of the fat lady.

As a naïve teenager in London, she gets involved in the first of a series of odd relationships characterized by her eagerness to please—first an impoverished Polish Count to whom she loses her virginity simply because she doesn’t know what to do in an embarrassing situation; then her husband, a fervent and ascetic believer in some cause, if only he could figure out which one; then the Royal Porcupine, an artist who offers a bit of romance, albeit on the shabby side. All the while, she is hiding two secrets—that she used to be hugely fat and that she writes trashy romance novels for a living. To hide her past, she accumulates complex lies. However, her secrets are threatened when she almost inadvertently writes a best-selling book of poetry.

By and large, I enjoyed this novel, which gets more and more complicated as it goes along, and sillier and sillier. I was deeply disappointed in the ending, which read to me as if Atwood just got tired of writing the novel and wanted to get it over with. Although Joan seems to be finally developing some self-esteem by the last chapters, everything is left up in the air, and I fear she is doomed to repeat her past.

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Review 1737: #1976 Club! Meridian

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Meridian is another choice for the 1976 Club. It is about the life of a Southern black woman who becomes an activist during the 1960’s Civil Rights movement.

Meridian is hard to describe as a novel. Although it covers the teen and adult years of its heroine, Meridian Hill, it does so in a patchy, nonlinear way, at first seeming to be a series of nonsequential short stories. Meridian grows up with an uninvolved mother, who says things she doesn’t understand, like “Be nice,” as a code for her behavior with boys. So, it’s not surprising that she becomes pregnant at a young age and has to drop out of high school to get married.

However, the bulk of the story is about relationships formed after her marriage is over and she gives up her son so that she can accept a scholarship to a black girls’ college in Atlanta. She meets and falls for Truman Held, who encourages her to become more involved in the Civil Rights movement, demonstrating and signing up black adults to vote.

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It is Meridian’s complex relationship with Truman and his white activitist wife from the North, Lynne, that is the focus of much of the novel. Truman and Lynne are involved in a black/white love/hate relationship that is familiar to me from reading other black authors of the time. At first, the Civil Rights movement is composed of a mixture of black and white activists. Then some of the groups shut out the white activists and then the women, so that only the black men have a voice. Meridian continues to adopt any cause she can find, but as Lynne is shut out, her relationship with Truman sours, as it does over his frequent infidelities.

Walker’s prose is lovely, although she seems detached from her characters. Meridian herself seems to have to remove herself from personal relationships before she can serve humanity. I had mixed feelings about this novel and wasn’t sure I understood everything.

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Review 1734: Effi Briest

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Effi Briest is sort of a German version of Madame Bovary. It seems that the last half of the 19th century was a big time for novels about unfaithful wives. However, whereas Anna Karenina was a call for improvement in women’s rights on this issue, Effi Briest seems to accept the unfairness of the laws and societal mores. Nevertheless, I liked this novel more than Madame Bovary, which is more of a character study of a stupid woman.

Effi is only sixteen when the Baron von Instetten, an old suitor of her mother, comes calling. Within an hour, he proposes marriage and is accepted. The Baron is a civil servant, and after their marriage, he takes her home to a seaside village in upper Pomerania. The house is dark and depressing and reputedly haunted. Society is limited, and Effi, who is a gay person who likes to enjoy herself, finds only one congenial inhabitant, the local chemist. The women she has to socialize with are commonplace or spiteful. Effi feels neglected and unhappy.

After the birth of her daughter, the Crampases arrive. Major Crampas is an old schoolfriend of the Baron and a known womanizer. (I wonder if his name’s resemblance to Krampus is a coincidence, considering the Germanic origins of that character.) Although she tries to avoid it, Effi is drawn into an affair with him. When her husband gets a posting to Berlin, though, she is happy to leave and put it behind her. But it is not behind her at all.

I liked the character of Effi very much, but she is the only one in this novel who is fully drawn. The others just seem like placeholders for their actions, except for Rollo the dog. Also, the harsh reactions of everyone when they find out about the affair, even though it is long over with, seem even more extreme than Karenin’s in Anna Karenina.

Even though this novel is 20 years more recent than Anna Karenina, having been published in 1895, it has a much more rigid and judgmental message despite Effi being a sympathetic character. As a person, I liked Effi better than silly Emma Bovary or naïve Anna Karenina, but I found the novel a bit punitive. Fontane was reacting in it to a story he heard of a similar event in which he was struck by the lack of surprise or dismay expressed by society at the harsh treatment of the woman involved, so he is combining an approach to our sympathy with Realism in this novel.

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Review 1730: #ThirkellBar! August Folly Recap

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It’s time for our reviews of August Folly, the fourth book in Angela Thirkell’s Barsetshire series. I just reviewed this book last April, so I’ll link back to my original review for most of my comments and the plot synopsis. My post covers some other observations I have after my reread.

First, I was struck by Thirkell’s depiction of Richard Tebbins, because it is so typical of adolescent behavior. His mother adores him to the neglect of his (more deserving) sister Margaret, but of course he is embarrassed by everything his parents do and then feels guilty about his rudeness to them. His passion for Mrs. Dean is absurd but, I think, very true to the behavior of an infatuated youth, and he finally begins to grow up later in the novel.

Of the two love affairs, the novel concentrates more on the one between Margaret and Laurence Dean, but I was more interested in the one between Charles Fanshawe and the much younger Helen Dean.

There are lots of comic characters in this novel. The managing Mrs. Palmer is almost unbearable at times (as is the fussing Mrs. Tebbins), but both of them show other sides. And that’s what I like about Thirkell. She creates some hilarious characters, but most of them, except perhaps Moxon, the curate, show other, more sympathetic sides, or the humor is gentle, not mocking. I wasn’t much taken with the conversations between the donkey and the cat, but that’s a minor criticism and a very small part of the book.

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Review 1725: Cluny Brown

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Best of Ten!

Mr. Porritt, the plumber, is worried about his niece, young Cluny Brown, because, he says, she does not know her place. Why, the other day she went to the Ritz just to see what it was like. When he catches Cluny about to take a bath in a gentleman’s lovely bathtub after she made a plumbing call, Mr. Porritt decides to take advice and send Cluny into service.

She ends up as a parlor maid in Devonshire for Lady Carmel and Sir Henry. There, although she’s not very adept at being a parlor maid, she finds she likes the country and she befriends a golden lab belonging to Colonel Duff-Graham, who allows her to take the dog out for walks.

In the meantime, Lady Carmel’s son Andrew has met Mr. Belinski, an eminent man of letters who has had to abruptly flee Poland and is barely getting by. Andrew invites Mr. Belinski to stay at his parents’ manor, where he can write. Andrew himself is preparing to propose to the beautiful Betty Cream.

Cluny is struck by Mr. Wilson, the chemist, and he rearranges his shop’s closing day to take walks with her. There’s something about Cluny, who is direct and forthright and doesn’t seem to understand customary boundaries.

This is a wonderful comic novel, absolutely delightful, and my first by Margery Sharp (I have reviewed one that I read after this one). I’ll be looking for more.

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Review 1723: A Fugue in Time

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Godden attempts something unusual in A Fugue in Time. She makes a house that has held the same family for a century into a sort of conscious entity and tells the story of the family in collapsing time.

It’s World War II, and old Rolls Dane has received notice that the 99-year lease on his house has elapsed and the owners want it back. The house was the one his parents moved into upon their marriage, and it has been the scene of many events, including his own unhappy love affair.

Rolls has been leading a reclusive life with only one servant left in the big house, and he is not pleased when his great niece, Grizel, an American officer, comes to ask if she can stay in the house. Later, Pax Masterson, an RAF officer being treated for burns, comes to visit the house that he’s heard about all his life from his mother, Lark, the girl Rolls’s father brought home many years before after her parents died in a railway accident.

Although I eventually got involved in this novel, its basic premise seemed at first affected and I didn’t think it was going to work. Early on, for example, there is a five- or six-page description of the house that slowed momentum to a standstill. Then, the shifts in time sometimes take place within the same paragraph, and at first it’s hard to grasp the when. There are some cues, for example Rolls’s name changes from Roly to Rollo to Rolls.

This is not one of my favorite Godden books, but the idea behind it is an interesting one. It reminded me a little of A Harp in Lowndes Square, in which images and sounds of the future and past reside in a house.

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