Day 928: The View from Castle Rock

Cover for The View from Castle RockThe View from Castle Rock is an earlier Munro collection of short stories than Family Furnishings, which I previously reviewed. Since Family Furnishings is an anthology of Munro’s stories over the course of her career, I had already read several of the stories in The View from Castle Rock.

All of these stories have to do with the history of Munro’s family. In “No Advantages,” she has traveled to the area of Scotland where the Laidlaws came from. This story incorporates excerpts from other writings and quotes the epitaphs of some of her ancestors. It explains their hard life and the kinds of people her 18th century ancestors were.

In “The View from Castle Rock” Munro relates a family legend about how their drunken great-great-great grandfather James Laidlaw took his son Andrew up onto Castle Rock in Edinburgh to view America, probably as a joke, since they were looking at Fife. Although he talks of emigration throughout his life, he is unhappy when some of his sons finally take him and their families to America. This story is about their voyage and the fates of some of the family on board.

Other stories are more recent. “Hired Girl” is about a summer when Munro worked as a hired girl at a beach house on an island. For that summer, she had to learn that her employers did not consider her an equal. This was a tough lesson, as her mother especially had always had some pretensions of superiority even though they were poor.

In “Home” she revisits home after living away for some years. Her father has remarried after her mother’s death, and her old house has changed almost completely.

Cover for The View from Castle RockThe stories in this collection are powerful, relating the hard life of her family farming and raising fur, their close-mouthed quality, pride, and stubbornness. She is courageous in her ability to look at everything with honesty, even her own foibles.

One comment I have to make is on the cover of my Vintage International edition, shown here. It has absolutely nothing to do with the contents of the book and gives an entirely misleading idea of the stories. The only story that even faintly is about a beach is “Hired Girl,” and the girl is not exactly lying around in the sand. Sometimes I wonder what publishers are thinking. The cover that I used at top is much better.

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Day 922: The Vegetarian

Cover for The VegetarianThe Vegetarian is an unusual, transgressive work, full of disturbing images and violent scenes. When I first began reading it, I wondered how seriously we were supposed to take it as a work of realism. My answer was, not at all.

The novella is divided into three parts, each written from the point of view of a different character. The first is Mr. Cheong, the self-centered, repellent husband of Yeong-hye. He has already alienated us by describing his wife in insulting terms, even when remembering when he chose to marry her.

He tells us the story of what happens when Yeong-hye decides to stop eating meat. Her only explanation is “I had a dream.” But we get short glimpses into Yeong-hye’s thoughts, and they describe a disturbing vision that keeps recurring. This section climaxes in a shocking scene during a family party.

The next section is from the point of view of Yeong-hye’s brother-in-law, an artist. He has his own visions and compulsions.

The final section is from the point of view of In-hye, Yeong-hye’s older sister. In-hye tries to understand her sister’s condition in terms of the hardships of her childhood, when she was abused by their father.

As Yeong-hye decides to embrace her inner plant, bending to her obsessions, the novella becomes more divorced from reality. The three main characters all are gripped by their own visions.

link to NetgalleyThe description of this novel on Goodreads calls it “an allegorical novel about modern day South Korea.” I would agree that it is allegorical (not my favorite genre), but that it’s actually about life in modern South Korea, not so much. It is set there, but it don’t think we’re supposed to see its events as representative of life in South Korea. The review in the New York Times points to the danger of “a focus on the ethnographic and sociological” and attributing much to differences in culture. If you believe this, you’ll think Koreans have very odd attitudes toward vegetarianism. I pondered this when reading, but decided that the behavior of the characters in some scenes was too extreme to be taken at face value.

Did I like The Vegetarian? Not so much, but it made me think.

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Day 921: Vinegar Girl

Cover for Vinegar GirlWhen I realized that Vinegar Girl is a reworking of The Taming of the Shrew, my main reaction was to wonder how that could be pulled off in modern times. But, I have thought I should read more Anne Tyler, so I decided to read it. It is very short and perhaps predictable, a quick, light read.

Kate Battista feels she doesn’t have much purpose in life. She and her sister Bunny have been raised by a preoccupied scientist father who has loads of ridiculous systems for running the house (even worse than my husband’s). The girls’ mother died young, but before that she was almost always caught up in depression. Kate was expelled from college for being rude to one of her professors (which actually sounds like an unlikely reason for being expelled). Since then, she has been working as a preschool teacher, taking care of the house and garden, and being a guardian to her sister.

Kate is abrasive sometimes, and she keeps getting into trouble at the preschool for things she says to the parents. She thinks her beautiful young sister is silly for putting on a different personality for men. She has lost most of her friends through lack of shared interests, and the only thing she does that she likes is gardening.

She is taken aback when her father calls her asking her to bring him his lunch, which he has forgotten. Since he frequently forgets his lunch and never notices, that is surprising, but she doesn’t figure out that he is attempting to introduce her to his lab assistant, Pyotr Cherbakov. Ultimately, it comes out that Pyotr’s visa is about to expire, and her father wants her to marry Pyotr so that he can stay in the country.

Kate is insulted and infuriated at the same time. She is so angry that she ends up agreeing, just to get out of the house.

link to NetgalleyYou can see where this is going. The novel is a cute romance with some good dialogue. I found a little unlikely the climactic scene Kate makes at the wedding dinner, especially considering what had just gone on before. The thrust of her message is that it’s harder being a man than a woman, something my mother used to tell me that I have never bought. I think Tyler is showing her age here, but it’s the only disappointing thing in a book that is fairly entertaining.

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Day 916: The Unraveling of Mercy Louis

Cover for The Unraveling of Mercy LouisAt the beginning of this novel, it is 1999 and the last day of Mercy Louis’s sophomore year in high school. The novel is set in the downtrodden refinery city of Port Sabine, Texas. Mercy lives with Maw Maw, her grandmother, a woman who combines a background of Cajun superstition with strict fundamentalism. Maw Maw has visions and believes that the End of Days will arrive at the end of the year.

Mercy is focused on the thing she finds most important—basketball. She follows her coach’s rigid routines and diet, and she doesn’t drink or get involved with boys. Her best friend and teammate Annie isn’t so careful, though, about parties or boys.

Troubles for the town begin when an employee of a convenience store finds the body of a fetus in the dumpster. National attention falls on the town, fundamentalists demonstrate against the evils of baby killing, and attention soon turns on the town’s teenage girls. As one of them remarks, it’s as if suddenly it’s a sin to be a girl.

Mercy feels pressure from other sources, too. She has had a fit or a vision at church. She has received a letter from her mother, who left her when she was a baby. She also has a boyfriend for the first time, Travis, a boy from an artistic, liberal background. And she’s started having trouble controlling one of her arms.

The other major character is Illa Stark, a misfit girl who has only one friend, Lennox, who works with her on the school paper. She has a crush on Lennox, but he is dating the formidable Annie. Illa also has a fascination with Mercy, the star of the girls’ basketball team.

Illa’s mother is wheelchair bound after a huge refinery accident several years ago. Now she hardly ever goes out. Illa doesn’t get out much either except as manager of the basketball team and in pursuit of her interest in photography.

Although this novel is a coming of age story, it is more about the pressures of religious fundamentalism on girls. Mercy tries to cope with the natural desires of teenage years to date and have fun, both of which she has been brought up to believe are evil.

I did care about these characters, but I felt that in some ways, although the novel doesn’t tie up all the threads, it comes to some easy solutions of the characters’ problems. I also found the writing—which is overloaded with similes and metaphors—to be irritating at times. So, I had a mixed reaction to this novel.

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Day 914: History of the Rain

Cover for History of the RainBest Book of the Week!
The distinctive voice of its narrator is what stands out to me about History of the Rain. But again, I feel as if I may not be able to convey just how wonderful I found this lovely novel.

Ruthie Swain is a young girl bedridden from an illness. In her attic bedroom under a watery skylight she is trying to read her father’s thousands of books. She is also writing a novel to try to understand him. During this effort, she writes about Ireland, her village, and the history of her family, especially about the Impossible Standard. Her story incorporates the mythological heritage of Ireland as well as references to countless literary authors and characters and the eccentric residents of her village.

Ruthie’s mother’s family, she says, evolved from salmon, and her mother first meets her father salmon fishing, and is hooked. But that gets way ahead of the story, which in unchronological order recites the history of her father’s family, the story of the Impossible Standard and his evolution into a poet.

To give a flavor of the novel, here is how Ruthie imagines the first time Ruthie’s father Virgil is invited to dinner at her mother’s house:

“So, how do you like it here?”
“Very much.”
“Good.”
That exhausts the dialog. She realizes she hasn’t folded the napkins and takes hers and begins to press it in halves. Virgil does the same. Both of them are useless at it. Maybe evenness is a thing intolerable to love. Maybe there’s some law, I don’t know. She lines up the halves of hers, runs her forefinger down the crease. When she picks it up the thing is crooked. So is his. She undoes the fold and goes at it again, but the napkin wants to fall into that same line again and does so to spite her, and does so to spite him, or to occupy both with conundrums or to say in the whimsical language of love that the way ahead will not be a straight line.

She doesn’t give up, and he doesn’t give up. And in that is the whole story, for those who read Napkin.

This novel is funny, heartbreaking, and lovely. It is about the loves of reading and poetry and Ireland and life. I loved this book.

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Day 912: Literary Wives! The Disobedient Wife

Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in modern fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!

Ariel of One Little Library
Emily of The Bookshelf of Emily J.
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

My Review

Cover for The Disobedient WifeA distinctive characteristic of The Disobedient Wife is its sense of place in an unusual setting, Tajikistan. The novel contrasts the lives of two women, Nargis, a nanny and maid who is struggling to support her family, and Harriet, her employer.

The novel begins during a bitterly cold winter, and Milisic-Stanley effectively conveys how difficult life is for the majority of Tajiks. Harriet, in contrast, lives a life of luxury as the wife of a foreign diplomat. At first, she is not a very sympathetic character, as opposed to Nargil. The novel makes it clear that Harriet is a trophy wife who angled to take her husband Henri from his previous wife.

Nargil, on the other hand, is separated from her second husband. She loved her first husband, who died, but was rushed into her second marriage by her parents. Her second husband has proved abusive to her and her son, so Nargil has left him, at the expense of leaving her youngest son Faisullo with her husband’s family. She has no legal right to her son if her husband doesn’t grant it.

By contrast to Nargil’s, Harriet’s life is one of idleness and boredom. Her husband is almost constantly working, frequently away traveling, and she has little purpose to her life.

The writing style of this novel was so florid at first that it bothered me. However, I quickly got involved in the women’s stories and in the details of life in Tajikistan, particularly in Nargil’s life.

What does this book say about wives or about the experience of being a wife?

Literary Wives logoAlthough the marriages are very different, I felt they were both stereotypical, and a bit of a weakness in the novel. For one thing, we see very little of any positive interactions between the wives and husbands. As Nargil is separated from Poulod, we don’t see day-to-day interactions but understand he was an abuser. The novel concentrates more on the difficulties Nargil faces with his continuing presence in her life and her lack of rights.

Henri expects Harriet to be a proper hostess to his guests. Otherwise, he doesn’t spend much time with her. He patronizes her and leaves her with the children most of the time. It’s difficult to imagine why they ever got married.

I guess the message we’re supposed to get about this topic is that both women have the courage to leave their marriages, no matter how different.

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Day 909: Big Little Lies

Cover for Big Little LiesBest Book of the Week!
From the very beginning of Big Little Lies, we’re aware that someone has been killed, but we don’t know who, or why, or by whom. Liane Moriarty’s novel artfully builds suspense as it draws you in to care about certain of the characters.

The action of the novel is centered around Pirriweee Public School, and it begins six months before school trivia night, when the death occurs.

Madeline Mackenzie is taking her five-year-old daughter Chloe to kindergarten orientation when she has a small accident. Jane, the younger single mother of Ziggy, helps her, and Madeline and her friend Celeste befriend her. Jane is moving to the area in a few months when Ziggy will be in kindergarten with Chloe and Celeste’s twin sons Max and Josh.

During the orientation, the kindergarten teacher notices that someone has been choking Amabella, so she brings this up in front of all the children and parents, asking Amabella to say who hurt her. Amabella doesn’t want to say but ultimately seems to indicate Ziggy. Ziggy states clearly that he didn’t hurt Amabella, so Jane believes him.

However, Renata, Amabella’s high-powered corporate mother, starts a campaign with some of the other mothers to ostracize Ziggy. This begins with not inviting him to Amabella’s birthday party. All of this behavior escalates, and for a while I thought it might be taking on a comic edge, like the school-based nonsense caused by helicopter parents in Where’d You Go, Bernadette? But underlying it all is the knowledge that someone will end up dead.

And the characters have their secrets. Madeline, whose husband Nathan deserted her with a newborn baby 14 years earlier, is upset because he and his new wife Bonnie seem to be winning her older daughter away from her. And Jane’s and Celeste’s even darker secrets come out later.

This novel is striking in its ingenuity and in how much Moriarty brings you to care for its characters. I was deeply involved from beginning to end. The conclusion was eminently satisfying. I’ll be looking for more books by Moriarty.

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Day 908: Relativity

Cover for RelativityIt’s hard to express my feelings about Antonia Hayes’s first novel, Relativity. When I say it’s sort of a feel-good novel about the ramifications of shaken baby syndrome, you’re going to get the wrong idea. So, maybe I should just start at the beginning. I read recently that Hayes’s own son was a victim, and that adds an unexpected dimension to the novel.

The novel begins from the viewpoint of a delightful character, Ethan Forsythe, the 12-year-old ex-baby in question. He is thrilled about astronomy and physics, and we meet him with his mother, Claire, watching the stars from the park. Ethan is a science nerd who is having some problems at school from bullying, and he also wonders about his father, whom his mother refuses to talk about. Finally, some particularly nasty comments about his father by his ex-best friend Will at school lead him to hit Will, an incident that he can’t remember. In the resulting conference with parents and his teacher, Will’s mother makes some cruel comments and Ethan is so upset that he has a seizure.

Claire, who is a distracted, hazy, self-involved person and overly protective parent, has been having her own problems. Her ex-husband Mark has written her a letter telling her his father is dying and wants to see Ethan. Claire has not allowed Mark’s family any contact with Ethan since Mark left. Claire decides it is not in Ethan’s best interest to meet Mark’s father John, so John dies without seeing Ethan. We know that Ethan had developmental problems as a baby, but it is a while (but still in the first third of the book) before we find out that his father was found guilty of shaking him and injuring him. For that, he served time in prison.

One of the questions of the novel is whether Mark did it or not. However, this novel deals with more issues than that. Mark insists he did not, and we don’t learn the truth about it until the latter part of the novel. It also deals with how both parents handle self-blame over the injuries to Ethan and the disintegration of their marriage. Another theme is Ethan’s own need for knowledge of his father.

link to NetgalleyThis was quite an enjoyable read for me, although I had some problems with the last part of the book. It is hopeful and gentle without providing a magic ending that solves everyone’s problems. That sounds good, right? But something about it bothered me in this context. The novel is compassionate and understanding, maybe too much so.

But the characters are convincing. Ethan is charming, especially in his friendship with his hospital friend Alison and in his love of and excitement for physics. Claire has reason for her over-protectiveness, although she is also very self-obsessed. Mark gradually pulls out of his own self-involvement over his ruined future to consider his son. Overall, I have to decide in favor of this novel, especially as Hayes undoubtedly knows her subject.

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Day 885: The Last Summer of the Camperdowns

Cover for The Last Summer of the CamperdownsHi, all, I just wanted to tell you before I get started that I began a new project, attempting to read all of the Man Booker Prize shortlisted books since 2010. See my new Man Booker Prize Project page for more information, and join me if you want to.

* * *

The Last Summer of the Camperdowns is one of those books that I made a note I’d like to read some time ago, but by the time I got to it, could not remember what it was about. When that happens, I don’t read the cover. I just plunge in. I was surprised to find myself reading a sort of modern gothic novel.

Riddle Camperdown is a 12-year-old girl spending the summer at her family’s dune-side house on Cape Cod in 1972. Her name says a lot about the eccentricity of her family, for she is named after Jimmy Riddle Hoffa (yes, that one), and her father sometimes calls her Jimmy. “Camp” Camperdown is a labor organizer, composer, and politician, a noisy brash, boisterous, charismatic true believer. His wife, Greer, seems a mismatch for him. She is a cool, chic ex-movie star with an acid tongue. Riddle, who adores her father, thinks her mother only cares about money and status.

Another of the couple’s regular arguments starts up when they learn Michael Devlin is returning to the area. Michael is a rich, privileged man who used to be Camp’s best friend, but an incident during World War II drove them apart. Riddle is also fascinated to learn that Michael was engaged to Greer and stood her up at the altar.

Riddle and Greer are avid riders, so when that afternoon they go over to see Greer’s friend Gin, Riddle wanders off to the yellow barn to see a mare with a foal. When she is in the barn, something horrible happens, something she doesn’t see but only hears. She thinks she hears someone or something being chased through the barn and then dragged back to the tack room. She is terrified, but just as she is getting the nerve to open the tack room door, Gin’s employee Gula comes out.

Riddle is already terrified of Gula, so she pretends she hasn’t heard anything. Inexplicably, though, she is too terrified to tell her parents.

Soon, they learn that Michael Devlin’s youngest son Charlie has disappeared. It doesn’t take long for Riddle to guess it was Charlie she heard in the barn. That night, the barn burns down with several horses in it.

As Riddle is repeatedly terrorized by Gula, her parents’ marriage seems more and more fraught. Michael Devlin begins threatening Camp’s political campaign with a tell-all book, and Camp fears what he sees as his wife’s attachment to Devlin. In the meantime, Riddle falls in love with Michael Devlin’s oldest son, Harry.

This novel is quite suspenseful, with a plot that is far more complex than it first seems. If there were two small things I didn’t quite buy, one was the extremeness of the Camperdowns’ arguments at first. The other was how long it took Riddle to tell the truth, considering how Gula was threatening her, even going into her room and leaving things. Although ultimately Riddle was also hiding the fact that she hadn’t told the truth right away, I would think she would be too scared not to tell.

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Day 883: Salmon Fishing in the Yemen

Cover for Salmon Fishing in the YemenI enjoyed the movie Salmon Fishing in the Yemen, a light romantic comedy, so I picked up the novel. Although most of the same elements are there, the novel is a bit darker and more satirical, the emphasis on government idiocy.

Dr. Alfred Jones is a scientist for the National Centre for Fisheries Excellence. He loves his work but is taken aback when he receives a letter about assisting with a project to establish salmon in the Yemen, to be sponsored by a wealthy sheik. Fred thinks the idea is scientifically absurd and ignores it.

But government officials in the prime minister’s office get wind of the project and see it as a possible source of good publicity about the relationship between the U.K. and the Middle East. The outcome is that Fred is ordered to follow through on the project.

Fred is pleasantly surprised at the apparent competence of the project manager, Harriet Chetwode-Talbot, but it is when he meets the sheik that he begins to have an interest in the project. The sheik is a devoted fisherman who has an outlandish but possibly feasible plan for his project.

Fred’s marriage isn’t going smoothly. His no-nonsense wife Mary has accepted a temporary posting to Geneva without consulting him. She is far better paid than he is and is dismissive in her attitudes toward his career, even when a political shift toward the project gets him fired and he is taken on by Harriet’s company at a lot higher salary.

Harriet also has some personal problems. Her fiancé Robert has been posted somewhere in the Middle East, and she is no longer receiving his letters. Nor can she get any information about him from the Marines.

This novel is epistolary, told completely in emails, Fred’s diary entries, letters, transcripts of interviews, and newspaper articles. It is occasionally funny, almost ridiculously satirical, and a little bit sweet. However, if you are hoping for the movie ending, you will be disappointed, because in the movies, the boy always has to get the girl, especially if he’s played by Ewan McGregor. In fiction, things can be more complicated.

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